Martin Boyce
Born 1967, Hamilton; Lives in Glasgow.
Education
| 1997 | MFA, Glasgow School of Art |
| 1996 | California Institute for the Arts |
| 1990 | BA Environmental Art, Glasgow School of Art |
Current & Forthcoming
| 2024 | ‘Shine On’, Sadie Coles HQ, London |
| ‘Before behind Between Above Below’, Fruitmarket Gallery, Edinburgh | |
| ‘A Change of Scenery. Artist-Designed Wallpaper From the Sammlung Goetz’, Neues Museum, Nuremberg |
Solo Exhibitions
| 2023 | ‘The Stars Are Out’, Galerie Eva Presenhuber, Vienna |
| 2022 | ‘Long Distance’, Tanya Bonakdar Gallery, Los Angeles |
| 2021 | ‘No Clouds or Streams No Information or Memory’, The Modern Institute, 3 Aird's Lane, Glasgow |
| ‘Recurring Dreams’, FAHRBEREITSCHAFT, Berlin (haubrok foundation) | |
| 2020 | ‘No Longer Fathom’, Eva Presenhuber, Zurich |
| 2019 | ‘Just Beyond the Undertow’, CONVENT Space for Contemporary Art, Ghent |
| ‘An Inn For Phantoms Of The Outside And In’, Mount Stuart, Isle of Bute | |
| 2018 | ‘The Light Pours Out’, Esther Schipper, Berlin |
| ‘Hanging Gardens’, A4 Art Museum, Chengdu, China | |
| 2017 | ‘Light Years’, The Modern Institute, 14–20 Osborne Street, Glasgow |
| ‘Sleeping Chimneys. Dead Stars.’, Tanya Bonakdar Gallery, New York | |
| 2016 | ‘Spotlight - 'Do Words Have Voices'’, Tate Britain, London (Solo presentation) |
| ‘Spook School’, CAPRI, Düsseldorf | |
| ‘Gasträume 2016’, Zurich | |
| 2015 | ‘Martin Boyce: When Now is Night’, RISD Museum, Providence |
| ‘Inside rooms drift in and out of sleep / While on the roof / An alphabet of aerials / Search for a language’, Eva Presenhuber, Zurich | |
| Museum für Gegenwartskunst, Basel | |
| 2014 | ‘Stellar Remnants’, Johnen Galerie, Berlin |
| ‘Billboard for Edinburgh: Martin Boyce’, Ingleby Gallery, Edinburgh, Ingleby Gallery, Edinburgh | |
| 2013 | ‘All Over / Again / and Again’, The Modern Institute, 3 Aird's Lane, Glasgow |
| ‘It's Over / and Over’, Tanya Bonakdar Gallery, New York | |
| ‘Study: Eyes’, David Roberts Art Foundation, London | |
| 2012 | ‘In Praise of Shadows’, Johnen Galerie, Berlin (Berlin Gallery Weekend) |
| ‘Scarecrows & Lighthouses’, Tramway, Glasgow (Part One: Scarecrows, 9, 10, 11 Feb 2012. A collaboration with Raymond MacDonald and David Mackenzie)) | |
| 2011 | ‘night terrace - lantern chains - forgotten seas - sky’, The Modern Institute, 14–20 Osborne Street, Glasgow |
| ‘Through Layers and Leaves (Closer and Closer)’, Massachusetts Institute of Technology, Cambridge, MA (Commission) | |
| ‘Winter Palms’, Tanya Bonakdar Gallery, New York | |
| 2010 | ‘A Library of Leaves’, Galerie Eva Presenhuber, Zurich |
| 2009 | ‘No Reflections’, Venice Biennale, Venice (Scotland + Venice. Touring to DCA, Dundee) |
| 2008 | ‘This Place is Close and Unfolded’, Westfälischer Kunstverein, Munster |
| ‘Out Of This Sun, Into This Shadow’, Ikon Gallery, Birmingham | |
| ‘We Are Shipwrecked and Landlocked’, RMIT University Alumni Courtyard, Melbourne (with Kaldor Art Projects) | |
| ‘We Burn, We Shiver’, Sculpture Center, New York (With Ugo Rondinone) | |
| 2007 | ‘That Blows Through Concrete Leaves’, The Modern Institute, 14–20 Osborne Street, Glasgow |
| ‘Suspended Breath’, Atelier Hermes, Seoul | |
| ‘A Lost Cat and Alleyways, Back Gardens, Pools and Parkways’, Centre d'Art Contemporain, Geneva | |
| ‘Electric Trees and Telephone Booth Conversations’, FRAC des Pays de la Loire, Carquefou, France | |
| ‘We Make an Unsubstantial Territory’, Tanya Bonakdar Gallery, New York | |
| 2006 | ‘We Are the Breeze’, Johnen Galerie, Berlin |
| ‘Concrete Autumn (Broken Fall)’, Art Unlimited (with The Modern Institute/Toby Webster Ltd and Johnen + SchÅ¡ttle, Cologne) | |
| 2005 | ‘Concrete Autumn (project with Peter Heimer and Clemens Tissi)’, Galerie Clemens Tissi, Berlin |
| Gallery Ruediger-Schottle, Munich | |
| ‘Broken Fall’, Kabinett fur Aktuelle Kunst, Bremerhaven | |
| 2004 | ‘Brushing Against Strange Weeds’, The Modern Institute/Toby Webster Ltd, Glasgow |
| ‘We Are Resistant, We Dry Out In The Sun’, Galerie Eva Presenhuber, Zurich | |
| ‘In Between Breaths and the Sodium Spill’, Johnen and Schottle, Cologne | |
| ‘Dark Reflections’, Adolf Luther Prize, Krefeld Museum, Krefeld | |
| 2003 | ‘Martin Boyce’, Art concept, Paris |
| ‘Our Love is Like the Earth, the Sun the Trees and the Birth’, Contemporary Art Gallery, Vancouver | |
| ‘Undead Dreams’, Roma Roma Roma, Rome | |
| 2002 | ‘When Now Is Night’, Art|33|Basel, Basel (Art Unlimited with The Modern Institute) |
| ‘For 1959 Capital Avenue’, Museum für Moderne Kunst, Frankfurt | |
| ‘Our Love is Like the Flowers, the Rain, the Sea and the Hours’, Tramway, Glasgow | |
| 2001 | ‘Martin Boyce’, Els Hanappe Underground, Athens |
| 2000 | ‘Martin Boyce’, Jerwood Space, London |
| ‘Fear view’, Johnen and Schottle, Cologne | |
| 1999 | ‘When Now Is Night’, Fruitmarket Gallery, Edinburgh (Part of Visions for the Future) |
| ‘Martin Boyce’, Jacob Fabricius/recent projects, Copenhagen | |
| ‘Martin Boyce’, Lotta Hammer, London | |
| ‘Martin Boyce’, Round Room, Talbot Rice Gallery, Edinburgh | |
| 1998 | ‘Martin Boyce’, Habitat, Tottenham Court Road, London |
| 1996 | ‘You Are Here’, Lime Gallery, California Institute for the Arts, Los Angeles |
| ‘Martin Boyce’, Loggia Gallery, Toronto | |
| 1995 | ‘Something's Got to Give’, The Agency, London |
Group Exhibitions
| 2023 | ‘Es ist Herbst, wir fallen’, Various Others, Munich (Part of Munich Art Week) |
| ‘Concerning Nature’, Tanya Bonakdar Gallery, New York | |
| ‘Arrange Whatever Pieces Come Your Way, Martin Boyce’, Linn Lühn, Düsseldorf | |
| 2022 | ‘The Love of Print’, Kelvingrove Art Gallery and Museum, Glasgow |
| ‘Sculptures by’, Galerie Eva Presenhuber, New York | |
| ‘HOUSE OF CARD’, MOCA, Toronto | |
| 2021 | ‘On the Other Hand’, Throughout the Estate, Canary Wharf, London |
| ‘MONO’, Glasgow Print Studio, Glasgow | |
| ‘En la casa de Marquès’, Casa Museo Can Marquès, Palma de Mallorca | |
| ‘Camere che sognarono camere’, Fondazione Palazzo Magnani, Reggio Emilia (Thomas Demand e Martin Boyce) | |
| x_minimal, Cassina Projects, Milan | |
| ‘I Know Where I'm Going - Who Can I Be Now’, The Modern Institute, 14–20 Osborne Street, Glasgow | |
| ‘Compressed Time’, FS.ART, Berlin (Concept by Friederike Nymphs) | |
| 2020 | ‘Thomas Demand: House of Card, Leuven’, Museum Leuven, Leuven, |
| ‘PS81E’, Esther Schipper, Berlin | |
| ‘PS81E’, Esther Schipper, Berlin | |
| 2019 | ‘In the Spotlight of the Night’, Marta Herford Museum for Art, Architecture, Design, Herford |
| ‘out of order part 1’, Sammlung Haubrok, Berlin | |
| ‘Objects of Wonder — from Pedestal to Interaction’, ARoS Aarhus Kunstmuseum , AARHUS | |
| ‘The TURNER’, The Royal Glasgow Institute of Fine Arts, Glasgow | |
| ‘Living in a Light Bulb’, Tanya Bonakdar Gallery, Los Angeles | |
| ‘Martin Boyce and Gerold Miller’, Zembla Gallery, Hawick | |
| ‘Negative Space Trajectories of Sculpture’, Museum für neue Kunst, ZKM Karlsruhe | |
| ‘Drawing Biennial 2019’, Drawing Room, London | |
| 2018 | ‘Eurovisions: Contemporary art from the Goldberg collection’, Canberra Museum and Gallery , Canberra |
| ‘Innovative Printmaking’, Glasgow Print Studio, Glasgow | |
| ‘The Unending Gift’, Meessen De Clercq, Brussels, Belgium | |
| ‘She sees the shadows’, David Roberts Art Foundation, MOSTYN, Wales | |
| ‘10 Year Anniversary’, Tanya Leighton, Berlin | |
| ‘Smooth Transitions’, Galerie Eva Presenhuber, Zurich | |
| ‘The Anthropologist in me’, Fórum Braga, Portugal | |
| ‘Artists who make music Musicians who make art’, Queen’s Park Railway Club, Glasgow | |
| ‘Open House’, Jessica Silverman Gallery, San Francisco | |
| ‘Revolt & Revolutions’, Yorkshire Sculpture Park, Bretton Hall | |
| 2017 | ‘ISelf Collection’, Whitechapel, London |
| ‘Working/Not Working’, CANADA, New York (Curated by Matt Connors) | |
| ‘CUT’, Glasgow Print Studio, Glasgow | |
| ‘True Faith (Curated by Matthew Higgs and Jon Savage)’, Manchester Art Gallery, Manchester | |
| ‘EUROVISIONS: Contemporary art from the Goldberg Collection’, National Art School, Sydney, Touring to Heidie Museum, Melbourne and Canberra Regional Museum, 2018 | |
| ‘Boros Collection / Bunker Berlin #3’, Boros Collection, Berlin | |
| ‘THE GAP BETWEEN THE FRIDGE AND THE COOKER’, The Modern Institute, 3 Aird's Lane, Glasgow | |
| ‘CONDO’, The Modern Institute at Herald St, London | |
| 2016 | ‘New Past: Contemporary Art from Britain’, Art Gallery of Uzbekistan, Tashkent |
| ‘L’Esprit Du Bauhaus, L’Objet en Question’, Musée des Arts décoratifs, Paris | |
| ‘The Body Extended: Sculpture and Prosthetics’, Henry Moore Institute, Leeds | |
| ‘Comic Invention’, Hunterian Art Gallery, Glasgow | |
| ‘Grey Gardens’, DCA, Dundee | |
| 2015 | ‘How to live? Visions of the future yesterday and today’, Wilhelm-Hack Museum, Ludwigshafen am Rhein |
| ‘Haubrok Collection: Thoughts That Breathe’, Fondation Hippocrène, Paris | |
| ‘Devils in the Making’, GOMA, Glasgow | |
| ‘NOTES ON SCULPTURE A plea for deceleration’, Galerie Krobath, Vienna (curated by Friederike Nymphius on the occasion of 'curated_by Vienna 2015') | |
| ‘Unfinished”¦Works from The Courtauld Gallery’, The Courtauld Gallery, London | |
| ‘Works on Paper’, Galerie Eva Presenhuber, Zurich | |
| 2014 | ‘I'm Yours’, Standard (OSLO), Oslo |
| ‘What is contemporary in contemporay art?’, Mário Sequeira Gallery, Braga | |
| ‘Archive Fever!’, The Clay and Glass Gallery, Ontario | |
| ‘Groupshow’, Flex, Berlin | |
| ‘Urban/Suburban’, City Art Centre, Edinburgh (Part of GENERATION 2014) | |
| ‘GENERATION: 25 Years of Contemporary Art in Scotland’, Scottish National Gallery, Edinburgh | |
| ‘Discordia’, Patricia Fleming Projects, Glasgow (Part of GENERATION 2014) | |
| ‘The Bigger Picture: Works from the 1990s’, Tanya Bonakdar Gallery, New York | |
| ‘The Tears of Things’, Centro de Artes Visuales Fundación Helga de Alvear, Cáceres | |
| ‘No Such Thing As History’, Espace Culturel Louis Vuitton, Munich | |
| ‘You Imagine What You Desire’, Sydney Biennale, Sydney | |
| ‘Infinite City’, Zabludowicz Collection, London | |
| ‘That Petrol Emotion’, Metropolitan Art Society, Beirut | |
| ‘Private Utopia: Contemporary Works from the British Council Collection’, British Council touring show, British Council touring exhibition. Touring to Tokyo Station Gallery, Tokyo (2014); Itami City Museum Of Art, Itami (2014); The Museum Of Art, Kochi (2014); Okayama Prefectural Museum of Art, Okayama (2015) | |
| 2013 | ‘When Now is Minimal. The Unknown Side of the Goetz Collection’, Museion, Bolzano |
| ‘Show and Tell: Calder Jewelry and Mobiles’, Salon 94, New York | |
| ‘/prospekt/ Funktion / Disfunktion — Kunstzentrum Glasgow’, Neues Museum, Nuremberg | |
| ‘City of Disapperances’, CCA Wattis Institute, San Francisco | |
| ‘A Puppet, a Pauper, a Pirate, a Poet, a Pawn and a King’, Auckland Art Gallery, Auckland (From the Naomi Milgrom Art Collection) | |
| ‘40/40’, Glasgow Print Studio, Glasgow | |
| ‘When Now is Minimal. The Unknown Side of the Goetz Collection’, Neues Museum, Nuremberg | |
| ‘Sunt lacrimae rerum’, Fondazione Sandretto Re Rebaudengo per l'Arte, Torino | |
| ‘Novecento mai visto (The 20th century as never seen before)’, Museo di Santa Giulia, Brescia | |
| ‘The Art Show’, Park Avenue Armory, New York (organised by the Art Dealers Association of America (ADAA)) | |
| ‘Out of the House, Cranford Collection’, Sala de Arte, Fundación Banco Santander, Madrid | |
| ‘39greatjones’, Eva Presenhuber, Zurich | |
| ‘The World is Almost Six Thousand Years Old: Contemporary Art and Archaeology from the Stone Age to the Present’, The Collection Lincoln and Usher Gallery, Lincoln | |
| 2012 | ‘The same thing, but different - on the impossibility of repetition’, Andrae Kaufmann, Berlin (curated by Christian Ganzenberg) |
| ‘Perspectives on 8th Art’, Tony Garnier Urban Museum, Lyon | |
| ‘Bitume Et Astres Dansent. Parfois, Dans Le Pure Peur’, Eva Presenhuber, Paris | |
| ‘Common Ground, 13th International Architecture Exhibition’, Venice Biennale, Venice (Curated by Thomas Demand) | |
| ‘Painting Now’, Galerie Eva Presenhuber, Zurich | |
| ‘Kabinettstücke | Cabinet Pieces’, Museumsfreunde Weserburg, Bremen | |
| ‘British Modern Remade: An Arts Council Collection Exhibition’, Ground Floor and Apartments 32 and 33, Norwich Street, Sheffield | |
| ‘the spirit level’, Barbara Gladstone Gallery, New York (Curated by Ugo Rondinone) | |
| ‘méandres’, Cultural Centre Pierre Tassin, Givet (FRAC Champagne-Ardenne offsite) | |
| ‘New Sculpture’, Zaçheta Narodowa, Galerie Sztuki, Warsaw | |
| ‘Positions of Conceptual Art’, Galerie Rüdiger Schöttle, Munich | |
| 2011 | ‘Tales of the City: Art Fund International and the GoMA Collection’, Gallery of Modern Art, Glasgow |
| ‘The Sculpture Show’, Scottish National Gallery of Modern Art, Edinburgh | |
| ‘Breitseite - In focus: space’, Galerien der Stadt Esslingen am Neckar Villa Merkel, Esslingen am Neckar | |
| ‘Turner Prize 2011’, Baltic Centre for Contemporary Art, Gateshead (Winner) | |
| ‘Conceptual Tendencies’, Daimler Contemporary, Berlin | |
| ‘Made in the UK: Contemporary Art from the Richard Brown Baker Collection’, Museum of Art, Rhode Island School of Design, Providence | |
| ‘Nothing in the World but Youth’, Turner Contemporary, Margate | |
| ‘Distant Star’, Kurimanzutto, Mexico City | |
| ‘Emblem of My Work’, Shandy Hall Gallery, Coxwold, England | |
| ‘La carte d'après Nature’, Matthew Marks Gallery, New York (curated by Thomas Demand) | |
| ‘A Threepenny Opera’, s1 Art Space, Sheffield | |
| ‘Distant Star’, Regen Projects, Los Angeles | |
| ‘Sculpture Now’, Eva Presenhuber, Zurich | |
| ‘KölnSkulptur 6’, Skulpturenpark Köln, Cologne | |
| ‘The Shape We're In’, The New Grafton Gallery, London (Zabludowicz Collection) | |
| ‘Modern British Sculpture’, Royal Academy of Arts, London | |
| ‘SHAPES’, Sammlung Haubrok, Berlin | |
| 2010 | ‘Missing Beat’, Sommer Contemporary Art, Tel Aviv |
| ‘Last Ride in a Hot Air Ballon’, 4th Auckland Triennial, Auckland | |
| ‘La carte d'après Nature’, Nouveau Musee National de Monaco, Monaco (curated by Thomas Demand) | |
| ‘Parkliv’, Marabouparken, Stockholm | |
| ‘The New Decor’, Hayward Gallery, London | |
| ‘Alexander Calder and Contemporary Art: Form, Balance, Joy’, Touring Nasher Sculpture Center, Dallas, Orange County Museum of Sculpture, Newport Beach and Nasher Museum of Art at Duke University, Durham | |
| ‘Living Rooms’, Centre d'art contemporain, Chamarande | |
| ‘HIGH IDEALS & CRAZY DREAMS’, Vera Munro Gallery, Hamburg | |
| ‘Permanent trouble kunst aus de Sammlung Kopp München’, Kunstforum Ostdeutsche Galerie, Regensburg | |
| ‘Silent Revolution’, K21, Dusseldorf | |
| ‘The Library of Babel / In and Out of Place’, Zabludowicz Collection, London | |
| ‘dans la forêt’, Frac-Collection Aquitaine, Bordeaux | |
| 2009 | ‘TONITE’, The Modern Institute/Toby Webster Ltd, Glasgow |
| ‘Geoplay (Part II)’, Galerie Pilar Parra & Romero, Madrid | |
| ‘Material Intelligence’, Kettles Yard, Cambridge | |
| ‘Being and Nothingness’, Goss-Michael Foundation, Dallas | |
| ‘We Are Sun-kissed and Snow-blind’, Galerie Patrick Seguin, Paris | |
| 2008 | ‘modern©ité #3’, Le Grand Café, Saint-Nazaire |
| ‘The Eternal Network’, FRAC Champagne-Ardenne, France | |
| ‘Open Plan Living’, Art TLV, Helena Rubenstein Pavilion, Tel Aviv | |
| ‘5 minutes later’, KW Institute for Contemporary Art, Berlin | |
| ‘Peter Saville : Accessories to an artwork’, Paul Stolper, London | |
| 2007 | Galleria Massimo De Carlo, Milan |
| ‘Jubilee Exhibition’, House Eva Presenhuber, Engiadina Bassa, Switzerland | |
| ‘Abstraction: Extracting from the World’, Millennium Galleries, Sheffield | |
| ‘STAY FOREVER AND EVER AND EVER’, South London Gallery, London | |
| Münster Sculpture Project, Münster | |
| ‘Echo Room: Art from Britain’, Alcalá 31, Madrid | |
| ‘Winter Palace’, De Ateliers, Amsterdam | |
| ‘The Third Mind’, Palais de Tokyo, Paris | |
| ‘Half Square, Half Crazy’, Villa Arson, Nice | |
| 2006 | ‘Life's a Beach’, Sommer Contemporary Art, Tel Aviv |
| ‘When the moon shines on the moonshine’, Breeder, Athens | |
| ‘Black/White & Chewing Gum’, Krobath Wimmer Gallery, Vienna | |
| ‘Draft Deceit’, Kunstnernes Hus, Oslo | |
| ‘Strange I've Seen That Face Before’, Museum Abteiberg, Moenchengladbach | |
| ‘AGAIN FOR TOMORROW’, Royal College of Art, London | |
| Shanghai Biennale, Shanghai | |
| ‘Punching Through the Clouds’, Tanya Bonakdar Gallery, New York | |
| ‘Our Love is Like the Flowers, the Rain, the Sea and the Hours' in 'British Art 1900-2006’, Tate Britain, London (curated by Helen Delaney as part of Tate Collections) | |
| ‘Street: Behind the Cliché’, Witte de With, Rotterdam | |
| ‘How to Improve the World, British Art 1946-2006’, Hayward Gallery, London | |
| ‘If it didn’t exist you’d have to invent it: a partial Showroom history’, The Showroom, London | |
| 2005 | Andrew Kreps Gallery, New York |
| ‘This Storm is what we call Progress’, Arnolfini, Bristol | |
| ‘ThickDesign05’, Betty Rymer Gallery, School of the Art Institute of Chicago | |
| ‘Die gute Form’, Galerie Mehdi Chouakri, Berlin | |
| ‘What's New Pussy Cat New Acquisitions’, MMK, Frankfurt | |
| ‘De Sculptura’, Ruzicska Gallery, Salzburg | |
| ‘Body: New Art from the UK’, Vancouver Art Gallery, Canada (British Council touring exhibition. Touring to The Ottawa Art Gallery, Canada; Oakville Galleries, Canada; Edmonton Art Gallery, Canada; Art Gallery Nova Scotia, Canada) | |
| 2004 | Boros Collection, ZKM Karlsruhe |
| Georg Kargl Gallery, Vienna | |
| ‘The Sculptural Sphere’, Goetz Collection, Munich | |
| ‘Formalismus, Moderne Kunst, Heute’, Hamburg Kunstverein, Hamburg | |
| ‘La Partie Continue 2’, Le crédac, Centre d'Art Contemporain d'Ivry, Ivry-sur-Seine | |
| ‘Sodium & Asphalt’, Museo Tamayo, Mexico City (British Council exhibition. Touring to Museo de Arte Contemporánea de Monterrey, Mexico) | |
| 2003 | Archibald Campbell and Harley Photography Prize, Stills |
| ‘Love Over Gold’, Gallery of Modern Art, Glasgow | |
| ‘Contemporary Abstraction’, Glasgow Print Studio, Glasgow | |
| ‘Sodium dreams’, Hessel Museum of Art, Bard College, Annandale-on-Hudson, New York | |
| ‘Bad Behaviour’, Longside Gallery, Yorkshire Sculpture Park (Arts Council Collection Touring to Aberystwyth Arts Centre; The Metropole Arts Centre; The Glynn Vivian Art Gallery; Newcastle University, Hatton Art Gallery; Millennium Court Arts Centre; Djanogly Art Gallery; Tullie House, Carlisle) | |
| Lyon Biennale, Lyon | |
| ‘Discussing Sculpture’, Martin Janda Gallery, Vienna | |
| M_ars - Art and War, Neue Gallerie, Graz | |
| Stills Gallery, Edinburgh (Archibald Campbell and Harley Photography Prize) | |
| ‘Special Dedicace’, Rouchechouart Museum | |
| ‘Breathing the Water’, Galerie Hauser & Wirth & Presenhuber, Zurich | |
| ‘3D’, Friedrich Petzel Gallery, New York | |
| 2002 | ‘Martin Boyce & Toby Paterson’, Foksal Gallery Foundation, Warsaw |
| ‘Non places’, Frankfurter Kunstverein, Frankfurt | |
| ‘There is a light that never goes out’, Galerie Sonia Rosso, Pordenone | |
| ‘Half the World Away’, Hallwalls CAC, Buffalo | |
| Johnen and Schottle, Cologne | |
| ‘Group Exhibition’, Johnen and Schottle, Cologne | |
| ‘Hell’, neugerriemschneider, Berlin | |
| ‘Greyscale/CMYK’, Tramway, Glasgow | |
| ‘Still Life’, Museo Nacional De Bellas Artes, Santiago (British Council touring show. Touring to Museo Alejandro Otero, Caracas; Malba, Buenos Aires; Centro Cultural Parque Espana, Rosario; Museo de Arte Contemporaneo, Panama City; Museo de Arte Moderna, Ciudad de Guatemala; Museum of Contemporary Art Niteroi, Rio de Janerio; SESI, Sao Paulo) | |
| ‘My Head is on Fire but my Heart is Full of Love’, Charlottenborg Museum, Copenhagen | |
| ‘'Happy Outsiders from London and Scotland’, Zacheta Gallery, Warsaw | |
| 2001 | ‘G3’, Casey Kaplan, New York |
| ‘Trauma’, DCA, Dundee | |
| ‘Strategies Against Architecture’, Fondazione Teseco, Pisa | |
| ‘Zero Gravity’, Kunstverein für die Rhinelande und Westfalen, Düsseldorf | |
| ‘Open Country’, Musee Cantonal des Beaux-Arts, Lausanne | |
| ‘Circles 4 One Fo(u)r One’, ZKM Museum for Contemporary Art, Karlsruhe (with Elizabeth Go) | |
| ‘Here and Now: Scottish Art 1990-2001’, Dundee Contemporary Arts, Dundee; Aberdeen Art Gallery, Aberdeen | |
| 2000 | ‘If I Ruled the World’, CCA, Glasgow |
| ‘Future Perfect’, Centre for Visual Arts, Cardiff | |
| ‘Living’, Chicago Project Rooms, Los Angeles | |
| ‘A Shot in the Head’, Lisson Gallery, London | |
| ‘Waiting’, Mjellby Konstgard, Halmstad | |
| ‘Pavilion’, Galerie Mark Müller, Zurich | |
| ‘Can 303's Heal?’, Kiasma Museum of Contemporary Art, Helsinki | |
| ‘What If’, Moderna Museet, Stockholm | |
| ‘Model Model’, NAK, Aachen | |
| The British Art Show, Edinburgh | |
| ‘Beck's Futures’, ICA, London (nominee) | |
| 1999 | ‘In the Midst of Things’, Bourneville, Birmingham |
| ‘Slip of the Mind’, Centre Regional d'Art Contemporain, Sete | |
| ‘Word Enough to Save a Life, Word Enough to Take a Life’, Clare College Mission Church, London | |
| ‘Anarchitecture’, De Appel, Amsterdam | |
| ‘Furoshikibility’, Fly, Glasgow | |
| ‘Disaster’, Harris Museum and Art Gallery, Preston | |
| ‘The Office of Misplaced Events (Temporary Annexe)’, Lotta Hammer, London | |
| ‘Getting the Corners’, Or Gallery, Vancouver | |
| ‘Please Touch’, SCP, London | |
| ‘The Queen is Dead’, Stills Gallery, Edinburgh | |
| ‘Seven Wonders of the World’, Publication Curated by Matthew Higgs | |
| ‘If I Ruled the World’, Living Art Museum, Reykjavik | |
| 1998 | ‘Nettverk Glasgow’, Museet for Samtidskunst, Oslo |
| ‘Strolling’, Museum of Modern Art at Heide, Melbourne | |
| 1997 | ‘Group Exhibition’, Lotta Hammer, London |
| ‘Airport’, Photographers Gallery, London | |
| ‘Wish You Were Here Too’, 83 Hill Street, Glasgow | |
| ‘Material Culture: The Object in British Art of the 1980s and 90s’, Hayward Gallery, London | |
| 1996 | ‘Fuse’, McLellan Galleries, Glasgow |
| ‘No Tell Hotel’, Moat House Hotel, Glasgow | |
| ‘Wallpaper’, CCA, Glasgow | |
| ‘insanestupidphatfuctpervert’, Concrete Skates, Glasgow (Touring exhibition. Touring to Cubitt, London) | |
| ‘Transmissions’, Gallery Free Parking, Toronto | |
| ‘City Limits’, Staffordshire University, Stoke on Trent | |
| ‘Life/Live’, ARC Musée d'Art Moderne de la Ville de Paris, Paris | |
| ‘Brain Mail’, Broad Studio 17, CalArts, California | |
| ‘Girls High’, The Old Fruitmarket, Glasgow School of Art, Glasgow | |
| 1995 | ‘Hopeless’, CCA, Glasgow |
| ‘Martin Boyce & David Allen’, Mu-Tereem, Budapest | |
| ‘Fairy Tales in the Supermarket’, Scotland Street Museum, Glasgow (Multiples Show) | |
| ‘New Rose Hotel’, Transmission, Glasgow | |
| ‘30 Secs + Title’, Art Gallery of Ontario, Toronto | |
| 1994 | ‘Difficult Relationships’, 99 gallery, Glasgow |
| ‘Institute of Cultural Anxiety’, ICA, London | |
| ‘Miniatures’, The Agency, London | |
| ‘Wish You Were Here’, The Bourse, Leeds | |
| ‘Modern Art’, Transmission, Glasgow | |
| 1993 | ‘Matter and Fact’, Collection Gallery, London |
| ‘Left Luggage’, Hanru's Home, Paris (travelling group project) | |
| ‘Home and Away’, Intermedia, Glasgow | |
| 1992 | ‘l'u di carte’, Cafe Picasso, Rome |
| ‘Contact 552 4813’, Transmission, Glasgow (Touring to Hordaland Kunstner Sentrum, Bergen.) | |
| ‘How Noisy Everything Grows’, Upper Gulbenkian Gallery. Royal College of Art, London | |
| ‘Love at First Sight’, The Showroom, London | |
| 1991 | ‘Windfall’, Seamen's Mission, Glasgow |
| ‘Group Show’, The Living Room, Glasgow | |
| ‘Speed’, Transmission, Glasgow | |
| 1990 | ‘5 Artists from Glasgow’, Exchange Between Transmission Gallery and Hordaland Kunstner Sentrum, Bergen |
| 1989 | ‘Information’, Paisley Museum and Art Gallery, Paisley |
Projects
| 2016 | ‘Glasgow International’, Tramway, Glasgow (Exhibition design by Martin Boyce) |
Commissions
| 2019 | ‘A Thousand Future Blossoms’, Eataly Paris Marais, Paris (produced by Citynove for the group Galeries Lafayette) |
| 2018 | ‘Remembered Skies’, Tate Britain, London |
| 2017 | ‘All the Gravity, All the Air’, Swiss Re, Zurich |
| ‘Beyond the Sea, Against the Sun Working/Not Working’, TELUS Garden Public Art, Vancouver | |
| 2014 | Reid Building, Glasgow School of Art |
Bibliography
Press
| 2023 | Ronald Berg: ‘Martin Boyce: Modernity as memory’, Kunstforum, 09/2023 |
| 2019 | Mansfield, Susan,and Duncan MacMillan: ‘2019: The Year Ahead in Art’, The Scotsman, 01/01/2019 |
| 2018 | ‘Hanging Gardens’, Vogue China, 07/2018 |
| ‘Can Glasgow School of Art Rise from the Ashes? Turner Prize Winners and Nominees on What Made it so Magical’, Frieze, 25/06/2018 | |
| Lauren Dyer Amazeen: ‘Martin Boyce’, Artforum, 05/01/2018 | |
| 2017 | Boyce, Martin: Martin Boyce on the enduring influence of Jan and Joël Martel‘s cubist sculptures, Tate etc., 41 09/2017 |
| Boyce, Martin: ‘Martin Boyce’, Aesthetica, 04/2017 | |
| Brewer, Jenny: ‘David Shrigley, Peter Blake and Grayson Perry create art from the Mackintosh library fire remains’, It's Nice That, 30/01/2017 | |
| Dominikus Muller: ‘Martin Boyce’, Art at Swiss Re Next, 2017 | |
| 2016 | Allie Biswas: ‘Alternative Worlds’, The Glass Magazine, Spring 2016 03/2016 |
| 2015 | Sansom, Anna: ‘In a strange, sculptural way’, DAMn°, 09/2015 |
| 2014 | Rose, Julian: ‘Steven Holl and Martin Boyce’, Artforum, Vol. 52 04/2014 |
| Duncanson, Hilary: ‘Boyce helps art school enter a new era’, The Scotsman, 16/01/2014 | |
| Miller, Phil: ‘Boyce work for £50m School of Art building’, The Herald, 16/01/2014 | |
| Ferguson, Brian: ‘Martin Boyce artwork for new GSA building revealed’, Scotsman, 16/01/2014 | |
| Wade, Mike: ‘Turner Prize winner invites Glasgow art students through curtain of glass’, The Times, 16/01/2014 | |
| 2013 | ‘Consumed’, Art Review, Vol. 64 09/2013 |
| Bell, Adam: ‘A Partial Eclipse by Martin Boyce’, Adam Bell, 07/05/2013 | |
| Von Wiegand, Ellen: ‘Out of the Shadows: Five Contemporary Scottish Artists’, The Culture Trip, 2013 | |
| Polatch, Steve: ‘The Descent Into Limbo’, Arm, 3 2013 | |
| 2011 | Cooper, Neil: ‘100 Hot’, The List, 11/2011 |
| Higgins, Charlotte: Glasgow‘s Turner Connection, The Guardian, 17/10/2011 | |
| Sharratt, Chris: ‘Martin Boyce’, Creative Times, 12/10/2011 | |
| Blazwick, Iwona: ‘Top Prize’, Elle, 09/2011 | |
| Pollock, David: ‘Glasgow eyes the prize’, The Independent, 27/05/2011 | |
| Sharp, Rob: ‘Cellophane, sand, lipstick: a recipe for winning the Turner Prize?’, The Independent, 7664 05/05/2011 | |
| Cornwell, Tim: ‘Glasgow artist favourite to win Turner Prize’, The Scotsman, 05/05/2011 | |
| Sharp, Rob: It‘s a tartan Turner race as Scots vie for the prize, i, 136 05/05/2011 | |
| Miller, Phil: ‘Scottish pair named on shortlist for prestigious £25,000 Turner Prize’, The Herald, 05/05/2011 | |
| Higgins, Charlotte: ‘Turner 2011: paint, but not as you know it’, The Guardian, 05/05/2011 | |
| Campbell-Johnston, Rachel: ‘Turner Prize finalists put on variety show’, The Times, 70251 05/05/2011 | |
| ‘Turner round again’, Metro, 05/05/2011 | |
| Lowndes, Sarah: ‘Slow Dazzle’, Spike Art Quarterly, 02/2011 | |
| 2009 | Day, Charlotte: ‘Martin Boyce:Ghosts in the Landscape’, Art & Australia, 09/2009 |
| Boyce, Martin: ‘Commission:Martin Boyce’, Map, Issue 18 06/2009 | |
| McLean-Ferris, Laura: ‘Martin Boyce Interview’, Art World, Issue 10 04/2009 | |
| Delaney, Max: ‘Solo Shows’, Frieze, Issue 120 02/2009 | |
| Jeffrey, Moira: ‘Pilgrim to a Far Pavilion’, Scotland on Sunday, 01/2009 | |
| Yisun Kwon, Liz: ‘Art & Space Martin Boyce’, Bob Magazine, Issue 55 2009 | |
| Hauber, Harriet & Bastian, Aeneas (ed.): ‘Martin Boyce Interview’, According to the Artist, 2009 | |
| 2008 | Boyce, Martin: The Artist‘s Artists, Artforum, Issue XLVII 30/11/2008 |
| Miller, Phil: ‘Big and Bold’, Show to Represent Venice at Scotland Biennale, 19/09/2008 | |
| 2007 | Herbert, Martin: ‘Martin Boyce’, Artforum, 05/2007 |
| 2006 | Herbert, Martin: ‘All that is Solid’, Frieze, Issue 102 10/2006 |
| Ward, Ossian: ‘Brise im Blätterwald aus Beton’, Monopol, Issue 5 10/2006 | |
| 2004 | Derieux, Florence: ‘Martin Boyce, gèomètre’, Art Press, Issue 304 09/2004 |
| 2003 | Fabricius, Jacob: ‘MARTIN BOYCE’, Flash Art, 2003 |
| Monaghan, Helen: ‘The Hot 100: 57 Martin Boyce’, The List, Issue 484 2003 | |
| 2002 | Lorch, Catrin: ‘Aus einem Bein einen Kopf machen’, Kunstbulletin, 12/2002 |
| Garavelli, Dani: ‘ART OF THE MATTER’, Scotland on Sunday, 17/11/2002 | |
| 2000 | Herbert, Martin: ‘Martin Boyce’, Time Out London, 02/2000 |
| McLaren, Duncan: ‘Martin Boyce’, The Independent on Sunday, 23/01/2000 | |
| 1999 | Mahoney, Elisabeth: ‘Welcome to the unreal world’, The Guardian, 09/10/1999 |
| Henry, Clare: ‘The Artist As Philosopher’, The Herald, 04/10/1999 | |
| Buxton, Pamela: Don‘t Give Up The Day Job, Blueprint, 30/09/1999 | |
| Stoddard, Hugh: ‘Martin Boyce’, Contemporary Visual Arts, Issue 22 1999 | |
| Coomer, Martin: ‘Martin Boyce’, Time Out London, 1999 | |
| Higgs, Matthew, (ed.): ‘Seven Wonders of the World’, Book Works, 1999 | |
| Morrissey, Simon: ‘Yesterday Tomorrow’, Contemporary Visual Arts, Issue 20 1999 | |
| 1997 | Mckee, Francis: ‘The Art of Making Things’, AN Visual Arts, 10/1997 |
| 1995 | Morgan, Stuart: ‘Institute of Cultural Anxiety’, Frieze, Issue 21 1995 |
| 1991 | Slotover, Matthew: ‘Northern Lights’, Frieze, Issue 1 1991 |
Exhibition Reviews
| 2024 | Samuel Reilly: ‘Martin Boyce keeps his distance’, Apollo Magazine, 22/03/2024 |
| Susan Mansfield: ‘Art Review: Martin Boyce Before Behind Between Above Below, The Fruitmarket’, The Scotsman, 11/03/2024 | |
| Jonathan Jones: ‘Martin Boyce review - ripping the beating heart of beauty from the banal and the bizarre’, The Guardian, 01/03/2024 | |
| 2020 | Borcherdt, Gesine : ‘Martin Boyce “No Longer Fathom" Galerie Eva Presenhuber/Zurich’, Flash Art, 07/12/2020 |
| 2019 | Sharratt, Chris: ‘Martin Boyce’, Sculpture, 18/06/2019 |
| Flockhart, Susan: Artist Martin Boyce, an abandoned tennis court and dreams of Mount Stuart‘s past, The Herald, 25/05/2019 | |
| 2017 | Mansfield, Susan: ‘Art reviews: Martin Boyce | Nathan Coley | Sahej Rahal’, The Scotsman, 03/10/2017 |
| Sharratt, Chris: ‘Manchester International Festival’, Frieze, 190 10/2017 | |
| 2013 | Daly-Peoples, John: ‘Australian entrepreneur‘s art collection goes on show at the Auckland Art Gallery’, The National Business Review, 28/09/2013 |
| Hurrell, John: ‘A Milgrom Collection Sampler’, EyeContact, 11/09/2013 | |
| Somerset, Guy: ‘Take Five: including Andy Warhol and Lorde’, New Zealand Listener, 27/08/2013 | |
| Davies, Catrin: ‘Martin Boyce: All Over/Again/And Again‘, this is tomorrow, 16/08/2013 | |
| Jeffrey, Moira: ‘Exhibitions: At Land| Martin Boyce’, Scotland on Sunday, 20/07/2013 | |
| Pollock, David: ‘All Over/Again/And Again’, The List, 11/07/2013 | |
| Patience, Jan: ‘Heavy Metal, Light Touch’, The Herald, 06/07/2013 | |
| ‘Agenda- United States, Arts: ‘Martin Boyce, It‘s Over and Over‘’, Wall Street International Magazine, 18/04/2013 | |
| ‘Exhibition of New Work by Martin Boyce opens at Tanya Bonakdar Gallery’, Art Daily, 07/04/2013 | |
| Clark, Robert: ‘Martin Boyce, Benoit Maire’, Guardian Guide, 03/2013 | |
| Halle, Howard: ‘Ten sculptures exhibitions you should see: Martin Boyce, ‘It‘s Over and Over‘’, Time Out New York, 03/2013 | |
| 2011 | Miller, Phil: ‘Boyce‘s Turner Prize triumph makes it three in row for Scots’, The Herald, 06/12/2011 |
| Cornwell, Tim: ‘Boyce‘s Turner Prize win makes it three in a row for Scottish artists’, The Scotsman, 06/12/2011 | |
| Higgins, Charlotte: ‘Fall and rise: autumnal installation beats bookies’ favourite to take Turner prize’, The Guardian, 06/12/2011 | |
| Clark, Nick: ‘Get a load of this: Scottish artist‘s rubbish bin wins the Turner Prize’, i, 06/12/2011 | |
| Clark, Nick: ‘Great Scots! For the third year running, Turner Prize is installed north of the border’, The Independent, 06/12/2011 | |
| Singh, Anita: ‘How Scotland triumphed again‘, The Daily Telegraph, 06/12/2011 | |
| Deal, Stephen: ‘Leaf it to Boyce to pick up the Turner Prize...’, Metro, 06/12/2011 | |
| Hoyle, Ben: ‘Not a populist verdict as ‘utopia of unearthly beauty’ wins the Turner‘, The Times, 06/12/2011 | |
| ‘Martin Boyce Scoops Influential Turner Prize’, ArtLyst, 05/12/2011 | |
| Rimanelli, David: ‘La Carte D‘Apres Nature’, Artforum, 11/2011 | |
| Wullshlager, Jackie: ‘A turn for the better’, Financial Times, 23/10/2011 | |
| Adams, Tim: ‘Love for a ghost town in shades’, The Observer, 23/10/2011 | |
| Darwent, Charles: ‘No better year to lose a tenner on the Turner’, The Independent on Sunday, 23/10/2011 | |
| Januszczak, Waldemar: ‘The official view of the nation’, Sunday Times, 23/10/2011 | |
| Harding, Eleanor: ‘A waste bin? No, this is Turner Prize genius’, Daily Mail, 21/10/2011 | |
| Moss, Richard: ‘Art’, Culture 24, 21/10/2011 | |
| ‘Culture - News’, Because London, 21/10/2011 | |
| Newman, Martin: ‘Dog poo bin and some crumpled paper up for Turner Prize’, Daily Mirror, 21/10/2011 | |
| Higginson, John: ‘Euro rebellion grows’, Metro, 21/10/2011 | |
| Sharp, Rob: ‘Eyes on the Prize’, The Independent, 21/10/2011 | |
| Higgins, Charlotte: ‘Is it exciting fresh art or the same old thing? At the Baltic it might be both’, The Guardian, 21/10/2011 | |
| Cornwell, Tim: ‘It‘s art, not sport - no-one should win, says prize favourite’, The Scotsman, 21/10/2011 | |
| Paxman, Lauren: ‘News’, Mail Online, 21/10/2011 | |
| Dorment, Richard: ‘The best Turner Prize contenders for ages’, The Daily Telegraph, 21/10/2011 | |
| Miller, Phil: ‘Turner favourite claims award is ‘no part of art‘’, The Herald, 21/10/2011 | |
| Dorment, Richard: ‘Turner Prize 2011 exhibition, BALTIC, Gateshead, review’, The Telegraph Online, 21/10/2011 | |
| Thomas Keane & Maddie Bates: ‘Turner Prize 2011 Opens On The Tyne’, ArtLyst, 21/10/2011 | |
| Higgins, Charlotte: ‘Turner prize 2011 shortlist unveiled as exhibition opens at Baltic in Gateshead’, The Guardian, 21/10/2011 | |
| ‘Turner Prize 2011’, Cassone, 21/10/2011 | |
| Guner, Fisun: ‘Turner Prize 2011, Baltic, Gateshead’, The Arts Desk, 21/10/2011 | |
| Searle, Adrian: ‘Turner prize 2011: Shaw‘s world of small miseries looms large’, The Guardian, 21/10/2011 | |
| Campbell-Johnston, Rachel: ‘Urban wastelands doing battle with a slut‘s bathroom’, The Times, 21/10/2011 | |
| Collett-White, Mike: ‘Short on shocks, Turner art prize leaves London‘, Reuters.com, 20/10/2011 | |
| ‘Turner Prize 2011 nominee Martin Boyce’, Telegraph, 20/10/2011 | |
| Singh, Anita: ‘Turner Prize 2011: Figurative painting competes with park bin’, Telegraph, 20/10/2011 | |
| Youngs, Ian: ‘Turner Prize exhibits go on show in Gateshead’, BBC News, 20/10/2011 | |
| Hoyle, Ben: ‘Turner Prize is ‘no good for art’’, The Times, 20/10/2011 | |
| ‘Turner Prize nominees on show in Gateshead’, BBC News, 20/10/2011 | |
| ‘Turner Prize Shortlist Preview‘, Metro, 20/10/2011 | |
| ‘Turner Prize to boost Tyneside profile as thousands visit’, BBC News, 20/10/2011 | |
| Millard, Coline: ‘Art News’, Artinfo, 19/10/2011 | |
| Tighe, Chris: ‘Turner trimph’, Financial Times, 18/10/2011 | |
| Urwin Jones, Sarah: ‘Break for the Border‘, The Herald, 15/10/2011 | |
| Basciano, Olivier: ‘No 1: S1 Artspace, Sheffield’, Art Review, 10/2011 | |
| Gygax, Raphael: ‘Sculpture Now’, Flash Art, 10/2011 | |
| Wullschlager, Jackie: ‘Turner Prize’, Financial Times, 10/2011 | |
| Sutton, Kate: ‘Critics’ Picks: “La Carte d’Après Nature‒, Artforum, 09/2011 | |
| Burnside, Anna: ‘From the gloom, a shinning light of Modernism’, The Independent, 27/05/2011 | |
| Jeffrey, Moira: ‘Urban Legend’, Scotland on Sunday, 15/05/2011 | |
| Kotzé, Talitha: ‘Martin Boyce’, The List, 05/2011 | |
| 2010 | Gockel, Cornelia: ‘Permanent Trouble, Aktuelle Kunst aus der Sammlung Kopp München’, Kunstforum Ostdeutsche Galerie, 03/2010 |
| 2009 | Dorment, Richard: ‘Prize Collectors Leap of Faith’, Telegraph, 09/06/2009 |
| Campbell-Johnstone, Rachel: ‘Martin Boyce - sole Scot in the spotlight at the Venice Biennale’, Times Online, 08/06/2009 | |
| Macmillan, Duncan: ‘Visual Arts Review: Martin Boyce‘, The Scotsman, 05/06/2009 | |
| Sherwin, Skye: ‘Martin Boyce: Scottish Pavilion‘, Art Review, Issue 33 06/2009 | |
| Miller, Phil: ‘Scottish ‘fractured landscapes’ head for Venice’, The Herald, 30/04/2009 | |
| Cope, James: ‘Being Nothingness’, Light & Sie, 03/2009 | |
| Cooper, Neil: ‘Martin Boyce: No Refelctions’, The List, 02/2009 | |
| 2008 | ‘Martin Boyce and udo Rondinone at Sculpture Center‘, New York Times, 10/2008 |
| Rimanelli, Davis: ‘Ugo Rondinone and Martin Boyce’, Artforum, 09/2008 | |
| 2007 | Mottram, Jack: ‘A Grille‘s best friend’, The Herald, 08/03/2007 |
| Lapp, Axel: ‘Martin Boyce’, Art Review, Issue 07 01/2007 | |
| Møller, Lotte: ‘Martin Boyce’, Tema Celeste, Issue 119 01/2007 | |
| 2005 | Diederichsen, Diedrich: ‘FORMALISMUS’, Artforum, 03/2005 |
| Jeffery, Moira: ‘Mexican Lights’, Map, Issue 1 01/2005 | |
| 2004 | Mottram, Jack: ‘Martin Boyce’, The List, 10/06/2004 |
| Mansfield, Susan: ‘Maxed Boyce’, The Scotsman, 22/05/2004 | |
| Jeffery, Moira: ‘Savage garden displays artist‘s maturing vision’, The Herald, 19/05/2004 | |
| Gale, Iain: ‘Take heart all who enter this urban heaven and hell’, The Scotsman, 14/05/2004 | |
| Mottram, Jack: ‘Martin Boyce’, The List, 2004 | |
| 2003 | Dallas, Sorcha: ‘Contemporary Abstraction‘, The List, 31/07/2003 |
| Hess, Barbara: ‘Martin Boyce’, Flash Art, 05/2003 | |
| Dorment, Richard: ‘Garden of Strange Delights‘, Telegraph, 2003 | |
| Bang-Larsen, Lars: ‘Martin Boyce’, Artforum, 2003 | |
| 2001 | Léith, CaoimhÃn Mac Giolla: ‘TRAUMA’, Artforum, 12/2001 |
| Hess, Barbara: ‘Martin Boyce’, Flash Art, 2001 | |
| 2000 | Smyth, Cherry: ‘Beck’s Futures’, Art Monthly, Number 236 05/2000 |
| Mahoney, Elisabeth: ‘Martin Boyce/ Ross Sinclair’, Art Monthly, Number 234 02/2000 | |
| Doherty, Claire: ‘Martin Boyce/ Ross Sinclair’, Contemporary Visual Arts, 2000 | |
| Blom, Ina: ‘What If’, Frieze, 2000 | |
| 1999 | McLaren, Duncan: ‘The Office of Misplaced Events’, The Independent on Sunday, 12/12/1999 |
| McFarland, Dale: ‘Martin Boyce’, Frieze, Issue 46 05/1999 | |
| Fulcher, Dawn: ‘In the Midst Of Things’, Contemporary Visual Arts, 1999 | |
| Farquarson, Alex: ‘In the Midst of Things‘, Frieze, 1999 | |
| Beasley, Mark: ‘IN THE MIDST OF THINGS’, Untitled, 1999 | |
| Mahoney, Elisabeth: ‘The Queen is Dead‘, Untitled, 1999 | |
| Bird, Nicky: ‘The Queen is Dead’, Art Monthly, 1999 | |
| 1998 | Morrissey, Simon: ‘Material culture’, Contemporary Visual Arts, 1998 |
| 1995 | Archer, Michael: ‘Something‘s Got to Give’, Art Monthly, Issue 185 04/1995 |
| Gordon, Douglas: ‘Hopeless’, Flash Art, 03/1995 | |
| 1991 | McArthur, Euan: ‘Windfall’, Variant, 1991 |
| Gillick, Liam: ‘Windfall’, Artscribe, 1991 |
Publications
| 2020 | out of order, Verlag fur moderne Kunst, Nurnberg |
| 2019 | An Inn For Phantoms Of The Outside And In, Mount Stuart Trust, Isle of Bute |
| Hanging Gardens, DISTANZ Verlag, Berlin | |
| 2018 | She Sees The Shadows, DRAF / MOSTYN |
| 2017 | Müller, Dominikus: Art at Swiss Re Next, |
| Creating Ourselves: The Self in Art, Whitechapel Gallery, London | |
| Eurovisons: Contemporary Art from the Goldberg Collection, National Art School, Sydney | |
| 2015 | Will Bradley: Design in Reverse – Martin Boyce, in Sculptural Sphere, Sammlung Goetz, München |
| Edited by: Axel Haubrok, Frank Hauschildt, Konstantin Haubrok: Thoughts that Breathe - Works of the Haubrok Collection at Fondation Hippocrène, Haubrok Foundation, Fondation Hippocrène | |
| When Now is Night, Princeton Architectural Press; Rhode Island School of Design | |
| 2013 | A Partial Eclipse, MACK, London |
| 2012 | Martin Boyce, Snoeck Verlag, Cologne |
| 2011 | Gardens by Martin Boyce, Mono, London (Issue 4, Visual Essay. Supported by the Zabludowicz Collection) |
| It's Not a Garden Table / Art and Design in the Expanded Field, JRP|Ringier, Zurich | |
| Turner Prize Booklet, Tate Publishing, London | |
| 2009 | Martin Boyce, JRP|Ringier, Zurich |
| 1999 | Los Angeles (A capsule account), in Bent Aura, STOPSTOP, Glasgow |
| Seven Wonders of the World, Book Works, London | |
| 1997 | Glasgow: A Presentation of the Art Scene in the 90..., The Institute For Research Within International Contemporary Art (ForArt), Oslo |
Exhibition Publications
| 2013 | A Puppet, A Pauper, A Pirate, A Poet, A Pawn, and A King, Auckland Art Gallery, Auckland |
| 2011 | Breitseite: A, Bild-Kunst, Bonn |
| Koln Skulpture # 6, Walther Koenig, Cologne | |
| Made in the UK: Contemporary Art from the Richard Brown Baker Collection, Rhode Island School of Design, Providence (Exhibition catalogue) | |
| Nothing in the World but Youth, Turner Contemporary, Margate | |
| 2010 | Alexander Calder and Contemporary Art: Form Balance Joy, Museum of Contemporary Art Chicago (MCA), Chicago |
| Permanent trouble kunst aus de Sammlung Kopp München, Kunstforum Ostdeutsche Galerie, Regensburg | |
| The Library of Babel - In and Out of Place, Zabudowicz Collection, London | |
| The New Decor, Hayward Publishing, London | |
| 2009 | Being and Nothingness, Light&Sie, Dallas, Texas |
| No Reflections, Dundee Contemporary Arts (DCA), Dundee | |
| 2007 | Echo Room - Art from Great Britain, The British Council, London |
| Skulptur projekte münster 07, Kunstakademie Münster, Münster (Martin Boyce in an interview with Antonia Lotz) | |
| Suspended Breath, Atelier Hermes, Seoul | |
| 2006 | Again for Tomorrow, Royal College of Art, London |
| Strange I’ve Seen That Face Before, Städtisches Museum Abteiberg, Moenchengladbach | |
| 2005 | Sodium & Asphalt, Museo de arte Contempoánea de Monterrey, Mexico |
| This Storm Is What We Call Progress, Arnolfini, Bristol | |
| 2004 | Formalismus. Modern Kunst, heute (Formalism. Modern Art, today), Hatje Cantz Verlag, Ostfildern-Ruit |
| Formualisms Moderne Kunst Heute, Kunstverein in Hamburg, Hamburg | |
| La Partie Continue, Le crédac - Centre d’art contemporain d’Ivry, (ed.) | |
| 2003 | Bad Behaviour, Hayward Publishing, London |
| Martin Boyce, This Place is Dreaming, (monograph), Contemporary Art Gallery and Tramway, Vancouver and Glasgow | |
| Undead Dreams (monograph), RomaRomaRoma, Rome | |
| 2002 | Dornbracht installation projects, Martin Boyce: For 1959 Capital Avenue, Frankfurt am Main, Frankfurt am Main (Interview in exhibition guide) |
| Greyscale/CMYK, Tramway, Glasgow | |
| Happy Outsiders from London and Scotland, Zachęta Państowowa Galeria Sztuki, Warzsawa | |
| MARTIN BOYCE: FOR 1959 CAPITAL AVENUE, Museum für Moderne Kunst, Frankfurt am Main (monograph) | |
| My Head is on Fire but my Heart is Full of Love, Charlottenborg Exhibition Hall, Copenhagen | |
| Still Life, British Council, London | |
| 2001 | Here and Now: Scottish Art 1990-2000, Dundee Contemporary Arts, Dundee |
| Trauma, Hayward Publishing, London | |
| Zero Gravity, Kunstverein in Hamburg, Hamburg | |
| 2000 | MARTIN BOYCE, The Jerwood Gallery, London |
| Martin Boyce: When Now Is Night, The Fruitmarket Gallery, Edinburgh | |
| 1999 | Martin Boyce, Fruitmarket Gallery, Edinburgh |
| 1998 | morning star evening star, 200 Gertrude Street & Museum of Modern Art at Heide, Melbourne |