Luke Fowler
Born 1978, Glasgow; Lives and works in Glasgow.
Education
| 2000 | BA (Hons) Fine Art (Printmaking), Duncan of Jordanstone College of Art |
Current & Forthcoming
| 2024 | ‘Being in a Place: A Portrait of Margaret Tait’, The Pier Arts Centre, Stromness |
Solo Exhibitions
| 2023 | Galerie Gisela Capitain, Cologne |
| 2022 | ‘Being in a Place’, The Modern Institute, 3 Aird's Lane, Glasgow |
| ‘PATRICK’, STUK, Leuven | |
| ‘Being in a Place — A Portrait of Margaret Tait’, Void, Derry | |
| 2021 | ‘From Here a Home Was Imagined’, CCA, Glasgow |
| ‘Index Cards and Letters’, The Modern Institute, 14–20 Osborne Street, Glasgow | |
| ‘A Certain Predilection for Things Out of the Ordinary’, Museo Reina SofÃa, Madrid (Documenta Madrid) | |
| 2019 | ‘Passages’, The Adam Art Gallery, Victoria University of Wellington, Wellington |
| 2018 | ‘Sightings: Luke Fowler’, Nasher Sculpture Center, Dallas (New Commission) |
| ‘ELECTRO-PYTHAGORAS (a portrait of Martin Bartlett)’, Capitain Petzel, Berlin | |
| 2017 | ‘Gone Reflections’, Lismore Castle Arts, Lismore |
| 2016 | Neubauer Collegium for Culture and Society, The University of Chicago |
| 2015 | ‘Outside The Sound’, Harvard Film Archive, Cambridge |
| ‘The Presence of History in the Music of Today’, Gisela Capitain, Cologne | |
| ‘Computers and Cooperative Music-Making’, Whitechapel, London | |
| ‘To The Editor of Amateur Photographer’, The Modern Institute, 3 Aird's Lane, Glasgow | |
| 2013 | Plymouth Arts Centre, Plymouth, Plymouth Arts Centre, Plymouth |
| ‘Common Sense’, La Casa Encendida, Madrid | |
| ‘Luke Fowler & Toshiya Tsunoda 'Leader as Gutter'’, Taka Ishii Gallery, Kiyosumi, Tokyo | |
| ‘Luke Fowler: Artist-in-Residence’, Dartmouth College, Hanover, NH | |
| Institute of Modern Art, Brisbane (Screening of All Divided Selves) | |
| 2012 | ‘Notes within vibrations (spatial response to the ica archive)’ |
| ‘The Poor Stockinger, the Luddite Cropper and the Deluded Followers of Joanna Southcott’, The Hepworth Wakefield, Wakefield (CAS, Commission to Collect Award. Touring to Wolverhampton Art Gallery, Wolverhampton) | |
| ‘Luke Fowler with Toshiya Tsunoda and John Haynes’, Inverleith House, Edinburgh | |
| 2011 | ‘Imprint/Field/Surface’, Bielefelder Kunstverein, Bielefeld (With Toshiya Tsunoda) |
| ‘Luke Fowler’, CCS Bard Galleries, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, New York | |
| ‘Self with Other’, Upstairs at The Modern Institute Osborne Street, Glasgow | |
| ‘Pilgrimage from Scattered Points’, Temple Bar Gallery, Dublin | |
| ‘Luke Fowler and Toshiya Tsunoda: Ridges on The Horizontal Plane’, Galerie Gisela Capitain, Cologne | |
| 2010 | ‘Ways of Hearing’, IMO, Copenhagen |
| ‘No 5’, Bergen Kunsthall, Bergen | |
| 2009 | ‘A Grammar for Listening’, The Modern Institute/Toby Webster Ltd, Glasgow (In collaboration with Eric La Casa, Lee Patterson and Toshiya Tsunoda) |
| ‘Art is not a mirror, it's a hammer!’, Changing Room, Stirling (Katy Dove and Luke Fowler) | |
| Serpentine Gallery, London | |
| ‘Warriors: Four Films by Luke Fowler’, X Initiative, New York | |
| 2008 | Kunsthalle Zurich, Zurich |
| 2006 | ‘The Nine Monads Of David Bell’, Villa Concordia, Bamberg (Touring to Extra City, Antwerp ) |
| ‘Pilgrimage From Scattered Points’, White Columns, New York (Touring to The Modern Institute/Toby Webster ltd ) | |
| 2004 | ‘Fowler/Koper’, Supportico Lopez, Naples |
| ‘Video and Sound Works’, TART, San Francisco | |
| 2003 | ‘The Way Out’, Cubitt, London (with Kosten Koper and Jacob Kolding) |
| ‘What You See Is Where You're At’, Spacex Gallery, Exeter | |
| 2001 | ‘UTO: The Technology of Tears’, Casco Projects, Utrecht |
| 2000 | ‘How Did You Get This Number?’, Generator, Dundee |
| ‘The Social Engineer’, Transmission, Glasgow |
Group Exhibitions
| 2023 | ‘Luke Fowler (SCOT) & Kasper Akhøj (DK)’, Stereo Exchange, Frederiksberg |
| ‘Broken Grey Wires’, The Auxillary, Middlesbrough | |
| 2022 | ‘Citational Choices’, La Trobe Art Institute, Bendigo |
| 2021 | ‘Kunsthalle Cromer’, Collectors Cabin, Norfolk (curated by Sarah Lowndes) |
| ‘I Know Where I'm Going - Who Can I Be Now’, The Modern Institute, 14–20 Osborne Street, Glasgow | |
| ‘Miraculous Noise’, Viborg Kunsthal, Viborg | |
| 2020 | ‘Cybernetics of the Poor: Tutorials, Exercises and Scores’, TABAKALERA - International Centre for Contemporary Culture, San Sebastián |
| 2019 | ‘Old World Order / New World Orders’, Artmeken Gallery, Almaty |
| ‘Taka Ishii Gallery 25th Anniversary Group Exhibition: Survived!’, Taka Ishii Gallery Tokyo | |
| ‘ARTEFACT 2019 : PARALLEL CROSSINGS’, STUK, Leuven | |
| 2018 | ‘Wilderness’, Schirn Kunsthalle, Frankfurt |
| ‘Off This Play’, Atelier Impopulaire in the Pavilion, Berlin | |
| ‘Film London Jarman Award: A Journey Through the First Decade’, Whitechapel Gallery, London | |
| ‘Psychiatry and Art brut, the origin’, KT&G SangsangMadang, South Korea | |
| ‘Open House’, Jessica Silverman Gallery, San Francisco | |
| 2017 | ‘Beauty and Room’, Sion, Swiss Alps (Organized by Miriam Laura Leonardi, Balthazar Lovay and Ben Rosenthal on the occasion of PALP) |
| ‘Every Film is an Enigma: Moving Images in Black Box and White Cube’, Soulangh Cultural Park, Tainan, Taiwan | |
| ‘Murmur’, Netwerk/ Center for Contemporary Art, Aalst | |
| 2016 | ‘MOVED’, Taka Ishii Gallery Tokyo |
| ‘I still believe in miracles’, Inverleith House, Edinburgh | |
| ‘Museum Dirk De Wachter’, Museum Dr. Guislain, Gent | |
| ‘Cornelius Cardew — From Scratch’, Trondheim kunstmuseum, Trondheim | |
| ‘Never Judge A Book... the book in contemporary art’, Richard Booth's Bookshop, Hay on Wye (Meadow Arts) | |
| ‘The Inoperative Community II’, Muzeum Sztuki w Åodzi, Åódź | |
| ‘The Scottish Endarkenment’, Dovecot Studios, Edinburgh | |
| 2015 | ‘The Inoperative Community’, Raven Row, London (Curated by Dan Kidner) |
| ‘The Thousand-Thigh Hospice Experiments in Healing’, CAN: Centre d'art Neuchâtel, Neuchâtel | |
| ‘The Grass is Singing’, Mendes Wood DM, São Paulo | |
| 2014 | ‘I'm Yours’, Standard (OSLO), Oslo |
| Govanhill Baths, Glasgow (part of Imagination: Scotland's Festival of Ideas) | |
| ‘The Promise’, Arnolfini, Bristol | |
| ‘Urban Psychosis’, Holden Gallery, Manchester | |
| ‘GENERATION: 25 Years of Contemporary Art in Scotland’, Scottish National Portrait Gallery, Edinburgh | |
| ‘Frames of Mind’, ProjecteSD Gallery, Barcelona | |
| ‘In NO time’, The Modern Institute, 14–20 Osborne Street, Glasgow | |
| ‘Outside’, Moderna Museet, Stockholm (curated by Stephanie Hessler) | |
| 2013 | ‘Assembly: A survey of recent artists’ film and video in Britain 2008—2013’, Tate Britain, London |
| ‘Soundings: A Contemporary Score’, MOMA, New York | |
| ‘Otherwise Unexplained Fires’, Malmö Konsthall, Malmö | |
| G-tokyo Art Fair, Tokyo (with Taka Ishii Gallery) | |
| ‘Travelling Film Festival’, Clair Obscur, Rennes | |
| ‘Flicker: Artists and Super 8’, Smiths Row, Bury St Edmonds, Suffolk | |
| 2012 | ‘Pop Politics : Activism at 33 Revolutions’, CA2M, Madrid |
| ‘The Avantgarde: Deep Cuts’, Marres Centre for Contemporary Art, Maastricht | |
| ‘Turner Prize 2012’, Tate Britain, London (2012 Nominee) | |
| ‘printed’, Mai 36 Galerie, Zürich (Showroom, Rämistrasse 35) | |
| ‘Mutatis Mutandis’, Secession, Vienna (curated by Catherine David) | |
| Independent, New York (Art fair) | |
| 2011 | Printemps de Septembre, Toulouse (Musée les Jacobins, Curated by Anne Pontégnie) |
| ‘BLOCKBUSTER’, University Museum of Contemporary Art, Mexico City (touring to Museo de Arte Contemporáneo, Monterry) | |
| 2010 | ‘British Art Show 7: In The Days Of The Comet’, New Art Exchange, Nottingham (Sue Tompkins Live Performance 'Hallo Welcome to Keith Street (A Version)'; Hayward Touring exhibition. Touring to Hayward Gallery, London; Gallery of Modern Art, Glasgow; Plymouth Arts Centre, Plymouth; amongst other venues) |
| ‘Gallery of Modern Art at 50’, Scottish National Gallery of Modern Art, Edinburgh | |
| ‘Les Rencontres d'Arles’, Hotel du Cloitre, Arles | |
| ‘For the Birds’, Smart Project Space, Amsterdam | |
| ‘ACT VI: Remember Humanity’, Witte de With, Rotterdam | |
| The Power Plant, Toronto | |
| 2009 | ‘Radical Nature’, Barbican Art Gallery, London |
| ‘Cornelius Cardew and the Freedom of Listening’, CAC Bretigny, France | |
| ‘Running Time: Artists Films in Scotland 1960 to Now’, Dean Gallery, Edinburgh | |
| ‘The Associates’, Dundee Contemporary Arts, Dundee | |
| Free Resonace Festival, Trondheim, Norway | |
| ‘Every Sound You Can Imagine’, New Langton Arts, San Francisco | |
| ‘Younger than Jesus’, New Museum, New York | |
| ‘What you see is where you're at’, Scottish National Gallery of Modern Art, Edinburgh | |
| ‘ourtv’, Lothringer13, Städtische Kunsthalle München, Munich | |
| 2008 | ‘Permanent vs Temporary’, Abbeyview Community Centre, Dunfermline |
| ‘Courtisane Festival’, Arts Centre Vooruit & Sphinx Cinema, Ghent | |
| ‘The Harbour Doubts’, Bad Bad Boys Club, Dundee | |
| ‘Pop! goes the weasel’, Badischer Kunstverein, Karlsruhe | |
| Charles H Scott Gallery, Emily Carr Institute, Vancouver | |
| ‘KYTN’, DCA, Dundee | |
| ‘Present’, H.P. Garcia Gallery, New York | |
| ‘Now Showing: New Film and Video from The Arts Council Collection’, Hove Museum and Art Gallery, Hove | |
| ‘Pilgrimage from Scattered Points’, Milton Keynes Gallery, Milton Keynes | |
| ‘KVIFF’, Prague International Film Festival, Prague | |
| Sonar2008, Barcelona | |
| ‘Expanded Cinema for Rothko, The Room’, Tate Modern, London (Luke Fowler, Keith Rowe, Peter Todd) | |
| ‘The Long Weekend’, Tate Modern, London | |
| Yokohama Triennale 2008, Japan (with Tsunoda Toshiya) | |
| ‘Open Field’, CCA, Glasgow | |
| 2007 | ‘a passable door for a movable passer’, 52 Buccleuch Street, Glasgow (with Charlie Hammond) |
| ‘Harry Smith Anthology Remixed’, Alt. Gallery, Newcastle | |
| EASTinternational 2007, Norwich Gallery | |
| ‘REC.OLLECTION’, Esther Schipper, Berlin | |
| ‘Fantastic Politics: Art in Time of Political Crisis’, Museum of Contemporary Art, Oslo | |
| ‘Videomedeja 2007’, Museum of Voivodina, Novi Sad | |
| Prague Biennale 3, Prague | |
| ‘Organizing Chaos’, PS 1 Contemporary Arts Center, New York | |
| ‘Lost & Found’, Shedhalle, Zurich | |
| ‘Whenever It Starts It Is The Right Time’, Frankfurter Kunstverein, Frankfurt | |
| ‘You Have Not Been Honest’, Museo d'Arte Contemporanea Donnaregina, Naples | |
| ‘Saturn Falling’, Corridor Gallery, Reykjavik | |
| 2006 | Huddersfield Contemporary Music Festival, Huddersfield |
| ‘Tate Triennial: New British Art’, Tate Britain, London | |
| ‘Normalization’, Rooseum Centre for Contemporary Art, Malmö | |
| Avanto Festival, Muu Galleria, Helsinki | |
| 2005 | ‘Re-Escape’, Hamburg, Germany |
| ‘Becks Futures’, ICA, London (Nominee) | |
| ‘Anti-Literature’, Barcelona | |
| 2004 | ‘Past Imperfect’, Casco Projects, Utrecht |
| ‘Moderna by Night’, Moderna Museet, Stockholm | |
| ‘The Way Out’, EU Tour (www.inati2004.org/wayout.htm) | |
| ‘Vis-onic’, Belfast | |
| 2003 | Art Basel, Basel |
| ‘Attachments’, Bootlab, Berlin | |
| ‘The Moment of Fiction’, Cooper Gallery, Dundee | |
| ‘It doesn't matter what you know because this is real life’, Gavin Brown's enterprise, New York | |
| ‘Art Remixing Culture’, Govett-Brewster Gallery, New Zealand | |
| ‘Hard To Touch The Real’, Kunstverein München, Munich | |
| ‘ZENOMAP - New Works from Scotland for the Venice Biennale’, 50th Venice Biennale, Venice | |
| ‘Electric Earth’, Saint Russian Museum, St. Petersburg (British Council Touring Exhibition) | |
| 2002 | ‘Fluxus und die Folgen’, Internationales Netzwerk, Wiesbaden |
| ‘Art is like Rock'n'Roll’, Kent Institute of Art & Design, Rochester | |
| Manifesta 4, Frankfurt | |
| ‘FAIR’, Royal College of Art, London | |
| ‘Gemeinschaften’, Newsletter for Contemporary Cultural Phenomena (with Finger) | |
| 2000 | ‘Beyond’, DCA, Dundee |
| ‘Me We Underground’, Project Space, Athens |
Solo Screenings
| 2023 | ‘N’Importe Quoi (for Brunhild)’, Lincoln Center, New York (As part of the 61st New York Film Festival) |
| ‘Being in a Place: A Portrait of Margaret Tait’, ICA, London | |
| ‘No Interior’, Batalha Centro de Cinema, Porto | |
| ‘Being in a Place — A Portrait of Margaret Tait’, FICUNAM, Mexico City | |
| ‘Being in a Place — A Portrait of Margaret Tait’, IndieLisboa, Lisbon | |
| ‘Being in a Place — A Portrait of Margaret Tait’, Hot Docs, Toronto | |
| ‘Being in a Place — A Portrait of Margaret Tait’, EMAF, Osnabrück | |
| ‘Being in a Place — A Portrait of Margaret Tait’, Courtisane, Gent | |
| ‘Being in a Place — A Portrait of Margaret Tait’, Cinéma du Réel , Paris | |
| ‘Being in a Place — A Portrait of Margaret Tait’, 18th Berwick Film & Media Arts Festival | |
| ‘Being in a Place — A Portrait of Margaret Tait’, Doc Fortnight, MoMA, New York | |
| ‘Being in a Place — A Portrait of Margaret Tait’, Berlinale Forum, Berlin | |
| 2021 | ‘Luke Fowler’, Metrograph, New York |
| 2020 | ‘Berwick Film & Media Arts Festival’ |
| ‘International Film Festival Rotterdam 2020’, KINO, rotterdam | |
| 2019 | ‘Charlottenborg Art Talk: Luke Fowler + film screening’, Kunsthal Charlottenborg, Copenhagen |
| ‘MONO x Queensland Film Festival Screening, Luke Fowler’, Institute of Modern Art, Brisbane | |
| ‘COUNTRY GRAMMAR, ELECTRO-PYTHAGORUS + 16mm short films’, Artist Film Workshop, Melbourne | |
| ‘Pilgrimage from Scattered Points’, City Gallery Wellington, Wellington | |
| ‘Screening&Concert: Luke Fowler (Scotland)’, Audio Foundation, Auckland | |
| ‘Mum's Cards’, International Film Festival Rotterdam, Rotterdam | |
| 2018 | ‘ELECTRO-PYTHAGORAS (a portrait of Martin Bartlett)’, Anthology Film Archives, New York |
| ‘Internationale Kurzfilmtage Winterthur’, Winterthur, Zurich | |
| ‘Mum's Cards (premier)’, Media City Festival, Windsor, Detroit | |
| ‘Stagings. Soundings. Readings. Free Jazz II’, NTU Centre for Contemporary Art, Singapore (Country Grammar) | |
| ‘send + receive festival’, send + receive festival, Winnipeg | |
| ‘Enceindre (premiere)’, Berwick Film and Media Festival | |
| ‘Country Grammar’, Østre, Bergen, Norway (As part of the Borealis Festival) | |
| ‘Country Grammar - Film & Sound at Independent/Spring Place’, Sunken Living Room, Spring Place, New York (curated by David Gryn/Daata Editions) | |
| 12th Punto de Vista Navarra International Film Festival | |
| FICUNAM International Film Festival, Mexico City | |
| ‘Light Movement 27: Luke Fowler’, Spektrum, Berlin | |
| 2017 | VariaVision_1: Fowler-Tompkins Country Grammar + Electro-Pythagorus, VOLKSBÃœHNE, Berlin |
| ‘Artist Film Club - Electro-Pythagoras (a portrait of Martin Bartlett)’, ICA, London | |
| ‘Electro-Pythagorus (a portrait of Martin Bartlett)’, Glasgow Film Theatre, Glasgow, Other dates include: 11/09/2017 - Eden Court, Inverness; 14/11/2017 - Filmhouse, Edinburgh; 15/11/2017 - Dundee Contemporary Arts | |
| ‘Electro-Pythagorus: A Portrait of Martin Bartlett’, Sheffield Doc/Fest | |
| ‘Turbidus Film #20: Luke Fowler and John Chantler’, Fylkingen, Stockholm | |
| CAST Cornubian Arts & Science Trust, Helston (Screening of 'To The Editor of Amateur Photographer') | |
| 2016 | ‘Artist in Focus’, Doc-Lisboa, Lisbon |
| ‘Looking At (Videobox series)’, Staatsgalerie Stuttgart, Stuttgart | |
| 2015 | ‘Modern Mondays’, MoMA, New York (Screening of To The Editor of Amateur Photographer) |
| ‘Double Feature’, Schirn Kunsthalle, Frankfurt | |
| 2014 | ‘To The Editor of Amateur Photographer’, Hyde Park Picture House, Leeds (commissioned by Hyde Park Picture House & Pavilion, with Mark Fell) |
| ‘BBC Artists in the Archive’, CCA, Glasgow (Touring to Tate Modern, London) | |
| ‘Pilgrimage from Scattered Points’, Filmforum NRW in Museum Ludwig, Cologne | |
| 2013 | ‘The Poor Stockinger, the Luddite Cropper and the Deluded Followers of Joanna Southcott’, Historical Materialism Conference 2013, London |
| ‘Rd Laing in the 21st Century’, Wagner College, Staten Island (Symposium. Screening of All Divided Selves) | |
| ‘The Poor Stockinger, the Luddite Cropper and the Deluded Followers of Joanna Southcott’, Plymouth Arts Centre, Plymouth | |
| 2012 | ‘Pilgrimage from Scattered Points’, CCA, Glasgow (Part of Sonica 2012) |
| ‘The Poor Stockinger, the Luddite Cropper and the Deluded Followers of Joanna Southcott’, GFT, Glasgow | |
| Film Museum, Vienna | |
| ‘Moving Image South: Luke Fowler, Pilgrimage From Scattered Points’, Curzon Cinemas, London | |
| ‘All Divided Selves’, GFT, Glasgow (Glasgow International Festival of Visual Art) | |
| ‘All Divided Selves’, ICA, The Old Selfridges Hotel, London | |
| ‘Pilgrimage from Scattered Points’, STADTKINO Basel, Basel | |
| Arsenal 1, Berlin (Berlin Film Festival) | |
| Delphi, Berlin (Berlin Film Festival) | |
| 2011 | ‘All Divided Selves’, Anthology, New York (Premier) |
| Film Studies Center, University of Chicago, Chicago | |
| ‘Conversations at the Edge: Luke Fowler’, The School of the Art Institute of Chicago, Chicago | |
| 2010 | ‘A Grammar for Listening, Parts 1-3’, Rotterdam International Film Festival, Rotterdam |
| 2008 | ‘Bogman Palmjaguar’, Rotterdam International Film Festival, Rotterdam |
| 2000 | GFT, Glasgow (Screening of The Poor Stockinger, the Luddite Cropper and the Deluded Followers of Joanna Southcott) |
Group Screenings
| 2024 | ‘Together: Overlapping Histories, Friendships & Dialogues’, Close-Up Cinema, London |
| 2022 | ‘Alternate Alternate Alternate’, ecstaticstatic.com |
| 2021 | ‘In Dialogue: Luke Fowler & Morgan Quaintance’, Open City Documentary Festival , London |
| 2020 | ‘Cezanne’, Punto de Vista Film Festival |
| ‘punctum saliens’, Acud Macht Neu, Berlin (Curated by Anorak) | |
| 2019 | ‘Viennale — Vienna International Film Festival’, Austrian Filmmuseum, Vienna |
| ‘Projections’, 57th New York Film Festival, New York | |
| ‘there and then and never again’: Margaret Tait 100 Commissions Launch’, CCA, Glasgow | |
| ‘Shorts: Radical Archives’, Edinburgh International Film Festival, Edinburgh | |
| ‘Oscillation — on sound's nature’ | |
| ‘Glasgow Short Film Festival Scottish Short Film Award’, CCA, Glasgow | |
| ‘Audiograft Festival’, OVADA, Oxford | |
| 2018 | ‘Artists in Focus: Dora Garcia + Luke Fowler + Alex Reynolds’, Cinematek, Brussels |
| 2017 | ‘Western Front’, SFU Woodward’s Djvad Mowafaghian Theatre, Vancouver |
| ‘Electro-Pythagorus: A Portrait of Martin Bartlett’, Sonic Acts Festival , Stedelijk Museum, Amsterdam (co-produced by Sonic Acts + Stedelijk Museum ) | |
| Museum De Mindere in Sint-Truiden, Gent, Organised by Museum Dr. Guislain, Gent | |
| ‘Future, Tate Exchange’, Tate Liverpool, Liverpool | |
| 2016 | ‘Play, The 62nd Flaherty Seminar’, Colgate University, New York |
| ‘Moving Pictures’, Cairotronica, Zawya Cinema, Cairo, Egypt | |
| Site Festival, Stroud, Gloucestershire (with Richard Youngs) | |
| Courtisane Film Festival, Ghent | |
| AV Festival, Newcastle/Gateshead, Sunderland and Middlesbrough | |
| 2015 | ‘All Divided Selves’, RISD Museum, Providence |
| ‘All Divided Selves’, Whitechapel, London | |
| 2014 | ‘OPEN CINEMA SCINTILLATION OR DISAPPEARANCE’, National Museum of Modern and Contemporary Art, Seoul |
| ‘Viennale: Grammar for Listening Part 3’, Vienna International Film Festival, Vienna | |
| Quartiere Intelligente, Naples (Grammar for Listening Part 2) | |
| ‘The White Review: Take Out Your Eyes’ (A Grammar for Listening) | |
| 2013 | ‘Ãœber unheimliche Zustände und Körper’, Kunstraum Lakeside, Klagenfurt |
| ‘Roll Over. Reflections on Documentary, After Richard Leacock’, Temporary Gallery, Cologne (Screening of Paddington Collaboration) | |
| ‘HORS PISTE’, Centre Georges Pompidou, Paris (The Poor Stockinger, the Luddite Cropper and the deluded followers of Joanna Southcott) | |
| 2012 | ‘Pilgrimage from Scattered Points’, Bienal de la Imagen en Movimiento, Buenos Aires |
| ‘All Divided Selves’, DCA, Dundee | |
| ‘All Divided Selves’, Berlin (Forum Expanded, Berlin Film Festival) | |
| 2011 | Centre of Contemporary Art 'Znaki Czasu', Torun |
| 2010 | ‘Les Lendemains d'Hier’ |
| 2008 | ‘Scottish Shorts Showcase’, Edinburgh Film Festival, Edinburgh |
| ‘Bogman Palmjaguar’, Transmission, Glasgow | |
| 2007 | ‘Never Still: Map Magazine presents new artists' film’, CCA, Glasgow |
| ‘Widening Horizon’, Pleasure Dome, Toronto | |
| ‘Twilight Adventures in Music’, Whitechapel, London | |
| 2006 | ‘State of Innocence’, International Film Festival Rotterdam, Rotterdam |
| ‘Adventures in Modern Music’, The Gene Siskel Film Center, Chicago | |
| 2004 | ‘Anti-Psychiatry Film Festival’, Nova Cinema, Brussels |
| 2000 | ‘Recontres Video’, Annecy, France (Video Art/Film Festival) |
| ‘Cinelingus’, Catalyst Arts, Belfast (Documentary Film Festival) |
Projects
| 2021 | ‘CALE by SOTTO VOCE’ |
| 2020 | ‘In the Open’, Common Guild, Glasgow |
| 2018 | ‘The Artist in the Archive and the Library + Q&A with Luke Fowler’, British Film Institute, London |
| 2012 | ‘Documentary methods in art’, Dokumentarfilminitiative im Filmbüro NW, Cologne (Symposium) |
| 2005 | ‘Remixed Water’, Lawrence Weiner Bookworks project (with Daniel Padden, CD) |
Curatorial Projects
| 2018 | ‘BFI Experimenta: Luke Fowler Curates the BFI National Archive’, National Film Theatre, London |
Performances
| 2022 | ‘Corin Sworn — ‘Moving in Relation’’, Common Guild, Glasgow |
| Zweigstelle Capitain, Rome | |
| 2019 | ‘My Gourd Instruments’, Hamilton Mausoleum, South Lanarkshire (part of Sonica 2019) |
| 2017 | ‘Roscoe Mitchell, John Chantler & Luke Fowler’, Tectonics Festival, Glasgow |
| ‘Geometry of Now (Curated by Mark Fell)’, GES-2, Moscow (with Richard McMaster) | |
| 2016 | ‘Twilight Of The Rock Gods, with Richard McMaster’, Radiophenia, Glasgow (Radio program broadcast) |
| ‘Fantom Cinema’, The Old Hairdressers, Glasgow (curated by Rob Churm and Marc Baines, part of Glasgow International) | |
| 2014 | ‘Luke Fowler & Lee Patterson: Performance for Invented Acoustical Tools and Synthesis’, Inverleith House, Edinburgh (to accompany Tony Conrad 'Invented Acoustical Tools') |
| 2013 | ‘Who Will Go Mad With Me’, Huddersfield Contemporary Music Festival, Huddersfield (with David Toop, Alasdair Roberts and Sylvia Hallet ) |
| 2012 | ‘Luke Fowler and Richard Youngs Live’, ZKM Museum for Contemporary Art, Karlsruhe |
| CCA, Glasgow (Part of Sonica 2012) | |
| 2003 | ‘Be Dear Crazy Loud’, Flourish Nights, Glasgow (with P6) |
Awards
| 2023 | La Scam International Award, Cinéma du Réel, Paris |
Residencies
| 2023 | Prospect Cottage Residency, Folkestone |
| 2015 | Radcliffe Institute Fellow, Racliffe Institute for Advanced Study, Harvard University, Cambridge |
| 2013 | Dartmouth College, Hanover, NH |
| 2010 | CCS Bard Hessel Museum of Art, Annandale-on-Hudson |
Bibliography
Press
| 2023 | Derek McArthur: ‘Margaret Tait and a reckoning with Scottish film culture’, The Herald, 31/12/2023 |
| Adam Heardman: ‘A State of Disturbance’, Art Monthly, 09/2023 | |
| David Toop: ‘Luke Fowler, Ilam Actual, 2023’, this is tomorrow, 03/08/2023 | |
| Satchell-Baeza, Sophia: ‘Being in a Place: an allusive, pleasingly fluid portrait of Margaret Tait’, BFI online, 06/03/2023 | |
| Katharina Cichosh & Daniel Urban: ‘Highlights of the Berlinale 2023’, Schirn Magazine, 03/03/2023 | |
| ‘Issue 22: Being in a Place’, Foxdan, 28/02/2023 | |
| Nicholson, Ben: ‘Luke Fowler on his Margaret Tait film Being in a Place’, The Skinny, 28/02/2023 | |
| Balsom, Erika: ‘Interview: Luke Fowler’, Film Comment, 27/02/2023 | |
| 2022 | Sukhdev Sandhu: ‘Films of the year’, Prospect, 23/12/2022 |
| 2021 | Quin, John : ‘Attention Economy: Glasgow International – Review’, Art Review, 22/06/2021 |
| Moore, Pádraic E.: ‘From Disco to Hi-NRG: A Portrait of Experimental Musician Patrick Cowley’, Artreview.com, 11/06/2021 | |
| 2020 | Younes, Nadia : ‘Luke Fowler and Vikki Morton introduce Sotto Voce’, The Skinny, 02/11/2020 |
| 2019 | Fowler, Luke: ‘The Art, Poetry and Disco that Influence Luke Fowler’, Frieze, 21/09/2019 |
| OEI magazine, 04/2019 | |
| 2018 | Lyndsay Knecht: ‘From An Irish Castle To A Dallas Garden, Luke Fowler Makes Art of Listening’, D Magazine, 11/05/2018 |
| Sandhu, Sukhdev: ‘That Uncertain Feeling’, Sight and Sound, 05/03/2018 | |
| 2017 | Fowler, Luke: ‘Luke Fowler: six influential books on film’, BFI online, 15/12/2017 |
| Dayal, Geeta: ‘Lost And Found’, WIRE, 401 07/2017 | |
| 2016 | Douglas, Graham: ‘Luke Fowler on E.P. Thomson’, ThePrisma, 21/11/2016 |
| Wilson, Siona: A Pavilion of One‘s Own, Artforum, Vol. 54 02/2016 | |
| Frédéric Bonnet: ‘Some Bodies...’, Nomas, 6 2016 | |
| 2015 | Goldberg, Keren: ‘Luke Fowler: To The Editor of Amateur Photographer’, Mousse, 49 06/2015 |
| Jeffrey, Moira: ‘Luke Fowler interview: Up close and personal’, Scotland on Sunday, 04/04/2015 | |
| 2014 | Barry, Robert: ‘Books’, Frieze, 06/2014 |
| Coley, Nathan: Talkin’ ‘bout our GENERATION, The List, 20/03/2014 | |
| 2013 | ‘About the cover’, The British Journal of Psychiatry, 07/2013 |
| ‘Lived Experience’, Mousse, 02/2013 | |
| Holler, Christian: ‘Die Methode Fowler’, Springerin, 01/2013 | |
| Von Wiegand, Ellen: ‘Out of the Shadows: Five Contemporary Scottish Artists’, Culture 24, 2013 | |
| 2012 | Gronlund, Melissa: ‘Across the Great Divide’, Sight and Sound, 12/2012 |
| Cumming, Laura: ‘An almost awesome foursome’, The Observer, 07/10/2012 | |
| Herbert, Martin: ‘Individed Attention’, Artforum, 10/2012 | |
| Miller, Phil: ‘Lesson for our age’, The Herald, 22/06/2012 | |
| Cumming, Laura: ‘Our critic assesses the Turner prize nominees’, The Observer, 06/05/2012 | |
| Campbell-Johnstone, Rachel: ‘Bring on the clowns for an anarchic Turner Prize shortlist’, The Times, 02/05/2012 | |
| Tahir, Tariq: Don‘t poo-poo Turner Prize, Metro, 02/05/2012 | |
| Miller, Phil: ‘Fowler short-listed for prestigious Turner Prize’, The Herald, 02/05/2012 | |
| Clark, Nick: ‘From Jabba the Hutt to shipping disasters - the inspiration for Turner Prize art’, The Independent, 02/05/2012 | |
| McGinty, Stephen: Jabba the Hutt, nude Spartacus and city of poo: it‘s Turner time, The Scotsman, 02/05/2012 | |
| Brown, Mark: ‘The slow movement: Turner shortlist rewards artists who need longer view’, The Guardian, 02/05/2012 | |
| 2011 | Lowndes, Sarah: ‘Slow Dazzle’, Spike Art Quarterly, 02/2011 |
| Sperlinger, Mike: ‘Looking Back: Film’, Frieze, Issue 136 01/2011 | |
| 2010 | Anderson, Heather: ‘Luke Fowler Interview’, Kopenhagen.dk, 18/11/2010 |
| Tillet, Pierre: ‘La Vie Matèrielle’, Frog Magazine, 04/2010 | |
| Cairns, Steven: ‘Luke Fowler’, Frieze, Issue 129 03/2010 | |
| Mansfield, Susan: ‘Art Reviews: Luke Fowler/Mircea Cantor’, The Scotsman, 19/01/2010 | |
| Comer, Stuart: ‘Flim Review’, Frieze, Issue 128 01/2010 | |
| Grubbs, David: ‘Music’, Frieze, Issue 128 01/2010 | |
| ‘Visual Art’, The List, Issue 648 01/2010 | |
| ‘AB-BE-CE-DA-RIO’, Mousse Magazine, 2010 | |
| 2009 | Kotze, Talitha: ‘Luke Fowler: A Grammar for Listening (Parts 1-3)’, The List, Issue 644 19/11/2009 |
| Heiser, Jörg: ‘Earth Sound Research Revival’, Mousse Magazine, 21 11/2009 | |
| Beasley, Stephen: ‘Radical Nature’, Frieze, Issue 162 10/2009 | |
| De Wachter, Ellen Mara: ‘The Paradox of Clairity’, Flash Art Online, 10/2009 | |
| Meyer, James: ‘Luke Fowler: Serpentine Gallery, London, (review)’, Artforum, 09/2009 | |
| Smith, Roberta: ‘Unspooling Time Loops’, The New York Times, 06/08/2009 | |
| Millard, Colin: ‘Luke Fowler’, Artforum, 07/2009 | |
| Gray, Louise: ‘Luke Fowler’, The Wire, 07/2009 | |
| Campbell-Johnston, Rachel: ‘Radical Nature at the Barbican’, The Times, 16/06/2009 | |
| ‘Luke Fowler’, Time Out, 11/06/2009 | |
| ‘Serpentine Gallery’, Kilburn Times, 11/06/2009 | |
| ‘Last Chance’, The Times, 08/06/2009 | |
| Lubbock, Tom: ‘Five best London Shows’, The Independent, 06/06/2009 | |
| ‘Luke Fowler’, The Guardian Guide, 06/06/2009 | |
| ‘Serpentine Gallery’, The Independent, 06/06/2009 | |
| ‘Serpentine Gallery’, Kilburn Times, 04/06/2009 | |
| ‘Luke Fowler’, Matchbox, 06/2009 | |
| ‘Luke Fowler’, Art in London, 06/2009 | |
| ‘Luke Fowler’, Blueprint, 06/2009 | |
| ‘Serpentine Gallery’, Art in London, 06/2009 | |
| Herbert, Martin: ‘The Way In’, Map, 18 06/2009 | |
| 12 Hours: On London‘s Art Scene, Maybourne, 31/05/2009 | |
| ‘Pick of the Week’, The Guardian Guide, 30/05/2009 | |
| Critic‘s Choice, Time Out, 28/05/2009 | |
| ‘Five Best Exhibitions’, The Independent, 28/05/2009 | |
| Ward, Ossian: ‘Luke Fowler’, Times Out, 28/05/2009 | |
| Hudson, Mark: ‘Luke gets it right by doing it all wrong’, The Mail on Sunday, 24/05/2009 | |
| ‘Exhibitions’, The Guardian, 23/05/2009 | |
| Lubbock, Tom: ‘Five best London shows’, The Independent, 23/05/2009 | |
| ‘Serpentine Gallery’, The Guardian Guide, 22/05/2009 | |
| ‘Serpentine Gallery’, Kilburn Times, 21/05/2009 | |
| Sherwin, Skye: ‘Don’t Turner your nose up at video art’, The Guardian, 18/05/2009 | |
| ‘Highly recommended’, The Times, 18/05/2009 | |
| Sands, Sarah: ‘Sorry, darling, can’t coffee this week’, The New Statesman, 18/05/2009 | |
| Lubbock, Tom: ‘Five best London shows’, The Independent, 16/05/2009 | |
| ‘Serpentine Gallery’, The Independent, 16/05/2009 | |
| Patel, Riya: ‘Five things to do today’, Architectsjournal.co.uk, 15/05/2009 | |
| Sands, Sarah: ‘Diary’, Newstatesman.com, 14/05/2009 | |
| ‘Serpentine Gallery’, Kilburn Times, 14/05/2009 | |
| Glover, Michael: Experiments that don‘t lose focus, The Independent, 12/05/2009 | |
| Pill, Steve: ‘Art Review Luke Fowler’, Metro, 11/05/2009 | |
| ‘Serpentine Gallery presents first UK survey of work of Jarman Award winner Luke Fowler’, Artdaily.org, 11/05/2009 | |
| Cumming, Laura: ‘Now let’s try a little experiment...’, The Observer, 10/05/2009 | |
| Januszczak, Waldemar: ‘The psychiatrist RD Laing was incompetent and dangerous’, The Sunday Times, 10/05/2009 | |
| ‘Serpentine Gallery’, The Guardian Guide, 09/05/2009 | |
| Hudson, Mark: ‘Stories upside down and inside out’, The Daily Telegraph, 09/05/2009 | |
| Lewis, Ben: ‘Retro display lost in a time warp’, Evening Standard, 08/05/2009 | |
| Searle, Adrian: ‘Dreams of a tortured soul’, The Guardian, 07/05/2009 | |
| ‘Serpentine Gallery’, Kilburn Times, 07/05/2009 | |
| Pitman, Joanna: ‘Luke Fowler’, The Times, 06/05/2009 | |
| ‘Art round-up’, London Lite, 05/05/2009 | |
| ‘Luke Fowler at the Serpentine Gallery’, Flamin Film London, 05/05/2009 | |
| ‘Luke Fowler at the Serpentine Gallery’, Filmlondon.org.uk, 05/05/2009 | |
| ‘Worth a Look’, TNT Magazine, 05/05/2009 | |
| Don‘t Miss... Luke Fowler, The New Statesman, 04/05/2009 | |
| ‘Opening this week’, The Times, 04/05/2009 | |
| Campbell-Johnston, Rachel: Critic‘s Choice, The Times, 02/05/2009 | |
| Costa, Annie: ‘Luke Fowler’, Modern Painters, 05/2009 | |
| ‘Exhibitions’, Design Week, 23/04/2009 | |
| ‘Serpentine Gallery’, Kilburn Times, 23/04/2009 | |
| Jeffery, Moira: ‘Luke Fowler Interview: Up close and personal’, Scotland on Sunday, 04/2009 | |
| Brown, Helen: ‘A proud association, Dundee Courier & Advertiser, 16 March 2009 Exhibition Announcement’, Designtaxi.com, 06/03/2009 | |
| Obrist, Hans Ulrich: ‘Nikhil Chopra, Chu Yun, Aurelien Froment & Luke Fowler’, Art Review, Issue 30 03/2009 | |
| Higgie, Jennifer: ‘Yokohama Triennale’, Frieze, 120 01/2009 | |
| ‘London’, Art Newspaper, 2009 | |
| ‘Serpentine showcases Luke Fowler’, Venue, 2009 | |
| 2008 | Ellis, Maggie: ‘The Jarman Award’, Map, 14 06/2008 |
| Home, Stuart: ‘Luke Fowler’, Art Monthly, 316 05/2008 | |
| Pollock, David: ‘Luke Fowler: Bogman Palmjaguar’, The List, 598 13/03/2008 | |
| Neil, Ken: ‘Luke Fowler & Charlie Hammond’, Map, 13 03/2008 | |
| 2007 | Smith, Roberta: ‘Chaotic Creation in Silence and Smashing Guitars’, The New York Times, 06/07/2007 |
| Cotter, Holland: ‘Luke Fowler’, The New York Times, 30/06/2007 | |
| Heiser, Jörg: ‘Condor: A poster project by Henrik Håkansson’, Frieze, 108 31/05/2007 | |
| Fowler, Luke: ‘Life in Film’, Frieze, Issue 106 05/2007 | |
| Brittain, David: ‘Luke Fowler: Scratch’, Next Level, Issue 12 2007 | |
| 2006 | England, Phil: ‘Pilgrimage From Scattered Points’, The Wire, Issue 267 07/2006 |
| Mottram, Jack: ‘Luke Fowler’, Map, Issue 6 06/2006 | |
| Lowndes, Sarah: ‘Luke Fowler’, Frieze, Issue 99 05/2006 | |
| Lowndes, Sarah: ‘Luke Fowler’, Frieze, Issue 99 05/2006 | |
| Hammonds, Kit: ‘Tate Triennial’, Tema Celeste, Issue 115 05/2006 | |
| Fox, Dan: ‘Tate Triennial 2006’, Frieze, Issue 88 05/2006 | |
| Jeffrey, Moira: ‘Luke Fowler’, The Herald, 03/03/2006 | |
| Mottram, Jack: ‘Luke Fowler’, The List, 02/03/2006 | |
| Quirk, Nick: ‘LUKE FOWLER’, The Skinny, 6 03/2006 | |
| 2005 | Kennedy, Alexander: Beck‘s Futures 2005, The List, 09/06/2005 |
| Rose, Chris: ‘Cross Platform’, The Wire, 04/2005 | |
| Bowring, Belinda: ‘luke fowler’, i-D, 3 04/2005 | |
| N˙Òez-Fernández, Lupe: ‘Awards and shortlists’, Art Review, 02/2005 | |
| Hedges, Ruth: ‘Profile’, The List, 06/01/2005 | |
| 2004 | Fox, Dan: The mind‘s eye, Frieze, 83 30/04/2004 |
| 2003 | Fox, Dan: ‘50th Venice Bienniale’, Frieze, 77 09/2003 |
| 2002 | Beasley, Mark: ‘MAKING TRACKS’, Frieze, 69 09/2002 |
| Beadie, Brian: ‘SHADAZZ: EVIL EYE IS THE SOURCE’, Untitled, 28 06/2002 | |
| 2001 | Calcutt, John: ‘Beyond the future of art’, Scotland on Sunday, 04/03/2001 |
| Beagles, John: ‘Beyond’, The List, 03/2001 | |
| Farquar, Luke Fowler, Inventory, Jakob Kolding: ‘SHADAZZ’, CASCO, 7 2001 | |
| 2000 | Rota, Elisabetta: ‘Untitled’, Flash Art Italia, 2000 |
Exhibition Reviews
| 2021 | Buck, Louisa: ‘Retina-bombarding films and complicated stenches: Glasgow International offers us new ways to pay attention’, The Art Newspaper, 21/06/2021 |
| 2018 | Rosebury, Will: ‘AMOR - Sinking Into A Miracle’, Clash, 12/12/2018 |
| Kenny, Glenn: ‘‘Electro‑Pythagorus’ Review: An Experimental Look at an Innovator’, The New York Times, 29/11/2018 | |
| Watson, Keith: ‘Electro-Pythagorus: A Portrait of Martin Bartlett’, SlantMagazine.com, 26/11/2018 | |
| Hallock, Jeremy: ‘What does sculpture sound like?’, Dallas News, 17/05/2018 | |
| Sharratt, Chris: ‘Luke Fowler & Sue Tompkins’, Frieze, 192 01/2018 | |
| 2017 | Barker, Ruth: ‘Country Grammar’, Map, 17/10/2017 |
| 2015 | Clark, Robert: ‘Luke Fowler & Mark Fell’, Guardian Guide, 06/06/2015 |
| 2014 | Cooper, Neil: ‘Luke Fowler’, The List, 726 10/07/2014 |
| Clark, Robert: ‘In NO Time’, Guardian Guide, 31/05/2014 | |
| ‘Spaced Out’, Home and Interiors Scotland, 01/2014 | |
| 2013 | ‘Martino Gamper’, Mousse, 41 12/2013 |
| Jeffrey, Moira: ‘Weaving Magic’, Scotsman, 30/11/2013 | |
| Wolff, Sharne: ‘Art Notes: IMA Presents’, Art Monthly, 04/2013 | |
| Gratza, Agnieszka: ‘Turner Prize 2012’, Flash Art, 01/2013 | |
| ‘Luke Fowler: All Divided Selves’, Artabase, 2013 | |
| 2012 | Mantle, Jac: ‘The Turner Prize 2012’, The Skinny, 12/2012 |
| Smart, Alastair: ‘Bellwether or buffoonery?’, The Telegraph, 07/10/2012 | |
| Ben Hoyle: I am Spartacus...and you‘re in for talking to at this year‘s Turner Prize, The Times, 02/10/2012 | |
| Julia Gregory: ‘Is it really art...or just a load of old excrement?’, Metro, 02/10/2012 | |
| Nick Clark: It‘s art all right - but is it modern?, The Independent, 02/10/2012 | |
| Sherna Noah: Meet Sparticus the bearded female nudist - yes, it‘s Turner Prize time again, The Scotsman, 02/10/2012 | |
| Richard Dorment: One superb artist - and one who‘s just silly, The Daily Telegraph, 02/10/2012 | |
| Mark Brown: ‘Scatology, ribaldry, death and despair on show at Tate’, The Guardian, 02/10/2012 | |
| Phil Miller: ‘Scottish artist in frame for Turner’, The Herald, 02/10/2012 | |
| Zoe Pilger: ‘Turner selection may well be art - but is it modern’, i, 02/10/2012 | |
| Clegg, James: ‘Exhibition Reviews’, Art Review, 05/2012 | |
| Jeffrey, Moira: ‘To Cut a Laing Story’, Scotland on Sunday, 04/03/2012 | |
| Tomes, Delle: ‘Luke Fowler (with Toshiya Tsunoda and John Haynes)’, The Journal, Issue 57 03/2012 | |
| Urwin Jones, Sarah: Luke Fowler‘s camera images give two for the price of one, The Herald, 25/02/2012 | |
| Macmillan, Duncan: ‘Visual arts roundup: Luke Fowler | Roger Ackling | Andrew Miller | Barry McGlashan | Alistair Grant’, The Scotsman, 23/02/2012 | |
| Cooper, Neil: ‘Luke Fowler (with Toshiya Tsunoda and John Haynes)’, The List, 17/02/2012 | |
| Cattanach, Andrew: ‘Luke Fowler’, The Skinny, 07/02/2012 | |
| Mack, Joshua: ‘Exhibition Reviews’, Art Review, 01/2012 | |
| 2011 | Natilee, Harren: ‘Exhibition Reviews’, Artforum, 04/2011 |
| 2009 | Campbell-Johnston, Rachel: ‘Radical Nature at the Barbican’, The Times, 16/06/2009 |
| Townshend, Emma: ‘Barbican shows how to save the planet with Radical Nature exhibition’, Times Online, 13/06/2009 |
Publications
| 2020 | Edited by Bárbara RodrÃguez Muñoz: Health, Whitechapel Gallery, London; MIT Press, Cambridge |
| 2014 | Luke Fowler: Two-Frame Films 2006-2012, MACK, London |
| 2013 | Artist-In-Residence, Dartmouth College |
| The Poor Stockinger, the Luddite Cropper and the Deluded Followers of Joanna Southcott, Film and Video Umbrella, London | |
| 2011 | 8 Metaphores (because the moving image is not a book), LUX, London |
| Crimmin, Michaela, Pheby, Helen: Diligent Observation: A year of bees on the Bretton Estate, Yorkshire Sculpture Park, Yorkshire (Exhibition Guide to accompany Rebecca Chesney's Bee Project) | |
| 2009 | Kunsthalle Zurich, Serpentine Gallery, JRP|Ringier, Zurich |
| Luke Fowler, JRP|Ringier, Zurich | |
| SHADAZZ 08, SHADAZZ, Glasgow (Daniel Padden and Sarah Kenchington, The Below Switch - CD) | |
| SHADAZZ 09, SHADAZZ, Glasgow (Django Django Love's Dart/ Storm - 7" Vinyl) | |
| SHADDAZ 07, SHADAZZ, Glasgow (Lee Patterson, Seven Vignettes - CD) | |
| 2008 | Scotland & Venice 2003 2005 2007, Scottish Arts Council, British Council, National Galleries of Scotland, Scotland |
| 2007 | Es ist schwer das Reale zu berühren, Grazer Kunstverein, Graz |
| Henrik Håkansson, IASPIS, Stockholm | |
| 2006 | Gronlound, Melissa, Staple, Polly: Frieze Projects: Artists Commisions and Talks (2003-2005), frieze, London |
| LUKE FOWLER, Tate Publishing, London | |
| 2005 | LUKE FOWLER, ICA, London |
| SHADAZZ 05, SHADAZZ, Glasgow (Rude Pravo, the dust is flying - 7" Vinyl) | |
| SHADAZZ 06, SHADAZZ, Glasgow (Danny Saunders, Gold - 7" Vinyl) | |
| 2002 | LUKE FOWLER, Frankfurt am Main, Frankfurt am Main |
| SHADAZZ 04, SHADAZZ, Glasgow (Evil Eye is Source - VHS Compilation, artists/ bands) | |
| The Skylark, The Free Stereo Record Company (FSR), Sweden (Vinyl) | |
| 2001 | Nightingale Love two times, The Free Stereo Record Company (FSR), Sweden (Vinyl - recorded & produced by Henrik HÂkansson) |
| SHADAZZ 02, SHADAZZ, Glasgow (The Invisible Insurrection of a Million Minds - CD release) | |
| SHADAZZ 03, SHADAZZ, Glasgow (Insert for Casco Issues, Holland - artists' project & CD release) | |
| 2000 | Gurney's Pitta: Songs from a forest without a name, The Free Stereo Record Company (FSR), Sweden (Vinyl) |
| SHADAZZ 01, SHADAZZ, Glasgow (The Scottish Demo Collective - fanzine & CD release) |
Exhibition Publications
| 2012 | Pop Politics : Activism at 33 Revolutions, CA2M Centro de Arte Dos de Mayo, Madrid |
| 2010 | Bergen Kunsthall - Spring 2010, Bergen Kunsthall, Bergen (Spring 2010 gallery programme) |
| British Art Show 7: In the Days of the Comet, Hayward Publishing, London | |
| 2009 | Radical Nature, Barbican Art Gallery, London |
| 2007 | Whenever It Starts It Is The Right Time – Strategies for a discontinuous future, Frankfurter Kunstverein, Frankfurt am Main |
| You Have Not Been Honest, British Council, London | |
| 2006 | Tate Triennial 2006: New British Art, Tate Publishing, London |
| 2005 | Beck’s Futures 2005, Institute of Contemporary Arts (ICA), London |
| 2003 | Electric Earth, Film and Video from Britain, British Council, London |
| 2002 | Fair, Royal College of Art, London |