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BIO / BIBLIOGRAPHY
Richard Wright
| 2005 |
Artforum May, 2005 (David Frankel)
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| 2004 |
The Scotsman Tuesday 18th May 2004 (Susan Mansfield)
The List 15-29 April 2004 (Graham Domke)
Werke aus der sammlung Boros Museum für neue kunst, ZKM, Karlsruhe, 2004 (Christian Boros, Silke Immenga, Ralph Melcher)
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| 2003 |
Afterall no 7, 'A conversation between Charles Esche and Richard Wright'
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| 2002 |
My Head is on Fire but my Heart is Full of Love Copenhagen, Charlottenborg Udstillingsbygning, 2002
Art Now Taschen, 2002 (Uta Grosenik, Burkhard Riemschneider)
Drawing Now: Eight Propositions New York, MOMA, 2002 (Laura Hoptman)
Vitamin P Phaidon Press, 2002 (Barry Schwabsky)
Richard Wright Düsseldorf, Kunstverein für die Rhinelande und Westfalen, 2002 (Cerith Wyn Evans, Frank Frangenberg, Rita Kersting, Roberto Ohrt, Adam Szymzcyk (interview))
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| 2001 |
Here + Now: Scottish Art 1990 – 2001 Dundee, Dundee Contemporary Arts, 2001 (Katrina Brown, Rob Tufnell)
Artforum January 2001 (Clarissa Dalrymple)
Frieze April 2001, 'Back to the Wall' (Alex Farquharson)
Painting at the Edge of the World Minneapolis, Walker Art Centre, 2001 (Douglas Fogel (ed.))
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| 2000 |
The British Art Show 5: National Touring Exhibitions London, Hayward Gallery Publishing, 2000 (Judith Bampus, Matthew Higgs et al)
Intelligence: New British Art 2000 London, Tate Publishing, 2000 (Virginia Button, Charles Esche)
Home is where the Heart is Amsterdam, Museum Van Loon, 2000 (Thomas Lawson, Mark Hamilton)
Richard Wright Milton Keynes, Milton Keynes Art Gallery; Newcastle, Locus+, 2000 (Diana Stigter)
Art Monthly October, 2000 (Paul Usherwood)
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| 1999 |
de coras(i)on Barcelona, TeclaSala, 1999 (Jorg Baber)
Art Monthly September, 1999 (John Chilver)
In the Midst of Things: Art, Architecture and Design London, August, 1999 (Gavin Wade, Nigel Prince)
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| 1998 |
Manifesta 2 Luxembourg, 1998
Nettverk Scotland Oslo, Museet for Samtidskunst, 1998 (Kari Brandtzæg)
a-n November, 1998 (Charles Esche)
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| 1997 |
FOR ART 1997 (Kari Brandtzæg)
Art Monthly October, 1997 (Melissa E. Feldman)
Correspondences: Art from Scotland and Berlin Berlin, Berlinische Galerie im Martin Gropius Bau, 1997 (Keith Hartly, Ursula Prinz)
Pitura Brittanica Sydney, Museum of Contemporary Art, 1997 (Bernice Murphy)
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| 1996 |
Live/Life Paris, Musée d’Art Moderne de la Ville de Paris, 1996
Absolut Vision: New British Painting in the 1990s Oxford, Museum of Modern Art, 1996 (David Elliot)
Sugarhiccup Glasgow, Tramway, 1996 (Charles Esche, Pavel Büchler)
New Art in Scotland Glasgow, CCA, 1996 (Nicola White (ed.))
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