Adam McEwen
Born 1965, London; Lives in New York.
Education
| 1991 | BFA, California Institute of the Arts |
| 1987 | BA, Christ Church, Oxford |
Solo Exhibitions
| 2024 | ‘Adam McEwen’, Gagosian, Hong Kong |
| ‘Punctures’, The Modern Institute, 14–20 Osborne Street, Glasgow | |
| 2023 | ‘XXIII’, Gagosian Gallery, Rome |
| Gagosian, Davies Street, London | |
| 2022 | ‘Execute’, Gagosian Gallery, 980 Madison Avenue, New York |
| 2019 | ‘Meddle’, The Modern Institute, 3 Aird's Lane, Glasgow |
| ‘70th Anniversary Summer Party’, The Glass House, New Canaan | |
| ‘10, FEELS LIKE 2’, Lever House Art Collection, New York | |
| ‘Adam McEwen’, Petzel Gallery, New York, Petzel Uptown | |
| 2018 | ‘Nighthorses’, Gagosian Gallery, Los Angeles |
| 2017 | ‘Ice Ice Baby’, Art concept, Paris |
| ‘I Think I'm In Love’, Aspen Art Museum, Aspen | |
| 2016 | ‘Tinnitus’, The Modern Institute, 14–20 Osborne Street, Glasgow |
| ‘Harvest’, Petzel Gallery, New York | |
| 2015 | ‘Traditional Contemporary’, Petzel Gallery, New York |
| Museo Civico Diocesano di Santa Maria dei Servi, Città della Pieve | |
| 2014 | ‘Non-Alignment Pact’, Galerie Art: Concept, Paris |
| ‘Factory Tint’, Capitain Petzel, Berlin | |
| 2013 | ‘Rehabilitating the Steinway Tube Ducts’, Galerie Rodolphe Janssen, Brussels |
| ‘Sawney Bean’, The Modern Institute, 14–20 Osborne Street, Glasgow | |
| ‘Atomkraft Paintings’, National Exemplar, New York | |
| ‘Adam McEwen’, Home Alone I, New York | |
| 2012 | ‘Adam McEwen’, Goss-Michael Foundation, Dallas |
| 2011 | ‘11.11.11’, Gagosian Gallery, Los Angeles |
| ‘A Real Slow Drag’, Marianne Boesky Gallery, New York | |
| ‘The House of Marlon Brando’, Galerie Art: Concept, Paris | |
| ‘2 AC Paintings’, National Exemplar, New York | |
| 2010 | ‘I Hate You, Billboard for Edinburgh’, Ingleby Gallery, Edinburgh |
| ‘Feeling Called Love’, Galerie Rodolphe Janssen, Brussels | |
| ‘I Am Curious Yellow’, Nicole Klagsbrun Gallery, New York | |
| 2009 | ‘Switch and Bait’, Nicole Klagsbrun Gallery, New York |
| 2008 | ‘Chicken or beef?’, Glenn Horowitz Bookseller, East Hampton |
| 2007 | ‘Who r u? lost all numbers’, Galerie Art: Concept, Paris |
| ‘U r the problem’, Galerie Rodolphe Janssen, Brussels | |
| 2006 | ‘8.00 for 8.30’, Nicole Klagsbrun Gallery, New York |
| ‘My Mistake’, Jack Hanley Gallery, San Francisco | |
| 2004 | ‘History is a Perpetual Virgin endlessly and repeatedly Deflowered by successive generations of Fucking Liars’, Nicole Klagsbrun Gallery, New York |
| 2003 | ‘Adam McEwen’, Alessandra Bonomo Gallery, Rome |
| ‘Adam McEwen’, The McAllister Institute, New York | |
| ‘Adam McEwen’, The Wrong Gallery, New York | |
| 2002 | ‘Much Better’, 17 Rosebery Avenue, London |
Group Exhibitions
| 2023 | ‘Forms’, Miami Design District, Miami |
| ‘Syphilis Too (II)’, David Lewis Gallery, New York, New York | |
| ‘Big Bang’, Vedovi Gallery, Brussels, Belgium | |
| ‘Une histoire intime de l’art’, Collection Lambert en Avignon, Avignon | |
| ‘Back’, Peter Freeman, Inc., New York | |
| 2022 | ‘Tangible/Nothing’, Ruby City, San Antonio, USA |
| ‘Haunted Realism’, Gagosian, Grosvenor Hill, London | |
| ‘Ulysses’ Dream’, Fondation Carmignac, Hyères | |
| 2021 | ‘I Know Where I'm Going - Who Can I Be Now’, The Modern Institute, 14–20 Osborne Street, Glasgow |
| ‘An Ideal Landscape’, Gagosian Gallery, 980 Madison Avenue, New York | |
| 2020 | ‘Bustes de Femmes’, Gagosian , Paris |
| ‘American Pastoral’, Gagosian, Britannia Street, London | |
| 2019 | ‘The Extreme Present’, Moore Building, Miami |
| ‘Chairs Beyond Right and Wrong’, R & Company , New York | |
| ‘Meet Me In The Bathroom: The Art Show’, The Hole x UTA Artist Space, New York | |
| ‘A Small Investigation’, Nicole Klagsbrun Gallery, New York | |
| 2017 | ‘WAGSTAFF'S’, Mostyn, Llandudno |
| ‘The Age of Ambiguity: Abstract Figuration /Figurative Abstraction’, Vito Schnabel Gallery, St. Moritz | |
| ‘Attics of My Life: 30th Anniversary Exhibition’, Jack Hanley Gallery, New York | |
| ‘We need to talk...’, Petzel Gallery, New York | |
| 2016 | ‘Progressive Praxis’, de la Cruz Collection, Miami |
| ‘SMS SOS: Text, Texture, Gesture’, Marlborough Chelsea, New York | |
| ‘The Language of Things Material; Hi/Stories from the Collection’, 21er Haus Museum of Contemporary Art, Vienna | |
| ‘Pieces-Meubles’, Galerie Patrick Seguin, Paris (curated by Bob Nickas) | |
| 2015 | ‘Greater New York’, PS1, New York |
| ‘Accrochage 3: Pop & Musique/Son’, Fondation Louis Vuitton, Paris | |
| 2014 | ‘In NO time’, The Modern Institute, 14–20 Osborne Street, Glasgow |
| ‘Copied’, Andrew Roth Gallery, New York | |
| ‘Legs’, National Exemplar | |
| ‘Reliable Tension’, 32 Edgewood Gallery, Yale University of Art, New Haven | |
| ‘Home Again, Again II’, The Journal Gallery, New York | |
| 2013 | ‘The Show is Over’, Gagosian Gallery, London |
| ‘WANTED Selected Works from the Mugrabi Collection’, Tel Aviv Museum of Art, Tel Aviv | |
| ‘Transforming the Known: Works from the Bert Kreuk Collection’, Gemeentemuseum, Den Haag | |
| ‘Awaiting Immanence’, Isbrytaren, Stockholm | |
| 2012 | ‘Graphite’, Indianapolis Museum of Art, Indianapolis |
| ‘Out of the Blue’, Bortolami Gallery, New York | |
| ‘About Wood Artschwager/Herold/McEwen’, David Nolan Gallery, New York | |
| ‘Advert, Insert, Cover, Headline’, Bischoff/Weiss, London | |
| ‘Ghosts Before Breakfast’, White Flag Projects, St Louis | |
| ‘Second Skin’, VPL, New York | |
| ‘ART and PRESS’, Martin-Gropius Bau, Berlin | |
| ‘Sixth Sax’, Halsey McKay Gallery, East Hampton, New York | |
| 2011 | ‘Time Wounds All Heels’, White Flag Projects, St Louis |
| 2010 | ‘Fresh Hell’, Palais de Tokyo, Paris |
| ‘Re-Dressing’, Bartolami Gallery, New York | |
| ‘Endless Bummer/Surf Elsewhere’, Blum and Poe Gallery, Los Angeles | |
| ‘Pictures & Statues’, Country Club, Cincinnati | |
| ‘Crash’, Gagosian Gallery, London | |
| ‘Meet Me Inside’, Gagosian Gallery, Los Angeles | |
| ‘The Substance of the Shadow’, Gagosian Gallery, Los Angeles | |
| ‘Cinèmatique, Esthètique, Politique, Hermètique’, Galerie Art: Concept, Paris | |
| ‘Inauguration’, Galerie Emmanuel Perrotin, Paris | |
| ‘At Home / Not At Home: Works from the Collection of Martin and Rebecca Eisenberg in the Hessel Museum of Art’, Hessel Museum of Art, Bard College, Annandale-on-Hudson, New York | |
| ‘Shape Language’, Nicole Klagsbrun Gallery, New York | |
| ‘Gallery, Gallerie, Galleria’, Norma Mangione Gallery, Turin | |
| ‘The Last Newspaper’, The New Museum, New York | |
| ‘Haunted: Contemporary Photography/Video/Performance’, Guggenheim, New York | |
| ‘(LEAN)’, Nicole Klagsbrun Gallery, New York | |
| 2009 | ‘Dark Summer’, Galerie Rodolphe Janssen, Brussels |
| ‘Just What Are They Saying’, Jonathan Ferrara Gallery, New Orleans | |
| ‘Under Control’, Krannert Art Museum, University of Illinois, Urbana-Champaign | |
| ‘A Tribute to Ron Warren’, Mary Boone Gallery, New York | |
| ‘The Reach of Realism’, Museum of Contemporary Art, Miami | |
| ‘20 Years’, Nicole Klagsbrun Gallery, New York | |
| ‘Small Packages’, The Art Production Fund Lab, New York | |
| ‘Remembering Henry's Show: Selected Works 1978-2008’, The Brant Foundation, Greenwich CT | |
| ‘Saints and Sinners’, The Rose Art Museum, Waltham, MA | |
| ‘The Living and the Dead’, Gavin Brown's enterprise, New York | |
| ‘Beg, Borrow and Steal’, Rubell Family Collection, Miami | |
| 2008 | ‘That's Not How I Remember It’, Anna Helwing Gallery, Los Angeles |
| ‘Under Pain of Death’, Austrian Cultural Forum, New York | |
| ‘Murder Letters’, Galeria Filomena Soares, Lisbon, Portugal | |
| ‘Laughing in a Foreign Language’, Hayward Gallery, London | |
| ‘Accidental Modernism’, Leslie Tonkonow Artworks + Projects, New York | |
| ‘The Station’, Miami, FL | |
| ‘Typed’, Sadie Coles HQ, London | |
| ‘The Art of the Real’, Vanmoerkerke Collection, Oostende, Belgium | |
| ‘Recent Acquisitions, Gifts, and Works from Various Exhibitions 1985-2008’, White Columns, New York | |
| ‘That Was Then... This is Now’ | |
| ‘Zuordnungsprobleme’, Galerie Johann König, Berlin | |
| ‘Signs of The Time’, Whitney Museum of American Art, New York | |
| 2007 | ‘Open House: Cincinnati Collects’, Contemporary Art Center Cincinnati, Cincinnati |
| ‘Pop Art Is...’, Gagosian Gallery, London | |
| ‘Deaf 2: From the Audible to the Visible’, Galerie frank Elbaz, Paris | |
| ‘Peter Coffin, Adam McEwen, Michael Phelan’, Galerie Mitterand + Sanz, Zurich | |
| ‘National Geographic’, Norma Desmond Productions, Los Angeles | |
| ‘Irreversible’, Stellan Holm Gallery, New York | |
| ‘Number One: Destroy, She Said’, Julia Stoschek Collection, Düsseldorf | |
| ‘Last Attraction Next Exit’, Max Wigram Gallery, London (curated by Neville Wakefield) | |
| ‘Two Years: Aquisitions for the Permanent Collection’, Whitney Museum of American Art, New York | |
| ‘Saturn Falling’, Corridor Gallery, Reykjavik | |
| 2006 | ‘Clarissa Dalrymple’s Exhibition of Young Artists to Benefit the Foundation for Contemporary Arts’, Bortolami Dayan Gallery, New York |
| ‘Survivor’, Bortolami Dayan Gallery, New York | |
| ‘Figures de l’acteur: Le Paradox du comédien’, Collection Lambert en Avignon, Avignon | |
| ‘The Fig Play Fox Dead’, David Kordansky Gallery, Los Angeles | |
| ‘Bring the War Home’, Elizabeth Dee Gallery, New York | |
| ‘The Kate Show’, Foam Fotographiemuseum, Amsterdam | |
| ‘Under Pressure’, Galerie Art: Concept, Paris | |
| ‘Love is Colder than Death’, Galerie Edward Mitterand, Geneva | |
| ‘Fallout: Cold War Culture’, Mitchell-Innes & Nash, New York | |
| ‘Into Me/Out of Me’, P.S.1 Contemporary Art Center, Long Island City | |
| ‘New York, Interrupted’, pkm gallery, Beijing | |
| ‘Implosion’, Anton Kern Gallery, New York | |
| ‘Writing in Strobe’, Dicksmith Gallery, London (curated by Andrew Hunt) | |
| ‘Slow Burn’, Galerie Edward Mitterrand, Paris (curated by Jonah Freeman) | |
| ‘Axis of Praxis’, Midway Contemporary Art, Minneapolis | |
| ‘The Rhubarb Society’, Tracey Lawrence Gallery, Vancouver | |
| ‘The Glass Bead Game’, Vilma Gold Project Space, Berlin | |
| ‘Whitney Biennial: Day for Night’, Whitney Museum of American Art, New York (curated by Chrissie Iles and Philippe Vergne) | |
| ‘Defamation of Character’, P.S.1 Center for Contemporary Art, Long Island City | |
| 2005 | ‘Take It Further’, Andrew Mummery Gallery, London |
| ‘General Ideas; Rethinking Conceptual Art 1987-2005’, CCA Wattis Institute, San Francisco | |
| ‘The Feraliminal Lycanthropizer’, Champion Fine Art, Los Angeles | |
| ‘Star Star: Toward the Center of Attention’, Contemporary Art Center Cincinnati, Cincinnati | |
| ‘Suburbia’, Galerie Lisa Rutyer, Vienna | |
| ‘Superstars’, Kunsthalle Wien, Vienna | |
| ‘Situational Prosthetics’, New Langton Arts, San Francisco | |
| ‘On the Beach’, Printed Matter, New York | |
| ‘Blankness is Not a Void’, Standard, Oslo | |
| ‘OK / OKAY’, Swiss Institute, New York | |
| ‘Carol Bove, Adam McEwen and Seth Price’, United Artists Ltd, Marfa | |
| ‘Trade’, White Columns, New York | |
| ‘Bridge Freezes Before Road’, Barbara Gladstone Gallery, New York (curated by Neville Wakefield) | |
| ‘Drunk vs. Stoned 2’, Gavin Brown's enterprise, New York | |
| ‘in words and pictures’, Murray Guy, New York | |
| ‘Greater New York’, P.S.1 Contemporary Art Center, Long Island City | |
| ‘Post Notes’, ICA, London; Midway, Minneapolis | |
| 2004 | ‘I Love Music’, Creative Growth Gallery, San Francisco |
| ‘Happy Days are Here Again’, David Zwirner, New York | |
| ‘The Ten Commandments’, Deutsches Hygiene Museum, Dresden | |
| ‘I'll Be Your Mirror: Hotel Project’, Frieze Art Fair, London | |
| ‘The Chaim Soutine: Tattoo Project’, Frieze Art Fair, London | |
| ‘Let the Bullshit Run a Marathon’, Nicole Klagsbrun Gallery, New York (curated by Nate Lowman) | |
| 2003 | ‘Melvins’, Anton Kern Gallery, New York |
| ‘I See A Darkness’, Blum and Poe Gallery, Los Angeles | |
| ‘Group Show’, Grant Selwyn Fine Art, Beverly Hills | |
| ‘The Great Drawing Show’, Michael Kohn Gallery, Los Angeles | |
| ‘A Matter of Facts’, Nicole Klagsbrun Gallery, New York | |
| ‘Greener Pastures’, Toronto, Canada | |
| 2002 | ‘Yes We're Excerpts’, Andrew Kreps Gallery, New York |
| ‘Happy Birthday newspaper project’, Gavin Brown's Enterprise, New York & Greengrassi, London | |
| ‘COPY’, Ruth Horowitz, New York | |
| 2001 | ‘Art Transplant’, British Consulate, New York |
| ‘Drawing Show’, Greene Naftali, New York | |
| 1999 | ‘Untitled Painting Show’, LEA Gallery, London |
| ‘Free Coke - Contemporary Drawing’, Greene Naftali, New York | |
| 1998 | ‘Grapeshot, Bullseye, Harvest’, Attache Gallery, London |
| ‘Super Freaks Part 2’, Greene Naftali, New York |
Bibliography
Press
| 2023 | Steph Eckardt: ‘Why Adam McEwen Pre- Memorializes Our Most Beloved Celebs’, Wallpaper, 03/03/2023 |
| Adam Mcewen and Jeremy Deller: ‘Adam Mcewen: An Act of Love’, Gagosian Quarterly, 01/03/2023 | |
| Oliver Basciano: ‘The artist who writes fake obituaries of icons, from Dolly Parton to Greta Thunberg’, The Guardian, 30/01/2023 | |
| Mark Westall: Adam Mcewen‘s new obituary works to open show at Gagosian, FAD, 16/01/2023 | |
| 2017 | Belcove, Julie L.: Tour Artist Adam McEwen‘s New York City Studio, Architectural Digest, 15/01/2017 |
| 2015 | Fischer, Urs and McEwen, Adam: ‘Art is a Translator, Art is a Friend’, Mousse, 04/2015 |
| 2014 | David Kelly: ‘Test Press about Adam McEwen’, NEW Journal, 101 07/11/2014 |
| 2013 | ‘Consumed’, Art Review, Vol. 64 09/2013 |
| 2012 | Powers, Bill: ‘V is for Vital Signage’, S Magazine, 08/2012 |
| ‘50 Next Most Collectible Artists’, Art + Auction, 06/2012 | |
| Iden, Peter: ‘Nachrufe auf Lebende’, Der Bild, 20/04/2012 | |
| 2010 | Hartvig, Nicolai: ‘Adam McEwen Brings a Fresh Kind of Hell to Paris’, Artinfo, 20/07/2010 |
| 2008 | Bryant, Eric: ‘Paint it Bleak’, ArtNews, 31/12/2008 |
| Bollen, Christopher: ‘Adam McEwen’, Interview Magazine, 12/2008 | |
| 2007 | LaBelle, Charles: ‘I See a Darkness’, Frieze, 76 10/09/2007 |
| Cotter, Holland: ‘Quirks and Attitude to Burn’, The New York Times, 07/2007 | |
| Yablonsky, Lindy: Squat Fuzz: Nate Lowman and Adam McEwen try bringing ‘Underdog’ to the rescue, The Village Voice, 07/2007 | |
| Cotter, Holland: ‘New York Galleries make an Early Splash’, International Herald Tribune, 08/06/2007 | |
| Saltz, Jerry: ‘Deal or No Deal’, New York Magazine, 25/05/2007 | |
| Velasco, David: ‘Critics Picks: Beneath the Underdog’, Artforum, 09/05/2007 | |
| 2006 | Konigsberg, Eric: ‘Life Studies: The Artist’, Men's Vogue, 11/2006 |
| ‘Untitled (Richard)’, W Magazine, 10/2006 | |
| Helfland, Glen: Aligning the Medium with the Message: Adam McEwen‘s Inkjet Prints, Art on Paper, 07/2006 | |
| Kino, Carol: ‘Hot Numbers: From Brillo Boxes to paperweight breasts, multiples prove their mettle as playful-and collectible- works of art’, Art + Auction, 07/2006 | |
| Neil, T.D Jonathan: ‘Fallout: Cold War Culture’, Modern Painters, 06/2006 | |
| Schmidt, Jason: ‘Work in Progress’, V magazine, 40 04/2006 | |
| ‘The Renegades’, W Magazine, 02/2006 | |
| 2005 | Turner, Christopher: ‘The Greatest Little Gallery on Earth’, Guardian.co.uk, 21/12/2005 |
| Saltz, Jerry: ‘Ups and Downs’, The Village Voice, 23/09/2005 | |
| Smith, Roberta: ‘Interstate, Art in Review’, The New York Times, 16/09/2005 | |
| Cotter, Holland: ‘Fanciful to Figurative’, The New York Times, 08/07/2005 | |
| Cook, Angus: ‘Artists on Artists: Adam McEwen by Angus Cook’, Bomb Magazine, 91 04/2005 | |
| Scott, Andrea K.: ‘Local Heroes: MoMA and P.S.1 survey five years of emerging art in New York’, Time Out New York, 496 31/03/2005 | |
| Cook, Angus: ‘Artists on Artists: Adam McEwen by Angus Cook’, Bomb Magazine, 03/2005 | |
| Rimanelli: ‘First Take: Adam McEwen’, Artforum, 01/2005 | |
| 2004 | Yablonsky, Linda: What‘s So Funny About Contemporary Art?, ArtNews, 09/2004 |
| 2003 | Charlesworth, J: ‘Coastal Melancholy’, Modern Painters, Summer Issue 2003 |
Exhibition Reviews
| 2019 | Freeman, Nate: ‘Artist Adam McEwen Is Making a Leap with Two Major Manhattan Shows’, Artsy, 12/02/2019 |
| 2017 | Wyatt, Orme: ‘The art of the art exhibition’, Aspen Public Radio, 26/01/2017 |
| ‘Death becomes Adam McEwen at the Aspen Art Museum’, The Aspen Times, 20/01/2017 | |
| 2016 | Smith, Roberta: ‘Adam McEwen’s ‘Harvest’ Explores the Movement of People, Vehicles and Information’, New York Times, 24/03/2016 |
| 2014 | Clark, Robert: ‘In NO Time’, Guardian Guide, 31/05/2014 |
| 2012 | Lima, Benjamin: ‘Adam McEwen, Goss Michael Foundation’, …Might be good, 13/07/2012 |
| Colpitt, Frances: ‘Adam McEwen’, Art in America, 10/06/2012 | |
| Granberry, Michael: ‘Former obit writer Adam McEwen makes a satement about death with fake celebrity obituaries’, The Dallas Morning News, 13/04/2012 | |
| 2011 | ‘Adam McEwen: 11.11.11‘, Artweek LA, 03/12/2011 |
| Rosenberg, Karen: ‘Adam McEwen‘s ‘Real Slow Drag’ at Marianne Boesky Gallery’, New York Times, 29/11/2011 | |
| Soyez-Petithomme, Caroline: ‘Adam McEwen The House of Marlon Brando’, Slash, 05/2011 | |
| Brooks, Adams: ‘Fresh Hell, Palais de Tokyo’, Art in America, 05/01/2011 | |
| Verhagen, Erik: ‘Fresh Hell, carte blanche a Adam McEwen’, Art Press, 374 01/2011 | |
| 2010 | Drysdale, Rebekah: ‘Armory Arts Review 2010’, Dailyserving.com, 15/03/2010 |
| Johnson, Ken: ‘Ahoy Fom Nudes, a Pirate and Scrooge McDuck’, New York Times, 04/03/2010 | |
| Douglas, Sarah & Goldstein, Andrew: ‘Bustling Armory Opening Heralds Contemporary Art Market Resurgence‘, Artinfo, 04/03/2010 | |
| 2009 | Chu, Ingrid: ‘Adam McEwen: Nicole Klagsbrun Gallery‘, Frieze, 06/2009 |
| ‘Art: Galleries’, New Yorker, 13/04/2009 | |
| Rosenberg, Karen: ‘Art in Review’, New York Times, 03/04/2009 | |
| Kasper, Chris: ‘Adam McEwen @ Nicole Klagsbrun Gallery’, White Hot Magazine, 04/2009 | |
| Saltz, Jerry: ‘After the Orgy’, New York Magazine, 23/03/2009 | |
| Keith, Kelsey: ‘Adam McEwen: Switch and Bait’, coolhunting.com, 11/03/2009 | |
| Knowles, Patrick: ‘On Grace of Graphie Adam McEwen: Burning Bridges to the Mundane’, SOMA, 03/2009 | |
| 2008 | Johnson, Ken: ‘Art in Review: ‘Under Pain of Death‘- Sanctioned Killings, and the very Many That Aren‘t‘‘, New York Times, 02/2008 |
| Smith, Roberta: ‘Art in Review: ‘Accidental Modernism‘’, New York Times, 18/01/2008 | |
| 2007 | ‘Review: Peter Coffin, Adam McEwen, Michael Phelan: Mitterand+ Sanz’, Number 5, 05/2007 |
| Amy, Michaël: ‘Adam McEwen at Nicole Klagsbrun’, Art in America, 01/2007 | |
| Thompson, Adam: ‘Adam McEwen’, Art Papers, 01/2007 | |
| 2006 | Rimanelli, David: ‘Best of 2006’, Artforum, 12/2006 |
| Schwendener, Martha: ‘Adam McEwen Nicole Klagsbrun Gallery’, Artforum, 11/2006 | |
| Banai, Nuit: ‘Adam McEwen’, Modern Painters, 11/2006 | |
| Eleey, Peter: ‘Nicole Klagsbrun Gallery‘, Frieze, 11/2006 | |
| Cotter, Holland: ‘Art in Review‘, New York Times, 06/10/2006 | |
| Zamudio, Raul: ‘The 2006 Whitney Biennial‘, Artnexus, 10/2006 | |
| Ribas, João: ‘Confronting War Waged With Precision’, The New York Sun, 21/09/2006 | |
| ‘Goings on about Town‘, New Yorker, 11/09/2006 | |
| Scobie, Ilka: ‘Death on the Installment Plan‘, artnet, 08/09/2006 | |
| ‘Adam McEwen at Nicole Klagsbrun Gallery’, New York Magazine, 04/09/2006 | |
| Gartenfeld, Alex: ‘Bubblegum Pop‘, Paper, 09/2006 | |
| Schmidt, Jason: ‘Work in Progress’, V magazine, 04/2006 | |
| Hefland, Glen: ‘Adam McEwen: Jack Hanley Gallery‘, Artforum, 02/2006 | |
| 2005 | Jones, M. Kirsten: ‘Bridge Freezes Before Road‘, Frieze, 10/2005 |
| Katz, Vincent: ‘Greater New York 2005‘, Artcritical, 07/2005 | |
| Rimanelli, David: ‘Greater New York 2005’, Artforum, 05/2005 | |
| Eleey, Peter: ‘Greater New York’, Frieze, 91 05/2005 | |
| Jothady, Manisha: ‘Ruyter Project: Suburbia‘, Die Presse, 11/03/2005 | |
| Strohner, Iris: ‘Suburbia’, Hauptstadt, 03/2005 | |
| ‘Suburbia‘, Viennahype, 03/2005 | |
| Wilson, Micheal: ‘Reviews: Adam McEwen, Nicole Klagsbrun Gallery’, Artforum, 02/2005 | |
| 2004 | Smith, Roberta: ‘Art in Review: Adam McEwen’, New York Times, 26/11/2004 |
| Johnson, Ken: ‘Art in Review: Happy Days Are Here Again’, New York Times, 23/07/2004 | |
| 2003 | Harrison, Sara: ‘Review, Galleria Alessandra Bonomo’, Contemporary Magazine, 57 12/2003 |
| Knight, Christopher: ‘On the underbelly of the Zeitgeist’, Los Angeles Times, 21/02/2003 | |
| 2002 | Smith, Roberta: ‘Yes We‘re Excerpts, Art in Review’, New York Times, 02/08/2002 |
Publications
| 2017 | I Think I'm in Love, Aspen Art Museum, Aspen |
| 2014 | Adam McEwen: Factory Tint, Capitain Petzel, Berlin, Germany |
| 2013 | Powers, Bill: Interviews with Artists, Gagosian, London |
| 2011 | A Real Slow Drag, Marianne Boesky Gallery, New York |
| 2010 | Fresh Hell / Carte Blanche à Adam McEwen, Palais de Tokyo, Paris |
| I Am Curious Yellow, Nicole Klagsbrun Gallery, New York |