Andrew Sim
Solo Exhibitions
| 2023 | ‘Four rainbows, three werewolves, four trees, four santas & five horses (one with wings)’, Beyond The Modern Institute, 1 - 4 Walker's Court, London |
| Anton Kern WINDOW, New York | |
| ‘a sunflower, six trees, three birds and two horses (one with wings)’, The Modern Institute, 14–20 Osborne Street, Glasgow | |
| 2022 | ‘Four Horses and a Sunflower (Actual Size)’, The Modern Institute, Aird's Lane Bricks Space |
| 2020 | ‘Heal the sick, raise the dead’, Glasgow International Visual Art Festival, Glasgow |
| ‘We Two Bigfoots Together Clinging’, Prouddick HQ, London | |
| 2019 | KARMA, New York |
| ‘New Sodom will be a shining city on a hill’, Summerhall, Edinburgh |
Group Exhibitions
| 2023 | ‘Brilliant Cut’, Gallery Baton, Seoul |
| 2022 | ‘To be a giant and keep quiet about it’, Margot Samel, New York |
| 2018 | ‘Heaven To See’, Glasgow International Visual Art Festival, Glasgow |
Residencies
| 2020 | Villa Lena Foundation, Italy |
Bibliography
Press
| 2021 | Benmakhlouf, Adam: ‘Glasgow International 2021: One for Glasgow’, The Skinny, 10/06/2021 |
Exhibition Reviews
| 2023 | Susan Mansfield: ‘Art reviews: Ifeoma U Anyaeji | Jasleen Kaur | Andrew Sim | Andrew Kerr’, The Scotsman, 24/04/2023 |
| 2021 | Gibson, David: ‘Glasgow International Festival 2018’, The Skinny, 01/05/2021 |
| 2019 | Heinrich, Will: ‘New York Galleries: What to See Right Now’, The New York Times, 21/08/2019 |
| ‘New York - Group Show at Karma Through September 15th, 2019’, Art Observed, 12/08/2019 |
Publications
| 2023 | Andrew Sim, The Modern Institute/Toby Webster Ltd, Glasgow |
| 2019 | Queer Anthology of Sickness, Pilot Press |
| Archive 002, Galerie Saint Maison |