| 2022 |
‘Edward Hopper and Dike Blair, Gloucester’, KARMA, New York |
| |
Chris Sharp Gallery, Los Angeles |
| 2021 |
‘Reflections: Human/Nature’, GANA Art, Seoul |
| |
‘Grouper’, Broadway Gallery, New York |
| 2020 |
‘(Nothing But) Flowers’, KARMA, New York |
| |
‘To Paint is to Love Again’, Nino Mier, Los Angeles |
| 2018 |
‘One Day at a Time: Manny Farber and Termite Art’, MOCA Grand Avenue, Los Angeles |
| |
‘About Photography’, Gagosian Gallery, San Francisco |
| |
‘In Tribute to Jack Tilton: A Selection from 25 Years’, Tilton Gallery, New York |
| 2017 |
‘Dike Blair & Duane Hanson’, Karma, Amagansett, New York |
| |
‘Drawing Island’, The Journal Gallery, New York |
| |
‘Only Small Paintings’, Fortnight Institute, New York |
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‘THE GAP BETWEEN THE FRIDGE AND THE COOKER’, The Modern Institute, 3 Aird's Lane, Glasgow |
| 2016 |
‘Before Sunrise’, Karma, Amagansett, New York |
| 2014 |
‘Time Capsule 2014–2044’, Marjorie Barrick Museum, UNLV, Las Vegas (curated by Ash Ferlito) |
| |
‘Let’s Go Let Go: In Memoriam Hudson’, 33 Orchard, New York |
| |
‘In Transit: Between Image and Object’, Massachusetts Museum of Contemporary Art, Boston (with Wade Guyton, Kelley Walker and Hugh Scott-Douglas; curated by Robert Wainstein) |
| |
‘Always / Present’, Outcasts Inc., Paris |
| |
‘Display’, Contemporary Art Galleries, University of Connecticut, Mansfield (curated by Barry Rosenberg) |
| 2013 |
‘Blow Up’, Lucien Terras Projects at 143 Reade St, New York |
| |
‘Ambient’, Tanya Bonakdar Gallery, New York (curated by Tim Griffin) |
| |
‘Works on Paper’, Blondeau & Cie, Geneva |
| 2012 |
‘Walled Garden’, Klaus von Nichtssagend, New York |
| |
‘WhiteWalls: Writings by Artists, 1978 – 2008’, Golden Gallery, Chicago |
| |
‘Poule!’, Fundación/Colección Jumex, Ecatepec (curated by Michel Blancsubé) |
| |
‘Micro Mania’, Gagosian Gallery, Paris |
| |
‘Lifelike’, Walker Art Centre, Minneapolis, traveled to New Orleans Museum of Art, New Orleans; Museum of Contemporary Art, San Diego; Blanton Museum of Art, Austin; Phoenix Art Museum, Phoenix (curated by Siri Eberg) |
| 2011 |
‘Scintillascopy’, Progetto Cuccagna, Milan (with Maura Biava; curated by Alessandro De March) |
| |
‘Made in Italy’, Gagosian Gallery, Rome (curated by Mario Codognato) |
| 2010 |
‘Lateralisms’, The Hogar Collection, New York (curated by Matt Wycoff) |
| |
‘Wall-to-Wall’, Daniel Weinberg Gallery, Los Angeles |
| |
‘Self-Fulfilling Prophesies’, Koenig & Clinton, New York |
| |
‘Guilty Feet’, 179 Canal, New York (curated by Colby Bird and Tova Carlin) |
| |
‘Power to the People’, Feature Inc., New York |
| |
‘Portrait of the Artist as Motorcyclist’, Le Musée des Beaux Artes, La Chaux-de-Fonds (curated by Olivier Mosset) |
| 2009 |
‘Haunts’, Privateer, New York |
| |
‘Populate This Form’, Feature Inc., New York |
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‘On From Here’, Guild & Greyshkul, New York |
| |
‘Portrait of the Artist as Motorcyclist’, Le Magasin, Grenoble (curated by Olivier Mosset) |
| |
‘Nighttown’, Gallery Luisotti, Santa Monica |
| 2008 |
‘Peanut Gallery’, The Journal Gallery, New York (curated by Joe Bradley) |
| |
‘Shit’, Feature Inc., New York |
| |
‘Dike Blair and Noah Sheldon’, D'Amelio Terras, New York |
| |
‘It’s Gouache & Gouache Only’, Jeff Bailey Gallery, New York (curated by Geoffrey Young) |
| |
‘The Station’, Art Basel Miami Beach, Miami (curated by Shamim Momim and Nate Lowman) |
| |
‘Art on Paper, 2008 Biennial’, Weatherspoon Art Museum, University of North Carolina (curated by Xandra Eden) |
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‘Renaissance’, Salvatore Ferragamo Gallery, New York |
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‘If I told you you were beautiful, would you date me on the regular’, Olivier Kamm, New York (curated by Nicholas Weist) |
| 2007 |
‘Canal Street: In Memory of Nancy Arlen’, Mitchell Algus Gallery, New York |
| |
‘Greener Pastures, Permanent Midnight’, Moti Hasson Gallery, New York |
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‘Lose (oneself) in’, Mary Goldman Gallery, Los Angeles |
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‘Neonoir’, Howard House Contemporary Art, Seattle (curated by Cameron Martin) |
| |
‘It’s Gouache & Gouache Only’, Geoffrey Young Gallery, Great Barrington |
| 2006 |
‘Mystic River’, Arcadia University, Philadelphia (curated by Noah Sheldon) |
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‘Two Friends and So On’, Andrew Kreps Gallery, New York (organized by Jonathan Horowitz and Rob Pruitt; curated by friends) |
| 2005 |
‘Suspended Narratives’, Lora Reynolds Gallery, Austin (curated by Maureen Mahony) |
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‘Vanishing Point’, Wexner Center for the Arts, Columbus (curated by Claudine Isé) |
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‘Bridge Freezes Before Road’, Barbara Gladstone Gallery, New York (curated by Neville Wakefield) |
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‘Tableaux-Ecrans’, Galerie Les filles du calvaire, Brussels |
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‘Works by Selected Gallery Artists’, Mary Goldman Gallery, Los Angeles |
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‘Dike Blair/Elizabeth Bryant’, The Suburban, Chicago |
| |
‘The General’s Jamboree: Guild & Greyshkul’s 2nd Annual Watercolor Exhibition’, Guild & Greyshkul, New York |
| |
‘Non compatibles: Une peinture sans qualité’, Villa Tamaris Centre D’Art, La Seyne-sur-Mer (curated by Catherine Perret) |
| 2004 |
Mary Goldman Gallery, Los Angeles |
| |
‘Emoticons’, Guild & Greyshkul, New York (curated by Kevin Zucker) |
| 2003 |
‘Unheimlich’, Centre d’Art Contemporain la Synagogue de Delme, Delme |
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‘Late to Work Everyday’, Dupreau Gallery, Chicago (curated by Noah Sheldon) |
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‘Shangri-La’, Islip Art Museum, New York (curated by Michael St. John and Jason Duval) |
| 2002 |
‘GtT2’, Yerba Buena Center for the Arts, San Francisco (curated by ANP) |
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‘Ten Realists’, Mitchell Algus Gallery, New York |
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‘New Hotels for Global Nomads’, Cooper-Hewitt National Design Museum, Smithsonian Institution, New York |
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‘Purple Lounge and Stars’, Programa, Mexico City |
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‘Tele[visions]’, Kunsthalle Wein, Vienna (curated by Joshua Decter) |
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‘Objective Color’, Yale University Art Gallery, New Haven (curated by Jennifer Gross) |
| 2001 |
‘Not a. Lear’, Gracie Mansion Gallery, New York, Allston Skirt Gallery, Boston (curated by ANP) |
| 2000 |
‘"Open the pod bay doors Hal"’, Feature Inc., New York |
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‘Elysian Fields’, Centre Georges Pompidou, Paris (curated by Elein Fleiss and Oliver Zahm) |
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‘Let’s Entertain’, Walker Art Centre, Minneapolis, Portland Art Museum, Portland, Oregon; Museé National d’Art Moderne, Centre Georges Pompidou, Paris; Kunstmuseum Wolfsburg, Wolfsburg, Germany; Miami Art Museum, Miami, Florida (curated by Philippe Vergne) |
| |
‘Hairy Forearm’s Self-Referral’, Feature Inc., New York |
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‘Exurbia’, Gallery Luisotti, Santa Monica (curated by Shirley Irons) |
| |
‘City Projects’, Gracie Mansion Gallery, New York (curated by ANP) |
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‘Not a. Lear’, Torch Gallery, Amsterdam, Art Process, Paris (curated by ANP) |
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‘3ness’, Museum Dhondt–Dhaenens, Deurle |
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‘Compression’, Feigen Contemporary, New York (curated by Tim Griffin) |
| 1999 |
‘Up Your Head’, Feature Inc., New York |
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Feature Inc., New York |
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‘XN 99’, Espace des Arts, Chalon (curated by Stephanie Moisdon Trembley) |
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‘Faculty Biennial Exhibition’, Museum of Art, Rhode Island School of Design, Providence |
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‘Still Life’, Amelie Wallace Gallery, State University of New York, New York (curated by Helen Molesworth) |
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‘Cruise Control’, Cristinerose Gallery, New York |
| |
‘Cookie Snow Feature’, Cokkie Snoei Gallery, Rotterdam (curated by ANP) |
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‘curious.parking@stupendous.strawberry’, S & H De Buck Gallery, Ghent (curated by ANP) |
| 1998 |
‘Super Freaks, Odyssey’, Greene Naftali, New York |
| |
‘La Voie Lactée (The Milky Way)’, Alleged Gallery, New York |
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‘When Something is Happening away from You’, Palmer House Cafe, Rensselaerville (collected by Richard Prince) |
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‘Bonne Année!’, Air de Paris, Paris |
| 1997 |
‘Where: Allegories of Site in Contemporary Art’, Whitney Museum of American Art,, Champion, Stamford |
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‘Hello’, Feature Inc., New York |
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‘David Robbins: Fuck Buttons/Dike Blair: The New Sobriety’, Feature Inc., New York |
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‘Faculty Biennial Exhibition’, Museum of Art, Rhode Island School of Design, Providence |
| 1996 |
‘Beige’, Saga Basement, Copenhagen |
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‘Voyeur’s Delight’, Franklin Furnace, New York (organised by Barbara Rusin and Grace Roselli) |
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‘Telephone – mind the gap’, Basilico Fine Arts, New York (in collaboration with Laura Stein) |
| 1995 |
‘Partly Sunny, Tomorrow’, Geoffrey Young Gallery, Great Barrington |
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‘Smells Like Vinyl’, Roger Merians Gallery, New York (organised by Sarah Seager and Thaddeus Strode) |
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‘Purple 8 1/2’, Galerie Jousse-Seguin, Paris |
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‘The Joy of Painting’, HERE Art Centre, New York |
| 1994 |
‘The Winter of Love’, MoMA PS1, New York |
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‘L’Hiver de l’amour’, Musée d’Art Moderne de la Ville de Paris, Paris |
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Daniel Newburg Gallery, New York |
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Off Shore Gallery, East Hampton, New York |
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Galerie Rizzo, Paris |
| 1993 |
‘June’, Galerie Thaddaeus Ropac, Paris |
| |
‘The Return of the Cadavre Exquis’, The Drawing Center, New York, touring to The Corcoran Gallery of Art, Washington, D.C., Forum for Contemporary Art, St. Louis, Missouri, Fundación para el Arte Contemporáneo, Mexico City, Santa Monica Art Museum, Santa Monica, California (curated by Ann Philbin and Ingrid Schaffner) |
| |
‘Futura Book Collection’, Air de Paris, Paris |
| 1992 |
‘Tattoos’, Andrea Rosen Gallery, New York |
| |
‘Les mystères de l’auberge espagnole’, Villa Arson, Nice |
| |
‘Les Survivants’, La Galerie de Paris, Paris (curated by Elein Fleiss and Jean-Luc Vilmouth) |
| |
‘Zeitgenössische Photographie’, Slovenská National Gallery, Bratislava |
| |
‘One + One’, La Galerie du Mois, Paris |
| |
‘Technorama’, Barbara Toll Gallery, New York (curated by Kathleen Cullen and Russel Lederman) |
| 1991 |
‘Ikebana’, Jack Tilton Gallery, New York |
| |
‘20th Anniversary Show’, Colorado University Art Galleries, Boulder |
| 1990 |
‘High Season II–A Multiple/Print Show’, Galerie Hubert Winter, Vienna |
| |
‘Small Works’, Koury Wingate Gallery, New York |
| |
‘Dike Blair, Maureen Conner, John Franklin, Linda Roush’, Roy Boyd Gallery, Santa Monica |
| 1989 |
‘White Christmas’, Galerie Hubert Winter, Vienna |
| |
‘Image World’, Whitney Museum of American Art, New York |
| |
‘Bellevue’, Museum of Modern Art, Vienna (curated by Herwig Kempinger) |
| |
‘Moscow-Vienna-New York’, Festival of Vienna, Vienna |
| |
‘Erotophobia’, Simon Watson Gallery, New York |
| |
‘The Unconventional Landscape’, John Michael Kohler Arts Center, Sheboygan, Wisconsin |
| |
‘Recent Acquisitions: Prints’, Brooklyn Museum, New York |
| |
‘The Images of American Pop Culture Today III’, La Foret Art Museum, Tokyo |
| 1988 |
‘Der Hund in mir–The Dog Within’, Galerie Hubert Winter, Vienna |
| |
‘Dike Blair, Stephen Ellis, General Idea’, Koury Wingate Gallery, New York |
| |
‘Summer '88’, Koury Wingate Gallery, New York |
| |
‘USA-Back and Now’, Galerie Lendle, Graz, Austria |
| |
Galerie Kahle, Hamburg |
| 1987 |
‘Playback’, Galerie Hubert Winter, Vienna (curated by Jeffrey Rian) |
| |
‘Dreams of the Alchemist’, Carl Solway Gallery, Cincinnati (organised by Theodore Sharps) |
| |
‘Art Against AIDS’, Baskerville + Watson, New York |
| |
‘The New Romantic Landscape’, Whitney Museum of American Art, Fairfield County, Stamford |
| 1986 |
‘Landscape in the Age of Anxiety’, Lehman College Art Gallery, City University of New York, New York (curated by Nina Castelli Sundell) |
| |
Heland and Thorden Wetterling Galleries, Stockholm |
| 1985 |
‘Autogeneticphotopsia’, Christminster Gallery, New York (curated by Bill Komoski) |
| 1984 |
‘Artists Call Against U.S. Intervention in Central America’, Metro Pictures, New York |
| |
Baskerville + Watson, New York |
| |
Serra Di Felice, New York |
| |
Jack Tilton Gallery, New York (with Minoru Kawabata) |
| |
‘Activated Walls’, The Queens Museum, Queens, New York |
| |
‘Terminal Show’, Brooklyn Terminal, New York |
| 1983 |
Jack Tilton Gallery, New York |
| |
Sherry French Gallery, New York |
| 1982 |
‘The Red Show’, Stefanotti Gallery, New York |
| |
‘Energie New York’, Centre d’Exchanges, Lyon |
| 1981 |
‘Commodities Corporation’ |
| |
‘1-80 Series’, Joslyn Art Museum, Omaha, Nebraska |
| |
Braathen-Gallozi Contemporary Art, New York |
| |
‘Art from New York’, Mitzi Landau Gallery, Los Angeles |
| 1980 |
Texas Gallery, Houston |
| 1979 |
Nancy Lurie Gallery, Chicago |
| |
Barbara Toll Gallery, New York |
| |
‘24 x 24’, Max Hutchinson Gallery, New York |
| 1977 |
Artists Space, New York |
| 1974 |
‘Metropolitan Show’, Denver Art Museum, Denver, Colorado |
