Duggie Fields
Born 1945, Tidworth; Died 2021, London;
Education
| 1968 | Chelsea School of Art |
Solo Exhibitions
| 2018 | The Modern Institute, 14—20 Osborne Street, Glasgow |
| 2012 | ‘Duggie Fields – Welcome to my World’, The Gallery Liverpool, Liverpool |
| 2000 | ‘Random Retrospective’, Virtual Gallery, DuggieFields.com |
| 1991 | Rempire Gallery, New York |
| 1987 | Albermarle Gallery, London |
| 1983 | Shiseido Exhibition, Tokyo |
| 1982 | Spacex Gallery, Exeter |
| B2 Gallery, London | |
| 1980 | Ikon Gallery, Birmingham |
| The Midland Group, Nottingham | |
| New 57 Gallery, Edinburgh | |
| Roundhouse Gallery, London | |
| 1979 | Kyle Gallery, London |
| 1975 | Kinsman-Morrison Gallery, London |
| 1972 | Bear Lane Gallery, Oxford |
| 1971 | Hamet Gallery, London |
Group Exhibitions
| 2022 | ‘Gender Euphoria’, Jessica Silverman, San Francisco |
| 2021 | ‘I Know Where I'm Going • Who Can I Be Now’, The Modern Institute, 14—20 Osborne Street, Glasgow |
| 2020 | ‘Kapow! The Art of Superheroes and Villains’, Potteries Museum & Art Gallery, Stoke-on-trent |
| ‘On the Politics of Delicacy’, Capitain Petzel, Berlin | |
| ‘THEM’, The Redfern Gallery, London | |
| 2019 | ‘Eclectically British’, A&D Gallery, London |
| ‘Allen Jones, H.C. Westermann, Jeff Keen, Duggie Fields’, Marlborough Contemporary London, London | |
| 2017 | ‘Pink Floyd: Their Mortal Remains’, V&A Musuem, London |
| ‘THE GAP BETWEEN THE FRIDGE AND THE COOKER’, The Modern Institute, 3 Aird's Lane, Glasgow | |
| 2016 | ‘Digital Dot Room’, Dot London, London |
| 2015 | ‘Pop Masters’, A&D Gallery, London |
| 2008 | Dover Street Market, London |
| 2004 | ‘Zulurama 2’, ICA, London |
| 2003 | ‘Britart’, Selfridges, London |
| 2002 | ‘Rapture’, Barbican Centre, London |
| ‘Digital Interface’, Leicester Square, London | |
| ‘Immaculate Conceptions’, A&D Gallery, London (with Andrew Logan) | |
| 2000 | ‘Art 2000’, Jibby Beane, London |
| London Up &Co, London | |
| 1999 | ‘Nerve’, ICA, London |
| ‘Art 1999’, Jibby Beane, London | |
| ‘Flesh’, Blains Fine Art, London | |
| 1998 | ‘Exquisite Corpse’, Jibby Beane, London |
| 1993 | ‘Tranche d'Art Contemporain Anglais’, Tutesaal, Luxemburg |
| 1990 | ‘Universal Language’, Rempire Gallery, New York |
| 1989 | ‘Fashion and Surrealism’, Victoria and Albert Museum, London |
| 1988 | ‘Het Mannelijk Naakt - The Male Nude’, Gallery Bruns, Amsterdsm, St. Judes Gallery, London |
| 1987 | ‘Twenty Artists Twenty Techniques’, Albermarle Gallery, London |
| 1986 | ‘The Embellishment of the Statue of Liberty’, Cooper Hewitt Museum/Barney's New York |
| 1985 | ‘VisualAid’, Royal Academy of Arts, London |
| ‘Image-Codes, Art about Fashion’, The Australian Centre for Contemporary Art, Melbourne | |
| 1984 | ‘The Male Nude’, Homeworks Gallery, London |
| 1983 | ‘Taste’, Victoria and Albert Museum, London |
| 1979 | ‘The Figurative Show’, Nicola Jacobs Gallery, London |
| ‘Masks’, The Ebury Gallery, London | |
| ‘Culture Shock’, The Midland Group, Nottingham | |
| ‘Art and Artifice’, B2 Gallery, London | |
| 1976 | Hal Bromm Gallery, New York |
| New London in New York, Hal Bromm Gallery, New York |
Group Screenings
| 2016 | ‘Flare Film Festival’, British Film Institute, London |
| 2000 | Venice Short Film Festival, Venice |
| 1995 | ‘The Big Riddle’, European Media Art Festival, Germany |
| 1982 | ‘POISED ON THE EDGE OF TASTE’, ICA, London |
| ‘POISED ON THE EDGE OF TASTE’, London International Film Festival, London | |
| ‘POISED ON THE EDGE OF TASTE’, The London Film Co-Op, London |
Bibliography
Press
| 2022 | Lloyd, Joe: ‘JonathanMeades’ PocketTreasure’, The Open Art Fair, 24/02/2022 |
| 2021 | Amanda Quinn Olivar: ‘A short profile of the celebrated British Pop artist Duggie Fields, who passed away on March 7th, 2021’, 26/05/2021 |
| ‘Duggie Fields’, The Times, 26/03/2021 | |
| Buck, Louisa: ‘Raw pop perfection‘: remembering artist Duggie Fields, The Art Newspaper, 19/03/2021 | |
| Hastings, Sophie: ‘Remembering the pioneering British artist Duggie Fields’, GQ, 19/03/2021 | |
| Basciano, Oliver: ‘Duggie Fields obituary’, The Guardian, 12/03/2021 | |
| 2020 | Benson, Louise: ‘Layers of Time: Duggie Fields’, Elephant Magazine, Issue 44 01/10/2020 |
| Davey, Isabella: ‘Artist, Auteur And Icon: Duggie Fields, In His Own Words’, 10 Magazine, 07/04/2020 | |
| Petridis, Alexis: ‘They weren‘t just ponces!’ How Them glammed up boring Britain, The Guardian, 04/02/2020 | |
| ‘A maverick who loves to upset the status quo’, Telegraph, 01/2020 | |
| 2019 | Morrisroe, Clare: Home: Artist Duggie Fields doesn‘t just live for his art – he lives in it, Metro, 04/11/2019 |
| ‘Duggie Fields Artist in Residence’, Millionair Magazine, 09/2019 | |
| William, John: ‘Earls Court Elegance’, Beauty Papers, 05/2019 | |
| ‘Duggie Fields’, The Goldie Magazine, 04/2019 | |
| ‘Forever’, Cold Lips, 04/2019 | |
| ‘Duggie Fields’, The Laboratory Arts Collective, Image Issue 03/2019 | |
| 2018 | Daho, Etienne: ‘Pop Saturée’, Vanity Fair, 12/2018 |
| ‘Duggie Fields’, Striped, 10/2018 | |
| Mansfield, Susan: ‘Scenic route to the top’, The Scotsman Magazine, 05/05/2018 | |
| 2017 | Rubin, Robert Henry: ‘Duggie Fields’, All In, 02/10/2017 |