Jeremy Deller
Born 1966, London; Lives in London.
Education
| 1992 | University of Sussex |
| 1988 | Courtauld Institute of Art |
Current & Forthcoming
| 2023 | ‘The Way We Are’, Weserburg Museum für moderne Kunst, Bremen |
| 2024 | ‘Yokohama Triennale’, Yokohama Museum of Art, Yokohama |
Solo Exhibitions
| 2023 | ‘MR invites JM invites”¦ (a billboard project) Jeremy Deller’, Meyer Riegger, Berlin |
| Frac Bretagne, Rennes, La Criée centre d'art contemporain, Rennes; Musée des beaux-arts, Rennes | |
| ‘Welcome to the Shitshow!’, Kunsthal Charlottenburg, Copenhagen | |
| ‘Warning Graphic Content’, Franz Josefs Kai 3, Vienna | |
| 2022 | ‘Pigeon Park 2’, Pigeon Park, London |
| ‘Warning Graphic Content’, Touring exhibition, MAMCO Museé d’Art Moderne, Geneva; The Civic, Barnsley; Franz Josefs Kai 3, Vienna | |
| 2021 | ‘Warning Graphic Content’, Art concept, Paris |
| ‘Warning Graphic Content’, The Modern Institute, 3 Aird's Lane, Glasgow | |
| 2020 | ‘Folk Archive’, The Burton at Bideford, Bideford ( October 6 – January 31) |
| ‘Wir haben die Schnauze voll’, Bonner Kunstverein, Bonn | |
| 2019 | ‘Steirischer Herbst '19: Grand Hotel Abyss’, Halle für Kunst & Medien, Graz |
| ‘Everybody in the Place, An Incomplete History of Britain 1984-1992’, The Modern Institute, 3 Aird's Lane, Glasgow | |
| 2018 | ‘Sacrilege’, Parco CityLife, Milan (Fondazione Nicola Trussadi) |
| 2017 | ‘Jeremy Deller: Video Works’, MOCA, Cleveland |
| 2016 | ‘The Infinitely Variable Ideal of the Popular’, Azkuna Zentroa, Bilbao, Touring |
| 2015 | ‘The Infinitely Variable Ideal of the Popular’, Fundación Proa, Buenos Aires, Touring |
| ‘The Infinitely Variable Ideal of the Popular’, University Museum of Contemporary Art, (MUAC), Mexico City, Touring | |
| ‘The Infinitely Variable Ideal of the Popular’, CA2M, Madrid, Touring | |
| 2014 | ‘English Magic Remix’, CRATE Space, Margate (With Fraser Muggeridge) |
| The Modern Institute, 14–20 Osborne Street, Glasgow | |
| ‘Directions: Jeremy Deller’, Hirshhorn Museum and Sculpture Garden, Washington DC | |
| 2013 | ‘Jeremy Deller with Alan Kane’, Jupiter Artland, Edinburgh |
| ‘It's a Kind of English Magic: Notes from the Venice Biennale’, British Council, Spring Gardens, London | |
| ‘English Magic’, British Pavillion, Giardini de Castello, 30122, Venice Biennale, Venice (Touring to Mumbai Art Room, Mumbai; William Morris Gallery, London; Bristol Museum and Art Gallery, Bristol; Turner Contemporary, Margate.) | |
| 2012 | Gavin Brown's enterprise, New York |
| Art concept, Paris | |
| ‘Sacrilige’, FIAC, Paris (Esplanade des Invalides) | |
| GFT, Glasgow (Screening of The Bruce Lacey Experience) | |
| ‘Bats in Space’, The White Building, London (Collaboration with Create 12 and Professor Kate Jones (Bat Conservation Trust)) | |
| ‘Sacrilege - www.sacrilege2012.co.uk’, Cultural Olympiad, London 2012 Festival, London (Throughout Britain, see www.sacrilege2012.co.uk) | |
| ‘Sacrilege’, Glasgow Green, Glasgow (Glasgow International Festival of Visual Art 2012) | |
| ‘A Room for London | Hearts of Darkness’, Cultural Olympiad, London 2012 Festival, London | |
| ‘Joy In People’, Touring exhibition, Touring to Hayward Gallery, London (2012); Wiels Centre for Contemporary Art, Brussels (2012); Institute of Contemporary Art, Philadelphia (2012); and Contemporary Art Museum, St. Louis (2013) | |
| 2011 | ‘Jeremy Deller: Manchester Tracks’, RISD Museum, Providence (Spalter New Media Gallery) |
| Bradford 1 Gallery, Bradford (Ways of Looking Festival) | |
| Upstairs at The Modern Institute Osborne Street, Glasgow | |
| 2010 | ‘Baghdad, 5 March 2007: A New Display with Jeremy Deller’, Imperial War Museum, London (Touring to Imperial War Museum North, Manchester) |
| ‘Local Artist’, Void, Derry | |
| 2009 | ‘Procession’, Manchester (Manchester International Festval) |
| ‘It Is What It Is: Conversations About Iraq’, The New Museum, New York (Touring to Hammer Museum, Los Angeles and Museum of Contemporary Art, Chicago) | |
| 2008 | ‘Carte Blanche à Jeremy Deller’, Palais de Tokyo, Paris |
| 2007 | Münster Sculpture Project, Münster |
| 2006 | ‘Jeremy Deller: A Retrospective at Two Sites’, Mercer Union, Toronto |
| ‘Jeremy Deller: A Retrospective at Two Sites’, The Art Gallery of York University, Toronto | |
| ‘EDITED RUSHES 1998-2001 WITH EXTRAS’, The Modern Institute/Toby Webster Ltd, Glasgow | |
| ‘Jeremy Deller’, De La Warr Pavilion, Bexhill | |
| ‘Steam Powered Internet Machine’, Turner Contemporary, Margate (With Alan Kane) | |
| 2005 | ‘Folk Archive’, Barbican Art Gallery Curve, London (With Alan Kane) |
| ‘Jeremy Deller’, Kunstverein, Munich | |
| ‘Jeremy Deller: An Injury To One Is An Injury To All’, BAWAG Foundation, Vienna | |
| 2004 | ‘The Battle of Orgreave Archive - An Injury To One Is An Injury To All’, Art Unlimited |
| 2003 | ‘Memory Bucket’, Artpace, San Antonio |
| ‘This is US’, CD produced in association with the centre for curatorial studies, Red Hook | |
| 2002 | Art:Concept, Paris |
| ‘After The Goldrush’, CCA Wattis Institute, San Francisco | |
| 2001 | ‘Battle of Orgreave’, Orgreave, South Yorkshire |
| 1999 | ‘Unconvention’, Centre for Visual Arts, Cardiff |
| 1998 | Art:Concept, Paris |
| 1997 | ‘Acid Brass’, an ongoing project and collaboration with the Williams Fairey Brass Band |
| 1996 | ‘At Home’, Cabinet Gallery, London |
| 1995 | ‘Ten Day Weekend’, The Arches, Glasgow |
| 1994 | ‘The Search for Bez’, Art Cologne, Cologne |
| ‘Weekenders’, Cubitt, London (Curated by Matthew Higgs) | |
| ‘Paris Loves Croydon’, Poster Studio, London | |
| 1993 | Centre 181 Gallery, London |
| ‘Home Alone’, Dulwich, London | |
| Void, Derry |
Group Exhibitions
| 2023 | ‘Long Gone, Still Here — Sound as Medium’, Marta Herford Museum for Art, Architecture, Design, Herford |
| ‘Long Gone, Still Here—Sound as Medium’, Marta Herford Museum of Art and Design, Hereford | |
| ‘Radical Landscapes’, William Morris Gallery, London | |
| ‘Carles Congost and Jeremy Deller. Music as a Foreign Language’, Es Baluard Museu d'Art Contemporani de Palma, Palma | |
| ‘Art the Arms Fair: We Ain’t dED Yet’, Gallery 46, London | |
| ‘Always On My Mind Part 2’, Fitzrovia Gallery, London | |
| ‘Semi Art Community Project: Boogie Woogie Museum’, Ulsan Art Museum , Ulsan | |
| ‘Memory Palace in Ruins’, C-LAB, Taiwan | |
| 2022 | ‘Broken Music Vol. 2 70 Years of Records and Sound Works by Artists’, Hamburger Bahnhof, Berlin |
| ‘Protest gestalten! from Otl Aicher to the present day’, Museum Ulm, Ulm | |
| ‘Ridiculously yours! Art, Awkwardness and Enthusiasm’, Kunst- und Ausstellungshalle der Bundesrepublik Deutschland, Bonn | |
| ‘THE PUBLIC MOMENT’, KØS, Køge, Denmark | |
| ‘Lindisfarne Gospels’, Laing Art Gallery, Newcastle | |
| ‘No Dancing Allowed’, frei_raum Q21 MuseumsQuartier, Vienna | |
| ‘Folkwang and The City. Around the City of Essen’, Museum Folkwang, Essen | |
| ‘Radical Landscapes’, Tate Liverpool, Liverpool | |
| ‘Protest Sounds’, Bourse de Commerce, Pinault Collection, Paris | |
| ‘Temporary Atlas: Cartographies of the Self in the Art of Today’, Touring exhibition, Fondazione Imago Mundi; Mostyn, Llandudno | |
| ‘Beauty Is In The Street’, Jealous East, London | |
| ‘Testament’, Goldsmiths CCA, London | |
| ‘Ecosystems of Relations’, SUPER DAKOTA, Brussels | |
| 2021 | ‘PIN Benefit Auction’, Pinakothek der Moderne, Munich |
| ‘Pigeon Park’, Pigeon Park, London | |
| ‘Vogliamo tutto An exhibition about labor: can we still want it all?’, Officine Grandi Riparazioni, Turin | |
| ‘Une journée en Utopie’, Familistère de Guise, Guise | |
| ‘Orchestral Manoeuvres’, ArtScience Museum, Singapore | |
| ‘BUMS’, Dio Horia, Mykonos (curated by SKIP Gallery) | |
| ‘Can't Get You Out of My Head’, Hartware MedienKunstVerein, Dortmund | |
| ‘58th October Salon’, Cultural Center of Belgrade, Belgrade (Belgrade Biennial) | |
| ‘BATS’, Heatland Festival, Egeskov | |
| ‘On the Edges of Fiction’, José de Guimarães International Arts Centre, Guimarães | |
| ‘Up All Night: Looking Closely at Rave Culture’, Kumu Art Museum, Tallinn | |
| SUPER DAKOTA, Brussels | |
| 2020 | ‘Secret 7"’, Now Gallery, London |
| ‘HOTEL BEETHOVEN’, The Centre for Fine Arts (BOZAR), Brussels | |
| ‘100 Drawings from Now’, The Drawing Center, New York | |
| ‘These are our twisted words’, la_cápsula, Zurich | |
| ‘Octopus Encounters: An Immersive Library of Octopus Aesthetics’, Academy of Media Arts Cologne, Cologne | |
| ‘Banal Objects, DIY Aesthetics: A Remotely Organized but Self-entertaining Exhibition’, OCAT Institute, Beijing | |
| ‘Everyday Heroes’, Southbank Centre, London | |
| ‘On Speaking’, Kienzle Art Foundation, Berlin | |
| ‘Performing PAC. Made of Sound’, Pavilion of Contemporary Art, Milan | |
| ‘In Focus: Statements’, Copenhagen Contemporary, Copenhagen | |
| ‘Up All Night. Looking Closely at Rave Culture’, Kumu Art Museum, Tallinn | |
| ‘Electronic’, The Design Museum, London | |
| ‘Folklore’, Centre Pompidou Metz | |
| ‘The World Turned Upside Down’, 222T, Oslo | |
| ‘The World Turned Upside Down’, 222T, Oslo | |
| ‘Masculinities: Liberation through Photography’, Barbican Centre, London (2020), Les Rencontres de la Photographie, Arles (2020), Martin-Gropius Bau, Berlin (2020) | |
| 2019 | ‘Counter[acts]’, Lethaby Gallery, London |
| ‘North: Fashioning Identity’, The Civic, Barnsley | |
| ‘Sweet Harmony: Rave | Today’, Saatchi Gallery, London | |
| ‘USES OF HISTORY’, studioe gallery, Seattle, Seattle | |
| ‘Alan Kane’s 4 Bed Detached Home of Metal’, The New Art Gallery Walsall | |
| ‘Plastic Dreams’, Manifattura Tabacchi, Florence | |
| ‘Flashes to Ashes: Fire in British Art, 1776-2019’, RWA, Bristol | |
| ‘The Aerodrome — An exhibition dedicated to the memory of Michael Stanley’, Ikon Gallery, Birmingham | |
| ‘Summer Exhibition 2019’, Royal Academy of Arts, London | |
| ‘Never Work Again’, Zeeuws Museum, Middelburg | |
| ‘Aries, Jeremy Deller, David Sims: Wiltshire Before Christ’, Centro per l'arte contemporanea Luigi Pecci, Prato | |
| ‘Europa Endlos’, Kunsthal Charlottenborg, Copenhagen | |
| ‘Aries, Jeremy Deller, David Sims: Wiltshire Before Christ'’, The Mass Gallery, Tokyo | |
| ‘Multicolour’, Migrate Art, 9 Cork Street, London | |
| ‘Jews, Money, Myth’, Jewish Museum, London | |
| ‘The Lie of the Land’, MK Gallery, Milton Keynes | |
| ‘Slam Jam & The Store X present Aries' WB4C feat. Jeremy Deller and David Sims’, Spazio Maiocchi, Milan | |
| ‘Love, Displaced’, Lawrence Wilson Art Gallery, Perth (Perth Festival 2019) | |
| ‘The World Exists to Be Put On A Postcard’, British Museum, London | |
| ‘A Day's Work’, Foundation for Conceptual Art (SKK), Soest, Germany | |
| ‘Aries, Jeremy Deller, David Sims: Wiltshire Before Christ’, The Store X, London | |
| ‘Waiting’, Galerie De l'UQAM, Montréal | |
| 2018 | ‘Throwing Gestures’, Künstlerhaus Bethanien, Berlin |
| ‘The Second Summer of Love’, Centro per l'arte contemporanea Luigi Pecci | |
| ‘Carnegie International, 57th Edition’, Carnegie Museum of Art, Pittsburgh | |
| ‘Zeros to Heroes: The Beta Band Archive’, J Hammond, London | |
| ‘SHANZINI : Shannon Michael Cane and Printed Matter, Inc’, Printed Matter, New York | |
| ‘10 Year Anniversary’, Tanya Leighton, Berlin | |
| ‘Experience Traps’, Middelheim Museum, Antwerp | |
| ‘Ilona NeÌmeth: Eastern Sugar’, Kunsthalle Bratislava | |
| ‘William Morris and the Arts & Crafts in Great Britain’, Museu Nacional d'Art de Catalunya, Barcelona | |
| ‘Hope is Strong’, Museums Sheffield | |
| ‘Matthijs de Bruijne: Compromiso Politico’, BAK, Utrecht | |
| ‘Actions 1’, Kettles Yard, Cambridge | |
| ‘Domestic Arenas’, Galerie Rudolfinum, Prague | |
| 2017 | ‘From Life’, Royal Academy of Arts, London (Iggy Pop Life Class) |
| ‘William Morris and the Arts & Crafts in Great Britain’, Fundación Juan March | |
| ‘The Hobbyist’, Fotomuseum, Winterthur | |
| ‘Jeremy Deller and Tasha Amini’, The Monteverdi Gallery, Tuscany | |
| ‘Mix it — pop music and video art’, MARTA Museum of Art & Design, Herford | |
| ‘True Faith (Curated by Matthew Higgs and Jon Savage)’, Manchester Art Gallery, Manchester | |
| ‘The shyness of the crowns’, MARCO, Vigo | |
| ‘WE ARE THE REMIX’, Röda Sten Konsthall, Göteborg | |
| ‘Only Connect’, Royal Academy of Arts, London | |
| ‘VOICE’, Coreana Museum of Art, Seoul | |
| ‘British Art: Ancient Landscapes’, The Salisbury Museum, Salisbury | |
| ‘The shyness of the crowns’, FRAC Lorraine, France | |
| ‘Matthijs de Bruijne: Compromiso Politico’, BAK, Utrecht | |
| ‘Sixty Years’, Tate Britain, London | |
| ‘People never notice anything’, Guest Projects, London | |
| ‘North: Identity, Photography, Fashion’, Open Eye Gallery, Liverpool | |
| 2016 | Sao Paolo Biennale, Sao Paolo |
| ‘THE INFINITE MIX’, Southbank Centre | |
| ‘Fiesta Mobile, part of High Line Channel 14’, High Line Art, New York | |
| ‘Labor Relations. From the International Contemporary Art Collection of WrocÅ‚aw Contemporary Museum.’, WrocÅ‚aw Contemporary Museum, WrocÅ‚aw | |
| ‘Metatextile: Ruptured narratives, exchanged values’, Edel Assanti, London | |
| ‘Energy Flash’, Museum van Hedendaagse, Museum of Contemporary Art Antwerp | |
| ‘HACKING HABITAT. Art of Control’, The Old Prison, Wolvenplein, Utrecht (Curated by Foundation Niet Normaal) | |
| 2015 | ‘Risk’, Turner Contemporary, Margate |
| ‘Landscape with Machines’, Coalbrookdale Gallery, Ironbridge Gorge | |
| ‘La Vie Moderne’, Lyon Biennale, Lyon (curated by Ralph Rugoff) | |
| ‘Fighting History’, Tate Britain, London | |
| ‘Gimme Shelter — forts and fictions in the lowlands’, KunstFort Asperen, Fort Nieuwersluis and Kunstfort bij Vijfhuizen | |
| ‘All the World's Futures’, Venice Biennale, Venice (curated by Okwui Enwezor) | |
| ‘Stitch in Time: The Fabric of Contemporary Life’, Lewis Glucksman Gallery, Cork | |
| 2014 | ‘Confessions of the Imperfect: On Art, History and Use: 1848 - 1989 - today’, Van Abbemuseum, Eindhoven |
| ‘Primal Architecture’, Irish Museum of Modern Art, Dublin | |
| ‘The Nuisance of Landscape: Grizedale - The Sequel’, Abbot Hall, The Museum of Lakeland Life and Industry, Blackwell | |
| ‘Politika - Art and the Affairs of the City’, Upper Space, Manchester | |
| ‘Burning Down the House’, 10th Gwangju Biennale, Gwangju | |
| ‘Summer Exhibition’, Royal Academy of Arts, London | |
| ‘Art Across The City 2014’, International Contemporary Public Art Festival, Swansea | |
| ‘Somewhat Abstract; Selection from the Arts Council Collection’, Nottingham Contemporary, Nottingham | |
| ‘Take Liberty’, The National Museum of Art, Architecture and Design, Oslo | |
| ‘Cosmopolitan: Envisioning Global Communities’, Harn Musuem of Art, University of Florida, Gainsville | |
| ‘Motopoètique’, Musée d'art Contemporain, Lyon (curated by Paul Ardenne) | |
| ‘Over & Over the Rainbow’, Israeli Center for Digital Art, Holon | |
| ‘Private Utopia: Contemporary Works from the British Council Collection’, British Council touring show, British Council touring exhibition. Touring to Tokyo Station Gallery, Tokyo (2014); Itami City Museum Of Art, Itami (2014); The Museum Of Art, Kochi (2014); Okayama Prefectural Museum of Art, Okayama (2015) | |
| ‘Sacrilege’, Sydney Festival 2014, Sydney | |
| 2013 | ‘MUSEUM OFF MUSEUM’, Bielefelder Kunstverein, Bielefeld |
| ‘Saber Desconocer’, 43 Salón (inter) Nacional de Artistas, Medellin | |
| ‘A Second Lore: A Folklore Contemporary Collection’, CUAC Contemporary Art, Salt Lake City | |
| ‘Ordinary / Extra / Ordinary’, The Public, West Bromwich | |
| ‘Sin motivo aparente’, CA2M, Madrid | |
| ‘DLA Piper Series: Constellations’, Tate Liverpool, Liverpool | |
| ‘TOGETHER / APART’, Centre for Contemporary Art, Ujazdowski Castle, Warsaw | |
| ‘Mobile M+ Inflation’, West Kowloon cultural District Promenade, Hong Kong | |
| ‘TECTONIC’, The Moving Museum, Dubai | |
| ‘The Life of Others. Repetition and Survival’, Akbank Sanat, Istanbul | |
| ‘Yebisu International Festival for Art and Alternative Visions’, Tokyo Metropolitan Museum of Photography, Tokyo (Screening of Exodus) | |
| 2012 | ‘Pop Politics : Activism at 33 Revolutions’, CA2M, Madrid |
| ‘AKA PEACE’, ICA, London | |
| ‘Panem et Circenses’, 83 Page Street, London | |
| ‘Britain Creates 2012’, Cultural Olympiad, London 2012 Festival, London | |
| ‘Wide Open School’, Hayward Gallery, London (Jeremy Deller with Ed Hall, Banner Making Workshop) | |
| ‘A Peculiar Form of Fiction’, s1 Art Space, Sheffield | |
| ‘Manifesta 9’, Waterschei, Genk, Limburg, Belgium | |
| ‘The Gospel According To... (part 1)’, The Holden Gallery, Manchester School of Art, Manchester | |
| Latitutde, Henham Park, Southwold, Suffolk (screening of the Bruce Lacey Experience) | |
| 2011 | ‘The Writing On Your Wall’, Edinburgh Printmakers (Curated by Rob Tufnell) |
| ‘Specters of the Nineties’, Marres Centre for Contemporary Art, Maastricht | |
| ‘September 11’, MoMA PS1, New York | |
| ‘Yes, We Don't’, Institute d'Art contemporain, Villeurbanne (With Alan Kane) | |
| ‘Let's Dance’, Musée d'art Contemporain du Val-de-Marne, Paris | |
| 2010 | ‘Coniston and Torver Christmas Farmers Market and Art Fair’, The Coniston Institute, Coniston, Cumbria |
| ‘Hareng Saur: Ensor and Contemporary Art’, SMAK, Ghent | |
| ‘São Paulo Biennale’, Sao Paolo Biennale, Sao Paolo | |
| ‘La revanche de l'archive photographique’, Centre de la photographie, Geneva | |
| ‘At Home/Not At Home (From the collection of Martin and Rebecca Eisenberg)’, Hessel Museum, Bard College, New York (Curated by Mathew Higgs) | |
| ‘Bagna Cauda’, Art concept, Paris | |
| ‘The Storyteller’, Art Gallery of Ontario, Toronto | |
| ‘Grand National / Britisk kunst’, Vestfossen Kunstlaboratorium, Vestfossen | |
| ‘Languages and Experimentations. Young Artists in a Contemporary Collection’, MART museum, Rovereto | |
| ‘Participation. Politics of Community’, Salzburger Kunstverein, Salzburg | |
| ‘Don't Piss On Me and Tell Me It's Raining’, Apexart, New York | |
| ‘The House of Fairy Tales’, Millennium, St. Ives, Cornwall | |
| ‘Peeping Tom’, Vegas Gallery, London | |
| ‘Crash’, Gagosian Gallery, London | |
| ‘Reflection - alternative worlds envisioned by video’, Art Tower, Mito, Japan | |
| ‘Morality Act III: And the moral of the story is...’, Witte de With, Rotterdam | |
| ‘Jeremy Deller: THE POSTERS CAME FROM THE WALLS’, Gavin Brown's enterprise, New York | |
| 2009 | ‘We Can Breathe In Space, They Just Don't Want Us to Escape’, Altefabrik, Rapperswill-Jona Switzerland (Gebert Stiftung für Kultur) |
| ‘Dead Air’, Frac-Collection Aquitaine, Bordeaux | |
| ‘Parades and Procession: Here Comes Everybody’, London | |
| 2008 | ‘History in the Making: A Retrospective of the Turner Prize’, Mori Art Museum, Tokyo (Touring to Moscow Museum of Modern Art, Moscow) |
| ‘Tales of Time and Space’, Folkestone Sculpture Triennial, Folkestone | |
| ‘On Procession’, Indianapolis Museum of Art, Indianapolis | |
| ‘Under Influence’, Kunsthaus Dresden, Dresden | |
| ‘Fourth Plinth’, National Gallery, London | |
| ‘Jeremy Deller and Alan Kane’, White Columns, New York | |
| ‘Biennale of Sydney 2008’, Sydney | |
| ‘Amateurs’, CCA Wattis Institute, San Francisco | |
| ‘Peter Saville : Accessories to an artwork’, Paul Stolper, London | |
| ‘Reality Check’, Statens Museum for Kunst, Copenhagen | |
| 2007 | ‘Turner Prize: A Retrospective 1984—2006’, Tate Britain, London |
| 2nd Moscow Biennale of Contemporary Art, Moscow | |
| ‘Memorial to the Iraq War’, ICA, London | |
| Prague Biennale 3, Prague | |
| ‘Centre of the Creative Universe: Liverpool and the Avant-Garde’, Tate Liverpool, Liverpool | |
| ‘In the poem about love you don't write the word love’, Midway Contemporary Art, Minneapolis (Sue Tompkins Live Performance 'Elephants Galore'. Touring exhibition. Touring to Musée du cinéma, Brussels; Centre for Contemporary Arts, Glasgow; Artist's Space, New York; Overgaden, Copenhagen; amongst other venues.) | |
| ‘Breaking Step’, Museum of Contemporary Art, Belgrade | |
| 2006 | ‘Of Mice and Men’, 4th Berlin Biennial for Contemporary Art, Berlin |
| ‘PARANOIA’, Leeds Art Gallery, Leeds | |
| ‘Folk Archive’, New Art Gallery Walsall, Walsall (With Alan Kane) | |
| ‘East International’, Norwich Gallery, Norwich (Selector) | |
| ‘Making History: Art and Documentary in Britain from 1929 to Now’, Tate Liverpool, Liverpool | |
| ‘Transmission’, Villa Arson, Nice | |
| ‘Among the Ash Heaps and Millionaires’, Ancient & Modern, London | |
| ‘How to Improve the World, British Art 1946-2006’, Hayward Gallery, London | |
| 2005 | ‘Dialectics of Hope’, 1st Moscow Biennale of Contemporary Art, Moscow |
| ‘The Battle of Orgreave’, B.P.S.22 Espace de Creation Contemporaine, Charleroi | |
| ‘Populism’, Contemporary Art Centre, Vilnius (Produced by NIFCA, Nordic Institute for Contemporary Art) | |
| ‘War is Over 1945 - 2005. The Freedom of Art’, GAMeC, Bergamo | |
| ‘Herald St and The Modern Institute present’, Gavin Brown's enterprise, New York | |
| ‘Faltering Flame’, Graves Art Gallery, Sheffield | |
| ‘Interstate’, Nicole Klagsbrun Gallery, New York | |
| ‘Once More With Feeling’, Reg Vardy Gallery, University of Sunderland | |
| 2004 | ‘The Turner Prize’, Tate Britain, London (Winner) |
| 54th Carnegie International - Carnegie Museum of Art, Carnegie Museum of Art, Pittsburg | |
| ‘Folk Archive’, Centre Georges Pompidou, Paris (Screening of Veteran's Day Parade and Memory Bucket) | |
| ‘Candyland Zoo’, Herbert Read Gallery, Canterbury | |
| ‘Britannia Works’, Ileana Tounta Contemporary Art Centre, Athens (Organised by the British Council show) | |
| ‘Recall’, MOMA, Oxford | |
| Taipei Biennale, Taipei | |
| ‘This Much Is Certain’, The Royal College of Art, London | |
| ‘Shh!!!’, Victoria and Albert Museum, London | |
| ‘Frankfurt City of Culture’, Frankfurt (A ballet co-directed by Vivienne Newport and Jo Ann Endicott) | |
| ‘Manifesta 5’, Donostia | |
| 2003 | ‘New Works: 03.3’, Artpace, San Antonio |
| ‘We'll Meet You in the Lobby’, Buyuk Londra Oteli, Istanbul | |
| ‘Ill Communication’, Dundee Contemporary Arts, Dundee | |
| ‘Art and Music Unite’, Govett-Brewster Gallery, New Zealand | |
| ‘Micro/Macro: British Art 1996-2002’, Kunsthalle Mucsarknok, Budapest | |
| ‘Bad Behaviour’, Longside Gallery, Yorkshire Sculpture Park (Arts Council Collection Touring to Aberystwyth Arts Centre; The Metropole Arts Centre; The Glynn Vivian Art Gallery; Newcastle University, Hatton Art Gallery; Millennium Court Arts Centre; Djanogly Art Gallery; Tullie House, Carlisle) | |
| ‘The 4th Age’, Pitti Immagine, Florence | |
| ‘Utopia Station’, Venice Biennale, Venice | |
| ‘Don't Hate the Media, Become the Media’, Videozartes, Espace Delrue | |
| ‘Brighton Photo Biennale’, Brighton (With Alan Kane) | |
| ‘Electric Earth’, Saint Russian Museum, St. Petersburg (British Council Touring Exhibition) | |
| 2002 | Biennale of Movement and Image, Geneva |
| ‘Rock My World’, Californian College of Arts and Crafts, Los Angeles | |
| ‘Jack, Cynch and XLR’, Centre d'Art du Crestet, Vaison La Romaine | |
| Low Gallery, Los Angeles | |
| ‘The Gap Show: Young Critical Art from Great Britain’, Museum am Ostwall, Dortmund | |
| ‘'Happy Outsiders from London and Scotland’, Zacheta Gallery, Warsaw | |
| 2001 | ‘Pyramids of Mars’, Barbican Centre, London |
| ‘Hotel Sub Rosa’, Cabinet Gallery, London | |
| ‘Social Hackers’, Centre d'edition contemporaine, Geneva | |
| ‘City Racing’, ICA, London | |
| ‘Record All-Over’, mamco, Geneva | |
| ‘I Love Melancholy: Emotional States in British Art’, Southampton City Art Gallery, Southampton | |
| ‘Wales: Unauthorised Versions’, Zagreb (Curated by Alex Farquharson) | |
| ‘Century City: Art and Culture in the Modern Metropolis’, Tate Modern, London | |
| 2000 | ‘Transfert’, 5th Swiss Exhibition of Sculpture, Bienne |
| ‘Village Disco’, Cabinet Gallery, London | |
| ‘Presumed Innocent’, CAPC, Bordeaux | |
| ‘Republic’, Grazer Kunstverein, Graz | |
| ‘Milan’, London Orphan Asylum, London (Curated by Gilda Williams) | |
| ‘Social Hackers’, Muv Gallery, Helsinki | |
| New British Art 2000, London | |
| ‘Democracy!’, Royal College of Art, London | |
| ‘Intelligence’, Tate Triennalle, London | |
| ‘Protest and Survive’, Whitechapel, London | |
| TRANS_ACTIONS, Art | |
| The British Art Show, Edinburgh | |
| 1999 | ‘NX’, Espace des Arts, Chalon |
| ‘Crossing’, Galerie Rudolfinum, Prague | |
| ‘Expander 1.0’, Jousse seguin, Paris | |
| ‘Changing the Air’, Musee d'art Moderne, Villeneuve d'Ascq | |
| 1998 | ‘Salon 3', T-shirt by Jeremy Deller in collaboration with Agnes B, London 'Crossing', Kunsthalle Wien 'Voice Over: Sound and Visi'’, Musée d'Art Moderne de la Ville de Paris, Paris |
| 1997 | ‘NRXLRTE’, Index Gallery, Stockholm |
| ‘Life/Live’, Musee de Belem, Portugal | |
| ‘Bring Your Own Walkman’, W139, Amsterdam | |
| ‘Lovecraft’, CCA, Glasgow (The South London Gallery, London) | |
| 1996 | ‘insanestupidphatfuctpervert’, Concrete Skates, Glasgow (Touring exhibition. Touring to Cubitt, London) |
| ‘Poppocultural’, South London Gallery, London | |
| ‘Co-operators’, Southampton City Art Gallery, Southampton | |
| ‘Kiss This’, Focal Point Gallery, Southend | |
| 1995 | ‘Crash’, 263 Cowgate, Edinburgh |
| ‘Country Code’, Bravin Post Lee, New York | |
| ‘My Darling Cicciolina’, Curtain Road, London | |
| ‘Aperto Previously Unreleased’, Nevers, France | |
| ‘East International’, Norwich Gallery, Norwich | |
| ‘Sex Drugs and Rock and Roll’, Phoenix Hotel, San Francisco | |
| ‘22 44 22’, South London Gallery, London | |
| ‘The Butterfly Ball’, Stringfellows Night Club, London | |
| ‘Supastore’, Middlesborough Art Gallery, Middlesborough | |
| ‘Constable can't you see my predicament?’, Clacton-on-Sea (With Simon Periton and Alan Kane) | |
| 1994 | ‘Imprint 94’, Cabinet Gallery, London |
| ‘Shop Group Show’, Kunstverein Hamburg, Hamburg | |
| ‘Supastore 94’, Laure Genillard, London | |
| ‘Trumpf’, The Hamburg Metro, Hamburg | |
| ‘Lost Paradise’, The Kunstraum, Vienna | |
| 1993 | City Racing, London |
| ‘The Love Show’, Daniel Bucholz Gallery, Cologne | |
| ‘Instructions’, Gio Marconi, Milan |
Solo Screenings
| 2023 | ‘Everybody In The Place’, PAF Festival, Czech Republic |
| ‘A Night of Art & Magic with Jeremy Deller and Friends’, The Complex Depot, Dublin (18:00 PM) | |
| ‘POP/UP Subculture’, Stroud | |
| 2022 | ‘Everybody in the place’, CAST Cornubian Arts & Science Trust, Helston |
| 2021 | ‘Folkstone Documentary Film Festival’, Quarterhouse, Folkstone |
| 2020 | ‘The Laugharne Weekend’, Millennium Hall, Laugharne |
| ‘Palazzo Grassi invites Lo schermo dell’arte’, Palazzo Grassi, Venice | |
| ‘#Fakenews’, Offshoot Gallery, London | |
| 2019 | ‘Putin's Happy’, Kelvin Hall, Glasgow |
| ‘Schermo dell’Arte Film Festival’, Cinema La Compagnia, Florence | |
| ‘Putin’s Happy’, Hannah Barry Gallery, London | |
| 2018 | ‘Everybody in The Place: An Incomplete History of Britain 1984-1992’, Art:Concept, Paris |
| ‘Our Hobby is Depeche Mode’, Charlottenborg Museum, Copenhagen (Part of CPH:DOX) | |
| ‘Our Hobby is Depeche Mode’, Hotel Cecil, Copenhagen (Part of CPH:DOX) | |
| 2017 | ‘Jeremy Deller - Artist talk and Film Program’, Ludwig Museum, Cologne |
Group Screenings
| 2024 | ‘Tempo Documentary Festival’ |
| ‘Days of Laughter, Days of Pain: The Miners’ Strike in Rotherham, 1984-5’, Clifton Park Museum, Rotherham | |
| 2023 | ‘FORMAT Festival 2023’, Bentonville, Arkansas |
| ‘Rave & Electronic Music film screening’, Photo book Café, London | |
| 2021 | ‘Rave’, Australian Cinémathèque at GOMA, Queensland |
| 2020 | ‘The Planet as Festival’, MACRO Museum, Rome (presented by Terraforma and MACRO Museum) |
| 2019 | ‘Essex in the 80’s through Photography and Film’, South Kiosk at The Old Waterworks, London |
| ‘The Second Summer of Love’, The Store X, Berlin | |
| ‘Gracepoint Film Event’, Roaming Room at the GRACEPOINT Cinema, London | |
| 2018 | ‘Festival Number 6’, Portmeirion, Wales, Wales |
| 2017 | Magic Lantern Film Festival, Rome |
| ‘Night + Day Festival’, The Whirled Cinema, Brixton | |
| 2015 | ‘Art Social 2015’, House of St Barnabas, London (screening of So Many Ways To Hurt You (The Life and Times of Adrian Street)) |
| 2014 | ‘Art Screen’, GFT, Glasgow (Screening of The Bruce Lacey Experience) |
Projects
| 2022 | ‘God Grön’, Moderna Museet, Stockholm |
| 2018 | ‘SACRILEGE’, Stonehenge, Wiltshire |
| ‘What Is the City but the People?’, Jaarbeursplein, Utrecht | |
| 2017 | ‘Skulptur Projekte Münster’ |
| ‘'With a Little Help From My Friends', Sgt Pepper at 50: Heading for Home’, Liverpool |
Curatorial Projects
| 2016 | ‘Iggy Pop Life Class’, Brooklyn Museum |
| 2014 | ‘Love is Enough: William Morris and Andy Warhol’, Modern Art Oxford (curated by Jeremy Deller) |
| 2013 | ‘All That is Solid Melts Into Air’, Manchester Art Gallery, Manchester (Hayward Touring exhibition. Touring to Manchester Art Gallery, Manchester; Nottingham Castle, Nottingham; Mead Gallery, University of Warwick, Conventry; Laing Art Gallery, Newcastle.) |
| 2012 | ‘The Bruce Lacey Experience’, Camden Arts Centre, London (Curated by Jeremy Deller and David Allan Mellor) |
| 2000 | ‘Folk Archive’, an ongoing project with Alan Kane investigating UK folk and vernacular art |
| 1997 | ‘The Uses of Literacy’, Norwich Gallery, Norwich (Touring to Cabinet Gallery, London and CCA, Glasgow.) |
Commissions
| 2023 | ‘Artwork for Emirates Stadium’, Arsenal Football Club, , London |
| 2021 | ‘Father and Son’, ACCA, Melbourne |
| ‘Ask the Animals, and They Will Teach You’, Beaufort 21, Knokke-Heist |
Performances
| 2018 | ‘This Place’, Prince of Wales Drive, London (In collaboration with Melodians Steel Orchestra UK as part of Art Night 2018) |
| 2017 | ‘Acid Brass’, Harris Museum, Art Gallery & Library, Preston |
Talks
| 2024 | ‘Jeremy Deller in Conversation’, International Anthony Burgess Foundation, Manchester |
| 2023 | ‘Living Monuments: In conversation with Jeremy Deller and Ian Giles’, Museum of the Home, London |
| ‘Art is Magic - Jeremy Deller In conversation with Jarvis Cocker’, University of Sheffield, Sheffield | |
| ‘Art is Magic’, The Complex, Dublin | |
| ‘Jeremy Deller: It's Time to Lose Control’, Baillie Gifford West Court, Edinburgh | |
| 2020 | ‘Art, Rave & Revolution’, Beat Hotel, Marrakech |
Bibliography
Press
| 2023 | Fergal Kinney: ‘How folk culture made a comeback in 2023’, The Face, 21/12/2023 |
| Geoff Shearcroft: Geoff Shearcroft, co-founder of AOC, relates to and takes heart from artist Jeremy Deller‘s ethos of collaboration and the rejection of the artistic ego, The RIBA Journal, 12/12/2023 | |
| Craig McLean: ‘What does Jeremy Deller make modern Britain?’, The Face, 25/09/2023 | |
| Kelly Scanlon: ‘How Iggy Pop incorporates art into his stage persona’, Far Out, 02/09/2023 | |
| Rosemary Kaye: ‘Edinburgh International Book Festival 2023 – Jeremy Deller’, The Edinburgh Reporter, 26/08/2023 | |
| Gareth Harris: London‘s National Gallery releases details of 200th anniversary Jeremy Deller project, Art Newspaper, 18/08/2023 | |
| ‘A brush with... Jeremy Deller’, The Art Newspaper, 21/06/2023 | |
| Hattie Judah: Jeremy Deller: ‘I‘ve put myself and other people at great personal risk for my art‘, i News, 08/05/2023 | |
| Rachel Spence: ‘Art is Magic by Jeremy Deller - visions of a very British shaman’, Financial Times, 05/05/2023 | |
| Zoe Whitfield: ‘50 Questions With Jeremy Deller’, AnOther, 04/05/2023 | |
| TJ Sidhu: ‘Jeremy Deller on raves, magic and taking the piss’, The Face, 03/05/2023 | |
| Sean O'Hagan: Jeremy Deller: ‘The world worries me - but for an artist, that‘s a good thing‘, The Observer, 23/04/2023 | |
| Liz Gorny: ‘David Rudnick delves deep into Arsenal history for new Emirates Stadium designs’, It's Nice That, 12/01/2023 | |
| 2022 | ‘Everything comes back to the spirit of rave‘: Jonny Banger in conversation with Jarvis Cocker and Jeremy Deller, The Guardian, 22/05/2022 |
| 2021 | Seymour, Tom: ‘Jeremy Deller mints his first NFT: here is his advice for other artists’, The Art Newspaper, 24/03/2021 |
| 2020 | Sandy Di Yu: ‘11 of the best UK destinations for public art’, The Independent, 17/12/2020 |
| Greenstreet, Rosanna : Jeremy Deller: ‘Who‘d play me in a film? Worzel Gummidge’, The Guardian, 27/06/2020 | |
| Judah, Hettie: Jeremy Deller: ‘I don‘t make art to relax, i News, 18/05/2020 | |
| Buck, Louisa: Tax Avoidance Kills-Jeremy Deller’ s latest flyposter campaign hits London, The Art Newspaper, 17/04/2020 | |
| Arundhati Thomas, Skye: Hostile Environment: A critic navigates the Uk‘s labyrinthine immigration system, Frieze, 03/2020 | |
| 2019 | Lewis, Tim: Jeremy Deller: ‘Parliament Square was like something from Hogarth‘s Britain‘, The Guardian, 01/12/2019 |
| ‘Q and A: Jeremy Deller’, The Observer, 01/12/2019 | |
| Liabeuf, Lucie: ‘Double Eexposition, Formes Et Fonctions Du Reenactment’, Inframince, 09/2019 | |
| Harrison, Andrew: ‘The return of rave culture’, The New Statesman, 21/08/2019 | |
| Muggs, Joe: ‘Jeremy Deller on raving: "Stormzy and Dave give me hope"’, The Guardian, 09/08/2019 | |
| McCord, Brooke: Jeremy Deller: "It wasn‘t all about drugs", The Face, 01/08/2019 | |
| Hans, Simran: ‘Four compelling upcoming films that tell us something about our future’, Dazed, 04/04/2019 | |
| Waite, Thom: ‘Jeremy Deller’s new artwork simply reads ‘Farage in Prison’’, Dazed, 30/03/2019 | |
| Liabeuf, Lucie: ‘Double exposition, formes et fonctions du reenactment’, Inframince, 2019 | |
| 2018 | Westall, Mark: ‘Paul Stolper + ICA Editions Paul’, FAD, 21/12/2018 |
| Davies, Dean Mayo : ‘This Exhibition is Your Chance to Own Unique Work by Celebrated Artists’, Another Man, 29/11/2018 | |
| Pidd, Helen: ‘Manchester: Jeremy Deller unveils design for Peterloo Memorial’, The Guardian, 01/11/2018 | |
| Morris, Steven: ‘Jeremy Deller creates a monumental party for Stonehenge centenary’, The Guardian, 25/10/2018 | |
| Appleyard, Bryan: Jeremy Deller interview: the Turner Prize winner on his Stonehenge birthday ‘show‘, The Sunday Times, 21/10/2018 | |
| Gioni, Massimiliano: Curator‘s Diaries: Jeremy Deller Working Class Hero, Cura, 19/10/2018 | |
| Hess, Liam: Jeremy Deller: ‘The State Always Says Music And Culture Is The Problem‘, Another Man, 03/10/2018 | |
| Stanley, Jack: ‘Helmut Lang & Jeremy Deller Link up on "Public Versus Private" Capsule’, Hypebeast, 02/08/2018 | |
| Morgan, Maybelle: ‘Gucci and Frieze Go Raving’, Wonderland, 06/07/2018 | |
| ‘Italo disco goers, acid house and illegal raves in new Gucci documentary’, Evening Standard Magazine, 06/07/2018 | |
| Salter, Steve: “it wasn‘t all about the drugs†jeremy deller on the second summer of love, i-D, 05/07/2018 | |
| ‘Raw Materials: Jeremy Deller’, NOWNESS, 04/07/2018 | |
| Westall, Mark: ‘7 artists produce 7 limited edition prints celebrating 70 years of the NHS’, FAD, 02/07/2018 | |
| ‘International British Artists Release Prints To Support London’s Busiest NHS Hospitals’, ArtLyst, 02/07/2018 | |
| Cowan, Katy: ‘Peter Blake and Jeremy Deller among artists marking 70th anniversary of NHS’, Creative Boom, 02/07/2018 | |
| Carolan, Nicholas: ‘The Second Summer of Love’, Grazia, 07/2018 | |
| Gillett, Ed: Jeremy Deller: ‘Everyone in the Place, An Incomplete History of Britain 1984-1992‘, Frieze, 06/06/2018 | |
| Benson, Louise: ‘The Age When Nothing Fits’, Elephant Magazine, 35 06/2018 | |
| 2017 | Youngs, Ian: ‘Artist Jeremy Deller helps Newcastle recreate Martin Luther King speech’, BBC News, 14/11/2017 |
| Bourgeois, Caroline & Laubard, Charlotte: ‘Jeremy Deller’, Pinault Collection, 09 10/2017 | |
| Parkinson, Clive & Bennett, Jill: ‘Diversity and disruption in arts and health’, Artlink, 37:3 09/2017 | |
| Gavin, Francesca: ‘Lust for Life’, Catalogue Contemporary Art Magazine, 06/2017 | |
| 2016 | Ellis-Petersen, Hannah: Jeremy Deller flies flag for Thomas More‘s Utopia, 500 years later, The Guardian, 25/01/2016 |
| 2015 | Deller, Jeremy: ‘Jeremy Deller’s artworks draw links between Victorian factories and zero-hours contracts’, The Guardian, 07/2015 |
| 2014 | Cooke, Rachel: Jeremy Deller: ‘Ed‘s banners have become a bit of a motif in my work‘, The Guardian, 20/07/2014 |
| Griffin, Tim: ‘From Art to Artifact’, Parkett, No. 95 2014 | |
| Ades, Dawn: Jeremy Deller‘s English Histories, Parkett, No. 95 2014 | |
| Deller, Jeremy: ‘Stone Circle, Avebury’, Frieze Masters, 2014 | |
| Dillon, Brian: ‘The Uses of History’, Parkett, No. 95 2014 | |
| 2013 | Fox, Dan: ‘Then & Now’, Frieze, No. 159 11/2013 |
| ‘Consumed’, Art Review, Vol. 65 10/2013 | |
| Birnbaum, Daniel: ‘Garden States’, Artforum, Vol. 52 09/2013 | |
| Stokes, Emily: ‘Lunch with FT: Jeremy Deller’, Financial Times, 02/08/2013 | |
| Sharp, Rob: Olympic Park to Host Jeremy Deller‘s Stonehenge, Blouin Artinfo, 07/2013 | |
| Lock, Isaac: ‘Profile: Mr. Jeremy Deller’, Fantastic Man, 05/2013 | |
| Superkaleidoscope: ‘Memory, Re-Performance, and the Iterable Gesture Pictorial’, Das Superpaper, 26 03/2013 | |
| Bembekoff, Marc: ‘Curatorial/Postcuratorial’, Palais de Tokyo, 18 2013 | |
| McLean-Ferris, Laura: ‘From Black Eyes and Lemonade to Jeremy Deller’, Kaleidoscope, Issue 18 2013 | |
| Ed. Jeremy Deller: ‘Great Britons’, Art Review, 69 2013 | |
| Luke, Ben: ‘Jeremy Deller’, RA, No. 119 2013 | |
| 2012 | Hunt, Andrew: ‘Making More Stuff, Jeremy Deller and Scott King’, Mousse Magazine, 36 12/12/2012 |
| Gavin, Francesca: ‘In search of everyday strangeness’, Sleek, 09/2012 | |
| Bennett, Matthew: ‘Indelible Grace’, Clash, 06/2012 | |
| Hoyle, Ben: ‘Bouncy castle artist chosen at biennale’, The Times, 15/05/2012 | |
| Kennedy, Maev: Pied piper of culture’ gets Venice showcase, The Guardian, 15/05/2012 | |
| Deller, Jeremy: ‘Folk Tales’, Time Out London, 03/2012 | |
| Ward, Ossian: ‘People Person’, Time Out London, 03/2012 | |
| O'Kane, Paul: ‘Out of this World’, Art Monthly, 02/2012 | |
| Barkham, Patrick: ‘Bat man’, The Guardian G2, 30/01/2012 | |
| 2011 | Higgins, Charlotte: ‘Jeremy Deller, Turner prizewinner, to have Hayward Gallery retrospective’, The Guardian, 06/12/2011 |
| Eshun, Ekow: It‘s the taking part that counts, The Independent, 21/06/2011 | |
| Luke, Ben: ‘Biennial or Bust: Jeremy Deller’, The Art Newspaper, No. 225 06/2011 | |
| Azimi, Negar: ‘Good Intentions’, Frieze, Issue 137 03/2011 | |
| 2010 | Byrne, David & Deller, Jeremy: ‘Meeting of Minds: Audio Games’, Modern Painters, 03/2010 |
| 2009 | Pulver, Andrew: ‘The Posters came from the Walls’, The Guardian, 30/11/2009 |
| Smith, Arthur: This is your driver speaking‘..., The Times, 21/07/2009 | |
| Powell, Mark: ‘A chance to be together for Jeremy Deller’, metro.co.uk, 30/06/2009 | |
| ‘What would your nugget of philosophy be?’, The Observer, 28/06/2009 | |
| Backer, Stina: ‘Can Sartre and Gandhi really make a Tube journey fly by?’, The Independent, 26/06/2009 | |
| Hastings, Sheena: ‘Fed up of the crush on the To be? Just be philosophical about it’, Yorkshire Post, 26/06/2009 | |
| Gandhi‘s quotes to greet London Metro passengers‘, The Times of India, 26/06/2009 | |
| Suroor, Hasan: ‘Gandhiji’s quotes to engage Tube passengers’, The Hindu, 26/06/2009 | |
| Kennedy, Stephanie: ‘Humour at the Station’, ABC.net, 26/06/2009 | |
| ‘The Philosophy of the underground,’, News:lite, 26/06/2009 | |
| ‘Tube drivers to read out Shakespeare quotations’, Telegraph, 26/06/2009 | |
| ‘Underground Wisdom’, The Times, 26/06/2009 | |
| ‘Gandhi quotations to comfort London Underground Passengers’, The Economic Times, 25/06/2009 | |
| Tobin, Dominic: ‘Message to Tube commuters: Hell is other people’, The London News, 25/06/2009 | |
| ‘Philosophy is going underground’, BBC Radio 4, 25/06/2009 | |
| Ormsby, Avril: ‘Trains of thought: philosophy goes underground’, Reuters India, 25/06/2009 | |
| ‘Tube Drivers’ Philosophical Announcements’, London Underground Blogspot, 25/06/2009 | |
| ‘Tube to Platform inspiring words’, News Sniffer, 25/06/2009 | |
| Jury, Louise: ‘We apologise for this delay to your service, but to live is to dream’, London Evening Standard, 25/06/2009 | |
| ‘Wisdom-dispensing London Tube drivers take riders on a journey from A to B, via E equals mc2’, Fox 43, Pennsylvania, 25/06/2009 | |
| ‘Tube to Platform inspiring words’, BBC News, 24/06/2009 | |
| Luke, Ben: ‘Jeremy Deller On The Road’, Art World, 06/2009 | |
| Ward, Ossian: ‘Art: The Genius of Jermey Deller’, Time Out London, 28/05/2009 | |
| ‘Press Release’, Transport for London, 05/2009 | |
| Cook, Xerxes: ‘Gut Feelings: Thomas Hirschhorn critques our enduring fascination with brutality’, Tank, Issue 7 04/2009 | |
| Luke, Ben: ‘Jermey Deller: On the Road’, Art World, 2009 | |
| ‘Train of Thought: Underground gets Philosophical’, AFP, 2009 | |
| Kennedy, Stephanie: ‘Tube drivers brighten trip with wise words’, ABC News, 2009 | |
| ‘Wisdom-dispensing London Tube drivers take commuters on a journey from A to B, via Emc2’, The Canadian Press, 2009 | |
| 2008 | Trouve, Tatiana: ‘The Artist’s Artists’, Artforum, Issue XLVII 30/11/2008 |
| Risner, Sophie: ‘The Peculiar Narractive of Celebration’, White Hot Magazine, 07/2008 | |
| 2006 | Higgins, Charlotte: ‘Computer generator: Art brings steam power to the digital revolution’, The Guardian, 11/07/2006 |
| 2005 | Korotkin, Joyce B: ‘Outside the box’, Art Review, 10/2005 |
| Kihm, Christoph: ‘Jeremy Deller penser avec le populaire’, Art Press, Number 310 03/2005 | |
| Blackson, Robert: ‘Jeremy Deller’, Labyrint Revue, 2005 | |
| Morton, Tom: ‘Miming for gold’, Frieze, 2005 | |
| 2004 | Branigan, Tania: ‘The Guardian profile: Jeremy Deller’, The Guardian, 03/12/2004 |
| Garfield, Simon: ‘The crowd teaser’, The Observer, 10/10/2004 | |
| Lafuente, Pablo: ‘Art on Parade’, Art Monthly, Number 280 10/2004 | |
| Walter, Natasha: ‘The people strike back’, Art Review, 09/2004 | |
| Herbert, Martin: ‘Turn, turn, turn’, Artforum, 09/2004 | |
| ‘Untitled, (insert)’, Artforum, 09/2004 | |
| Young, Rob: ‘Shhh...’, Frieze, Issue 85 31/08/2004 | |
| Kihm, Christoph: ‘Jeremy Deller: le sensible en partage, in trouble’, printemps-ètè, 2004 | |
| 2003 | King, Emily: ‘The 50th Venice Biennale’, Frieze, Issue 77 09/2003 |
| Morton, Tom: ‘Mining For Gold’, Frieze, Issue 72 01/2003 | |
| Slyce, John: ‘Jeremy Deller, fables of the reconstruction’, Flash Art, Number 228 2003 | |
| 2002 | Lequeux, Emmanuelle: ‘Jeremy Deller’, Aden, 12/2002 |
| Erikson, Karl: ‘Jeremy Deller’, Flash Art, Number 223 2002 | |
| Buck, Louisa: ‘Leaving Los Angeles’, Artforum International, Number 5 2002 | |
| 2001 | Larson, Lars Bang: ‘Slaget on England’, Kultur & Debat, 24/06/2001 |
| Beech, Dave: ‘The Uses of Authority: Jeremy Deller interviewed by Dave Beech’, Untitled, Number 25 2001 | |
| 2000 | Hilty, Greg: ‘Jeremy Deller and the Uses of Art’, Parkett, Number 60 2000 |
| 1999 | Bradley, Will: ‘The Uses of Literacy’, Afterall, Issue 1 1999 |
| Bradley, Will: ‘Untitled’, 1% Magazine, 1999 | |
| Blincoe, Nicholas: ‘Voodoo Ray, Slight Reprise’, Afterall, 1999 | |
| 1998 | Tozer, John: ‘no title’, Art Monthly, Number 217 06/1998 |
| Cruz, Juan: ‘Hearing Voices’, Art Monthly, Number 214 03/1998 | |
| Johnson, Phil: ‘Great art? Street art? Pop art?’, The Independent, 16/02/1998 | |
| 1997 | Hannula, Mika: ‘The Suburban Genius’, Siki, 06/1997 |
| 1996 | Freedman, Carl: ‘Jeremy Deller’, Frieze, Issue 29 06/1996 |
| Worsdale, Godfrey: ‘Jeremy Deller’, Art Monthly, Number 195 04/1996 | |
| Findlay, Judith: ‘Jeremy Deller’, Zing Magazine, 1996 | |
| 1995 | Norman, Geraldine: ‘Time for Cocktails at the Cutting Edge’, The Independent, 26/06/1995 |
Exhibition Reviews
| 2021 | Mansfield, Susan: ‘Art reviews: Jeremy Deller’, The Scotsman, 29/11/2021 |
| Quin, John : ‘Strong & Stable My Arse: The Ephemera Of Jeremy Deller’, The Quietus, 27/11/2021 | |
| Stone, Tim: ‘One of the best works of the year‘? Candlesof media tycoons Rupert and Lachlan Murdoch burn in Jeremy Deller‘s Australian installation, The Art Newspaper, 08/11/2021 | |
| Byrne, Tim: ‘Melting moguls: life-size Rupert and Lachlan Murdoch candles burn in Melbourne installation’, The Guardian, 06/11/2021 | |
| 2019 | Cooper, Neil: ‘Jeremy Deller – Everybody in The Place: An Incomplete History of Britain 1984–1992’, The List, 03/04/2019 |
| Mansfield, Susan: ‘Art reviews: Hand Drawn Action Packed | Sarah Longley | Jeremy Deller’, Scotsman, 28/03/2019 | |
| 2017 | Korman, Sam: ‘Skulptur Projekte Munster’, Art Review, 09/2017 |
| Thorne, Harry: Critic‘s Guide: Münster, frieze online, 09/06/2017 | |
| Petridis, Alexis: Guaranteed to raise a smile! Our pop critic‘s verdict on Liverpool‘s Sgt Pepper celebrations, Guardian.co.uk, 05/06/2017 | |
| 2016 | Barry, Robert: ‘The Infinite Mix’, Art Review, Vol 68, No 9, 12/2016 |
| Woo, Kin: ‘Iggy Pop: Musician, Icon - and Now, Live Nude Model’, New York Times Magazine, 03/11/2016 | |
| Farber, Jim: Raw power: why Iggy Pop posed naked for Jeremy Deller‘s Life Class, The Guardian Online, 19/10/2016 | |
| Kane, Ashleigh: ‘Those nude drawings of Iggy Pop are finally here’, Dazed, 10/2016 | |
| Gavin, Francesca: ‘The Japanese dancehall queen who outdanced Jamaica’s own’, Dazed, 09/2016 | |
| Feeney, Nolan: ‘Iggy Pop Posed Nude for a Life Drawing Class’, Time, 01/03/2016 | |
| Muñoz-Alonso, Lorena: ‘Iggy Pop Stars in Life Drawing Class for Jeremy Deller Project’, artnet news, 29/02/2016 | |
| 2014 | Himelfarb, Ellen: ‘Andy Warhol collides with William Morris in a typically radical new show from artist Jeremy Deller’, Wallpaper, 08/12/2014 |
| ‘Jeremy Deller talks to ArtLyst About Warhol, Morris and Love’, ArtLyst, 06/12/2014 | |
| Jeffries, Stuart: ‘Jeremy Deller: my summer in Andy Warhol’s Factory’, The Guardian, 03/12/2014 | |
| Jeffrey, Moira: ‘Rise of nature’, The Scotsman, 27/09/2014 | |
| Jamieson, Teddy: ‘Visceral politics, but winning brand is wary of big debate’, The Herald, 12/09/2014 | |
| 2013 | Clark, Robert: ‘All That Is Solid Melts Into Air’, Guardian Guide, 19/10/2013 |
| Thorpe, Vanessa: ‘Glam rock, wrestlers and our family trees: Jeremy Deller finds art in an industrial past’, The Observer, 13/10/2013 | |
| Birnbaum, Daniel: ‘Garden States’, Artforum, Vol. 52 09/2013 | |
| Morton, Tom: ‘The British Pavillion’, Frieze, No. 157 09/2013 | |
| Buchloch, Benjamin H. D.: ‘The Entropic Encyclopedia’, Artforum, Vol. 52 09/2013 | |
| Sherwin, Skye: ‘Jeremy Deller: London’, Guardian Guide, 10/08/2013 | |
| Latimer, Quinn: ‘National Pavilions: 55th Venice Biennale, Venice’, Art Agenda, 02/06/2013 | |
| Miller, Phil: ‘Scotland makes strong showing within the international art party of the Venice Biennale’, The Herald, 02/06/2013 | |
| Solway, Diane: ‘Balancing Act’, W Magazine, 06/2013 | |
| Adams, Tim: Jeremy Deller‘s visions of England, The Observer, 06/2013 | |
| Wilson, John: ‘frontrow’, BBC Radio 4, 30/05/2013 | |
| Saner, Emine: Jeremy Deller‘s Venice all-stars, The Guardian, 30/05/2013 | |
| Field, Marcus: ‘Venice Biennale, Jeremy Deller: English Magic, British Pavilion’, Evening Standard, 30/05/2013 | |
| Searle, Adrian: ‘A triumphant, personal fusion of art and politics’, The Guardian, 29/05/2013 | |
| Miller, Phil: ‘Imagination runs wild in the magic of Venice’, The Herald, 29/05/2013 | |
| Pilger, Zoe: ‘Our not very patriotic man in Venice’, The Independent, 29/05/2013 | |
| Higgins, Charlotte: ‘Vision of Britain with hero and villains’, The Guardian, 29/05/2013 | |
| Savage, Mark: Jeremy Deller unveils ‘aggressive’ exhibition at Venice, BBC News, 28/05/2013 | |
| Sooke, Alistair: ‘Venice Biennale 2013: Jeremy Deller, British Pavilion, review’, Telegraph, 28/05/2013 | |
| Searle, Adrian: Venice Biennale: Jeremy Deller‘s British pavilion declares war on wealth, The Guardian, 28/05/2013 | |
| Miller, Phil: ‘State of the Arts: Scotland on show at the Venice Biennale’, The Herald, 27/05/2013 | |
| Wilson, Fiona: ‘What the Brits are bringing to the Venice Biennale’, The Times, 25/05/2013 | |
| ‘Jeremy Deller will represent Britain at 2013 Venice Biennale’, The Telegraph, 15/05/2013 | |
| ‘Ordinary/Extra/Ordinary unites Jeremy Deller, Tracey Emin and more at The Public’, Culture 24, 14/05/2013 | |
| ‘Jeremy Deller’s Inflatable Stonehenge lands in Hong Kong’, Flux, 02/05/2013 | |
| Rappolt, Mark: ‘Jeremy Deller’, Art Review, 05/2013 | |
| ‘Jeremy Deller Interview’, Blip TV, 05/2013 | |
| Milliard, Coline: ‘Newsmaker: Jeremy Deller’, Modern Painters, 05/2013 | |
| Gifford-Mead, Emma: ‘Venice Biennale approaching: a preview’, Flash Art, 05/2013 | |
| Aimee Walleston: ‘Jeremy Deller’, Art in America, 26/03/2013 | |
| Higgins, Charlotte: ‘Venice Biennale to showcase new generation of young British artists’, The Guardian, 18/03/2013 | |
| Higgs, Matthew: ‘Exhibitions Picks’, Artforum, 02/2013 | |
| Harris, Gareth: ‘Moving Museum makes its debut in Dubai’, The Art Newspaper, 30/01/2013 | |
| ‘Inside Story: Jeremy Deller’, RA, 2013 | |
| 2012 | Politi, Gea: ‘Jeremy Deller’, Flash Art, 11/2012 |
| Young, Rob: ‘Bruce Lacey’, Frieze, 10/2012 | |
| ‘Diary’, Mousse, 10/2012 | |
| Searle, Adrian: ‘A wonderful mess of cock and bull’, The Guardian, 07/07/2012 | |
| Sherwin, Skye: ‘The Bruce Lacey Experience’, The Guardian Guide, 07/07/2012 | |
| Desaive, Pierre-Yves: ‘Reviews’, Flash Art, 07/2012 | |
| Perry, Colin: ‘Glasgow International’, Frieze, 06/2012 | |
| Herbert, Martin: ‘Glasgow International Festival of Visual Art’, Art Monthly, 06/2012 | |
| Collings, Matthew: ‘Good Miners, Bad Miners’, Modern Painters, 05/2012 | |
| Demos, T.J.: ‘Jeremy Deller’, Artforum, 05/2012 | |
| Basciano, Oliver: ‘Jeremy Deller: Joy in People’, Art Review, 05/2012 | |
| Dillon, Brian: ‘Reviews’, Frieze, 05/2012 | |
| Macmillan, Duncan: ‘Head Turner’, The Scotsman, 26/04/2012 | |
| Miller, Phil: ‘Bewildered and beguiled’, Sunday Herald, 22/04/2012 | |
| Jeffrey, Moira: ‘Glasgow plays to the gallery’, The Week, 22/04/2012 | |
| It‘s Sacrilege Monumental bounce, The Guardian, 21/04/2012 | |
| Sam, Sherman: ‘Jeremy Deller’, Artforum Online, 20/04/2012 | |
| Scott, Kirsty: Jeremy Deller‘s inflatable Stonehenge gives Glasgow a bounce in its step, The Guardian, 20/04/2012 | |
| Claire, Christopher: ‘Mystical scene on Glasgow Green’, Scotland on Sunday, 15/04/2012 | |
| Mansfield, Susan: ‘Power to the people’, The Scotsman, 12/04/2012 | |
| ‘HITLIST’, The List, 29/03/2012 | |
| McGill, Hannah: ‘Work In Progress’, The List, 29/03/2012 | |
| Barnett, Laura: A humanist‘s view on Joy in People by Jeremy Deller, The Guardian, 12/03/2012 | |
| Mckenzie, Duncan: ‘The Bruce Lacey Experience’, Time Out, 03/2012 | |
| Sooke, Alistair: ‘Jeremy Deller: Joy in People, Hayward Gallery, review’, The Telegraph Online, 27/02/2012 | |
| Cumming, Laura: ‘Jeremy Deller: Joy in People; Elmgreen and Dragset: the Fourth Plinth – review’, The Observer, 26/02/2012 | |
| Sheerin, Mark: ‘Jeremy Deller: Joy in People at the Hayward Gallery’, Culture 24, 23/02/2012 | |
| Güner, Fisun: ‘Jeremy Deller: Joy in People, Hayward Gallery’, The Arts Desk, 23/02/2012 | |
| Riley, Travis: ‘Jeremy Deller: Joy in People | Hayward Gallery | Southbank Centre | London’, Aesthetica, 22/02/2012 | |
| Luke, Ben: ‘Jeremy Deller: Joy In People, Hayward Gallery - review’, London Evening Standard, 22/02/2012 | |
| Searle, Adrian: ‘Heady Brew’, The Guardian, 21/02/2012 | |
| Skye, Sherwin: ‘Jeremy Deller’, The Guardian Guide, 18/02/2012 | |
| Jones, Jonathan: ‘Jeremy Deller exhibits and Donatello awes – the week in art. Exhibition of the week: Jeremy Deller’, The Guardian, 17/02/2012 | |
| Brown, Mark: ‘Jeremy Deller prepares for Hayward retrospective’, The Guardian, 17/02/2012 | |
| Ward, Ossian: ‘Jeremy Deller: Joy in People’, Time Out London, 02/2012 | |
| Barkham, Patrick: Jeremy Deller: ‘I‘m more interested in ideas than money‘, The Guardian, 29/01/2012 | |
| Hudson, Suzanne: ‘Previews’, Artforum, 01/2012 | |
| Foster, Hal: ‘Reviews’, Artforum, 01/2012 | |
| 2011 | Stern, Steven: ‘September 11’, Frieze, 11/2011 |
| Smith, Roberta: ‘Three Ways to Look Back, None Easy’, The New York Times, 09/09/2011 | |
| Banks, Eric: ‘Review’, Artforum, 09/2011 | |
| ‘Manchester: Baghdad, 5 March 2007’, The Guardian Guide, 23/04/2011 | |
| 2010 | ‘Horror brought home: Iraq car bomb wreckage is unveiled at Imperial War Museum’, The Mail Online, 10/09/2010 |
| ‘Iraq bomb-damaged car is explosive addition to war museum’, The Press and Journal, 10/09/2010 | |
| Akba, Arifa: ‘Modern combat takes centre stage at Imperial War Museum’, The Independent Online, 10/09/2010 | |
| ‘Iraq car bomb unveiled at Imperial War Museum’, The Telegraph Online, 09/09/2010 | |
| ‘Baghdad, 5 March 2007: A New Display with Jeremy Deller’, artdaily, 08/09/2010 | |
| Millard, Coline,: With a Bomber Car, Jeremy Deller Expands Brit Art‘s Take on the Iraq War, Artinfo, 08/09/2010 | |
| ‘Baghdad, 5 March 2007: A New Display with Jeremy Deller’, Imperial War Museum London online, 09/2010 | |
| In Pictures: The Art of War: Jeremy Deller‘s Baghdad car bomb installation, The Guardian Online, 09/2010 | |
| Sheerin, Mark: ‘War Story’, Culture 24, 24/08/2010 | |
| 2009 | Cohen, Louise: ‘Manchester International Festival on parade’, The Times, 04/07/2009 |
| Mclean-Ferris, Laura: ‘Exhibitonist: The best art shows to see this week’, The Guardian, 03/07/2009 | |
| Leris, Sophie: ‘Northern Exposure’, GQ, 07/2009 | |
| ‘Top Picks - Now playing a Parasol: artists who love to parade’, Wall Street Journal Europe, 07/2009 | |
| Hattenstone, Simon: ‘Scouts of Manchester – Follow me!’, The Guardian, 15/06/2009 | |
| Coomer, Martin: ‘Sounds Familiar’, The Big Issue, 06/2009 | |
| Yablonsky, Linda: ‘You had To Be There’, ArtNews, 06/2009 | |
| ‘Critics’ Choice’, Time Out London, 28/05/2009 | |
| Baird, Simon: ‘101 Things to do this summer’, Time Out London, 05/2009 | |
| Castets, Simon: ‘Get Together’, Vman, 2009 | |
| Fabbris, Eva: ‘Manchester International Festival’, Kaleidoscope, 2009 | |
| Dezeuze, Anna: ‘Parades and Processions’, Art Monthly, 2009 | |
| 2006 | Vincent, Martin: ‘Jeremy Deller: Edited Rushes’, The Metro, 28/09/2006 |
| Mottram, Jack: ‘Bringing chaos into focus’, The Herald, 20/09/2006 | |
| 2005 | Morton, Tom: ‘Folk Archive’, Frieze, Issue 93 09/2005 |
| Thomson, Nato: ‘For the LOVE of the PEOPLE’, Parkett, 2005 | |
| 2004 | Kantor, Jordan: ‘Manifesta’, Artforum, 09/2004 |
| Fox, Dan: ‘Manifesta 5 European Biennial of Contemporary Art’, Frieze, Issue 85 09/2004 | |
| 2003 | Tripp, Sarah: ‘III Communication’, Art Monthly, Number 264 03/2003 |
| 2002 | Helfand, Glen: ‘Talks about after the Gold Rush’, Artforum, 11/2002 |
| 2001 | Bush, Kate: ‘Jeremy Deller, the Battle of Orgreave’, Artforum, 12/2001 |
| Farquharson, Alex: ‘The Battle of Orgreave’, Frieze, Issue 61 09/2001 | |
| Soutar, Ian: ‘Orgreave’s Theatre of War’, Sheffield Telegraph, 22/06/2001 | |
| Jones, Jonathan: ‘Missiles Fly, Truncheons Swing, Police Chase Miners as Cars Burn...’, The Guardian, 19/06/2001 | |
| Lubbock, Tom: ‘When History repeats itself too soon’, The Independent, 19/06/2001 | |
| Barton, Lyn: ‘Eerie Echoes as Orgreave Battle Refought’, Yorkshire Post, 18/06/2001 | |
| Wainwright, Martin: ‘Strikers Relive Battle of Orgreave’, The Guardian, 18/06/2001 | |
| Braid, Mary: ‘Miners Side with the Enemy as Battle of Orgreave Becomes Art’, The Independent, 16/06/2001 | |
| Whitaker, Raymond: ‘When Police Batons Broke Union Power: artist re-creates the Battle of Orgreave’, The Independent on Sunday, 10/06/2001 | |
| Beech, Dave: ‘Orgreave’, Art Monthly, 2001 | |
| 1999 | Jones, Jonathan: ‘Brass Bands Playing Acid House Done That’, The Guardian, 03/06/1999 |
| 1997 | Freedman, Carl: ‘Acid Brass’, Frieze, Issue 37 12/1997 |
| Wilson, Andrew: ‘Band Art’, Art Monthly, Number 210 10/1997 | |
| Jones, Jonathan: ‘Brassed Off With Northern Nostalgia’, The Guardian, 27/07/1997 | |
| 1996 | Freedman, Carl: ‘Jeremy Deller’, Frieze, Issue 29 06/1996 |
Publications
| 2023 | Art Is Magic, Cherrio Publishing, London |
| 2019 | Wiltshire Before Christ, The Store X, London |
| 2018 | Domestic Arenas, Galerie Rudlofinum |
| 2017 | North: Fashioning Identity, Somerset House |
| The Trick Brain, Aishti Foundation & Skira editore, Lebanon | |
| We’re Here because we’re here, Thames & Hudson, London | |
| William Morris and Company: the Arts & Crafts in Great Britain, Fundación Juan March, (ed.), Madrid | |
| 2016 | Iggy Pop Life Class, HENI Publishing, London |
| The Infinitely Variable Ideal of the Popular , CA2M Centro de Arte Dos de Mayo, Madrid | |
| 2013 | All That Is Solid Melts Into Air, Hayward Publishing, London |
| English Magic, British Council, London | |
| 2012 | Defining Contemporary Art, Phaidon Press, London/ New York |
| 2011 | Gravity: Beauty, Sheffield Hallam University, Sheffield |
| 2009 | Manchester 2050, Cornerhouse, Manchester |
| SK1 2HH 21/05/09, Cornerhouse, Manchester | |
| 2008 | From Yodeling to Quantum Physics..., Palais de Tokyo, Paris |
| Marlon Brando, Pocahontas, And Me, Aspen Art Press, Aspen | |
| What is the city but the people?, Art on the Underground, London | |
| 2007 | Centre of the Creative Universe: Liverpool & the Avant-Garde, Liverpool Univeristy Press, Tate Liverpool, Liverpool |
| The Liverpool of Brian Epstein, with Paul Ryan, Tate Liverpool, Liverpool | |
| 2006 | Frieze Projects: Artists Commisions and Talks (2003-2005), frieze, London |
| 2005 | Art Now 2, Taschen, Cologne |
| Jeremy Deller: Folk Archive – Contemporary Popular Art from the UK – Jeremy Deller and Alan Kane, Book Works, London | |
| 2004 | Contemporary Art from Studio to Situation, Black Dog Publishing, London |
| Other Times - Contemporary British Art, (exhibition catalogue), British Council, City Gallery Prague, Prague | |
| 2001 | Life is to Blame for Everything, Salon 3, London |
| The English Civil War Part II, Personal accounts of the 1984-85 miners' strike, Artangel Publishing, London | |
| 1999 | The Uses of Literacy, Book Works, London |
Exhibition Publications
| 2013 | Mobile M+; Inflation!, M+, West Kownloon Cultural District Authority, Kowloon, Hong Kong |
| 2012 | Bruce Lacey File Note, Camden Arts Centre, London |
| Joy in People, Hayward Publishing, London | |
| Pop Politics : Activism at 33 Revolutions, CA2M Centro de Arte Dos de Mayo, Madrid | |
| 2010 | At Home/not at Home: Works from the Collection of Martin and Rebecca Eisenberg, Bard College Publications, Annandale-on-Hudson |
| Hareng Saur: Ensor en de hedendaagse kunst/ Ensor and Contemporary Art, S.M.A.K, Ghent | |
| 2009 | Procession, Cornerhouse, Manchester |
| Reality Check, Statens Museum for Kunst, Copenhagen | |
| 2008 | 16th Biennale of Sydney, 16th Biennale of Sydney, Sydney |
| Amateurs, CCA Wattis Institute, San Francisco | |
| Folkestone Triennial: Tales of Time and Space, Cultureshock Media Ltd., London | |
| 2007 | Breaking Step, Museum of Contemporary Art, Belgrade |
| EPSTEIN Jeremy Deller and Paul Ryan, Tate Liverpool, Liverpool | |
| Skulptur projekte münster 07, Wesfälisches Landesmuseum für Kunst und Kulturgeschichte, Münster, Kunstakademie Münster, (eds.), Münster | |
| The Turner Prize, Tate Publishing, London | |
| 2006 | Of Mice and Men, 4th Berlin Biennial for Contemporary Art, Berlin |
| 2005 | The War is Over 1945-2005. The Freedom of Art, GAMeC, Bergamo |
| 2004 | 54th Carnegie International, Carnegie Museum of Art, Pittsburgh |
| Do you beleive in reality?, Taipei Biennial, Taipei | |
| With all Due Intent: Manifesta 5, International Foundation Manifesta, Amsterdam | |
| 2003 | Bad Behaviour, Hayward Publishing, London |
| Hidden in a Daylight, Foksal Gallery Foundation, Warsaw | |
| Micro/ Macro: British Art 1996 - 2002, British Arts Council and Kunsthalle Mucsarnok, London and Budapest | |
| 2002 | After the Gold Rush, CCAC Wattis Institute for Contemporary Arts, San Francisco |
| Happy Outsiders from London and Scotland, Zachęta Państowowa Galeria Sztuki, Warzsawa | |
| The Gap Show: Young Critical Art from Great Britain, Museum am Ostwall, Dortmund |