Jesse Wine
Born 1983, Chester, England; Lives and works in Brooklyn, New York.
Education
| 2013 | Ceramics Fellow, Camden Arts Centre |
| 2010 | MA Sculpture, Royal College of Art |
| Erasmus, Hunter College | |
| 2007 | BA Fine Art, Camberwell College of Arts |
Current & Forthcoming
| 2024 | ‘A Small Land of Watery Light’, Gallery Vacancy, Shanghai |
Solo Exhibitions
| 2022 | ‘Both’, The Modern Institute, Aird's Lane Bricks Space |
| 2021 | ‘Carve a hole in the rain for yer’, The Modern Institute, 14–20 Osborne Street, Glasgow |
| 2020 | ‘The Players’, Simone Subal Gallery, New York |
| ‘Imperfect List’, Sculpture Center, New York | |
| 2017 | ‘Prosper, Phantom Limb’, Simone Subal Gallery, New York |
| 2016 | ‘Working title, not sure yet’, Mary Mary, Glasgow |
| ‘Young man red’, Gemeentemuseum, Den Haag | |
| ‘Wonderful Audience Member’, Soy Capitán, Berlin | |
| 2015 | ‘BIG PICTURES’, Limoncello, London |
| 2014 | ‘Young man red’, Baltic Centre for Contemporary Art, Gateshead |
| ‘You Can’t Beat Nature’, Oriel Mostyn, Llandudno | |
| ‘Chester man’, Mary Mary, Glasgow | |
| 2013 | ‘People’, Tunisi Court, London |
| ‘Travelling White Man’, CO2 Gallery, Rome | |
| ‘Simbolico’, Fondazione Macc, Calasetta | |
| 2012 | ‘Practice of the Wild’, Limoncello, London |
| ‘Modern Tone’, The Sunday Painter, London | |
| 2011 | ‘Dax Wax’, Hayward Gallery, London |
| 2010 | ‘Every Portrait A Self Portrait, Kinda Like Every Pizza A Masterpiece’, Franklin Parrasch Gallery, New York |
| ‘Meat and Eggs’, The Bun House, London |
Group Exhibitions
| 2023 | ‘Dream Journal’, Company Gallery, New York |
| 2022 | ‘A Través’, James Cohan, New York |
| 2018 | ‘Hot Pot. Further Thoughts on Earthy Materials’, GAK, Bremen |
| ‘Intimacy’, Yossi Milo Gallery, New York (curated by Stephen Truax) | |
| 2017 | ‘Lynda Benglis, Erika Verzutti, Jesse Wine’, Fortes D’Aloia & Gabriel, Rio de Janeiro |
| ‘Regarding George Ohr: Contemporary Ceramics in the Spirit of the Potter’, Boca Raton Museum of Art, Florida | |
| ‘That Continuous Thing: Artists and the Ceramics Studio, 1920-Today’, Tate St Ives, Cornwall | |
| ‘Peter Voulkos | Jesse Wine: Love Is a Many Splendored Thing’, Parrasch Heijnen, Los Angeles | |
| 2016 | ‘Sludgy Portrait of Himself’, Kettle's Yard at Museum of Cambridge, Cambridge |
| ‘Looking North’, Walker Art Gallery, Liverpool | |
| ‘Luster — Clay in Sculpture Today’, Fundament Foundation, Tilburg | |
| ‘Sorcières et Escargots’, CAN Center d'art Neuchâtel, Neuchâtel (Collaboration CAN – NIFFF Neuchâtel International Fantastic Film Festival) | |
| ‘Gesture Play’, Simone Subal Gallery, New York | |
| ‘Material Language: New Work in Clay’, New Art Centre, Roche Court, Salisbury (curated by Sarah Griffin and Alun Graves) | |
| ‘Paul Heyer, Jeanette Mundt, Jesse Wine’, Andrea Rosen Gallery, New York | |
| 2015 | ‘British Art Show 8’, Leeds Art Gallery, Leeds; Inverleith House, Edinburgh; Norwich Castle Museum and Art Gallery, Norwich; John Hansard Gallery, Southampton |
| ‘Reliability of Recognition’, BolteLang, Zürich | |
| 2014 | ‘Tomorrow: London’, South London Gallery, London |
| ‘Tossed Salads and Scrambled Eggs’, Cactus Gallery, Liverpool | |
| ‘Rx for Viewing’, Ana Cristea Gallery, New York | |
| ‘Hey, I’m Mr Poetic’, Wysing Arts Centre, Cambridge | |
| ‘Pleasure Principles’, Fondation d'entreprise Galeries Lafayette, Paris | |
| ‘To Continue. Notes towards a Sculpture Cycle’, NOMAS Foundation, Rome | |
| ‘Bloody English’, OHWOW, Los Angeles | |
| ‘If this is left, what about right’, Kate Werble Gallery, New York | |
| 2013 | ‘Mud and Water’, Rokeby, London |
| ‘Mud and Water’, Rokeby, London | |
| ‘Open Heart Surgery’, The Moving Museum, London | |
| ‘Sculpturing’, 2 Queens, Leicester | |
| ‘The Fresh Air Collection’, Space Studios, London | |
| ‘Peckham Artist Moving Image (PAMI)’, London | |
| ‘Young London 2013’, V22, London | |
| ‘Al Fresco III’, Great Fosters, Surrey (Marcelle Joseph Projects) | |
| ‘MOSTYN Open 18’, Oriel Mostyn, Llandudno | |
| ‘Two-Person Show’, Marquise Dancehall, Istanbul | |
| ‘Two-Person show with Jackson Sprague’, Hobbs Mclaughlin, London |
Residencies
| 2023 | ‘Open Studio’, Fonderia Battaglia, Milan |
| 2022 | ‘The Roberts Institute of Art Residency’, Scotland |
| ‘Open Studio’, Fonderia Battaglia, Milan |
Bibliography
Press
| 2021 | Mansfield, Susan: ‘Art reviews: Barbara Rae I Chris Johanson I Jesse Wine’, The Scotsman, 20/02/2021 |
| Mitchell, Rory: ‘In New York With Jesse Wine’, Ocula, 12/02/2021 | |
| Noble, Kathy : ‘A Sculpture Looking at You Whilst Touching Itself: Jesse Wine’, Mousse, 01/02/2021 | |
| Packard, Cassie : ‘Open to Possibility: Jesse Wine Interviewed by Cassie Packard’, Bomb Magazine, 15/01/2021 | |
| 2020 | Kristen Tauer: ‘Jesse Wine Brings Movement to Idle Thoughts at Sculpture Center’, Women's Wear Daily, 24/09/2020 |
| ‘Dumas and Co : comment les enchères révèlent des manuscrits’, Le Quotidien de l'Art, 23/09/2020 | |
| Callan Malone: ‘When Cities Sleep: Jesse Wine at SculptureCenter’, Cultured, 30/03/2020 | |
| 2017 | Dean, Emma: ‘Jesse Wine’, Phaidon Press, Vitamin C Clay + Ceramics 01/10/2017 |
| 2016 | Peasley, Aaron: ‘Bright Young Artists’, Interview, 01/12/2016 |
| ‘Throwing Shapes’, Elephant Magazine, Issue 26 01/04/2016 | |
| Thorne, Sam: In Conversation (2016) Sam Thorne and Jesse Wine’, in That Continuous Thing: Artist and the Ceramics Studio 1920 - Today, Tate Publishing, 01/01/2016 | |
| 2015 | ‘Jesse Wine and Nicolas Party: Apples and Pairs’, Frieze, Issue 175 01/11/2015 |
| ‘Vogue View: The Ceramicist’, Vogue, 01/11/2015 | |
| Sharp, Rob: ‘Up and Coming: Ceramist Jesse Wine on Making Art Accessible’, Arsty, 07/10/2015 | |
| Jesse Wine‘s "Young Man Red": Youthful, Puck-like Ceramist Earns Art Crticis’ Plaudits at Baltic Plus, London, CFile, 01/10/2015 | |
| ‘Why I create’, Phaidon Press, 01/09/2015 | |
| 2014 | Singer, Fanny: ‘New British Ceramics’, Art Papers, 01/11/2014 |
| Maclean, Matthew: ‘In Focus: Jesse Wine’, Frieze, Issue 166 01/10/2014 | |
| Carr, Adam: ‘An Interview with Jesse Wine’, Llandudno, 01/04/2014 | |
| 2013 | Hobbs, Melissa: ‘Jesse Wine’, Real Texture, 01/03/2013 |
| 2012 | Gander, Ryan: ‘Jesse Wine’, Spike, 01/12/2012 |
| Kissick, Dean: ‘Jesse Wine’, i-D, 01/11/2012 |
Exhibition Reviews
| 2023 | Lisette May Monroe: ‘Jesse Wine, The Modern Institute’, Artforum Online, 01/03/2023 |
| 2021 | Zheng, Elaine YJ: ‘Jesse Wine: Carve a Hole in the Rain for Yer’, this is tomorrow, 26/02/2021 |
| Bogart, Aaron: Jesse Wine ‘Imperfect List’, SculptureCenter / New York, Flash Art, 14/01/2021 | |
| 2020 | ‘Jesse Wine: Imperfect List’, TheGuide.Art, 24/09/2020 |
| ‘The T List: Five Things We Recommend This Week. Jesse Wine’s Sleep Works at the SculptureCenter’, The New York Times Style Magazine, 24/09/2020 | |
| 2015 | Sterns, Jamie: ‘London Art Pitch "Jesse Wine: BIG PICTURES" at Limoncello, through August 15, 2015’, ArtNews, 08/10/2015 |
| Clayton, Eleanor: ‘Jesse Wine at BALTIC Gateshead’, The Skinny, 01/03/2015 | |
| 2012 | Kneale, Paul: ‘Jesse Wine’, Frieze, Issue 152 01/12/2012 |
| Morton, Tom: ‘Jesse Wine’, Axis, 01/06/2012 |
Publications
| 2024 | Sculpture, Mousse Publishing, Milan |
| 2021 | Imperfect List, SculptureCenter, New York |