Liz Larner
Education
| 1985 | BFA, California Institute of Arts |
Solo Exhibitions
| 2022 | “______”, The Modern Institute, 3 Aird's Lane, Glasgow |
| ‘Below Above’, Kunsthalle Zurich, Zurich | |
| ‘Don’t put it back like it was’, Sculpture Center, Long Island City, Touring exhibition: SculptureCenter, Long Island City (20 January until 28 March 2022); Walker Art Center, Minneapolis (30 April until 4 September 2022) | |
| 2021 | Galerie Max Hetzler, London |
| ‘As Stars and Seas Entwine’, Regen Projects, Los Angeles | |
| 2020 | ‘New Works’, Peder Lund, Oslo |
| 2019 | ‘As Below, So Above’, Regen Projects, Los Angeles |
| 2017 | ‘Liz Larner’, Galerie Max Hetzler, Paris |
| 2016 | Galerie Max Hetzler, Berlin |
| Aspen Art Museum, Aspen | |
| 2015 | ‘Liz Larner: X’, Aspen Art Museum, Aspen |
| Art Institute of Chicago, Chicago | |
| ‘Space is better than time, but time is ok’, The Modern Institute, 14–20 Osborne Street, Glasgow | |
| 2014 | Regen Projects, Los Angeles |
| 2011 | Tanya Bonakdar Gallery, New York |
| ‘Liz Larner’, The M Building, Miami (Presented by Regen Projects) | |
| 2010 | Regen Projects, Los Angeles |
| 2008 | ‘Selected Sculpture from the Early 1990s’, Regen Projects, Los Angeles |
| 2006 | ‘Liz Larner: 2001’, presented by Public Art Fund, Doris C. Freedman Plaza in Central Park |
| 2005 | Regen Projects, Los Angeles |
| 2003 | ‘East of What?’, 303 Gallery, New York |
| 2002 | ‘Liz Larner: Untitled’, Museum of Contemporary Art, on MCA plaza in conjunction with Art Chicago/Pier Walk (curated by Dave Hickey) |
| 2001 | Museum of Contemporary Art, Los Angeles |
| 1998 | Regen Projects, Los Angeles |
| ‘I Thought I Saw a Pussycat’, MAK, Austrian Museum of Applied Arts | |
| 1997 | 303 Gallery, New York |
| 303 Gallery, New York | |
| Kunsthalle Basel, Basel (curated by Peter Pakesch) | |
| 1994 | 303 Gallery, New York |
| 1993 | Jennifer Flay Gallery, Paris |
| 1992 | Peter Pakesch, Vienna |
| 1991 | 303 Gallery, New York |
| Stuart Regen Gallery, Los Angeles | |
| 1990 | 303 Gallery, New York |
| Galleri Nordanstad-Skarstedt, Stockholm | |
| 1989 | 303 Gallery, New York |
| Galerie Peter Pakesch, Vienna | |
| 1988 | Margo Leavin Gallery, Los Angeles |
Group Exhibitions
| 2022 | ‘Joan Didion: What She Means’, Hammer Museum, Los Angeles (Curated by Hilton Als) |
| ‘Stars Don’t Stand Still in the Sky: A Tribute to Lawrence Weiner’, Regen Projects, Los Angeles | |
| ‘Toucher Terre: l'Art de la Sculpture Céramique’, Fondation Villa Datris, l’Isle-sur-la-Sorgue | |
| ‘How to Get Free of the Rectangle’, Nicelle Beauchene Gallery, New York | |
| 2021 | ‘Flames: The Age of Ceramics’, Musée d'Art Moderne de la Ville de Paris, Paris |
| ‘Yakimono’, Taka Ishii Gallery, Kiyosumi, Tokyo | |
| ‘New Time: Contemporary Art and Feminisms in the 21st Century’, UC Berkeley Art Museum and Pacific Film Archive, Berkeley | |
| ‘INHERENT FORM’, Regen Projects, Los Angeles | |
| ‘Selections: Gallery Artists’, Regen Projects, Los Angeles | |
| ‘Helter Skelter’, Modern Museum of Contemporary Art, Los Angeles | |
| 2020 | ‘Drawing 2020’, Gladstone Gallery, New York |
| 2019 | ‘Seven Stations: Selections from MOCA’s Collection’, Museum of Contemporary Art, Los Angeles |
| ‘Bound to the Earth’, Museum of Contemporary of Art, San Diego | |
| ‘Abstract, Representational, and so forth’, Gladstone Gallery, New York | |
| ‘The Foundation of the Museum: MOCA's Collection’, The Geffen Contemporary at MOCA, Los Angeles | |
| 2018 | ‘True Stories. A Show Related to an Era — The Eighties’, Galerie Max Hetzler, Berlin |
| 2017 | ‘THE GAP BETWEEN THE FRIDGE AND THE COOKER’, The Modern Institute, 3 Aird's Lane, Glasgow |
| 2016 | ‘Michel François, Liz Larner, Tony Lewis and Virginia Overton’, Bortolami Gallery, New York |
| ‘On Space and Place: Contemporary Art from Chicago, Los Angeles, Mexico City and Vancouver’, DePaul Art Museum, Chigaco | |
| ‘La mia ceramica’, Galerie Max Hetzler, Paris | |
| ‘ALL RIGHT’, Redling Fine Art, Los Angeles | |
| ‘Revolution in the Making: Abstract Sculpture by Women, 1947 — 2016’, Hauser Wirth & Schimmel, Los Angeles | |
| 2015 | ‘The Art of Our Time’, Museum of Contemporary Art, Los Angeles |
| 2014 | ‘CalArts Art Benefit & Auction’, Paula Cooper Gallery and Metro Pictures, New York |
| ‘The Other Side - Mirrors and Reflections in Contemporary Art’, Belvedere, Vienna | |
| 2013 | ‘Nasher XChange’, various sites throughout Dallas (presented by the Nasher Sculpture Center) |
| ‘Auf Zeit’, Staatliche Kunsthalle, Baden-Baden | |
| ‘Damage Control: Art and Destruction Since 1950’, Hirshhorn Museum and Sculpture Garden, Washington DC (curated by Kerry Brougher and Russell Ferguson) | |
| ‘Endless Bummer II: Still Bummin’, Marlborough Chelsea, New York (curated by Jan Tumlir) | |
| ‘Made in Space’, Night Gallery, Los Angeles (curated by Peter Harkawik and Laura Owens) | |
| ‘A Point of View: Selected Gifts from the Laurence A. Rickels Collection’, Museum of Contemporary Art, Los Angeles | |
| ‘Room to Live: Recent Acquisitions and Works from the Collection’, Museum of Contemporary Art, Los Angeles | |
| ‘Selections from the Permanent Collection’, Museum of Contemporary Art, Los Angeles | |
| ‘Speak, Memory’, Miriam and Ira D. Wallach Art Gallery, Columbia University | |
| 2012 | ‘DECADE: Contemporary Collecting 2002-2012’, Albright Knox Gallery, Buffalo |
| ‘Prima Materia’, Gladstone Gallery, Brussels | |
| ‘Intimate Immensity: The Susan and Larry Marx Collection’, Hammer Museum, Los Angeles | |
| Michael Janssen, Berlin | |
| ‘Blues for Smoke’, Museum of Contemporary Art, Los Angeles | |
| ‘Group Face’, Parasise Garage, Venice | |
| 2011 | ‘Under Destruction’, Swiss Institute, New York |
| ‘De-Building’, Christchurch Art Gallery Te Pun O Waiwhetu, Christchurch | |
| ‘Paul Clay’, Salon 94 Bowery, New York | |
| 2010 | ‘Immaterial’, Ballroom Marfa, Marfa, TX |
| ‘Collecting Biennials’, Whitney Museum of American Art, New York | |
| ‘The Artist's Museum’, Museum of Contemporary Art, Los Angeles | |
| ‘The Artists' Museum’, Museum of Contemporary Art, Los Angeles | |
| ‘The Jewel Thief’, Tang Museum at Skidmore College, Saragota Springs | |
| ‘Under Destruction’, Museum Tinguely, Basel | |
| 2009 | ‘Abstractionists Unite!’, Glendale College Art Gallery, Los Angeles (curated by Nancy Chaikin) |
| ‘Between Art and Life: The Painting and Sculpture Collection’, San Francisco Museum of Modern Art, San Francisco | |
| ‘Collecting History, Highlighting Recent Acquisitions’, Museum of Contemporary Art, Los Angeles | |
| ‘Collection: MOCA’, Museum of Contemporary Art, Los Angeles | |
| 2008 | ‘Red Wind’, Blum and Poe Gallery, Los Angeles |
| ‘AURUM Gold in Contemporary Art’, Centre Pasquart, Bienne (curated by Dolores Denaro) | |
| ‘Life? Biomorphic Forms in Sculpture’, Kunsthaus Graz, Universalmuseum Joanneum, Graz | |
| ‘Collecting Collections: Highlights from the Permanent Collection of the Museum of Contemporary Art, Los Angeles’, Museum of Contemporary Art, Los Angeles | |
| 2007 | ‘Fast Forward: Contemporary Collections for the Dallas Museum of Art’, Dallas Museum of Art, Dallas |
| ‘Makers and Modelers: Works in Ceramic’, Gladstone Gallery, New York | |
| ‘Hammer Contemporary Collection’, Hammer Museum, Los Angeles | |
| ‘Multiple Vantage Points: Southern California Women Artists, 1980- 2006’, Los Angeles Municipal Art Gallery at Barnsdall Park, Los Angeles (curated by Dextra Frankel) | |
| ‘Eight Sculptors from Loas Angeles’, Sabine Knust Galerie Maximilian Verlag, Munich | |
| ‘Uncontained’, Whitney Museum of American Art, New York | |
| ‘Blood Meridan’, Galerie Michael Janssen, Berlin | |
| ‘Celebrating the Lucelia Artist Award, 2001-2006’, Smithsonian American Art Museum, Washington | |
| ‘From Close to Home: Recent Acquisitions of Los Angeles Art’, Museum of Contemporary Art, Los Angeles | |
| 2006 | ‘Pose and Sculpture’, Casey Kaplan, New York (curated by Daniel Baumann) |
| ‘Gone Formalism’, Institute of Contemporary Art, University of Pennsylvania, Pennsylvania | |
| ‘Two or Three or Something: Maria Lassnig, Liz Larner’, Kunsthaus Graz, Universalmuseum Joanneum, Graz | |
| ‘The Bong Show or This is Not a Pipe’, Leslie Tonkonow Artworks + Projects, New York (curated by Beverly Semmes) | |
| ‘Whitney Biennial 2006: Day for Night’, Whitney Museum of American Art, New York | |
| ‘The Unhomely: Phantom Scenes in Global Society’, Second International Biennial of Contemporary Art, Seville | |
| 2005 | ‘Extreme Abstraction’, Albright Knox Gallery, Buffalo (curated by Louis Grachos and Claire Schneider) |
| ‘The The’, Modern Art, London (curated by Stuart Shave) | |
| ‘The Meeting’, Center for the Arts of Eagle Rock, Los Angeles (curated by Kathryn Andrews) | |
| 2004 | ‘100 Artists See God’, The Contemporary Jewish Museum, San Francisco (curated by John Baldessari and Meg Cranston) |
| ‘Full House’, Claremont Graduate University, Claremont (curated by David Pagel) | |
| ‘Showdown’, Schindler House, Los Angeles (curated by Kimberli Meyer and Fritz Haeg) | |
| ‘The Thought That Counts’, Sister Gallery, Los Angeles (curated by Jason Meadows) | |
| 2003 | ‘Within Hours We Would Be in the Middle of Nowhere’, 303 Gallery, New York |
| ‘Popstraction’, Dietch Projects, New York (curated by Paola Antonelli and Eungie Joo) | |
| ‘Imagination: Perception in Art’, Kunsthaus Graz, Universalmuseum Joanneum, Graz (curated by Peter Pakesch and Martin Prinzhorn) | |
| ‘Inaugral Exhibition’, Regen Projects, Los Angeles | |
| Tanya Bonakdar Gallery, New York | |
| 2002 | ‘New Attitudes in Sculpture’, The Gallery at Green Street, New York |
| 2001 | ‘Drawings’, Regen Projects, Los Angeles |
| ‘A Room of Their Own: From Arbus to Gober’, Museum of Contemporary Art, Los Angeles | |
| 2000 | ‘1999 Drawings’, Alexander and Bonin, New York |
| ‘00’, Barbara Gladstone Gallery, New York | |
| ‘Raumkorper. Netze und andere Gebilde’, Kunsthalle Basel, Basel | |
| 1999 | ‘Description Without Place’, AC Project Room, New York |
| ‘Life is Elsewhere’, Theoretical Projects, Naples | |
| ‘Proliferation: Work from the Permanent Collection’, Museum of Contemporary Art, Los Angeles | |
| 1997 | ‘Elusive Paradise: Los Angeles Art from the Permanent Collection’, Museum of Contemporary Art, Los Angeles |
| ‘Maxwell's Demon’, Margo Leavin Gallery, Los Angeles | |
| ‘Painting Machines’, Boston University Art Gallery, Boston | |
| 1996 | ‘Everything That's Interesting Is New: Works from the Dakis Joannou Collection’, DESTE Foundation, Athens |
| ‘Just Past: The Contemporary in the Permanent Collection, 1975-96’, The Geffen Contemporary at Museum of Contemporary Art, Los Angeles (curated by Ann Goldstein) | |
| ‘The Garage Project’, MAK Center for Art and Architecture, Mackey Apartments | |
| ‘Final Projects: Group III’, MAK Center for Art and Architecture, Schindler House | |
| 1995 | ‘Plane/Structures’, White Columns, New York |
| ‘Ambient’, Olivier Antoine, Nice | |
| ‘Saturday Night Fever’, Thomas Solomon's Garage, Los Angeles | |
| ‘The Big Night’, Art Center College of Design, Pasadena | |
| 1994 | ‘Planes/Structures’, Otis Gallery, Los Angeles (curated by David Pagel) |
| ‘Un Papillon sur la Roue’, L'Espace d'Art Moderne et Contemporain de Toulouse et Midi-Pyrènèes, Toulouse | |
| 1993 | ‘Just What Is It That Makes Today’, Galerie Jennifer Flay, Paris |
| ‘At the Edge of Chaos - New Images of the World’, Louisiana Museum of Modern Art, Copenhagen | |
| ‘Co-Conspirators’, James Corcoran Gallery, Santa Monica | |
| ‘Informationsdienst’, Art Acker, Berlin | |
| ‘Sonsbeek 93’, Sonsbeek 93, Arnhem | |
| 1992 | ‘New Works by Gallery Artists’, 303 Gallery, New York |
| ‘Speaker Project’, Institute of Contemporary Art, London (curated by Liam Gillick) | |
| ‘Not Quiet’, Jennifer Flay Gallery, Paris | |
| ‘Tattoo Collection’, Jennifer Flay Gallery, Paris | |
| ‘How It Is’, Tony Shafrazi Gallery, New York (curated by Jonathon Seliger) | |
| Museum of Contemporary Art, Los Angeles | |
| ‘FluxAttitudes’, New Museum of Contemporary Art, New York | |
| ‘Group Drawing Show’, Stuart Regen Gallery, Los Angeles | |
| ‘Multiplicity’, Thea Westreich Associates, New York | |
| 1991 | ‘New Works by Gallery Artists’, 303 Gallery, New York |
| ‘Work in Progress? Work?’, Andrea Rosen Gallery, New York | |
| ‘FluxAttitudes’, Hallwalls CAC, Buffalo | |
| ‘American Art of the Eighties’, Museum of Modern and Contemporary Art, Trento (curated by Jerry Saltz) | |
| ‘Drawings’, Luhring Augustine Hetzler, Santa Monica | |
| ‘Enclosures’, Municipal Art Gallery, Barnsdall Park | |
| ‘Gulliver's Travels’, Galerie Sophia Ungers, Cologne | |
| ‘Lick of the Eye’, Shoshona Wayne Gallery, Santa Monica | |
| ‘Liz Larner, Karen Kilimnick, Collier Schorr, Anne Walsh’, Richard Kuhlenschmidt Gallery, New York | |
| ‘Plastic Fantastic Lover (object a)’, Blum Helman Warehouse, New York (curated by Catherine Liu) | |
| ‘Santa Monica Editions’, Luhring Augustine Hetzler, Santa Monica | |
| ‘Devices’, Josh Baer Gallery, New York | |
| 1990 | ‘Stendahl Syndrome: The Cure’, Andrea Rosen Gallery, New York |
| ‘Artificial Nature’, DESTE Foundation, Athens (curated by Jeffrey Deitch) | |
| ‘Signs of Life. Process and Materials, 1960-1990’, Institute of Contemporary Art, Philadelphia | |
| ‘Mind Over Matter: Concept and Object’, Whitney Museum of American Art, New York | |
| ‘Liz Larner, Rosemarie Trockel, Meg Webster’, Stuart Regen Gallery, Los Angeles | |
| 1989 | 303 Gallery, New York |
| ‘The Desire of the Museum’, Whitney Museum of American Art, New York | |
| ‘Whitney Biennial 1989’, Whitney Museum of American Art, New York | |
| ‘Archaeology II’, Rob Boyd Gallery, Los Angeles | |
| ‘Specific Metaphysics’, Sandra Gering Gallery, New York (organized by Pat McCoy) | |
| 1988 | ‘Nayland Blake, Liz Larner, Richard Morrison, Charles Ray’, 303 Gallery, New York |
| ‘A Drawing Show’, Cable Gallery, New York (curated by Jerry Saltz) | |
| ‘Life Like’, Lorence Monk Gallery, New York (curated by Marvin Heiferman, Lorence Monk Gallery) | |
| ‘Re:Placement’, L.A.C.E., Los Angeles | |
| 1987 | ‘Reworks: Recent Sculpture’, New Langton Arts, San Francisco |
| ‘1987 Annuale’, L.A.C.E., Los Angeles | |
| ‘L.A. Hot and Cool’, M.I.T. Visual Arts Center, Cambridge | |
| ‘Nothing Sacred’, Margo Leavin Gallery, Los Angeles | |
| ‘Room 9’, Tropicana Hotel, Los Angeles |
Awards
| 2019 | This is Not a Prize 2018, Mutina for Art |
Bibliography
Press
| 2022 | ‘1000 WORDS: LIZ LARNER Liz Larner talks about “Don’t put it back like it was‒, Artforum, 02/2022 |
| Kastner, Jeffrey: ‘Liz Larner Talks About ‘Don’t Put it Back Like it Was’, Artforum, 02/2022 | |
| Bryan Martin: Liz Larner: Don‘t put it back like it was, Brooklyn Rail, 02/2022 | |
| Rosenberg, Karen : ‘From Pedestal to Petri Dish, Liz Larner Makes Sculptures for a New Era’, The New York Times, 26/01/2022 | |
| 2021 | Andrew Russeth: ‘Liz Larner: Unstill Life’, Art in America, 22/12/2021 |
| Jonathan Griffin: ‘Liz Larner and the Upcycling of Material’, Frieze, 224 21/12/2021 | |
| 2016 | Larner, Liz: ‘Books: Best of 2016’, Artforum International, 12/2016 |
| Morse, Jed: ‘Catching Up with Liz Larner’, Artsy, 23/05/2016 | |
| Morse, Jed: ‘Catching Up with Liz Larner.’, Arsty, 23/05/2016 | |
| Willis Blair, Courtney : ‘4 Questions: Artist Liz Larner’, Forbes, 01/03/2016 | |
| Williams, Maxwell: ‘Sculptures That Find Emotion in Geology’, T Magazine, 26/02/2016 | |
| Zuckerman, Heidi: ‘Romancing the Stone’, Cultured, 02/2016 | |
| Donoghue, Katy: ‘Liz Larner at the Aspen Art Museum.’, Whitewall, 2016 | |
| 2015 | Larner, Liz: ‘Chris Burden 1946 – 2015’, Artforum, 09/2015 |
| Larner, Liz: ‘Liz Larner’, Modern Painters, 05/2015 | |
| Herbert, Martin: ‘Preview: Liz Larner’, Art Review, 04/2015 | |
| 2014 | Griffin, Jonathan: ‘Liz Larner: Regen Projects, Los Angeles’, Frieze, No. 162 04/2014 |
| Dambrot, Shana Nys: ‘Los Angeles: Liz Larner at Regen Projects’, Art Ltd, 03/2014 | |
| Knight, Christopher: ‘Around the Galleries: When a color All But Speaks to You’, The Los Angeles Times, 31/01/2014 | |
| 2013 | Spears, Dorothy: ‘Galleries as the Art World’s Leading Indicators’, The New York Times, 27/10/2013 |
| Rutland, Beau: ‘Doom and Bloom: Beau Rutland on Liz Larner’, Artforum, 09/2013 | |
| Fitzpatrick, Kyle: ‘A Body of Geography: Liz Larner at Regen Projects’, Los Angeles I’m Yours, 13/01/2013 | |
| 2011 | ‘L.A. Stories: A Roundtable Discussion’, Artforum, 10/2011 |
| Princenthal, Nancy: ‘Liz Larner’, Art in America, 05/2011 | |
| 2010 | Pagel, David: ‘Celebration of Hybrid Artwork’, Los Angeles Times, 30/04/2010 |
| 2009 | Boehm, Mike: ‘MOCA Celebrates 30 Years and a Rebirth’, The Los Angeles Times, 08/11/2009 |
| 2007 | Smith, Roberta: ‘It’s Just Clay, but How About a Little Respect?’, The New York Times, 07/09/2007 |
| Myers, Holly: ‘Feminist Art Exhibit Measures Magic, Beauty’, The Los Angeles Times, 13/03/2007 | |
| Demos, T.J.: ‘The 2nd International Biennial of Contemporary Art of Seville’, Artforum, 03/2007 | |
| Fels, Sophie: ‘The Bong Show’, Time Out New York, 18/01/2007 | |
| 2006 | Baker, R.C.: ‘Best in Show: Buzz Worthy: The Bong Show’, The Village Voice, 22/12/2006 |
| Halle, Howard: ‘Out There’, Time Out New York, 14/12/2006 | |
| Vogel, Carol: ‘Inside Art: Gift to the Whitney’, The New York Times, 10/11/2006 | |
| Larner, Liz: ‘Speaking Volumes: 19 Interviews’, Art in America, 11/2006 | |
| Knight, Christopher: ‘Biennial? Who needs it?’, Los Angeles Times, 02/04/2006 | |
| Plagens, Peter: ‘The Art of the Deal’, Newsweek, 06/03/2006 | |
| Gopnik, Blake: ‘Red, White and Bleak’, The Washington Post, 02/03/2006 | |
| Dickson, Jane: ‘Liz Larner’, Bomb Magazine, Summer 2006 | |
| 2005 | Vogel, Carol: ‘This Whitney Biennial Will Take In the World’, The New York Times, 30/11/2005 |
| Huntington, Richard: ‘A Sampling of All Things Abstract – Old and New’, The Buffalo News, 13/10/2005 | |
| Hirsch, Faye: ‘Abstract Generations’, Art in America, 10/2005 | |
| Parker, Graham: ‘Extreme Abstraction’, Art Monthly, 10/2005 | |
| Firstenberg, Lauri: ‘Liz Larner’, Frieze, 10/2005 | |
| Holte, Michael Ned: ‘Liz Larner’, Artforum, 10/2005 | |
| Myers, Terry R.: ‘Liz Larner’, Art Review, 09/2005 | |
| Garcia, Nathaniel: ‘Summer Exhibitions Series at Top LA Galleries and Museums’, Highland Park News, 08/2005 | |
| 2004 | Tumlir, Jan: ‘Los Angeles’, Artforum, 12/2004 |
| 2003 | Pagel, David: ‘She Really Knows How to Fill a Room’, 31/08/2003 |
| Pagel, David: ‘The Art Factory’, The Los Angeles Times, 31/08/2003 | |
| Munchnic, Suzanne: ‘MOCA Adds Over 90 Works in 2002’, The Los Angeles Times, 15/02/2003 | |
| Pierson, Jack: ‘Adolescent Actionism’, Issue, 2003 | |
| 2002 | Allen, Cindy: ‘The Look of 2002’, Interior Design, 12/2002 |
| Chattopadhyay, Collette: ‘Making Oxymorons Happen: A Conversation with Liz Larner’, Sculpture, 06/2002 | |
| Richard, Paul: ‘L.A. Sculptor Liz Larner Wins $25,000 Art Award’, The Washington Post, 10/04/2002 | |
| ‘Larner Wins Lucelia Award’, artnet, 08/04/2002 | |
| Berwick, Carly: ‘Liz Larner, Museum of Contemporary Art’, ArtNews, 04/2002 | |
| ‘SAAM Presents Lucelia Artist Award to Liz Larner’, Smithsonian, 04/2002 | |
| Jones, Ronald: ‘Liz Larner’, Artforum, 03/2002 | |
| Gaines, Malik: ‘Los Angeles’, Contemporary, 02/2002 | |
| 2001 | Pagel, David: ‘Out of the Unreal World’, The Los Angeles Times, 16/12/2001 |
| Gopnik, Blake: ‘Solidly in the Virtual Realm’, The Washington Post, 16/12/2001 | |
| Knight, Christopher: ‘Constantly in Flux’, Los Angeles Times, 05/12/2001 | |
| Miles, Christopher: ‘Learning to Love Liz Larner’, Flaunt, 12/2001 | |
| Tadjedin, Massy: ‘Like Being in a Park’, Brentwood Magazine, 11/2001 | |
| ‘Seismic Activity’, V magazine, 11/2001 | |
| Tumlir, Jan: ‘Liz Larner’, Artforum, 09/2001 | |
| Gilbert-Rolfe, Jeremy: ‘A Stroll Above the Freeway’, artnet, 07/2001 | |
| 1999 | Vincent, Steven: ‘Impact Players’, Art + Auction, 15/05/1999 |
| Tumlir, Jan: ‘Liz Larner: Knock Knock’, Art + Text, 05/1999 | |
| 1998 | Chattopadhyay, Collette: ‘Liz Larner’, Sculpture, 12/1998 |
| Darling, Michael: ‘Liz Larner at Regen Projects’, dArt, 10/1998 | |
| Calame, Ingrid: ‘Liz Larner’, Art Issues, 09/1998 | |
| Hultkrans, Andrew: ‘Surf and Turf’, Artforum, 09/1998 | |
| Auerbach, Lisa Anne: ‘Liz Larner at Regen Projects’, LA Weekly, 17/07/1998 | |
| Pagel, David: ‘Works That Mover Through Space in Three Dimensions’, The Los Angeles Times, 03/07/1998 | |
| Drohojowska-Philip, Hunter: She‘s Back. But She‘s Never Been Away, The Los Angeles Times, 28/06/1998 | |
| 1997 | ‘Szene Los Angeles: Liz Larner’, Art das Kunstmagazin, 12/1997 |
| Rickels, Laurence A.: ‘Already Given at the Office: On Techno Feminism’, Parallax, Issue 5 09/1997 | |
| Hayt, Elizabeth: ‘People Are Talking About: Arts’, Vogue, 09/1997 | |
| Rugoff, Ralph: L.A.‘s Female Art Explosion, Harper's Bazaar, 04/1997 | |
| Tumlir, Jan: ‘On Young Art in L.A.’, L.A. Muscle , 02/1997 | |
| 1996 | Darling, Michael: ‘Garage Project: MAK Center for Art and Architecture’, Frieze, 12/1996 |
| Stark, Francis : ‘Girl in the Garage’, Los Angeles Reader, 17/05/1996 | |
| 1993 | Gookin, Kirby: ‘Dimensions Variable: Liz Larner’, Parkett, 36 06/1993 |
| ‘Was Wann Wohin’, Profil , 01/1993 | |
| Heartney, Eleanor : ‘FIAC 93 Galleries: Nouvelle Generation’, artpress, No. 184 1993 | |
| Larner, Liz: ‘The Question of Gender in Art’, Tema Celeste, Winter 1993 | |
| 1992 | Hofleitner, Johanna: ‘Bedeutung hinter Schriftzaunen’, Kultur, 08/12/1992 |
| Krumpl, Doris : Mit vollen Symbolik-Segeln: Liz Larner‘s ‘Sign of a Sign‘, Der Standard, 01/12/1992 | |
| Ubl, Ralph : ‘Rafiniertes, Schamloses’, Presse, 01/12/1992 | |
| O'Brien, Glenn: ‘Culture’, Artforum, 12/1992 | |
| Bernard, Christian : Galeries , 10/1992 | |
| 1991 | Knight, Christopher: ‘A Provocative Frame of Reference’, The Los Angeles Times, 21/03/1991 |
| Decter, Joshua: ‘Work in Progress? Work?’, Arts, 03/1991 | |
| McKenna, Christine: ‘Larner Gives Sculpture New Perspective’, The Los Angeles Times, 01/02/1991 | |
| Liu, Catherine: ‘Liz Larner’, Flash Art, 02/1991 | |
| 1990 | Grove, Nancy: ‘Angle of Vision. Tradition and Its Discontents’, Art &Antiques, 11/1990 |
| Larson, Kay: ‘Every Object Tells a Story’, New York, 29/10/1990 | |
| Brenson, Michael: ‘In the Arena of the Mind, at the Whitney’, The New York Times, 19/10/1990 | |
| Avgikos, Jan: Flash Art, 10/1990 | |
| Gookin, Kirby: ‘Liz Larner’, Artforum, 10/1990 | |
| ‘News’, Flash Art, 10/1990 | |
| Stals, Jose Lebrero: ‘The Koln Show’, Flash Art, 10/1990 | |
| Decter, Joshua: Artscribe, 09/1990 | |
| Kandel, Susan: ‘L.A. in Review’, Arts Magazine, 05/1990 | |
| Curtis, Cathy: ‘The Galleries: La Cienega Area’, The Los Angeles Times, 02/02/1990 | |
| Cameron, Dan: ‘Changing Priorities in American Art’, Art International, Spring 1990 | |
| 1989 | Knight, Christopher: ‘L.A., Lately’, Elle, 12/1989 |
| Jones, Amelia: ‘Museum Bashing’, 09/1989 | |
| Yau, John: ‘Official Policy Toward the 1990s with the Whitney Biennial’, Arts Magazine, 64 09/1989 | |
| Cotter, Holland: ‘Report from New York’, Art in America, 09/1989 | |
| Schejldahl, Peter: ‘Theory-itis’, 7 Days, 23/08/1989 | |
| Smith, Roberta: ‘The Whitney Interprets Museums’ Dreams’, The New York Times, 23/07/1989 | |
| Smith, Roberta: ‘Art That Hails From the Land of Déja Vu’, The New York Times, 04/06/1989 | |
| Smith, Roberta: ‘More Women and Unknowns in the Whitney Biennial’, The New York Times, 28/04/1989 | |
| Kelley, Mike: ‘Foul Perfection: (Thoughts on Caricature)’, Artforum, 01/1989 | |
| Gerstler, Amy: ‘Liz Larner at Margo Leavin’, Art Issues, 01/1989 | |
| Miller, John : Artscribe, 1989 | |
| Morgan, Robert: ‘New York In Review’, Arts Magazine, Summer 1989 | |
| Rian, Jeffrey: ‘Past Sense, Present Sense’, Artscribe, 73 1989 | |
| Von Kunstadt, Theodor: ‘Spotlight: The 1989 Whitney Biennial’, Flash Art, 147 1989 | |
| Larson, Kay: The Children‘s Hour, New York, Summer 1989 | |
| Jones, Amelia: The Contingency of the Nonrepresentational: Liz Larner‘s Objects, Visions Art Quarterly, Spring 1989 | |
| 1988 | Pagel, David: Arts Magazine, 12/1988 |
| Fehlau, Fred: ‘Reviews: Liz Larner’, Flash Art, 12/1988 | |
| Breslauer, Jan: LA Weekly, 30/09/1988 | |
| Jones, Amelia: ‘Museum Bashing’, Art International, 09/1988 | |
| Knight, Christopher: ‘Re: Placement Parts’, Los Angeles Herald Examiner, 20/03/1988 | |
| Indiana, Gary: ‘Science Holiday’, Village Voice, 15/03/1988 | |
| Rugoff, Ralph: ‘An Impressive Group of Emerging Talents Extends the Limits of ‘L.A. Art’: The Wry Stuff’, LA Style, 03/1988 | |
| Taylor, Robert: ‘‘LA Hot and Cool’ a Rewarding Exhibit’, The Boston Globe, 17/01/1988 | |
| Bonetti, David: ‘Welcome to L.A.: Art That Blows Hot and Cool’, The Boston Phoenix, 15/01/1988 | |
| Pagel, David: ‘Re: Placement Parts’, High Performance, Fall 1988 | |
| 1987 | Munchnic, Suzanne: ‘‘Annuale’: Recognition, Not Coherence Is the Point’, Los Angeles Times, 26/09/1987 |
| Dubin, Zan: ‘L.A.C.E. ‘Annuale’ Exhibition Set to Open this Week’, Los Angeles Times, 30/08/1987 | |
| Knight, Christopher: ‘Sixties Sculpture Relieves Summer Doldrums’, Los Angeles Herald Examiner, 17/07/1987 | |
| Conal, Robbie: ‘Good Times: View With A Room’, LA Weekly, 27/03/1987 |
Exhibition Reviews
| 2022 | Packard, Cassie : Losing Ourselves in Liz Larner‘s Shapeshifting Sculpture, Hyperallergic.com, 20/03/2022 |
| Budick, Ariella : ‘Liz Larner at SculptureCenter — smashing, wrapping and embracing walls’, Financial Times, 13/03/2022 | |
| 2019 | Cooper, Ashton: ‘Liz Larner’, Artforum, 09/2019 |
| 2015 | Herbert, Martin: ‘Martin Herbert picks ten April 2015 shows you don’t want to miss’, Art Review, 04/2015 |
| 2013 | Brettell, Rick: ‘Review: Nasher’s 10 Works of Art Across Dallas a Grand Idea, But Fails in These Ways’, Dallas Morning News, 08/11/2013 |
| 2005 | Litt, Steven: ‘Exhibit of Abstract Art Blossoms Beautifully in Buffalo’, The Plain Dealer, 14/08/2005 |
| Pagel, David: ‘She Really Knows How to Fill a Room’, The Los Angeles Times, 08/07/2005 | |
| 2004 | Nelson, Arty: ‘Cherries on Top’, LA Weekly, 02/07/2004 |
| 2002 | Intra, Giovanni: ‘Liz Larner at The Museum of Contemporary Art, Los Angeles’, Art + Text, Summer Issue 2002 |
| 1997 | Myers, Terry R.: ‘Liz Larner: Kunsthalle Basel’, Art + Text, 11/1997 |
| 1992 | Johnson, Ken: ‘Review’, Art in America, 02/1992 |
| Brock, Hovey: ‘Review’, ArtNews, 01/1992 | |
| 1989 | Knight, Christopher: ‘Whitney Biennial review’, The Los Angeles Herald Examiner, 07/05/1989 |
| 1988 | Wilson, William: ‘Review’, Los Angeles Times, 16/09/1988 |
| 1987 | Raczka, Robert: ‘Reviews: LACE Annuale’, New Art Examiner, 15/12/1987 |
Publications
| 2022 | Baumann, Daniel, Tim Power, and Liz Larner: Liz Larner: below above, Kunsthalle Zürich, Zürich |
| Kelly, Karen, Barbara Schroeder, eds., Mary Ceruti, Liz Larner, Connie Butler, Ariana Reines, and Catherine Liu: Liz Larner: Don't put it back like it was, Dancing Foxes Press, SculptureCenter, and Walker Art Center | |
| 2020 | Demirdjian, Tiqui Atencio: For Art's Sake: Inside the Homes of Art Dealers, Rizzoli New York |
| 2019 | Pakesch, Peter, Lutz Eitel, and Wilhelm Schürmann: True Stories. A Show Related to an Era – The Eighties, Galerie Max Hetzler and Holzwarth Publications, Berlin |
| 2016 | la mia ceramica, Galerie Max Hetzler, Berlin |
| Liz Larner, Karma, Regen Projects, The Modern Institute, and Galerie Max Hetzler | |
| Liz Larner, Holzwarth Publications, Berlin | |
| Revolution in the Making: Abstract Sculpture by Women, 1947 – 2016, Skira Rizzoli, Milan | |
| 2015 | Regen Projects 25, Prestel, New York |
| Whitney Museum of Art: Handbook of the Collection, Whitney Museum of American Art, New York | |
| 2014 | The Jewel Thief, The Frances Young Tang Teaching Museum and Art Gallery, New York |
| 2013 | Damage Control: Art and Destruction Since 1950, Hirshorn Museum and Sculpture Garden and DelMonico Books/Prestel, New York |
| For The Time Being, Verlag Der Buchhandlung Walther König, Cologne | |
| Nasher XChange: 10 Years. 10 Artists. 10 Sites., Nasher Sculpture Center, Dallas | |
| 2012 | Blues for Smoke, Museum of Contemporary Art Los Angeles, Los Angeles |
| 2010 | Under Destruction, DISTANZ Verlag, Berlin |
| 2008 | Art & Today, Phaidon Press, London/ New York |
| Life? Biomorphic Forms in Sculpture, Kunsthalle Graz, Austria | |
| The Unhomely: Phantom Scenes in Global Society, 2nd International Biennial of Contemporary Art of Seville | |
| 2007 | Fast Forward: Contemporary Collections for the Dallas Museum of Art, Dallas Museum of Art, Dallas |
| Multiple Vantage Points: Southern California Artists, 1980-2006, Municipal Art Gallery, Los Angeles | |
| The Book on Vegas, Greybull Press, Los Angeles | |
| 2006 | Artists, Edition 7L, Paris |
| L.A. Women, Bundeskanzleramt Kunst, Vienna | |
| Pose and Sculpture, Casey Kaplan Gallery, New York | |
| Two or Three or Something: Maria Lassnig, Liz Larner, Kunsthaus Graz, Graz | |
| Whitney Biennial 2006: Day for Night, Whitney Museum of American Art, New York | |
| 2005 | L.A. Artland: Contemporary Art from Los Angeles, Black Dog Publishing, London |
| No. 1: First Works by 362 Artists, DAP / Distributed Arts Publishers Inc., New York | |
| 2004 | 100 Artists See God, Independent Curators Incorporated, New York |
| Sexed Universals in Contemporary Art, Allworth Press, New York | |
| 2003 | Imagination: Perception in Art, Kunsthaus Graz, Graz |
| Imagination: Perception in Art, Kunsthaus Graz, Austria | |
| 2002 | Art/Women/California: Parallels and Intersections, 1950-2000, University of California, California |
| 2001 | Liz Larner, Museum of Contemporary Art Los Angeles, Los Angeles |
| 1998 | Liz Larner, MAK-Galerie, Vienna (essays by Jeremy Gilbert-Rolfe, Giovanni Intra, Terry R. Myers, and Jan Tumlir) |
| 1997 | Painting Machines, Boston University Art Gallery |
| 1996 | Everything That's Interesting is New: The Dakis Joannou Collection, DESTE Foundation for Contemporary Art, Athens, and Hatje Cantz Verlag, Ostfildern |
| Fama & Fortune Bulletin No. 19, Verlag Pakesch & Schlebrügge, Vienna | |
| Liz Larner, AG, Verlag, Basel | |
| 1994 | Plane/Structures, Otis School of Art, Los Angeles |
| 1993 | Louisiana Revy, Louisiana Museum of Modern Art, Denmark |
| Sonsbeek 93, Snoeck-Ducaju & Zoon, Arnhem | |
| The Naming of Colors, White Columns, New York | |
| 1992 | Helter Skelter: L.A. Art in the 1990s, Museum of Contemporary Art Los Angeles, Los Angeles |
| Not Quiet: Felix González-Torres, Liz Larner, Christian Marclay, Matthew McCaslin, Galerie Jennifer Flay, Paris | |
| 1990 | Artificial by Nature,, DESTE Foundation for Contemporary Art, Athens |
| nonrePRESENTation: It’s Enough to Make You unEASY, Security Pacific Corporation Gallery, Los Angeles | |
| Signs of Life. Process and Materials, 1960-1990, Institute of Contemporary Art, University of Pennsylvania | |
| Stendhal Syndrome: The Cure, Andrea Rosen Gallery, New York | |
| 1988 | Notes on Works by Liz Larner, Staat Museum, Graz |