Pádraig Timoney
Born 1968, Derry; Lives in New York.
Education
| 1991 | BA (Hons) Fine Art, Goldsmiths College, University of London |
| 1988 | Foundation Course, St. Martin's School of Art |
Solo Exhibitions
| 2023 | ‘waters of night’, Galeria Zé dos Bois, Lisbon |
| 2022 | ‘waters of night’, Indipendenza Studio, Rome |
| 2021 | ‘Mean While’, Farbvision, Berlin |
| The Downer, Berlin | |
| 2020 | ‘Superfare’, The Modern Institute, 14—20 Osborne Street, Glasgow |
| 2019 | ‘Pádraig Timoney’, Andrew Kreps Gallery, New York |
| 2018 | ‘Padraig Timoney’, Lulu, Mexico City |
| 2017 | ‘There was a study done.’, Cleopatra's, New York |
| 2016 | ‘The Deedle Eye’, Andrew Kreps Gallery, New York |
| ‘“Planxty Milano”’, Raucci/Santamaria Studio Project, Milan | |
| ‘The Scrambled Eggs Salute The Trifle’, The Modern Institute, 3 Aird's Lane, Glasgow | |
| 2014 | ‘A lu tiempo de...’, Museo Madre, Naples |
| 2013 | ‘Peace Torques’, Andrew Kreps Gallery, New York |
| ‘Fontwell Helix Feely’, Raven Row, London (Exhibition tour with Pádraig Timoney - Thursday 20 June, 6.30pm) | |
| 2012 | ‘Stanligrad in every city’, Raucci/Santamaria, Naples |
| ‘Shepard Tone’, The Modern Institute, 14—20 Osborne Street, Glasgow | |
| 2010 | ‘Instead of Being Lucky’, Andrew Kreps Gallery, New York |
| ‘Buenas Noches, Laser’, Xavier Hufkens, Brussels | |
| 2009 | ‘Folklores’, Raucci/Santamaria, Naples |
| 2008 | ‘Rockeryeer’, The Modern Institute/Toby Webster Ltd, Glasgow |
| ‘Fave New Bridges Knot Knowing Corona Cardinals’, Galerie Almine Rech, Paris | |
| 2007 | ‘Golarithm’, Andrew Kreps Gallery, New York |
| Xavier Hufkens, Brussels | |
| 2006 | ‘Museum Metropolitan’, Galleria Raucci/Santamaria, Naples |
| ‘The Fear of All Sums - Ten Million Dice To Weigh’, Void, Derry (Curated by C. Darke) | |
| 2005 | ‘One year speaks clear some years' peaks clear’, Raucci/Santamaria, Naples |
| 2003 | The Modern Institute/Toby Webster Ltd, Glasgow |
| ‘The Grapevine in the Limelight’, 38 Langham Street, London | |
| ‘Statement Art Basel’, Art Basel, Basel (With Raucci/Santamaria Gallery) | |
| Castlefield Gallery, Manchester | |
| 2002 | ‘Lazy Clever Doubt’, Douglas Hyde Gallery, Dublin |
| ‘Present Future’, Raucci/Santamaria Gallery, Turin (Artissima) | |
| ‘Millions of Dead Tamagotchi’, Bluecoat Gallery, Liverpool | |
| 2000 | ‘The Suburban’, Oak Park, Chicago |
| 1997 | ‘No Tim Page Diary’, Galerie Analix, Geneva |
| ‘The Hunter Became ... The Hunted’, Laure Genillard, London | |
| Raucci/Santamaria, Naples | |
| 1996 | ‘Works Away’, Orchard Gallery, Derry |
| 1995 | Cyprus Photographic Society, Nicosia, Cyprus |
| 1994 | Raucci/Santamaria, Naples |
| 1993 | ‘September’, Laure Genillard, London |
| 1992 | Goldsmiths Gallery, London |
| Milch, London |
Group Exhibitions
| 2022 | ‘Gli Incontri Della Luna’, Galleria Raucci / Santamaria, Milano |
| 2019 | ‘Il “Valore” dell’Arte’, Fondazione per l’Arte e Banca Profilo, Rome |
| 2018 | ‘Mute’, Amanda Wilkinson Gallery, London |
| 2017 | ‘Markers’, David Zwirner, London |
| ‘The Painting Show’, British Council touring exhibition, Limerick City Gallery of Art, Limerick | |
| ‘CONDO’, The Modern Institute at Herald St, London | |
| 2016 | Anton Kern/Andrew Kreps, San Francisco |
| ‘The Painting Show’, British Council touring exhibition, Contemporary Art Centre, Vilnius, Lithuania | |
| 2015 | ‘Collected by Thea Westreich Wagner and Ethan Wagner’, Whitney Museum of American Art, New York |
| ‘Walks and Displacements’, Andrew Kreps Gallery, New York | |
| ‘Required Ubiquity’, Galleria Raucci/Santamaria, Naples | |
| 2011 | ‘Terminal Convention’, Former Cork International Airport, Cork |
| ‘Aftermath’, Laure Genillard, London | |
| 2010 | ‘Summer Tree’, Galerie Analix, Geneva |
| ‘Languages and Experimentations. Young Artists in a Contemporary Collection’, MART museum, Rovereto | |
| ‘Fade Into You’, Herald St, London | |
| 2009 | ‘Mental Puberty’, Store Gallery, London (Curated by C. Evans) |
| ‘Frequency: Mark Garry, Padraig Timoney, Hayley Tompkins’, The Hugh Lane Museum, Dublin | |
| 2008 | ‘No Stage Diving’, Raucci/Santamaria, Naples |
| 2007 | ‘OUT OF ART dalla collezione di ERNESTO ESPOSITO’, CentrePasquArt, Biel |
| ‘Winter Palace’, De Ateliers, Amsterdam | |
| 2006 | ‘Just Off Focus’, Andrew Kreps Gallery, New York |
| ‘Among the Ash Heaps and Millionaires’, Ancient & Modern, London | |
| ‘If it didn’t exist you’d have to invent it: a partial Showroom history’, The Showroom, London | |
| 2005 | ‘Napoli Presente - Posizione e prospettive dell'Arte Contemporanea’, P.A.N. Center for Contemporary Art, Naples (Curated by L. Hegyi) |
| ‘Artstars’, Luxembourg | |
| 2004 | ‘About Painting’, The Frances Young Tang Teaching Museum and Art Gallery, New York |
| 2002 | ‘Variable-D’, Castlefield Gallery, Manchester |
| ‘Julie Becker, Padraig Timoney, Kelly Walker’, Greene Naftali, New York | |
| ‘New Religious Art 2’, Henry Peacock Gallery, London | |
| ‘On Neon’, National Photographic Archive, Dublin | |
| 2001 | ‘Retur’, bottle recycling project organised by J. Fabricius, Denmark |
| ‘Object’, Letterkenny Library Arts Center, Ireland | |
| ‘Multiples’, Temple Bar Gallery, Dublin | |
| ‘Record Collection’, The International 3, Manchester | |
| ‘Dead’, The Roundhouse, London | |
| 2000 | ‘Castelli in aria’, Castel Sant'Elmo, Naples (Curated by A.Tecce) |
| ‘Gemini Project’, Henry Moore Institute, Leeds | |
| ‘Sexy’, Houldsworth Fine Art, London | |
| ‘4th Venue’, LMN Project, Manchester | |
| ‘Small Battles’, LMN Project, Manchester | |
| ‘Beautiful’, Oxo Tower Wharf, London (Curated by N. Persaud) | |
| ‘The British Art Show 5’, Scottish National Gallery of Modern Art, Edinburgh | |
| ‘Black Diamond 2’, Liverpool | |
| 1999 | ‘Dot’, 5 Teesdale Yard, London |
| ‘Fantasy Heckler’, The Tea Factory, Liverpool Biennial | |
| ‘The Black Diamond’, Liverpool (Curated by Duncan Hamilton) | |
| ‘The Poster Show’, Gavin Brown's Enterprise, New York | |
| 1998 | ‘One Way Karma’, 83 Hill Street, Glasgow |
| ‘Right Time Wrong Place, Friend’, Catalyst Arts, Belfast | |
| ‘Reverend Todd's Full House’, College Green House, Belfast | |
| ‘Quinzieme Anniversaire’, FRAC Picardie, Amiens | |
| ‘Mille Neuf Cent’, Galerie Analix, Geneva | |
| ‘London Calling’, The British School at Rome, Rome | |
| ‘Tutor With An Idea’, Three Month Gallery, Liverpool | |
| Triennale Der Kleinplastik, Stuttgart | |
| ‘A Definite Thing’, Waygood Gallery, Newcastle | |
| ‘Crystal State’, Skipton Benefits Agency, Art Transpennine 98, Skipton | |
| ‘Diving for Pearls’, Submarine Onyx, Birkenhead Docks, Birkenhead | |
| 1997 | ‘Private Face, Urban Space’, Athens, Creta (Curated by H. Meyric-Hughes, K. Gregos) |
| ‘History - The Mag Collection’, Ferens Art Gallery, Hull (Curated by P. Wilson) | |
| ‘Olympic Village’, Transmission, Glasgow | |
| ‘Città Aperta’, Città Sant'Angelo, Pescara (Curated by R. Bianchini) | |
| ‘La Bella Addormentata’, Palazzo Basile, Città Sant'Angelo, Pescara | |
| 1996 | ‘Fuori Uso’, Associazione Culturale Arte Nova, Pescara |
| ‘Straniero in mondi stranieri’, Galleria Studio Legale, Caserta | |
| ‘Mutoidi’, Maschio Angioino, Naples | |
| ‘More Than Real’, Palazzo Reale, Caserta | |
| ‘Damian Duffy and Padraig Timoney’, Underwood Arts, London | |
| ‘City Limits’, Staffordshire University, Stoke on Trent | |
| 1995 | ‘Wild Roses Grow by the Roadside’, 152c Brick Lane, London |
| ‘Nakr Hranè’, Galerie Vaclava Spaly, Prague (Curated by Jaroslav Krbusek) | |
| ‘Interno I’, Galleria Raucci/Santamaria, Naples | |
| ‘The Image of Europe’, Nicosia, Cyprus (Curated by G. Romano) | |
| ‘Making It’, Tate Liverpool, Liverpool | |
| ‘Mélange d’Août’, Laure Genillard, London | |
| ‘Beyond Concentric Standardization’, Palazzo da Zara, Padua (Curated by G. Romano) | |
| 1994 | ‘Words are Deeds’, Alessandra Bonomo Gallery, Rome (Curated by G. Scott-Wright) |
| Galerie Martina Detterer, Frankfurt | |
| Laure Genillard, London | |
| ‘Drawings’, Laure Genillard, London | |
| ‘My Car is Black and Yours is White’, Galerie Mladých, Brno | |
| ‘Rien a Signaler’, Analix, Geneva (Curated by G. Romano) | |
| 1993 | ‘East’, Norwich Gallery, Norwich |
| ‘Escale-Stopover-Tussenstop’, Musee d'Art Moderne, Villeneuve-d'Ascq | |
| 1992 | ‘Hit and Run’, 50 Tufton Street, London |
| ‘Love at First Sight’, The Showroom, London | |
| 1991 | ‘Damien Duffy and Padraig Timoney’, Bridge Gallery, London |
| ‘Four sculptors: Martin Creed, Jim Hamlyn, Angela Peers, Padraig Timoney’, Laure Genillard, London |
Curatorial Projects
| 1996 | ‘A4 Favours’, 3 month Gallery, Liverpool |
Bibliography
Press
| 2015 | Price, David: ‘Artists Arranging Things Themselves: The Digressionary Subject’, The Quietus, 08/11/2015 |
| 2013 | Prince, Mark: ‘The Prism of Painting: Pádraig Timoney at Raven Row’, Afterall, 31/07/2013 |
| 2010 | ‘Padraig Timoney at Andrew Kreps’, Contemporary Art Daily, 18/05/2010 |
| 2009 | Pepe, Anita: ‘Una scorpacciata contemporanea’, Il Roma, 14/05/2009 |
| 2008 | Codognato, Mario, Heiser, Jörg: ‘Napels’, Frieze, Issue 119 11/2008 |
| 2007 | Eichler, Dominic: ‘Free Style’, Frieze, Issue 110 10/2007 |
| GISA: ‘Napoli-Londra fra gallerie doc’, Il Roma, 10/2007 | |
| 2006 | ‘Padraig Timoney - This is your art...‘, Void Comix, 31/01/2006 |
| 2004 | Romeo, F: ‘Tutto Città’, Case di Abitare, 30/11/2004 |
| 2003 | Timoney, Padraig: ‘Words by Padraig Timoney’, Boiler, 3 10/2003 |
| Casadio, M: ‘Alterscape’, Vogue, Milan, 06/2003 | |
| Remoti, M: ‘Who is Padraig?’, Kult, 03/2003 | |
| 2002 | Marfella, Claudia: ‘Interview’, Le Pagine dell'Ozio, 30/06/2002 |
| Sheean, D: ‘Padraig Timoney’, Untitled, Issue 27 2002 | |
| 1998 | Burrows, David: ‘Irish Art...’, Art Monthly, 30/04/1998 |
| Archer, Michael: ‘Padraig Timoney’, Artforum, 28/02/1998 | |
| 1997 | Barucco, Simona: ‘Padraig Timoney’, Flash Art, 30/11/1997 |
| Mollica, Franco: ‘Padraig Timoney’, Tema Celeste, 30/11/1997 | |
| W, L: ‘On n’en croit pas ses yeux‘, Le Nouveau Quotidien, 21/02/1997 | |
| Polla, B: ‘La Ville en Instantanées‘, Extension, 28/01/1997 | |
| 1996 | Hindry, Ann: ‘Sculpture anglaise: le clavier de l’imagination‘, Art Press, 31/05/1996 |
| Kerr, J: ‘Padraig Timoney’, Circa, 1996 | |
| 1995 | Perretta, G: ‘Padraig Timoney’, Flash Art, 1995 |
| Giannotti, P M: ‘Padraig Timoney’, Oltre Magazine, 1995 | |
| 1994 | Mollica, Franco: ‘Padraig Timoney’, Tema Celeste, 30/11/1994 |
| Notte, R: ‘Le immagini di Timoney’, Il Tempo, 13/11/1994 | |
| Trione, V: ‘Il volto amaro dell’America‘, Il Mattino, 31/10/1994 | |
| Jones, Gareth: ‘Global Art’, Flash Art International, 10/1994 | |
| Dannat, A: ‘Young British art now’, The Sunday Times Magazine, 17/04/1994 | |
| 1993 | Conor, J: Ellis O‘Connell / Padraig Timoney, Art Monthly, 11/1993 |
| Hilton, Tim: ‘Pleasant surprise...‘, The Independent on Sunday, 31/05/1993 |
Exhibition Reviews
| 2014 | Scoccimarro, Antonio: ‘Padraig Timoney: A lu tiempo de…’, Mousse, Issue 43 05/2014 |
| 2012 | Davis, Michael: ‘Painting & Photography’, The List, 28/03/2012 |
| Clark, Robert: ‘This week‘s new exhibitions’, The Guardian, 17/03/2012 | |
| ‘Exhibitions‘, ArtNews, 03/2012 | |
| ‘Solo Exhibition‘, ArtAddict, 03/2012 | |
| MacMillan, Duncan: ‘Visual Art’, The Scotsman, 03/2012 | |
| 2010 | Tikhonova, Yulia: ‘Pádraig Timoney’, Flash Art, 07/2010 |
| 2009 | Pepe, Anita: ‘Eclettismo e gioco di materiali negli oli di Padraig Timoney‘, Il Roma, 14/07/2009 |
| Gianquitto, Diana: ‘Padraig Timoney‘, Exibart Online, 06/2009 | |
| Ricci, D: ‘Padraig Timoney‘, Il Mattino, 28/05/2009 | |
| Caragliano, R, Cervasio, S: ‘Timoney, l’irlandese della sanità’, La Republica, 27/05/2009 | |
| Murray, Hilary: ‘Mark Garry, Pádraig Timoney, Hayley Tompkins‘, Circa, 05/2009 | |
| 2008 | Bronwasser, Sacha: ‘Suggestie kan sterker zijn dan feitelijke waarneming‘, Volkskrant, 05/01/2008 |
| 2007 | De Coninck, F: ‘Architectuur als metafoor‘, Financieel Dagblad, 29/12/2007 |
| Matthew Higgs: ‘Padraig Timoney‘, Artforum International, 12/2007 | |
| ‘Padraig Timoney: Golarithm’, New York Times, 23/11/2007 | |
| Pepe, Anita: ‘Immagini di primavera oltre la Manica‘, Il Roma, 21/04/2007 | |
| Ricci, D: ‘Lo spazio e la mente da Raucci Santamaria‘, Il Mattino, 28/03/2007 | |
| Cervasio, Stella: ‘Nell’inferno metropolitano il museo Matrix di Timoney‘, La Republica, 28/03/2007 | |
| 2006 | Cole, Lori: ‘Just Off Focus’, Flash Art, 11/2006 |
| ‘Padraig draws on his roots to fill the Void’, Belfast Telegraph, 13/03/2006 | |
| Romeo, Filippo: ‘Pádraig Timoney‘, Artforum, 03/2006 | |
| ‘Top Derry artist now showing at Void Gallery’, Derry Journal, 21/02/2006 | |
| Boenzi, F: ‘Fredric Pradeau/ Pádraig Timoney‘, Flash Art, 2006 | |
| Duffy, Damien: ‘Padraig Timoney: Fear of all sums ten milliion dice to weigh‘, Circa, 2006 | |
| 2005 | Pepe, Anita: ‘Pradeau e Timoney – il rosso e il caos‘, Il Roma, 25/10/2005 |
| Ricci, D: ‘L’oggetto di Pradeau, le polarità di Timoney‘‘, Il Mattino, 16/10/2005 | |
| Sinibaldi, Lino: ‘Frederic Pradeau – Padraig Timoney‘, Exibart Online, 07/10/2005 | |
| ‘Pradeau/Timoney – Visioni D’arte che alterano i linguaggi‘, Metrovie, 07/10/2005 | |
| 2004 | Mottram, Jack: ‘Padraig Timoney‘, The List, 2004 |
| 2003 | Pethick, Emily: ‘Pádraig Timoney‘, Artforum, 17/10/2003 |
| 2002 | Macrì, T: ‘Le mille luci di Torino‘, Il Manifesto, Turin, 19/11/2002 |
| Daly, C: ‘Padraig Timoney: Lazy Clever Doubt‘, The Sunday Times, 03/10/2002 | |
| Key, Philip: ‘Artist’s questions without any answers‘, Daily Post, Liverpool, 12/04/2002 | |
| Hartigan, M: ‘Boxing Clever’, The Sunday Tribune, Dublin, 10/03/2002 | |
| McKenna, K: ‘Lazy Clever Doubt’, Trinity News, Dublin, 06/03/2002 | |
| Zadow, M: ‘Millions of Dead Tamagotchi‘, TVS, Liverpool, 2002 | |
| 2000 | Briers, David: ‘Small Battles’, Art Monthly, Issue 241 11/2000 |
| Hunt, Ian: ‘British Art Show 5’, Art Monthly, Issue 236 05/2000 | |
| Cork, R: ‘British Art Show’, The Times, 12/04/2000 | |
| 1999 | Sweet, M: ‘Liverpool Biennial‘, The Independent on Sunday, 03/10/1999 |
| 1998 | Hayden, B: ‘In at the Deep End‘, Big Issue North, 09/1998 |
| Burrows, David: ‘Olympic Village‘, Art Monthly, 02/1998 | |
| Croomer, M: ‘Private Face - Urban Space: a new generation of artists from Britain‘, Flash Art International, 1998 | |
| 1997 | Currah, M: ‘Padraig Timoney‘, Time Out, 03/12/1997 |
| ‘Engelsgleich’, Frankfurter Allgemeine Zeitung, 22/11/1997 | |
| ‘Gallery‘s best is yet to come’, Highbury Islington Express, 07/11/1997 | |
| Balmas, P: ‘Cittá Aperta‘, Segno, 10/1997 | |
| Bevan, R: ‘Genillard to Clerkenwell‘, The Art Newspaper, 10/1997 | |
| 1996 | Musgrave, D: ‘Damien Duffy/Padraig Timoney‘, Art Monthly, 04/1996 |
| ‘Damien Duffy and Padraig Timoney‘, Time Out London, 13/03/1996 | |
| Samaras, A: ‘The Image of europe‘, Zoom, 1996 | |
| 1995 | Searle, A: ‘Wild roses grow by the Roadside‘‘, Time Out, 06/1995 |
| Anson, L: ‘Making it; Englad‘s Glory‘, Untitled, 1995 | |
| 1993 | Kent, S: ‘Padraig Timoney‘, Time Out, 10/1993 |
| McEwan, J: ‘East the artists, West the public‘, Sunday Telegraph, 08/08/1993 | |
| Kastner, J: ‘Padraig Timoney’, Frieze, 1993 | |
| 1992 | Collings, Matthew: ‘Four sculptors’, City Limits, 01/1992 |
| Collings, Matthew: ‘Matthew Collings on some kind of sculpture show at Laure Genillard’, City Limits, 1992 |
Publications
| 2014 | Microtome, Mondadori Electa, Milan |
| 2011 | Beled Answer, Decathlon Books, New York |
| Vitamin P2: New Perspective in Painting, Phaidon Press, London/ New York | |
| 1992 | Love at first sight, Andrew Kreps Gallery, New York |
Exhibition Publications
| 2011 | Aftermath, Laure Genillard, London |
| 2010 | Languages and Experimentations, Silvana editoriale, Milano (In Italian and English) |
| 2005 | Napoli Presente – Posizione e prospettive dell’Arte Contemporanea, P.A.N. Center for Contemporary Art, Naples |
| 2002 | Lazy Clever Doubt, Douglas Hyde Gallery, Dublin |
| Millions of Dead Tamagotchi, Bluecoat Gallery, Liverpool | |
| 1999 | Padraig Timoney: membranes of (thins pfast), Orchard Gallery, Derry |
| 1997 | Città Aperta, Associazione Culturale Arte Nova, Pescara |
| Furoi Uso, Galleria C. Manzo, Pescara | |
| La bella addormentata, Palazzo Basile, Città S. Angelo PE | |
| 1996 | More Than Real, Palazzo Reale, Caserta, Italy |
| 1995 | Making It, Tate Liverpool, Liverpool |
| 1994 | Padraig Timoney, Galleria Raucci/ Santamaria, Naples |
| Rien a Signaler, Galleria Analix, (ed.), Geneva | |
| 1993 | East, Norwich Gallery (ed.), Norwich |
| Webs from Jerusalem, Laure Genillard, London |