Scott Myles
Born 1975, Dundee; Lives in Glasgow.
Education
| 1997 | BA (Hons) Fine Art 1st Class, Duncan of Jordanstone College of Art & Design, Dundee, Scotland |
| 1995 | Cornish College of the Arts, Seattle, USA |
Current & Forthcoming
| 2024 | Gallery of Modern Art, Glasgow |
Solo Exhibitions
| 2024 | ‘No Words’, The Modern Institute, Aird's Lane Bricks Space |
| 2023 | ‘Potential for a Wish (as yet unmade)’, Quartz Studio, Turin |
| 2022 | ‘Pompeii’, SWIM CLUB 수영 클럽, Dallas, USA |
| 2021 | ‘Painting for Breakfast’, Penthouse, Margate |
| 2019 | ‘Amber Room’, Meyer Riegger Galerie, Karlsruhe |
| 2017 | ‘This Way Out’, The Modern Institute, 3 Aird's Lane, Glasgow |
| 2016 | ‘Heal Walls’, Rat Hole Gallery, Tokyo |
| ‘abc art berlin contemporary’, Station Berlin, Berlin | |
| 2015 | ‘Spiral Bound’, Meyer Riegger, Berlin |
| 2014 | ‘Potlatch’, Maison Lafayette, Paris (in collaboration with Foundation Lafayette) |
| ‘Mummies’, The Modern Institute, 14–20 Osborne Street, Glasgow (Part of GENERATION 2014) | |
| ‘The Meaning of Return’, Mumbai Art Room, Bombay, India | |
| 2013 | ‘Excess Energy’, David Kordansky Gallery, Los Angeles |
| 2012 | ‘This Production’, DCA, Dundee |
| ‘YOU’, Meyer Riegger, Berlin | |
| 2011 | ‘LIRA HOTEL presents Scott Myles’, Sonia Rosso, Turin |
| 2010 | ‘ELBABLE’, The Breeder, Athens |
| ‘ELBA’, Glasgow Print Studio, Glasgow | |
| Upstairs at The Modern Institute Osborne Street, Glasgow | |
| 2009 | ‘Search and Research’, Projects in Art and Theory, Cologne |
| 2008 | ‘We Require a Response’, Meyer Riegger Galerie, Karlsruhe |
| 2007 | ‘ASKIT’, The Modern Institute/Toby Webster Ltd, Glasgow |
| OPEN SPACE, Art Cologne, Cologne | |
| ‘Missing Words’, The Modern Institute, Glasgow at Sadie Coles HQ, London | |
| 2006 | ‘Grey Matter’, Galleria Sonia Rosso, Turin |
| 2005 | Kunsthalle Zurich, Zurich |
| The Breeder, Athens | |
| 2004 | ‘HUO I Want to Know Everything!’, The Modern Institute/Toby Webster Ltd, Glasgow |
| 2003 | Galeria Sonia Rosso, Turin |
| Galerie Fons Welters, Playstation, Amsterdam | |
| Jack Hanley Gallery, San Francisco | |
| Liste 03, Basel with Galeria Sonia Rosso | |
| 2001 | The Modern Institute/Toby Webster Ltd, Glasgow |
| 2000 | ‘See You on the Other Side’, Bulkhead Gallery, Glasgow |
Group Exhibitions
| 2024 | ‘Keyline’, Glasgow Print Studio, Glasgow |
| 2022 | ‘Glasgow Print Studios 50th Anniversary’, Kelvingrove Art Gallery and Museum, Glasgow |
| ‘Workshop’, Edinburgh Printmakers, Edinburgh | |
| 2021 | ‘The Show that Rises to the Surface of its Institutional Quality’, FLUC, Vienna |
| ‘MONO’, Glasgow Print Studio, Glasgow | |
| ‘Paint it black’, Meyer Riegger, Berlin | |
| 2020 | ‘Imprints of the New Modernist Editing’, The Laurence Sterne Trust at Shandy Hall, Coxwold |
| 2019 | ‘Come together’, Meyer Riegger, Berlin |
| ‘The Flourish of Liberty’, Shandy Hall Gallery, Coxwold, England | |
| ‘Frieze x Ray Johnson Project’, 80WSE Gallery, New York | |
| ‘Domestic Bliss’, GOMA, Glasgow | |
| ‘Little & Large Editions invited by Klosterfelde Edition’, Helga Maria Klosterfelde Edition, Berlin | |
| 2018 | ‘Innovative Printmaking’, Glasgow Print Studio, Glasgow |
| ‘Early Learning’, Scotland Street School Museum, Glasgow (As part of Glasgow International 2018) | |
| ‘One Missing Sock After Doing Laundry’, The Art Laundrette, Glasgow | |
| ‘Artists who make music Musicians who make art’, Queen’s Park Railway Club, Glasgow | |
| ‘Open House’, Jessica Silverman Gallery, San Francisco | |
| 2017 | ‘And Then There Were None’, Meyer Riegger Galerie, Karlsruhe |
| ‘White Trash’, Luhring Augustine, Bushwick, New York | |
| ‘Polygraphs’, Glasgow Museum of Modern Art, Glasgow | |
| 2016 | ‘Paint Her to Your Own Mind’, Shandy Hall Gallery, Coxwold, England |
| 2015 | ‘International Lawns : Field Trip No.7’, Domobaal, London |
| ‘Below Another Sky’, British Council, London, British Council touring exhibition. Touring to Aberdeen Art Gallery, Aberdeen; Glasgow Print Studio, Glasgow | |
| ‘Devil’s in the Making’, GOMA, Glasgow | |
| ‘Apparitions: Frottages and Rubbings from 1860 to Now’, Hammer Museum, Los Angeles (Touring exhibition. Touring to Menil Collection, Houston (11/09/2015-03/01/2016)) | |
| 2014 | ‘Venir Voir Venir’, Foundation Lafayette, Paris |
| ‘Micromegas> Powers of 10’, Pier Art Centre, Orkney | |
| ‘Discordia’, Patricia Fleming Projects, Glasgow (Part of GENERATION 2014) | |
| ‘That Petrol Emotion’, Metropolitan Art Society, Beirut | |
| ‘Traps for Troubadours’, Clark House Initiative, Bombay, India | |
| ‘Return Journey’, Mostyn, Lladudno | |
| 2013 | ‘A drawing that illustrates my last show at Meyer Riegger Karlsruhe’, Meyer Riegger Galerie, Karlsruhe |
| ‘40/40’, Glasgow Print Studio, Glasgow | |
| ‘There Will Be New Rules Next Week’, DCA, Dundee | |
| ‘Starting Over’, Temple Bar Gallery, Dublin | |
| ‘Every Day’, GOMA, Glasgow | |
| 2012 | ‘The Medium is the Message: Words in printmaking since the 1960s’, Glasgow Print Studio, Glasgow (curated by Ben Harman) |
| ‘Who Decides?’, Stadtgalerie Mannheim, Mannheim | |
| 2011 | ‘Tales of the City: Art Fund International and the GoMA Collection’, Gallery of Modern Art, Glasgow |
| ‘Emblem of My Work’, Shandy Hall Gallery, Coxwold, England | |
| ‘DLA Piper Series: This is Sculpture, Conversation Pieces’, Tate Liverpool, Liverpool (Curated by Philip Treacy) | |
| ‘Surface Noise’, Jerwood Space, London | |
| 2010 | ‘In Memory of Painting 8’, Layr Wuestenhagen Contemporary, Vienna |
| ‘The Perverse Library’, Shandy Hall Gallery, Coxwold, England | |
| ‘Le Deuil’, IFF, Marseille | |
| The Modern Institute, 14–20 Osborne Street, Glasgow | |
| ‘Languages and Experimentations. Young Artists in a Contemporary Collection’, MART museum, Rovereto | |
| ‘SUPERNATURE, an exercise in loads’, AMP, Athens | |
| 2009 | ‘The Associates’, Dundee Contemporary Arts, Dundee |
| ‘Sculpture Show’, Eastside Projects, Birmingham | |
| ‘Prose pour des Esseintes’, Karma International, Zurich | |
| ‘Richard Prince and the revolution’, ProjecteSD, Barcelona (curated by Jonathan Monk) | |
| ‘Contemporary Scottish Art: New Acquistitions & Loans’, Scottish National Gallery of Modern Art, Edinburgh | |
| ‘The Black Page’, Shandy Hall Gallery, Coxwold, England | |
| 2008 | ‘Lifting’, Fort Worth Contemporary Arts, Fort Worth, Texas |
| ‘Reinvented : Study and Play’, Galerie Jan Wentrup, Berlin | |
| ‘Blasted Allegories, Works from the Ringier Collection’, Kunstmuseum Luzern, Luzern | |
| ‘On interchange/Interludes of a collection’, Museum Kurhaus Kleve, Germany | |
| ‘The Human Arc, Open Eye Club’, Tramway, Glasgow | |
| ‘The Object is the Mirror (Part II)’, Wilkinson, London | |
| 2007 | ‘László Moholy-Nagy Scott Myles’, Ancient & Modern, London |
| ‘De Gustibus’, Broelmusuem, Kortrijk | |
| ‘Wild West’, Galerie Gebr Lehmann, Berlin | |
| ‘The Object is the Mirror’, Layr Wuestenhagen Contemporary, Vienna | |
| ‘Lifting. Theft in Art’, Peacock Visual Arts, Aberdeen | |
| ‘Hot Rock’, Transmission, Glasgow | |
| 2006 | ‘Life's a Beach’, Sommer Contemporary Art, Tel Aviv |
| ‘Image/Text (Permanent Collection)’, Tate Modern, London | |
| ‘Unborrowed from the eye’, John Connelly Presents, New York | |
| ‘The Last Generation’, Jousse entreprise, Paris | |
| ‘Tate Triennial: New British Art’, Tate Britain, London | |
| 2005 | ‘The Last Generation’, Apex Art, New York |
| ‘Solo Show Solo Soul’, Baronian Francey, Brussels (project by Chris Johanson) | |
| ‘Theorema’, Collection Lambert en Avignon, Avignon | |
| ‘Herald St and The Modern Institute present’, Gavin Brown's enterprise, New York | |
| ‘Prisms & Shadows’, Glasgow Print Studio, Glasgow (curated by Toby Paterson) | |
| Jack Hanley Gallery, Los Angeles | |
| ‘Photography as/within installation’, Stella Lohaus Gallery, Antwerp | |
| 2004 | ‘The Birthday Party’, Collective Gallery, Edinburgh |
| ‘Genesis Sculpture’, Domaine Pommery, Reims | |
| ‘Haute Street’, Galerie Diana Stigter, Amsterdam (with Alan Michael, Sue Tompkins and Scott Myles) | |
| ‘Souvenir’, Hotel, London | |
| ‘Synth’, Kunstraum B/2, Leipzig | |
| ‘Spacemakers’, Lothringer Dreizehn, Munich | |
| 2003 | ‘The Moment of Fiction’, Duncan of Jordanstone College of Art, Dundee |
| ‘Para..Signs’, Elisabeth Kaufmann, Zurich | |
| ‘Group Show’, Galerie Krinzinger, Vienna (curated by Toby Webster) | |
| ‘Listening to Judd’, Maes and Matthys Gallery, Antwerp | |
| ‘17 Reasons’, Public Art Project, San Francisco | |
| ‘Kontext, Form, Troja’, Secession, Vienna (Young Scene 03) | |
| ‘Someone To Share My Life With’, The Approach, London | |
| ‘The Fragile Underground’, Bart Wells Institute, London | |
| 2002 | ‘Presence’, Fruitmarket Gallery, Edinburgh |
| ‘There is a light that never goes out’, Galerie Sonia Rosso, Pordenone | |
| ‘Half the World Away’, Hallwalls CAC, Buffalo | |
| ‘PRoject SPace’, The Breeder, Athens | |
| ‘What Will Become of Us’, Tramway, Glasgow (with Fred Pedersen) | |
| ‘Strike’, Wolverhampton Art Gallery, Wolverhampton (curated by Gavin Wade) | |
| 2001 | Arco Art Fair with Transmission Gallery, Madrid |
| ‘After Effect’, CAN: Centre d'art Neuch‚tel, Switzerland | |
| ‘Pandemonium’, Lux Gallery, London | |
| ‘Knock-Off Knock-Off’, Or Gallery, Vancouver | |
| ‘The Stray Show’, Seven Three Split, Chicago | |
| ‘October, St Vincent Street, Glasgow, Curated by Karla Black & Katie Exley’, St. Vincent Street, Glasgow (Curated by Karla Black and Katie Exley) | |
| ‘Senselessness-lessness’, Tramway, Glasgow | |
| ‘Members Show’, Transmission, Glasgow | |
| 2000 | ‘Someone, Somewhere’, Project Room, Glasgow |
| ‘Archibald, Campbell and Harley Photography Prize’, Stills Gallery, Edinburgh | |
| ‘Tonight’, The Modern Institute/Toby Webster Ltd, Glasgow | |
| ‘Members Show’, Transmission, Glasgow | |
| ‘A Very Nice Film Club’, Vilma Gold, London | |
| Glasgow Art Fair with Transmission Gallery | |
| 1999 | ‘Big Warm Open’, Cambridge Darkroom Gallery, Cambridge |
| ‘Accelerated Learning’, Duncan of Jordanstone College of Art, Dundee | |
| ‘Museum-a-go-go’, Glasgow Project Room, Glasgow | |
| ‘Absolut Open’, Inverleith House, Edinburgh | |
| ‘Radio Tuesday’, Transmission, Glasgow | |
| ‘Fields and Rays and Green Numbers’, Transmission Gallery at the Pineapple, Malmo | |
| ‘White Bear zz’, 78 Roslea Drive, Glasgow | |
| 1998 | ‘Monument Valley’, Or Gallery, Vancouver |
| 1997 | ‘Harthill (Things Happen, Stuff Jumps In)’, Collective Gallery, Edinburgh |
| ‘Running Time’, Collective Gallery, Edinburgh | |
| ‘Suburban Affair’, 27 Cupar Road, Newport on Tay, Fife |
Group Screenings
| 2002 | ‘Shadazz 4’, screening at 'Fair', Royal College of Art (VHS edition of 'Evil Eye is Source' (Curated by Luke Fowler) |
| 2001 | ‘Pandemonium’, Lux Gallery, London (Curated by Annie Fletcher and Phil Collins) |
Projects
| 2023 | ‘Use as Much Pressure as Possible’, GOMA, Glasgow (with Sam Ainsley & Ciara Phillips) |
| ‘‘0 0’’, Recent Activity, Birmingham | |
| ‘MR invites JM invites”¦ (a billboard project)’, Joachimsthaler Str. 24, Berlin (developed by Jonathan Monk (JM) and Meyer Riegger (MR)) |
Curatorial Projects
| 2008 | ‘Exhibition Committee’, Glasgow Sculpture Studios |
| 2004 | ‘Haute Street’, Diana Stigter, Amsterdam (with Alan Michael and Sue Tompkins) |
| ‘Exhibition Committee’, Glasgow Sculpture Studios | |
| 2000 | ‘Film Club’, 78 Roslea Drive |
| ‘Raydale Dower’, 78 Roslea Drive, Glasgow | |
| 1999 | ‘David Thorpe’, 78 Roslea Drive, Glasgow |
| ‘White Bear zz’, 78 Roslea Drive, Glasgow | |
| 1997 | ‘Suburban Affair’, 27 Cupar Road, Newport on Tay, Fife |
Residencies
| 2022 | ‘100W’, Corsicana, Texas |
| 2019 | ‘Andrew W. Mellon Research Fellowship’, Virginia Historical Society, Richmond, Virginia, USA |
| 2017 | ‘Visual Arts Residency’, Cove Park, Scotland (Argyll & Bute) |
| 2016 | ‘Andrew W Mellon Research Fellowship’, Virginia Historical Society, Richmond, Virginia, USA |
| 2014 | Foundation Lafayette, Paris |
| 2013 | ‘Below Another Sky’ (India and Bangladesh) |
| 2005 | ‘Hollywood Hills House’, Hollywood Hills House, Los Angeles (International Artist Residency Programme) |
| 2002 | ‘Amsterdam Studio Residency’ (one year residency awarded by the Scottish Arts Council) |
| 2001 | ‘Royston Library Residency’ (commissioned by The Centre, Glasgow) |
| 2000 | ‘PowerPoint Revolution!’, Arteleku, San Sebastian, Spain (Workshop co-ordinated by Asier Perez Gonzalez. Visiting artists in association with ‘Consonni’; Andrea Fraser, Hinrich Sachs & Atelier Van Lieshout) |
Bibliography
Press
| 2023 | Mark Lamster: ‘Last Impressions’, The Dallas Morning News, 11/06/2023 |
| Heller, Steven: ‘The Daily Heller: R.I.P.’, PRINT Magazine, 30/05/2023 | |
| ‘Scott Myles: Potential for a Wish (as yet unmade)’, e-flux, 27/02/2023 | |
| 2019 | Benmakhlouf, Adam: ‘Contemporary Classic’, The Skinny, 163 04/2019 |
| West, Rosamund: ‘DCA A-OK’, The Skinny, 162 03/2019 | |
| Paterson, Dominic : Possessions. Scott Myles et l‘invocation-évocation artistique se l‘internationale situationniste, Théâtre Public, 03/2019 | |
| 2017 | Fitzhugh, Annis: ‘The Delicate Art of Dabbing’, Printmaking Today, Vol 26, No 4 Winter 2017, p26 – 27, 12/2017 |
| Fenstermaker, Will: ‘When Artists Buy Art: Larry Clark on Exhibiting His Intimate Collection’, Artspace, 16/06/2017 | |
| Miss Rosen: ‘Larry Clark gives us a look inside his art collection’, Dazed, 05/2017 | |
| 2016 | BJ Panda Bear : ‘Larry Clark on Art, Sobriety and the Internet’s Effect on Youth Culture’, Amuse, 17/10/2016 |
| Yannis Bournias: ‘Scotia’, Nomas, 6 2016 | |
| Frédéric Bonnet: ‘Some Bodies...’, Nomas, 6 2016 | |
| 2015 | Paterson, Dominic : ‘Ruins Recast’, Performance Research: A Journal of the Performing Arts, 23/06/2015 |
| 2014 | ‘In Conversation’, Ambit, Issue 217 07/2014 |
| Myles, Scott: Scott Myles on Ralph Rumney‘s ‘The Change’ (1957), Tate etc., Issue 31, Summer 2014 2014 | |
| 2012 | ‘The Culture Cafe’, Radio Scotland, 24/04/2012 |
| ‘Just the ticket’, The Herald, 10/04/2012 | |
| Urwin Jones, Sarah: ‘a voyage of rediscovery’, The Herald, 07/04/2012 | |
| ‘City Of Culture’, The Courier, 07/04/2012 | |
| Hazard, Ruth: ‘Scott Myles returns to his home city for first UK solo exhibition at Dundee Contemporary Arts’, Culture 24, 03/04/2012 | |
| Docherty, Anna: ‘Heads Up’, The Skinny, 02/04/2012 | |
| Cattanach, Andrew: ‘Previews’, The Skinny, 02/04/2012 | |
| Jeffrey, Moira: ‘Interview: Scott Myles, artist’, Scotland on Sunday, 04/2012 | |
| ‘Scott Myles’, Wave 102, 04/2012 | |
| Trigg, David: ‘Snapshot’, a-n Magazine, 04/2012 | |
| ‘HITLIST’, The List, 29/03/2012 | |
| ‘Visual Art’, The List, 29/03/2012 | |
| Keiller, Patrick: ‘Beginning of the end, or end of the beginning’, Tate Etc. magazine, 03/2012 | |
| McAdam, Carrie: ‘Arts News’, The Herald, 21/02/2012 | |
| 2011 | Smith, Roberta: ‘Free-For-All Spirit Breezes Into a Vast Art Fair’, The New York Times, 04/03/2011 |
| Farrell, Aimee: ‘LAST WORD’, Vogue, Number 2550, Volume 177 02/2011 | |
| Lowndes, Sarah: ‘Slow Dazzle’, Spike Art Quarterly, 02/2011 | |
| 2010 | ‘AB-BE-CE-DA-RIO’, Mousse Magazine, 2010 |
| Carr, Adam: ‘Lives and works - Jonathon Monk’, Spike Art Quarterly, Number 26 2010 | |
| 2009 | Casey, Mona, Tatham, Joanne, O'Sullivan, Tom: ‘Q&A’, Map, Issue 19 30/09/2009 |
| ‘Myles, Scott, Conversation on Radio Scotland with Clare English and Moira Jeffrey’, Radio Scotland, 17/03/2009 | |
| Brown, Helen: ‘A Proud Association’, The Courier, 16/03/2009 | |
| Tagliafierro, Marco: ‘Sullying the Concept’, Mousse, Issue 17 02/2009 | |
| Gottelier, Luke, Thorpe, David, Upritchard, Francis,: ‘The Fragile Underground’, Bart Wells Institute, No.1 - No.8 2009 | |
| 2008 | Hubel, Michael: ‘Eine Frage deer Wasserwaage’, BNN, 10/10/2008 |
| Reindl. Uta M.: ‘On Interchange’, Kunstforum International, Issue 191 05/2008 | |
| Lowndes, Sarah: ‘Scott Myles focus’, Frieze, Issue 113 03/2008 | |
| Haberer, Lilian, Regina Barunke: ‘UNLIKE PAIRS’, Map, Issue 14 2008 | |
| 2007 | Kennedy, Alexander: ‘Hot Rock’, The List, Issue 569 15/02/2007 |
| Vincentelli, Alessandro: ‘On the Map 2006; Scott Myles, (monograph review)’, Map, Issue 12 2007 | |
| 2006 | Gavin, Francesca: ‘Generation Transmission’, Art Review, Issue 01 07/2006 |
| Myles, Scott: ‘OP ART’, The Guardian, (Printed Matter Project) 08/04/2006 | |
| Smith, Laura: ‘Best of British’, The Independent, 01/2006 | |
| 2005 | ‘Myles, Scott’, Local Folk, Athens, 2 02/2005 |
| 2004 | Johnston, Ian: ‘Tate swoops for Scots’ art works’, The Scotsman, 16/10/2004 |
| Akbar, Arifa: ‘Tate turns to Scottish artists for ‘interesting and daring’ creations’, The Independent, 15/01/2004 | |
| 2003 | Herbert, Martin: ‘Scott Myles, Frieze Art Fair Yearbook 2003-4’, Frieze, 2003 |
| 1999 | Myles, Scott, Harvey Dingwall: Scott Myles and Harvey Dingwall: Interview and Artists’ Project, Product Magazine, (Printed Matter Project) 30/11/1999 |
Exhibition Reviews
| 2019 | Thiele, Carmela: ‘Träumen kostet nichts’, Badische Zeitung, 20/09/2019 |
| 2016 | Herbert, Martin: ‘Scott Myles, Spiral Bound’, Art Review, Vol 68 01/2016 |
| 2015 | Blouin Artinfo, 10/02/2015 |
| 2014 | ‘10 to See‘, Aesthetica, Issue 60 08/2014 |
| Miller, Phil: ‘Glasgow Miracles’, The Sunday Herald, 06/07/2014 | |
| 2013 | Rice, Katie: ‘Revews‘, The Skinny, 10/09/2013 |
| Clarke, Chris: ‘Reviews Exhibitions - Dublin Round-up‘, Art Monthly, 369 09/2013 | |
| Jeffrey, Moira: ‘Exhibition review‘, The Scotsman, 27/07/2013 | |
| Jeffrey, Moira: ‘Art: Laura Aldridge| Mick Peter| Niall Macdonald‘, Scotland on Sunday, 14/04/2013 | |
| North, Katie: ‘Starting Over‘, Enclave Review, 2013 | |
| 2012 | Mansfield, Susan: ‘Dundee‘s Myles, better‘, The Scotsman, 31/05/2012 |
| Cooper, Neil: ‘Scott Myles: This Production’, The List, 24/05/2012 | |
| Clark, Robert: ‘Exhibition‘, Guardian Guide, 21/04/2012 | |
| Cosgrove, Jennifer: ‘Art Exhibition‘, The Courier, 13/04/2012 | |
| ‘Review’, Art Review, 04/2012 | |
| Herbert, Martin: ‘Now See This’, Art Review, 58 04/2012 | |
| ‘Scott Myles’, STV News, 30/03/2012 | |
| ‘Scott Myles’, BBC News, 30/03/2012 | |
| 2010 | Cairns, Steven: ‘Scott Myles, ELBA Review, Glasgow Print Studio‘, Frieze, 134 10/2010 |
| Kotze, Talitha: ‘Scott Myles: ELBA Review, Glasgow Print Studio‘, The List, 661 22/07/2010 | |
| Smolik, Noemi: ‘Search and Research review, Project in Art and Theory, Cologne‘, Artforum International, 02/2010 | |
| 2009 | Bartelik, Marek: ‘Richard Prince and the Revolution’, Artforum, 09/2009 |
| ‘Star graduates share a cut and paste approach’, The Herald, 04/2009 | |
| Cooper, Neil: ‘The Associates‘, The List, 04/2009 | |
| Mulholland, Neil: ‘The Associates’, Art Review, 2009 | |
| 2008 | Sherwin, Skye: ‘Scott Myles: Missing Words’, Art Review, 20 03/2008 |
| 2007 | Mottram, Jack: ‘It’s a case of plastic fantastic in this curious display’, The Herald, 28/09/2007 |
| Vincent, Martin: ‘Scott Myles: ASKIT‘, The Metro, 24/09/2007 | |
| Kennedy, Alexander: ‘Scott Myles: ASKIT’, The List, 20/09/2007 | |
| Gale, Iain: ‘Conceptualism On The Clyde Is Myles Better’, The Scotland On Sunday, 16/09/2007 | |
| Mangione, Norma: ‘Scott Myles’, Flash Art Italia, Volume 40, Number 262 02/2007 | |
| Linklater, Magnus: ‘A Remarkable Discovery’, The Scotland On Sunday, 14/01/2007 | |
| 2006 | Gili, Angiola Maria: Con l‘ispirazione rivolta a Sterne, La Stampa, 22/12/2006 |
| Barrett, David: ‘Tate Triennial‘, Art Monthly, Number 296 05/2006 | |
| Hammonds, Kit: ‘tate triennial‘, Tema Celeste, 115 05/2006 | |
| Esson, Graeme: ‘Art school makes mark at the Tate‘, BBC Scotland News (Online), 22/02/2006 | |
| 2003 | Bertola, Chiara Oliveri: ‘Scott Myles, Sonia Rosso’, Tema Celeste, Issue 99 (Italian Edition) 2003 |
| Hunt, Andrew: ‘Someone to Share my Life With’, Untitled, 2003 | |
| 2002 | Clark, Robert: ‘Preview: What Will Become Of Us, Tramway, Glasgow’, The Guardian Guide, 31/08/2002 |
| 2001 | Jeffrey, Moira: ‘October’, The Herald, 12/10/2001 |
| 2000 | Lowndes, Sarah: ‘Archibald Campbell Prize’, The Metro, 14/12/2000 |
| Jeffrey, Moira: ‘Film Club’, The List, Issue 386 11/05/2000 | |
| Mahoney, Elisabeth: ‘Absolut Open’, Art Monthly, Numer 233 02/2000 | |
| 1999 | Mahoney, Elisabeth: ‘Absolut Open‘, The Guardian, 22/11/1999 |
| Michael, Alan: ‘Review: Radio Tuesday’, Circa, No. 90 1999 | |
| 1998 | Findlay, Judith: ‘Suburban Affair’, Flash Art International, Number 198 01/1998 |
Publications
| 2021 | Scott Myles: Painting For Breakfast, Well Projects; Penthouse Margate, Margate |
| 2020 | Myles, Scott; Paterson, Dominic: Research into the Best Products Archives; A Journey by Scott Myles, Virginia History & Culture, Viriginia Museum of History & Culture Members Journal |
| 2017 | This Way Out, Self-published, Glasgow |
| Clark, Larry: White Trash, Artist’s book to accompany group exhibition, Luhring Augustine | |
| 2016 | Myles, Scott; Holt, Alexia; Blanchard, Fay; Cooper, Harriet: Below Another Sky, The British Council, London |
| Potlatch, The Modern Institute/Toby Webster Ltd, Glasgow | |
| 2015 | Allegra Pesenti, Leslie Cozzi, Clare Elliott: Apparitions: Frottages and Rubbings from 1860 to Now, Curated by Allegra Pesenti, Hammer Museum, Los Angeles, The Menil Collection, Houston, pp. 104-105, 124, Yale University Press |
| Spiral Bound, Meyer Riegger, Berlin | |
| 2014 | Moira, Jeffrey (Ed.): GENERATION: 25 Years of Contemporary Art in Scotland Reader and Guide, National Galleries of Scotland |
| 2013 | 40/40, exhibition and publication celebrating 40-year anniversary of Glasgow Print Studio, Glasgow Print Studio |
| Myles, Scott & Morrison, Gavin: Artist Project: 'A History of Type Design', Issue 24, October 2013, Acid | |
| 2012 | Scott Myles: This Production, (artist monograph), Dundee Contemporary Arts, Dundee |
| 2011 | Surface Noise, Jerwood Charitable Foundation, London |
| 2010 | Verzotti, Giorgio (Ed.): Languages and Experimentations: Young Artists in a Contemporary Collection, Silvana editoriale |
| 2009 | Peter De Voogd (Ed.): Artist Project: 'A Full Stop', Scott Myles in Conversation with Steven Knox in The Shandean: An annual volume devoted to Laurence Sterne and his works, Vol. 20, November 2009, Laurence Stern Trust |
| Gavin Morrison & Fraser Stables (Eds.): Lifting: Theft in Art, Atopia Projects | |
| Sculpture Show (Curated by Ruth Claxton & Gavin Wade), Eastside Projects, Birmingham | |
| The Associates (Curated by Graham Domke), Dundee Contemporary Arts (DCA), Dundee | |
| The Fragile Underground (Curated by David Thorpe), No. 1- No. 8, | |
| Christian Rattemeyer, Isabelle Graw: The Judith Rothschild Foundation Contemporary Drawings Collection, Catalogue Raisonné, The Harvey S. Miller Associate curator in the Department of Drawings, with Cornelia Butler, The Robert Lehman Foundation Chief curator, MOMA, New York | |
| 2008 | Roland Monig (Ed.) : 'On Interchange', in On interchange Zwischenspiele einer Sammlung, curated by Regina Barunke & Lillian Haberer, Freundeskreis Museum Kurhaus und Koekkoek-Haus Kleve, Kleve |
| Myles, Scott: Artist Project: A MAP Commission with accompanying essay by Alessandro Rabottini, May 2008, MAP, Dundee | |
| Beatrix Ruf (Ed.): Blasted Allegories: Works from the Ringier Collection, JRP|Ringier, Zurich | |
| Ann Demeester, Will Holder & Dieter Roelstraefe (Eds.): F. R DAVID, 'Stuff and Nonsense', Issue 2, Winter 2008, de Appel, Amsterdam | |
| Scott Myles (artist monograph), JRP|Ringier, Zurich | |
| The Radical Everyday. Scott Myles and Henrik Olesen: Shapes of Boredom and Control, MAP, Dundee (Printed Matter Project) | |
| 2006 | Stout, Katharine: 'Scott Myles' in Tate Triennial 2006: New British Art, Tate Publishing, London |
| Myles, Scott: Artist Project: commissioned by The Guardian newspaper for 'Op Art', London, The Guardian | |
| Artist Project: Tiffany, part of Parabol AM 1, The Supplement Issue (Curated by Daniel Baumann), Issue 10, Parabol, Vienna | |
| 2005 | Scott Myles, The Breeder, Athens |
| Theorema, ‘Un collection privee en Italie, la collection d’Enea Righi’, Collection Lambert en Avignon, Avignon | |
| 2004 | Bousteau, Fabrice (Ed.) : Genesis Sculpture, Experience Pommery #1, Vranken Pommery Monopole, Beaux Arts SAS, Paris |
| Bettina Reichmuth, Mark Hamilton & Julia Schmidt (Eds.) : SYNTH: 10 Artists from Glasgow, Interim Report, Revolver, Frankfurt am Main | |
| 2003 | Scott Myles with Anne-Marie Copestake: Artist Project: 'TRIGGERTONIC TV' in Helvetica; exhibition catalogue for 'Kontext, Form, Troja' (Curated by Daniel Baumann), Secession, Vienna |
| Sarah Lowndes (Ed.): Social Sculpture, Art Performance and Music in Glasgow, STOPSTOP, Glasgow | |
| 2002 | Davis, Rhidian (Ed.): 'How Things Are & How Things Should Be' in Pandemonium, Biennial of Moving Images, Curated by Anne Fletcher & Phil Collins, The Lux Centre, London |
| Pandemonium, Biennial of Moving Images, The Lux Centre, London | |
| Myles, Scott; Woodley, Caroline; McLean, Elizabeth (Ed.): Presence: New Works of Contemporary Art from Scotland, The Fruitmarket Gallery, Edinburgh | |
| Tufnell, Rob: Scott Myles, text for The PRoject SPace, Athens, The Breeder, Athens | |
| Wade, Gavin (Ed.): Strike, text in catalogue for Wolverhampton Art Gallery, Alberta Press, London | |
| Untitled (Bottle Project), documenting artist project, Greylodge, Dundee (Printed Matter Project) 18 pages, edition of 500, 1999-2002, Dundee Contemporary Arts (DCA), Dundee | |
| We Belong To You Thrushgrove Memorial Study Room, in Royston Road Parks, The Royston Road Project, The Centre, Glasgow (Printed Matter Project) | |
| 2001 | Woodley, Caroline (Ed.): October, Curated by Karla Black & Katie Exley, St. Vincent Street, Glasgow |
| 2000 | Jeffrey, Moira: 'Scott Myles' in The Archibald Campbell and Harley WS Photography Prize 2000, Stills Gallery, Edinburgh |
| 1999 | Artist Project: Product Magazine, No. 1, December 1999/January 2000, Product Magazine |
| 1998 | British Mythic, Issues 4-5, (Printed Matter Project), 1998-2001, British Mythic, Glasgow |