Scott Myles

Born 1975, Dundee; Lives in Glasgow.

Education

1997 BA (Hons) Fine Art 1st Class, Duncan of Jordanstone College of Art & Design, Dundee, Scotland
1995 Cornish College of the Arts, Seattle, USA

Current & Forthcoming

2019 ‘Domestic Bliss’, GOMA, Glasgow
2020 ‘Painting for Breakfast’, Penthouse, Margate
  ‘The Show that Rises to the Surface of its Institutional Quality’, FLUC, Vienna

Solo Exhibitions

2019 ‘Amber Room’, Meyer Riegger Galerie, Karlsruhe
2017 ‘This Way Out’, The Modern Institute, 3 Aird's Lane, Glasgow
2016 ‘Heal Walls’, Rat Hole Gallery, Tokyo
  ‘abc art berlin contemporary’, Station Berlin, Berlin
2015 ‘Spiral Bound’, Meyer Riegger, Berlin
2014 ‘Potlatch’, Maison Lafayette, Paris (in collaboration with Foundation Lafayette)
  ‘Mummies’, The Modern Institute, 14—20 Osborne Street, Glasgow (Part of GENERATION 2014)
  ‘The Meaning of Return’, Mumbai Art Room, Bombay, India
2013 ‘Excess Energy’, David Kordansky Gallery, Los Angeles
2012 ‘This Production’, DCA, Dundee
  ‘YOU’, Meyer Riegger, Berlin
2011 ‘LIRA HOTEL presents Scott Myles’, Sonia Rosso, Turin
2010 ‘ELBABLE’, The Breeder, Athens
  ‘ELBA’, Glasgow Print Studio, Glasgow
  Upstairs at The Modern Institute Osborne Street, Glasgow
2009 ‘Search and Research’, Projects in Art and Theory, Cologne
2008 ‘We Require a Response’, Meyer Riegger Galerie, Karlsruhe
2007 ‘ASKIT’, The Modern Institute/Toby Webster Ltd, Glasgow
  OPEN SPACE, Art Cologne, Cologne
  ‘Missing Words’, The Modern Institute, Glasgow at Sadie Coles HQ, London
2006 ‘Grey Matter’, Galleria Sonia Rosso, Turin
2005 Kunsthalle Zurich, Zurich
  The Breeder, Athens
2004 ‘HUO I Want to Know Everything!’, The Modern Institute/Toby Webster Ltd, Glasgow
2003 Galeria Sonia Rosso, Turin
  Galerie Fons Welters, Playstation, Amsterdam
  Jack Hanley Gallery, San Francisco
  Liste 03, Basel with Galeria Sonia Rosso
2001 The Modern Institute/Toby Webster Ltd, Glasgow
2000 ‘See You on the Other Side’, Bulkhead Gallery, Glasgow

Group Exhibitions

2020 ‘The Show that Rises to the Surface of its Institutional Quality’, FLUC, Vienna
2019 ‘Come together’, Meyer Riegger, Berlin
  ‘The Flourish of Liberty’, Shandy Hall Gallery, Coxwold, England
  ‘Frieze x Ray Johnson Project’, 80WSE Gallery, New York
  ‘Little & Large Editions invited by Klosterfelde Edition’, Helga Maria Klosterfelde Edition, Berlin
2018 ‘Innovative Printmaking’, Glasgow Print Studio, Glasgow
  ‘Early Learning’, Scotland Street School Museum, Glasgow (As part of Glasgow International 2018)
  ‘One Missing Sock After Doing Laundry’, The Art Laundrette, Glasgow
  ‘Artists who make music Musicians who make art’, Queen’s Park Railway Club, Glasgow
  ‘Open House’, Jessica Silverman Gallery, San Francisco
2017 ‘And Then There Were None’, Meyer Riegger Galerie, Karlsruhe
  ‘White Trash’, Luhring Augustine, Bushwick, New York
  ‘Polygraphs’, Glasgow Museum of Modern Art, Glasgow
2016 ‘Paint Her to Your Own Mind’, Shandy Hall Gallery, Coxwold, England
2015 ‘International Lawns : Field Trip No.7’, Domobaal, London
  ‘Below Another Sky’, British Council, London, British Council touring exhibition. Touring to Aberdeen Art Gallery, Aberdeen; Glasgow Print Studio, Glasgow
  ‘Devil’s in the Making’, GOMA, Glasgow
  ‘Apparitions: Frottages and Rubbings from 1860 to Now’, Hammer Museum, Los Angeles (Touring exhibition. Touring to Menil Collection, Houston (11/09/2015-03/01/2016))
2014 ‘Venir Voir Venir’, Foundation Lafayette, Paris
  ‘Micromegas> Powers of 10’, Pier Art Centre, Orkney
  ‘Discordia’, Patricia Fleming Projects, Glasgow (Part of GENERATION 2014)
  ‘That Petrol Emotion’, Metropolitan Art Society, Beirut
  ‘Traps for Troubadours’, Clark House Initiative, Bombay, India
  ‘Return Journey’, Mostyn, Lladudno
2013 ‘A drawing that illustrates my last show at Meyer Riegger Karlsruhe’, Meyer Riegger Galerie, Karlsruhe
  ‘40/40’, Glasgow Print Studio, Glasgow
  ‘There Will Be New Rules Next Week’, DCA, Dundee
  ‘Starting Over’, Temple Bar Gallery, Dublin
  ‘Every Day’, GOMA, Glasgow
2012 ‘The Medium is the Message: Words in printmaking since the 1960s’, Glasgow Print Studio, Glasgow (curated by Ben Harman)
  ‘Who Decides?’, Stadtgalerie Mannheim, Mannheim
2011 ‘Tales of the City: Art Fund International and the GoMA Collection’, Gallery of Modern Art, Glasgow
  ‘Emblem of My Work’, Shandy Hall Gallery, Coxwold, England
  ‘DLA Piper Series: This is Sculpture, Conversation Pieces’, Tate Liverpool, Liverpool (Curated by Philip Treacy)
  ‘Surface Noise’, Jerwood Space, London
2010 ‘In Memory of Painting 8’, Layr Wuestenhagen Contemporary, Vienna
  ‘The Perverse Library’, Shandy Hall Gallery, Coxwold, England
  ‘Le Deuil’, IFF, Marseille
  The Modern Institute, 14—20 Osborne Street, Glasgow
  ‘Languages and Experimentations. Young Artists in a Contemporary Collection’, MART museum, Rovereto
  ‘SUPERNATURE, an exercise in loads’, AMP, Athens
2009 ‘Prose pour des Esseintes’, Karma International, Zurich
  ‘Richard Prince and the revolution’, ProjecteSD, Barcelona (curated by Jonathan Monk)
  ‘Contemporary Scottish Art: New Acquistitions & Loans’, Scottish National Gallery of Modern Art, Edinburgh
  ‘The Black Page’, Shandy Hall Gallery, Coxwold, England
2008 ‘Lifting’, Fort Worth Contemporary Arts, Fort Worth, Texas
  ‘Reinvented : Study and Play’, Galerie Jan Wentrup, Berlin
  ‘Blasted Allegories, Works from the Ringier Collection’, Kunstmuseum Luzern, Luzern
  ‘On interchange/Interludes of a collection’, Museum Kurhaus Kleve, Germany
  ‘The Human Arc, Open Eye Club’, Tramway, Glasgow
  ‘The Object is the Mirror (Part II)’, Wilkinson, London
2007 ‘László Moholy-Nagy Scott Myles’, Ancient & Modern, London
  ‘De Gustibus’, Broelmusuem, Kortrijk
  ‘The Object is the Mirror’, Layr Wuestenhagen Contemporary, Vienna
  ‘Lifting. Theft in Art’, Peacock Visual Arts, Aberdeen
  ‘Hot Rock’, Transmission, Glasgow
2006 ‘Life's a Beach’, Sommer Contemporary Art, Tel Aviv
  ‘Image/Text (Permanent Collection)’, Tate Modern, London
  ‘Unborrowed from the eye’, John Connelly Presents, New York
  ‘The Last Generation’, Jousse entreprise, Paris
2005 ‘The Last Generation’, Apex Art, New York
  ‘Theorema’, Collection Lambert en Avignon, Avignon
  Jack Hanley Gallery, Los Angeles
  ‘Photography as/within installation’, Stella Lohaus Gallery, Antwerp
2004 ‘The Birthday Party’, Collective Gallery, Edinburgh
  ‘Souvenir’, Hotel, London
  ‘Synth’, Kunstraum B/2, Leipzig
  ‘Spacemakers’, Lothringer Dreizehn, Munich
2003 ‘The Moment of Fiction’, Duncan of Jordanstone College of Art, Dundee
  ‘Para..Signs’, Elisabeth Kaufmann, Zurich
  ‘Group Show’, Galerie Krinzinger, Vienna (curated by Toby Webster)
  ‘Listening to Judd’, Maes and Matthys Gallery, Antwerp
  ‘17 Reasons’, Public Art Project, San Francisco
  ‘Kontext, Form, Troja’, Secession, Vienna (Young Scene 03)
  ‘Someone To Share My Life With’, The Approach, London
  ‘The Fragile Underground’, Bart Wells Institute, London
2002 ‘Presence’, Fruitmarket Gallery, Edinburgh
  ‘Half the World Away’, Hallwalls CAC, Buffalo
  ‘PRoject SPace’, The Breeder, Athens
  ‘What Will Become of Us’, Tramway, Glasgow (with Fred Pedersen)
  ‘Strike’, Wolverhampton Art Gallery, Wolverhampton (curated by Gavin Wade)
2001 Arco Art Fair with Transmission Gallery, Madrid
  ‘After Effect’, CAN: Centre d'art Neuch‚tel, Switzerland
  ‘Pandemonium’, Lux Gallery, London
  ‘Knock-Off Knock-Off’, Or Gallery, Vancouver
  ‘The Stray Show’, Seven Three Split, Chicago
  ‘October, St Vincent Street, Glasgow, Curated by Karla Black & Katie Exley’, St. Vincent Street, Glasgow (Curated by Karla Black and Katie Exley)
  ‘Senselessness-lessness’, Tramway, Glasgow
2000 ‘Archibald, Campbell and Harley Photography Prize’, Stills Gallery, Edinburgh
  ‘Members Show’, Transmission, Glasgow
  ‘A Very Nice Film Club’, Vilma Gold, London
  Glasgow Art Fair with Transmission Gallery
1999 ‘Big Warm Open’, Cambridge Darkroom Gallery, Cambridge
  ‘Accelerated Learning’, Duncan of Jordanstone College of Art, Dundee
  ‘Absolut Open’, Inverleith House, Edinburgh
1998 ‘Monument Valley’, Or Gallery, Vancouver
1997 ‘Harthill (Things Happen, Stuff Jumps In)’, Collective Gallery, Edinburgh
  ‘Running Time’, Collective Gallery, Edinburgh

Group Screenings

2002 ‘Shadazz 4’, screening at 'Fair', Royal College of Art (VHS edition of 'Evil Eye is Source' (Curated by Luke Fowler)

Curatorial Projects

Residencies

2017 ‘Visual Arts Residency’, Cove Park, Scotland (Argyll & Bute)

Bibliography

Press

2017 Fenstermaker, Will: ‘When Artists Buy Art: Larry Clark on Exhibiting His Intimate Collection’, Artspace, 16/06/2017
2016 BJ Panda Bear : ‘Larry Clark on Art, Sobriety and the Internet’s Effect on Youth Culture’, Amuse, 17/10/2016
2015 Paterson, Dominic : ‘Ruins Recast’, Performance Research: A Journal of the Performing Arts, 23/06/2015
2012 ‘The Culture Cafe’, Radio Scotland, 24/04/2012
  ‘Just the ticket’, The Herald, 10/04/2012
  Urwin Jones, Sarah: ‘a voyage of rediscovery’, The Herald, 07/04/2012
  ‘City Of Culture’, The Courier, 07/04/2012
  Hazard, Ruth: ‘Scott Myles returns to his home city for first UK solo exhibition at Dundee Contemporary Arts’, Culture 24, 03/04/2012
  Docherty, Anna: ‘Heads Up’, The Skinny, 02/04/2012
  Cattanach, Andrew: ‘Previews’, The Skinny, 02/04/2012
  ‘HITLIST’, The List, 29/03/2012
  ‘Visual Art’, The List, 29/03/2012
  McAdam, Carrie: ‘Arts News’, The Herald, 21/02/2012
2011 Smith, Roberta: ‘Free-For-All Spirit Breezes Into a Vast Art Fair’, The New York Times, 04/03/2011
2009 Casey, Mona, Tatham, Joanne, O'Sullivan, Tom: ‘Q&A’, Map, Issue 19 30/09/2009
  ‘Myles, Scott, Conversation on Radio Scotland with Clare English and Moira Jeffrey’, Radio Scotland, 17/03/2009
  Brown, Helen: ‘A Proud Association’, The Courier, 16/03/2009
2008 Hubel, Michael: ‘Eine Frage deer Wasserwaage’, BNN, 10/10/2008
2007 Kennedy, Alexander: ‘Hot Rock’, The List, Issue 569 15/02/2007
2006 Myles, Scott: ‘OP ART’, The Guardian, (Printed Matter Project) 08/04/2006
2004 Johnston, Ian: ‘Tate swoops for Scots’ art works’, The Scotsman, 16/10/2004
  Akbar, Arifa: ‘Tate turns to Scottish artists for ‘interesting and daring’ creations’, The Independent, 15/01/2004
1999 Myles, Scott, Harvey Dingwall: Scott Myles and Harvey Dingwall: Interview and Artists’ Project, Product Magazine, (Printed Matter Project) 30/11/1999
0000 ‘AB-BE-CE-DA-RIO’, Mousse Magazine,
  Keiller, Patrick: ‘Beginning of the end, or end of the beginning’, Tate Etc. magazine,
  Smith, Laura: ‘Best of British’, The Independent,
  Benmakhlouf, Adam: ‘Contemporary Classic’, The Skinny, 163
  West, Rosamund: ‘DCA A-OK’, The Skinny, 162
  Gavin, Francesca: ‘Generation Transmission’, Art Review, Issue 01
  ‘In Conversation’, Ambit, Issue 217
  Jeffrey, Moira: ‘Interview: Scott Myles, artist’, Scotland on Sunday,
  Miss Rosen: ‘Larry Clark gives us a look inside his art collection’, Dazed,
  Farrell, Aimee: ‘LAST WORD’, Vogue, Number 2550, Volume 177
  Carr, Adam: ‘Lives and works - Jonathon Monk’, Spike Art Quarterly, Number 26
  ‘Myles, Scott’, Local Folk, Athens, 2
  Reindl. Uta M.: ‘On Interchange’, Kunstforum International, Issue 191
  Vincentelli, Alessandro: ‘On the Map 2006; Scott Myles, (monograph review)’, Map, Issue 12
  Paterson, Dominic : Possessions. Scott Myles et l‘invocation-évocation artistique se l‘internationale situationniste, Théâtre Public,
  Yannis Bournias: ‘Scotia’, Nomas, 6
  ‘Scott Myles’, Wave 102,
  Lowndes, Sarah: ‘Scott Myles focus’, Frieze, Issue 113
  Myles, Scott: Scott Myles on Ralph Rumney‘s ‘The Change’ (1957), Tate etc., Issue 31, Summer 2014
  Herbert, Martin: ‘Scott Myles, Frieze Art Fair Yearbook 2003-4’, Frieze,
  Lowndes, Sarah: ‘Slow Dazzle’, Spike Art Quarterly,
  Trigg, David: ‘Snapshot’, a-n Magazine,
  Frédéric Bonnet: ‘Some Bodies...’, Nomas, 6
  Tagliafierro, Marco: ‘Sullying the Concept’, Mousse, Issue 17
  Fitzhugh, Annis: ‘The Delicate Art of Dabbing’, Printmaking Today, Vol 26, No 4 Winter 2017, p26 – 27,
  Gottelier, Luke, Thorpe, David, Upritchard, Francis,: ‘The Fragile Underground’, Bart Wells Institute, No.1 - No.8
  Haberer, Lilian, Regina Barunke: ‘UNLIKE PAIRS’, Map, Issue 14

Exhibition Reviews

2015 Blouin Artinfo, 10/02/2015
2014 Miller, Phil: ‘Glasgow Miracles’, The Sunday Herald, 06/07/2014
2013 Rice, Katie: ‘Revews‘, The Skinny, 10/09/2013
  Jeffrey, Moira: ‘Exhibition review‘, The Scotsman, 27/07/2013
  Jeffrey, Moira: ‘Art: Laura Aldridge| Mick Peter| Niall Macdonald‘, Scotland on Sunday, 14/04/2013
2012 Mansfield, Susan: ‘Dundee‘s Myles, better‘, The Scotsman, 31/05/2012
  Cooper, Neil: ‘Scott Myles: This Production’, The List, 24/05/2012
  Clark, Robert: ‘Exhibition‘, Guardian Guide, 21/04/2012
  Cosgrove, Jennifer: ‘Art Exhibition‘, The Courier, 13/04/2012
  ‘Scott Myles’, STV News, 30/03/2012
  ‘Scott Myles’, BBC News, 30/03/2012
2010 Kotze, Talitha: ‘Scott Myles: ELBA Review, Glasgow Print Studio‘, The List, 661 22/07/2010
2007 Mottram, Jack: ‘It’s a case of plastic fantastic in this curious display’, The Herald, 28/09/2007
  Vincent, Martin: ‘Scott Myles: ASKIT‘, The Metro, 24/09/2007
  Kennedy, Alexander: ‘Scott Myles: ASKIT’, The List, 20/09/2007
  Gale, Iain: ‘Conceptualism On The Clyde Is Myles Better’, The Scotland On Sunday, 16/09/2007
  Linklater, Magnus: ‘A Remarkable Discovery’, The Scotland On Sunday, 14/01/2007
2006 Gili, Angiola Maria: Con l‘ispirazione rivolta a Sterne, La Stampa, 22/12/2006
  Esson, Graeme: ‘Art school makes mark at the Tate‘, BBC Scotland News (Online), 22/02/2006
2002 Clark, Robert: ‘Preview: What Will Become Of Us, Tramway, Glasgow’, The Guardian Guide, 31/08/2002
2001 Jeffrey, Moira: ‘October’, The Herald, 12/10/2001
2000 Lowndes, Sarah: ‘Archibald Campbell Prize’, The Metro, 14/12/2000
  Jeffrey, Moira: ‘Film Club’, The List, Issue 386 11/05/2000
1999 Mahoney, Elisabeth: ‘Absolut Open‘, The Guardian, 22/11/1999
0000 ‘10 to See‘, Aesthetica, Issue 60
  Mahoney, Elisabeth: ‘Absolut Open’, Art Monthly, Numer 233
  ‘Review’, Art Review,
  Clarke, Chris: ‘Reviews Exhibitions - Dublin Round-up‘, Art Monthly, 369
  Bartelik, Marek: ‘Richard Prince and the Revolution’, Artforum,
  Cairns, Steven: ‘Scott Myles, ELBA Review, Glasgow Print Studio‘, Frieze, 134
  Sherwin, Skye: ‘Scott Myles: Missing Words’, Art Review, 20
  Smolik, Noemi: ‘Search and Research review, Project in Art and Theory, Cologne‘, Artforum International,
  ‘Star graduates share a cut and paste approach’, The Herald,
  North, Katie: ‘Starting Over‘, Enclave Review,
  Hammonds, Kit: ‘tate triennial‘, Tema Celeste, 115
  Barrett, David: ‘Tate Triennial‘, Art Monthly, Number 296
  Cooper, Neil: ‘The Associates‘, The List,
  Herbert, Martin: ‘Now See This’, Art Review, 58
  Michael, Alan: ‘Review: Radio Tuesday’, Circa, No. 90
  Mangione, Norma: ‘Scott Myles’, Flash Art Italia, Volume 40, Number 262
  Bertola, Chiara Oliveri: ‘Scott Myles, Sonia Rosso’, Tema Celeste, Issue 99 (Italian Edition)
  Herbert, Martin: ‘Scott Myles, Spiral Bound’, Art Review, Vol 68
  Hunt, Andrew: ‘Someone to Share my Life With’, Untitled,
  Findlay, Judith: ‘Suburban Affair’, Flash Art International, Number 198
  Mulholland, Neil: ‘The Associates’, Art Review,

Publications

2020 Myles, Scott; Paterson, Dominic: Research into the Best Products Archives; A Journey by Scott Myles, Virginia History & Culture, Viriginia Museum of History & Culture Members Journal
2017 Myles, Scott: This Way Out, Artist book, with text by Graham Domke. Unique edition of 50, screen printed canvas, Xerox copy card, 112 pages, (self-published), Glasgow
  Clark, Larry: White Trash, Artist’s book to accompany group exhibition, Luhring Augustine
2016 Myles, Scott; Holt, Alexia; Blanchard, Fay; Cooper, Harriet: Below Another Sky, The British Council, London
  Myles, Scott: Potlatch, Unique edition of 8, screen printed canvas, colour offset print, Xerox copy, card, 54 pages, The Modern Institute/Toby Webster Ltd, Glasgow
2015 Allegra Pesenti, Leslie Cozzi, Clare Elliott: Apparitions: Frottages and Rubbings from 1860 to Now, Curated by Allegra Pesenti, Hammer Museum, Los Angeles, The Menil Collection, Houston, pp. 104-105, 124, Yale University Press
  Myles, Scott: Spiral Bound, With text by Dominic Paterson. Unique edition of 30, screen printed canvas, Xerox copy, acetate, card, 68 pages, Meyer Riegger, Berlin
2014 Moira, Jeffrey (Ed.): GENERATION: 25 Years of Contemporary Art in Scotland Reader and Guide, National Galleries of Scotland
2013 40/40, exhibition and publication celebrating 40-year anniversary of Glasgow Print Studio, Glasgow Print Studio
  Myles, Scott & Morrison, Gavin: Artist Project: 'A History of Type Design', Issue 24, October 2013, Acid
2012 Scott Myles: This Production, (artist monograph), with text by Dominic Paterson, Dundee Contemporary Arts, Dundee
2011 Surface Noise, Jerwood Charitable Foundation, London
2010 Verzotti, Giorgio (Ed.): Languages and Experimentations: Young Artists in a Contemporary Collection, Silvana editoriale
2009 Peter De Voogd (Ed.): Artist Project: 'A Full Stop', Scott Myles in Conversation with Steven Knox in The Shandean: An annual volume devoted to Laurence Sterne and his works, Vol. 20, November 2009, Laurence Stern Trust
  Gavin Morrison & Fraser Stables (Eds.): Lifting: Theft in Art, Atopia Projects
  Sculpture Show (Curated by Ruth Claxton & Gavin Wade), Eastside Projects, Birmingham
  The Associates (Curated by Graham Domke), DCA, Dundee
  The Fragile Underground (Curated by David Thorpe), No. 1- No. 8,
  Christian Rattemeyer, Isabelle Graw: The Judith Rothschild Foundation Contemporary Drawings Collection, Catalogue Raisonné, The Harvey S. Miller Associate curator in the Department of Drawings, with Cornelia Butler, The Robert Lehman Foundation Chief curator, MOMA, New York
2008 Roland Monig (Ed.) : 'On Interchange', in On interchange Zwischenspiele einer Sammlung, curated by Regina Barunke & Lillian Haberer, Freundeskreis Museum Kurhaus und Koekkoek-Haus Kleve, Kleve
  Myles, Scott: Artist Project: A MAP Commission with accompanying essay by Alessandro Rabottini, May 2008, MAP, Dundee
  Beatrix Ruf (Ed.): Blasted Allegories: Works from the Ringier Collection, JRP|Ringier, Zurich
  Ann Demeester, Will Holder & Dieter Roelstraefe (Eds.): F. R DAVID, 'Stuff and Nonsense', Issue 2, Winter 2008, de Appel, Amsterdam
  Caoimhin Mac Giolla Leith, Scott Myles, Beatrix Ruf (Ed.) & Rob Tufnell: Scott Myles (artist monograph), Kunsthalle Zurich, JRP|Ringier, Zurich
  The Radical Everyday. Scott Myles and Henrik Olesen: Shapes of Boredom and Control, MAP, Dundee (Printed Matter Project)
2006 Stout, Katharine: 'Scott Myles' in Tate Triennial 2006: New British Art, Tate Publishing, London
  Myles, Scott: Artist Project: commissioned by The Guardian newspaper for 'Op Art', London, The Guardian
  Artist Project: Tiffany, part of Parabol AM 1, The Supplement Issue (Curated by Daniel Baumann), Issue 10, Parabol, Vienna
2005 Tufnell, Rob: Scott Myles, The Breeder, Athens
  Theorema, ‘Un collection privee en Italie, la collection d’Enea Righi’, Collection Lambert en Avignon, Avignon
2004 Bousteau, Fabrice (Ed.) : Genesis Sculpture, Experience Pommery #1, Vranken Pommery Monopole, Beaux Arts SAS, Paris
  Bettina Reichmuth, Mark Hamilton & Julia Schmidt (Eds.) : SYNTH: 10 Artists from Glasgow, Interim Report, Revolver, Frankfurt am Main
2003 Scott Myles with Anne-Marie Copestake: Artist Project: 'TRIGGERTONIC TV' in Helvetica; exhibition catalogue for 'Kontext, Form, Troja' (Curated by Daniel Baumann), Secession, Vienna
  Sarah Lowndes (Ed.): Social Sculpture, Art Performance and Music in Glasgow, STOPSTOP, Glasgow
2002 Davis, Rhidian (Ed.): 'How Things Are & How Things Should Be' in Pandemonium, Biennial of Moving Images, Curated by Anne Fletcher & Phil Collins, The Lux Centre, London
  Pandemonium, Biennial of Moving Images, The Lux Centre, London
  Myles, Scott; Woodley, Caroline; McLean, Elizabeth (Ed.): Presence: New Works of Contemporary Art from Scotland, The Fruitmarket Gallery, Edinburgh
  Tufnell, Rob: Scott Myles, text for The PRoject SPace, Athens, The Breeder, Athens
  Wade, Gavin (Ed.): Strike, text in catalogue for Wolverhampton Art Gallery, Alberta Press, London
  Untitled (Bottle Project), documenting artist project, Greylodge, Dundee (Printed Matter Project) 18 pages, edition of 500, 1999-2002, DCA, Dundee
  We Belong To You Thrushgrove Memorial Study Room, in Royston Road Parks, The Royston Road Project, The Centre, Glasgow (Printed Matter Project)
2001 Woodley, Caroline (Ed.): October, Curated by Karla Black & Katie Exley, St. Vincent Street, Glasgow
2000 Jeffrey, Moira: 'Scott Myles' in The Archibald Campbell and Harley WS Photography Prize 2000, Stills Gallery, Edinburgh
1999 Artist Project: Product Magazine, No. 1, December 1999/January 2000, Product Magazine
1998 British Mythic, Issues 4-5, (Printed Matter Project), 1998-2001, British Mythic, Glasgow