Urs Fischer
Born 1973, Zurich; Lives in New York.
Education
| Photography, Schule fur Gestaltung |
Solo Exhibitions
| 2026 | ‘LA Dust and YES’, Jeffrey Deitch, Los Angeles |
| ‘Eugène Atget’, Gagosian Gallery, Athens | |
| 2025 | ‘Shucks & Aww’, Salon 94, New York |
| ‘After Nature’, Gagosian, Rome | |
| ‘Skinny Sunrise’, Globus Public Art Project , Basel Market Square, in collaboration with Fondation Beyeler | |
| ‘Easy Solutions & Problems’, Gagosian, Gstaad | |
| 2024 | ‘Scratch and Sniff’, Sadie Coles HQ, London |
| ‘Feelings’, Jason Haam, Seoul | |
| ‘Vignettes’, The Modern Institute, 3 Aird's Lane, Glasgow | |
| ‘Beauty’, Gagosian , Paris | |
| 2023 | ‘Wave’, Place Vendôme, Paris |
| ‘Flea Circus’, Sadie Coles HQ, London | |
| ‘Denominator’, Gagosian, Los Angeles | |
| ‘Ice Cream Truck Democracy’, Gagosian Gallery, Los Angeles | |
| 2022 | ‘Lovers’, Jumex Foundation, Mexico |
| 2021 | ‘Night’, Nahmad Projects, London |
| ‘The Intelligence of Nature’, Sadie Coles HQ, London | |
| 2019 | ‘The Lyrical and the Prosaic’, Aishti Foundation, Lebanon |
| ‘Leo’, Gagosian , Paris | |
| ‘Error’, The Brant Foundation, Greenwich | |
| ‘PLAY’, Deitch Projects, Los Angeles | |
| ‘Sirens’, Galerie Max Hetzler, Berlin | |
| ‘Images’, Gagosian Gallery, Los Angeles | |
| 2018 | ‘Dasha’, Gagosian, Davies Street, London |
| ‘PLAY’, Gagosian 21st Street, New York | |
| ‘soft’, Sadie Coles HQ, London | |
| ‘Things’, Gagosian Gallery off-site Ballroom, New York | |
| ‘Sōtatsu’, Gagosian Gallery, Madison Avenue, New York | |
| ‘Maybe’, The Modern Institute, 3 Aird's Lane, Glasgow, (As part of Glasgow International 2018) | |
| 2017 | Gavin Brown's enterprise, Rome |
| ‘In Florence’, Piazza dei Signora, Florence | |
| ‘BATTITO DI CIGLIA’, Massimo De Carlo, Milan | |
| ‘Faules Fundament (Rotten Foundation)!’, KARMA, New York | |
| ‘Urs Fischer: The Public & the Private’, Legion of Honor, San Francisco | |
| ‘The Public & the Private’, Legion of Honor Museum, San Francisco | |
| Gagosian Gallery, Hong Kong | |
| ‘The Kiss’, Sadie Coles HQ, London | |
| 2016 | ‘Mind Moves’, Gagosian Gallery, San Francisco |
| ‘Mon cher...’, Fondation Vincent Van Gogh, Arles | |
| ‘Battito Di Ciglia’, Massimo De Carlo, Milan | |
| ‘Small Axe’, Garage Museum of Contemporary Art, Moscow | |
| ‘Ursula’, JTT, New York | |
| ‘Misunderstandings in the Quest for the Universal’, Gagosian Gallery, 980 Madison Avenue, New York | |
| 2015 | ‘Bruno & Yoyo’, Vito Schnabel Gallery, St. Moritz |
| ‘Fountains’, Gagosian Gallery, Los Angeles | |
| ‘∞’, The Modern Institute, 14–20 Osborne Street, Glasgow | |
| ‘Sadie Coles HQ-in-residence’, T293, Naples | |
| 2014 | Gavin Brown's enterprise, New York |
| ‘URS FISCHER’, Gagosian Gallery, 980 Madison Avenue, New York | |
| Sadie Coles HQ, London | |
| ‘mermaid / pig / bro w/ hat’, Gagosian Gallery at Delancey Street, New York | |
| ‘last supper’, Gagosian Gallery Park & 75, New York | |
| Lever House Art Collection, New York | |
| 2013 | Sadie Coles HQ, London |
| Gagosian Gallery, Rome | |
| ‘YES’, DESTE Foundation Project Space, Hydra | |
| MOCA Grand Avenue, Los Angeles | |
| 2012 | ‘Tables, Heads, and Arms’, Gagosian Gallery (offsite), Eden Rock Gallery, St. Barths |
| ‘Festival d'Automne Paris’, École Nationale Supérieure des Beaux-Arts, Paris | |
| ‘Madam Fisscher’, Palazzo Grassi, Venice | |
| ‘schmutz schmutz’, Gagosian Gallery, Paris | |
| ‘Beds & Problem Paintings’, Gagosian Gallery, Los Angeles | |
| ‘Skinny Sunrise’, Kunsthalle Wien, Vienna | |
| 2011 | ‘dngszjkdufiy bgxfjkglijkhtr kydjkhgdghjkd’, Gavin Brown's enterprise, New York |
| The Modern Institute, 14–20 Osborne Street, Glasgow, (With Georg Herold) | |
| ‘Untitled (Lamp/Bear)’, Seagram Plaza, New York | |
| 2010 | ‘Douglas Sirk’, Sadie Coles HQ, London |
| ‘Oscar the Grouch’, The Brant Foundation, Greenwich | |
| 2009 | ‘Marguerite de Ponty’, New Museum, New York |
| 2008 | ‘Blurry Renoir Debussy’, Galerie Eva Presenhuber, Zurich |
| 2007 | ‘Large, Dark & Empty’, Galerie Eva Presenhuber, Zurich |
| ‘You’, Gavin Brown's enterprise, New York | |
| Kaldor Art Projects, Cockatoo Island | |
| ‘Agnes Martin’, Regen Projects, Los Angeles | |
| ‘Uh...’, Sadie Coles HQ, London | |
| 2006 | ‘Oh. Sad. I see.’, The Modern Institute/Toby Webster Ltd, Glasgow |
| ‘Mary Poppins’, Blaffer Gallery, The Art Museum of the University of Houston | |
| ‘Large, Dark and Empty’, Galerie Eva Presenhuber, Zurich | |
| ‘Urs Fischer Rudolf Stingel’, Galleria Massimo De Carlo, Milan | |
| ‘Paris 1919’, Museum Boijmans Van Beuningen, Rotterdam | |
| 2005 | Camden Arts Centre, London |
| ‘Jet Set Lady’, Fondazione Nicola Trussardi, Milan | |
| ‘Fig, Nut & Pear’, Gavin Brown's enterprise, New York | |
| Hamburger Bahnhof, Berlin | |
| ‘Mr. Watson --- Come Here --- I Want to See You’, Hydra Workshops, Hydra, Greece | |
| 2004 | ‘315’, Centre Georges Pompidou, Paris |
| ‘Feige, Nuss und Birne’, Gruppe Oesterreichische Guggenheim, Wien | |
| ‘Elton John?’, Sadie Coles HQ, London | |
| ‘Kir Royal’, Kunsthaus Zürich, Zürich | |
| 2003 | ‘portrait of a single raindrop’, Gavin Brown's enterprise, New York |
| ‘need no chair when walking’, Sadie Coles HQ, London | |
| 2002 | ‘Bing Crosby’, Contemporary Fine Arts, Berlin |
| ‘What should an Owl do with a Fork’, Project Room, Santa Monica Museum of Art | |
| ‘Mystique Mistake’, The Modern Institute/Toby Webster Ltd, Glasgow | |
| 2001 | ‘Mastering the Complaint’, Galerie Hauser & Wirth & Presenhuber, Zurich |
| 2000 | ‘Capillon - Urs just does it for the girls’, Delfina, London, (with Amy Adler) |
| ‘Without a Fist - Like a Bird’, Institute of Contemporary Art, London | |
| ‘Tagessuppen/Soups of the Days and Domestic Pairs Project’, Kunsthaus Glarus, Glarus, (with Keith Tyson) | |
| ‘The Membrane -Why I don't mind bad-mooded People’, Stedelijk Museum, Amsterdam | |
| 1999 | ‘Espressoqueen - Worries and other stuff you have to to think about before you get ready for the big easy’, Galerie Hauser & Wirth & Presenhuber, Zurich |
| 1997 | ‘Hammer’, Galerie Walcheturm, Zurich |
| 1996 | ‘Urs Fischer’, Galerie Walcheturm, Zurich |
Group Exhibitions
| 2025 | ‘The Omnipotence of Dreams’, Gagosian, Gstaad |
| 2024 | ‘POST HUMAN’, Jeffrey Deitch, Los Angeles |
| ‘Day for Night: New American Realism’, Palazzo Barberini, Rome | |
| ‘Andy Warhol’s Long Shadow’, Gagosian, Hong Kong | |
| ‘Shine On’, Sadie Coles HQ, London | |
| 2023 | ‘Fairy Tales’, Queensland Gallery of Modern Art, Queensland, Australia |
| ‘Forms’, Miami Design District, Miami | |
| ‘Smoke and Mirrors: Magical Thinking in Contemporary Art’, Boca Raton Museum of Art, Florida | |
| ‘Candyfloss’, Gagosian , Paris | |
| ‘unCHained - landscape of NFTs in Switzerland’, Unpaired Gallery, Zug, Switzerland | |
| 2022 | ‘Haunted Realism’, Gagosian, Grosvenor Hill, London |
| ‘Ulysses’ Dream’, Fondation Carmignac, Hyères | |
| ‘Rhythm Repeater’, Sadie Coles HQ, London | |
| 2021 | ‘The Greek Garden’, Galerie Praz-Delavallade, Paris |
| ‘The Tenth Anniversary’, ARTFLYER, Athens | |
| ‘An Ideal Landscape’, Gagosian Gallery, 980 Madison Avenue, New York | |
| 2020 | ‘Bustes de Femmes’, Gagosian , Paris |
| ‘Superunknown | Max Ernst & Yves Tanguy with Urs Fischer’, Nahmad Contemporary, New York | |
| ‘Crushed, Cast, Constructed: Sculpture by John Chamberlain, Urs Fischer, and Charles Ray’, Gagosian, Grosvenor Hill, London | |
| ‘MY C ART OGRAPHY. The Erling Kagge Collection’, Santander Art Gallery, Madrid | |
| ‘Uncanny Valley: Being Human in the Age of AI’, De Young Museum, San Francisco | |
| ‘To Paint is to Love Again’, Nino Mier, Los Angeles | |
| 2019 | ‘The Extreme Present’, Moore Building, Miami |
| ‘Third Dimension’, Brant Foundation Art Study Center, New York | |
| ‘Chairs Beyond Right and Wrong’, R & Company , New York | |
| ‘Meet Me In The Bathroom: The Art Show’, The Hole x UTA Artist Space, New York | |
| ‘Miss Dior: Love n’ Roses’, MOCA, Shanghai | |
| 2018 | ‘Eurovisions: Contemporary art from the Goldberg collection’, Canberra Museum and Gallery , Canberra |
| ‘WILD WEST’, Foundation de 11 Lijnen, Belgium | |
| ‘Black Hole, Art and Materiality from Informal to Invisible’, Galleria D'Arte Moderna e Contemporanea di Bergamo, Bergamo | |
| ‘How to See (What Isn’t There)’, Langen Foundation, Neuss | |
| ‘Mad World’, The Marciano Art Foundation, Los Angeles | |
| ‘Triennale 2018’, Musée des Beaux-Arts Le Locle, Switzerland | |
| ‘Object: Administration’, Kanal-Centre Pompidou, Brussels | |
| ‘Nudes’, Sadie Coles HQ, London | |
| ‘Dancing with Myself’, Punta della Dogana, Venice | |
| ‘Close at Hand’, Gagosian Gallery, San Francisco | |
| 2017 | ‘Project 06: Cindy Sherman & Urs Fischer’, o v project room, Brussels |
| ‘Wild West’, Austrian Cultural Forum New York | |
| ‘EUROVISIONS: Contemporary art from the Goldberg Collection’, National Art School, Sydney, Touring to Heidie Museum, Melbourne and Canberra Regional Museum, 2018 | |
| ‘The Transported Man’, Eli and Edythe Broad Art Museum at Michigan State University | |
| ‘Moving in Every Direction: Environments–Installations–Narrative Spaces’, Hamburger Bahnhof, Berlin | |
| ‘Body Doubles’, Lokremise St. Gallen, Switzerland | |
| ‘Printed Matters II’, Gesso Artspace, Vienna | |
| ‘THE GAP BETWEEN THE FRIDGE AND THE COOKER’, The Modern Institute, 3 Aird's Lane, Glasgow | |
| 2016 | ‘Franz West – Artistclub’, 21er Haus Museum of Contemporary Art, Vienna |
| ‘Desire’, The Moore building, Miami | |
| ‘Juxtapoz x Superflat’, Vancouver Art Gallery, Canada | |
| ‘Die Kerze’, Museum Frieder Burda, Baden-Baden | |
| ‘Dancing with Myself: Self-portrait and Self-invention, Works from the Pinault Collection’, Museum Folkwang, Essen | |
| ‘Juxtapoz x Superflat’, Pivot Art and Culture, Seattle | |
| ‘Melodrama, Act II’, Luxembourg & Dayan, New York | |
| ‘Capital: Debt — Territory — Utopia’, Hamburger Bahnhof, Berlin | |
| ‘Good Dreams, Bad Dreams: American Mythologies’, Aïshti Foundation, Beirut | |
| ‘And Now the Good News: Opere dalla collezione Annette e Peter Nobel’, LAC Lugano Arte e Cultura, Lugano, Switzerland | |
| ‘False Friends’, Museum of Modern Art and History, Geneva | |
| ‘Human Interest: Portraits from the Whitney’s Collection’, Whitney Museum of American Art, New York | |
| ‘Sculpture on the Move’, Kunstmuseum Basel | |
| ‘Spring Gala’, New Museum, New York | |
| ‘Unfinished: Thoughts Left Visible’, The Met Breuer, New York | |
| ‘In the Making’, Luxembourg & Dayan, New York | |
| 2014 | ‘Horror vacui’, Gagosian Gallery, Athens |
| ‘Burning Down the House’, 10th Gwangju Biennale, Gwangju | |
| ‘The Human Factor’, The Hayward Gallery, London | |
| ‘In NO time’, The Modern Institute, 14–20 Osborne Street, Glasgow | |
| ‘Elevation 1049: Between Heaven and Hell’, LUMA& Foundation, Gstaad | |
| 2013 | ‘Somos Libres: The World of Contemporary Art through the Eyes of Mario Testino’, MATE, Asociación Mario Testino, Lima |
| ‘Zero Hours’, s1 Art Space, Sheffield | |
| ‘Collection on Display: Monica Bonvicini, Heidi Bucher, Tom Burr, Urs Fischer, Pamela Rosenkranz, Markus Schinwald, Cathy Wilkes’, Migros Museum, Zurich | |
| ‘Van Gogh, DalÃ, and Beyond: The World Reimagined’, Art Gallery of Western Australia, Perth | |
| ‘Barroco Exuberante: de Cattelan a Zurbarán’, Guggenheim Museum Bilbao, Bilbao | |
| ‘Body Pressure: Sculpture Since the 1960s’, Hamburger Bahnhof, Berlin | |
| ‘Drawing Line into Form: Works on Paper by Sculptors from the Collection of BNY Mellon’, Tacoma Art Museum, Tacoma | |
| ‘Crystal Maze IV - 1 + 2 + 3 = 3’, Centre Georges Pompidou, Paris | |
| 2012 | ‘Only parts of us will ever touch parts of others’, Galerie Thaddaeus Ropac, Paris |
| ‘Ensemble’, Galerie kreo, Paris | |
| ‘Pawel Althamer with Urs Fischer, Jacob Kassay & Jacub Julian Ziolkowski’, DESTE Foundation, Athens | |
| ‘Westbau Pool, etc.’, Löwenbräu Kunst, Zurich | |
| ‘Painting Now’, Galerie Eva Presenhuber, Zurich | |
| ‘Deftig Barock’, Kunsthaus Zürich, Zurich | |
| ‘Riotous Baroque. From Cattelan to Zurbarán - Tributes to Precarious Vitality’, Kunsthaus Zürich, Zurich | |
| ‘The Painting Factory: Abstraction after Warhol’, MOCA Grand Avenue, Los Angeles | |
| ‘Poule!’, Jumex Foundation, Mexico | |
| ‘Micro mania’, Gagosian Gallery, Paris | |
| 2011 | ‘Lustwarande 2011 - Blemishes’, Park De Oude Warande, Museum De Pont, Tilburg |
| ‘Sculpture Now’, Eva Presenhuber, Zurich | |
| ‘ILLUMInations’, Arsenale, Venice Biennale, Venice | |
| ‘Works in Progress, Rodin and the Ambassadors’, Musée Rodin, Paris | |
| ‘Sympathy for the Devil’, Vanhaerents Art Collection, Brussels, (Art Brussels Contemporary Art Fair) | |
| ‘Modern British Sculpture’, Royal Academy of Arts, London | |
| ‘Artists for Haiti’, David Zwirner, New York | |
| ‘In Deed: Certificates of Authenticity in Art’, De Kabinetten van De Vleeshal, Middelburg | |
| ‘Produced by Migros: Collection migros museum für gegenwartskunst’, Kunsthalle Fridericianum, Kassel | |
| 2010 | ‘Divine Comedy’, Southeby's, New York |
| Post Monument: XIV Biennale Internazionale di Scultura di Carrara, Carrara | |
| ‘The New Decor’, Hayward Gallery, London | |
| ‘Alpha Omega: Works from the Dakis Joannou Collection’, DESTE Foundation, Athens | |
| ‘Skin Fruit: Selections from the Dakis Joannou Collection Curated by Jeff Koons’, New Museum, New York | |
| ‘HIGH IDEALS & CRAZY DREAMS’, Vera Munro Gallery, Hamburg | |
| ‘Here Is a Swiss Drawing (1990-2010)’, Musée Rath, Geneva, (Touring to Aargauer Kunsthaus, Aarau) | |
| 2009 | ‘Beg Borrow and Steal’, Rubell Family Collection, Miami |
| Kunstnernes Hus, Oslo, (with Mark Handforth and Georg Herold) | |
| 2008 | Hessel Museum of Art, Bard College, Annandale-on-Hudson, New York |
| ‘Blasted Allegories, Works from the Ringier Collection’, Kunstmuseum Luzern, Luzern | |
| ‘Ombres’, New Galerie de France, Paris | |
| ‘Who's Afraid of Jasper Johns?’, Tony Shafrazi Gallery, New York, (curated by Urs Fischer and Gavin Brown) | |
| ‘God is Design’, Galpão Fortes Vilaça, São Paulo | |
| 2007 | 52nd Venice Biennale, Venice |
| ‘The Hamster Wheel’, Arsenale, Venice Biennalle | |
| ‘Fractured Figure’, DESTE Foundation, Athens | |
| ‘Traum and Trauma’, Kunsthalle Wien, Vienna, (Works from The Dakis Joannou Collection, Athens, MUMOK) | |
| ‘Sequence 1’, Palazzo Grassi, Venice | |
| ‘The history of a decade that has not yet been named’, Biennale de Lyon, Lyon | |
| ‘Domestic Irony. A curious glance at private Italian collections’, Museion, Bolzano | |
| ‘The Third Mind’, Palais de Tokyo, Paris | |
| 2006 | ‘Big Bang’, Centre Georges Pompidou, Paris |
| ‘The Studio’, Dublin City Gallery The Hugh Lane, Dublin | |
| ‘Contrabando’, Galleria Luisa Strina, Sao Paulo | |
| ‘Strange I've Seen That Face Before’, Museum Abteiberg, Moenchengladbach | |
| ‘FIVE BILLION YEARS’, Palais de Tokyo, Paris | |
| ‘The Vincent 2006’, Stedelijk Museum, Amsterdam | |
| ‘Where are we going?’, The Palazzo Grassi, Venice, (selection from the François Pinault Collection) | |
| ‘Disorder in the House’, Vanhaerents Art Collection, Brussels | |
| ‘Infinite Painting - Contemporary Painting and Global Realism’, Villa Manin Centre of Contemporary Art, Passariano | |
| ‘Day for Night: Whitney Biennial 2006’, Whitney Museum of American Art, New York | |
| The Vincent Van Gogh Biennial Award for Contemporary Art in Europe 2006, (Nominee) | |
| ‘Defamation of Character’, P.S.1 Center for Contemporary Art, Long Island City | |
| 2005 | Cobra Museum of Modern Art, Amsterdam |
| Reykjavik Art Museum, Reykjavik | |
| ‘Put It In Your Mouth / I'll see you on the dark side of the prune’, Rivington Arms, New York | |
| ‘(Swiss Made) The Art of Falling Apart’, Sammlung Hauser & Wirth, St. Gallen | |
| ‘Ma Non Al Sud’, Gallerie Civica d'Arte Contemporanea di Siracusa, Syracuse | |
| ‘Closing Down’, Bortolami Dayan Gallery, New York | |
| ‘Universal Experience: Art, Life, and the Tourist's Eye’, MCA, Chicago | |
| 2004 | ‘Monument to Now’, DESTE Foundation, Athens |
| ‘Skulptur: Prekärer Realismus zwischen Melancholie und Realismus’, Kunsthalle Wien, Vienna | |
| Regen Projects, Los Angeles | |
| ‘L'Air du Temps - Collection Printemps/Été 2004’, Migros Museum, Zurich | |
| 2003 | ‘Dreams and Conflicts: The Viewer's Dictatorship’, Biennale di Venezia, Venice |
| ‘Silver convention’, Galerie Giti Nourbaksch, Berlin | |
| Galerie Grimm & Rosenfeld, Munich | |
| ‘Kunstpreis der Böttcherstrasse’, Kunsthalle Bremen, Bremen | |
| ‘Durchzug-Draft’, Kunsthalle Zurich, Zurich | |
| ‘Bewitched Bothered and Bewildered: Spatial Emotion in Contemporary Art and Architecture’, Migros Museum, Zurich | |
| 2002 | ‘Exile on Main Street’, NICC, Antwerpen |
| ‘Lowland Lullaby’, Swiss Institute, New York, (with Ugo Rondinone John Giorno) | |
| ‘The Object Sculpture’, The Henry Moore Institute, Leeds | |
| ‘My Head is on Fire but my Heart is Full of Love’, Charlottenborg Museum, Copenhagen | |
| 2001 | ‘Ziviler Ungehorsam’, Kestner-Gesellschaft, Hannover |
| ‘Enduring Love’, Klemes Gasser & Tanja Grunert, New York | |
| ‘Squatters’, Serralves Foundation, Porto | |
| 2000 | ‘Sammlung (1). The Oldest Possible Memory’, Sammlung Hauser & Wirth in der Lokremise St. Gallen, St. Gallen |
| ‘Drawings’, Sommer Contemporary Art, Tel Aviv | |
| ‘Manifesta 3’, European Biennial of Contemporary Art, Ljubljana | |
| 1999 | ‘999’, Centro d'Arte Contemporanea Ticino, Bellinzona |
| ‘Holding Court’, Entwistle Gallery, London | |
| ‘Eidgenössische Preise für Freie Kunst’, Kunsthalle Zurich, Zurich | |
| ‘Le repubbliche dell'arte’, Palazzo delle Pappesse, Siena | |
| 1998 | ‘de ateliers’, De Ateliers, Amsterdam |
| ‘ironisch/ironic’, Museum für Gegenwartskunst, Zurich | |
| 1997 | ‘ètè 97’, Centre Genevois de Gravure Contemporain, Geneva |
| Fondazione Sandretto Re Rebaudengo per l'Arte, Torino | |
| ‘Dokumentation’, Hotel, Zurich | |
| 1996 | ‘Calypso’, Stedelijk Museum, Amsterdam, (with Antonietta Peeters and Avery Preesman) |
| 1995 | ‘Assistent’, Binz 39, Zurich, (with Maurus Gmür) |
| ‘Bundesstipendianten’, Kunsthaus Glarus, Glarus | |
| ‘Karaoke 444&222 too’, South London Gallery, London | |
| ‘Sogni/ Dreams. 48th Esposizione Internazionale d'Arte’, Venice Biennale, Venice & Fondazione Sandretto Re Rebaudengo per l'Arte, Turin | |
| ‘Collection migros museum für gegenwartskunst Zurich’, Museo d'Arte Contemporanea Donnaregina, Naples |
Projects
| 2015 | ‘Big Clay #4’, Seagram Building, New York |
Commissions
| 2018 | ‘Intimate Immensity: Alberto Giacometti Sculptures, 1935— 1945’, Luxembourg & Dayan, New York |
Bibliography
Press
| 2024 | Matthew Holman: ‘Urs Fischer: ‘I don’t fear anything when I make my large sculptures’’, The Art Newspaper, 12/06/2024 |
| Louis Jebb: ‘Two (or more) into one: Urs Fischer invites owners of his digital sculptures to have them remade into a new work’, The Art Newspaper, 10/06/2024 | |
| Anastasiia S. Kirpalov: ‘7 Famous Artists Who Destroyed Their Own Works’, The Collector, 25/04/2024 | |
| Anastasiia S. Kirpalov: ‘Why Does Urs Fischer Burn His Sculptures?’, The Collector, 13/04/2024 | |
| 2023 | Shawn Ghassemitari: ‘When it Comes to Art: Listen but Don’t Listen, Says Urs Fischer’, Hypebeast, 20/10/2023 |
| Christina Catherine Martinez: ‘Urs Fischer to unveil a monumental wave in Paris’, Art Basel, 27/09/2023 | |
| Min Chen: ‘Artist Urs Fischer’s Towering Cube at Gagosian Beverly Hills Plays a Chaotic Loop of Deconstructed TV Ads, Curated by A.I.’, artnet, 01/08/2023 | |
| Steven Vargas: ‘You’re not hallucinating: A massive, AI-generated glowing cube lands in Beverly Hills’, Los Angeles Times, 24/07/2023 | |
| 2022 | Annabel Keenan: ‘Show in Latin America–with Love on the Urs Fischer Opens His First Major Survey Brain’, Cultured, 08/04/2022 |
| Natasha Gural: ‘Urs Fischer Explores ‘Lovers’ Through Monumental Sculpture Connecting With His Vast, Inimitable Oeuvre At His First Solo Show In Latin America’, Forbes, 04/04/2022 | |
| 2021 | Kevin Brazil: ‘"When is a painting"’, Art Agenda, 10/09/2021 |
| 2019 | Rus, Mayer: ‘Artist Urs Fischer Reveals His Enchanting Home and Garden in Los Angeles’, Architectural Digest, 12/11/2019 |
| Warden, Ian: ‘Can you hear the philistines, Francesco?’, The Sydney Morning Herald, 31/03/2019 | |
| 2018 | Julie L. Belcove: ‘Urs Fischer Contemplates The Meaning of Art and Life In His Brooklyn Studio’, Architectural Digest, 11/10/2018 |
| Armstrong, Annie: ‘Small Is Beautiful: Luxembourg & Dayan Will Stage Show of Alberto Giacometti’s Tiniest Works, With Urs Fischer Exhibition Design’, ARTnews, 15/08/2018 | |
| Peter Libbey: ‘A Life”Size Rhinoceros Sculpture by Urs Fischer Will Go Up in Midtown’, New York Times, 13/05/2018 | |
| 2015 | Fischer, Urs and McEwen, Adam: ‘Art is a Translator, Art is a Friend’, Mousse, 04/2015 |
| 2014 | Cullinan, Nicolas: Urs Fischer‘s Objects and Images, Parkett, No.94 30/06/2014 |
| 2013 | Williams, Maxwell: ‘Urs Fischer: The Love of Disorder & Control’, Flaunt, 11/07/2013 |
| 2012 | Walleston, Aimee: ‘Urs on Film’, Art in America, 29/05/2012 |
| McKie, Andrew: ‘Sculpting to His Own Beat’, The Wall Street, 13/04/2012 | |
| Griffin, Jonathan: ‘Urs Fischer, the reluctant interviewee’, The Art Newspaper, 12/04/2012 | |
| Solway, Diane: ‘Studio Visit: Urs Fischer’, W Magazine, 04/2012 | |
| McGarry, Kevin: Urs Firscher‘s Really Big Problem, T Magazine, 29/02/2012 | |
| 2011 | Smith, Roberta: ‘When the Camera Takes Over for the Eye’, The New York Times, 05/09/2011 |
| Binswanger, Michele: ‘Schweizer Kunst kommt aus einer bäurschien tradition’, Tages- Anzeiger, 16/06/2011 | |
| ‘Art News New York: 23-foot, 16-ton Teddy Bear sculpture by Urs Fischer to be displayed Friday April 8th, at Seagram’s Building’, Art Observer, 06/04/2011 | |
| Nichols, Michelle: ‘Giant, 35,000 Pound Yellow Teddy Bear by Artist Urs Fischer to Brighten New York City’, Art Daily, 05/04/2011 | |
| Sutton, Benjamin: ‘20-Ton Urs Fischer Teddy Bear Sculpture Headed for Park Avenue’, The L Magazine, 04/04/2011 | |
| Crow, Kelly: ‘Hey There! Big Bear to Visit Park Avenue’, The Wall Street Journal, 02/04/2011 | |
| Cirincione, Janine: ‘Around the World in 80 days: Peripatetic Collectors Monique and Max Burger’, The Art Economist, Volume 1, Issue 2 2011 | |
| Morgan, Jessica: ‘Urs Fischer by Mark Seliger’, L'Uomo Vogue, 2011 | |
| 2010 | ‘AB-BE-CE-DA-RIO’, Mousse Magazine, 2010 |
| Carey-Kent, Paul: ‘Urs Fischer’, Art US, 2010 | |
| 2009 | Brown, Gavin: ‘Urs Fischer’, Interview Magazine, 12/2009 |
| Kuo, Michelle: ‘Taste Test’, Artforum International, 11/2009 | |
| Tompkins, Calvin: ‘The Imperfectionist’, The New Yorker, 19/10/2009 | |
| 2008 | Fischer, Urs: ‘The Year In Culture’, New York Magazine, 15/12/2008 |
| Völzke, Daniel: ‘Neues Vom Trickser’, Monopol, No.7 08/2008 | |
| 2007 | Vogel, Carol: ‘In for a Penny, In for the Pounce’, New York Times, 14/06/2007 |
| Chaplin, Julia: ‘A NIGHT OUT WITH- Alison Gingeras; Follow that Motoscafo’, New York Times, 10/06/2007 | |
| Koch, Carole: ‘Hardware’, Annabelle, 11 06/06/2007 | |
| Karrer, Eva: ‘Bäume statt Barock’, SonntagsZeitung, 03/06/2007 | |
| Jana, Reena: ‘The Dancing Camel’, Art on Paper, 5 05/2007 | |
| Morgan, Clare: ‘Surprise twist on the convict island’, smh.com.au, 17/04/2007 | |
| Higson, Rosalie: ‘Visions on a haunted isle’, The Australian, 17/04/2007 | |
| Fitzgerald, Michael: ‘Impressario of the New’, Time, 22/03/2007 | |
| Williams, Greg: ‘Urs Fischer’, L'Uomo Vogue, 2007 | |
| 2006 | Neil, Jonathan T. D.: ‘The Fischer King’, Art Review, 6 12/2006 |
| Cerizza, Luca: ‘City report’, Frieze, 102 10/2006 | |
| Gioni, Massimiliano: ‘le monde instable de Urs Fischer’, Art Press, 324 06/2006 | |
| Dörting, Thorsten, Herbert Lanz: ‘100 Gründe, warum die Schweiz wieder strahlt’, Facts, 19/06 11/05/2006 | |
| Van der Klaauw, Richard: ‘De Vakantie’, Metro, 02/05/2006 | |
| Leij, Machteld: ‘Fischers beelden speels en wreed’, NRC, 02/05/2006 | |
| Kerwin, Jessica: ‘On With the Show’, W, 05/2006 | |
| Ayar, Afshan: ‘Niets is wat het lijkt’, R'Uit Magazine, 30/04/2006 | |
| Schümer, Dirk: ‘Nur Tiepolo weint Tränen aus Gips’, Frankfurter Allgemeine Zeitung, 99 28/04/2006 | |
| Spiegler, Almuth: ‘Venedig: Im Palast der Begierde’, diepresse.com, 28/04/2006 | |
| Rauterberg, Hanno: ‘Ein Freibeuter der Künste’, Die Zeit, 18 27/04/2006 | |
| Migge, Thomas: ‘Kunst am Kanal’, dradio.de, 26/04/2006 | |
| Tjon A Fong, Marjorie: ‘Stoere Alpenhut van gezaagde broken’, AD zaterdag, 15/04/2006 | |
| Van der Beek, Wim: ‘Urs Fischer’, Kunstbeeld.Nl, 5 2006 | |
| 2005 | Doswald, Christoph: ‘Nachrichten aus dem Réduit’, Number 2, 30/11/2005 |
| Walde, Gabriela: ‘Flirt mit der Flamme, Ausstellungsrezension’, Berliner Morgenpost, 02/06/2005 | |
| Mammi, Alessandra: ‘Horror con humour’, L'Espresso, 29/05/2005 | |
| Casavecchia, Barbara: ‘Da Cattelan a Urs Fischer Trussardi colpisce ancora’, La Republica, 03/05/2005 | |
| Kuhn, Nicola: ‘Ich beiss, auf deine Witze, Ausstellungsrezension’, Der Tagesspiegel, 02/05/2005 | |
| Didero, Maria Cristina: ‘La Materia delle Favole’, Ottagono, 05/2005 | |
| Cobolli, Nicoletta: ‘Giocatotoli per adulti. Nella realtà senza consuetudini’, Arte, 30/04/2005 | |
| Masoero, Ada: Una signora del jet-set nell‘Istotito die cie chi, Il Giornale dell'Arte, 30/04/2005 | |
| Capelli, Pia: ‘O’Chair, per Trussardi, arrivano le Jet Set Lady’, Libero, 15/04/2005 | |
| Bonazzoli, Francesca: ‘Le briciole pazze del visionario Fischer’, Il Corriere della Sera Ed. Milano, 03/03/2005 | |
| Hubbard, Sue: ‘Things are not what they seem’, The Independent, 10/01/2005 | |
| Jones, Jonathan: ‘Urs Fischer’, The Guardian, 07/01/2005 | |
| Herbert, Martin: ‘Urs Fischer’, Time Out London, 05/01/2005 | |
| 2004 | Morton, Tom: ‘Roll With It’, Frieze, 86 10/2004 |
| Birnbaum, Daniel: ‘Sampling the Globe’, Artforum, 10/2004 | |
| Gingeras, Alison M.: ‘Urs Fischer’, Artforum, 10/2004 | |
| Marzahn, Alexander: ‘König Artus im Wunderland: zwischen Stuhl und Bänken’, Basler Zeitung, 29/07/2004 | |
| Zweifel, Stefan: ‘Im Universaalschaum’, Frankfurter Allgemeine Zeitung, 23/07/2004 | |
| Basting, Barbara: ‘Vitalitätstest glorreich bestanden’, Tages- Anzeiger, 10/07/2004 | |
| Spinelli, Claudia: ‘Leicht, nicht seicht’, Weltwoche, 29 07/2004 | |
| Binswanger, Daniel: ‘Langeweile beim Nasenbohren’, Weltwoche, 03/2004 | |
| Hess, Ewa: ‘Fischers Sicht der Dinge: Der Zürcher Künstler Urs Fischer verblüfft die Kunstwelt und stent vordem internationaler Durchbruc’, SonntagsZeitung, 04/01/2004 | |
| Carmine, Giovanni, Michael Robinson, (trans.): ‘URS FISCHER: PERSONAL WEATHER (interview)’, Flash Art, 01/2004 | |
| Ulmer, Brigitte: ‘Der Kunst-Rebell’, Bolero Men, 2004 | |
| 2003 | Gingeras, Alsion M: ‘Urs Fischer. Unplugged’, Art in Progress, 7 10/2003 |
| Lafuente, Pablo: ‘The failure man’, Art Review, 01/2003 | |
| 2002 | Lubbock, Tom: ‘Colourvision’, The Independent, 06/2002 |
| Bell, Kirsty: ‘Firing Line’, Artscene, 06/2002 | |
| 2000 | Meier, Philipp: ‘Der leise Seufzer der Kunst. Die Art Cologne-Deutschlands führende Modernmesse’, Neue Zurcher Zeitung, 11/11/2000 |
| Posca, Claudia: ‘Die Kunst, Kunst zu sehen. Eindrücke von der 34. Art Cologne’, Rhein Zeitung, 06/11/2000 | |
| Baumer, Dorothea: ‘Köln ist ein guter, ein idealer Platz. Die 34. Art Cologne’, Süddeutsche Zeitung, 06/11/2000 | |
| Meister, Helga: ‘Zu viele kindliche Seelen’, Düsseldorfer Nachrichten, 06/11/2000 | |
| Nebelung, Sigrid: ‘Kronleuchter aus Plastiktüten. 21 Künstler profitieren in diesem Jahr vom Förderprogramm der Art Cologne’, Handelsblatt, 03/11/2000 | |
| Sandmann, Monika: ‘Installationen dominieren’, Weltkunst Moderne, 10/2000 | |
| Maurer, Simon: Der Künstler als ‘Buetzer, Tages- Anzeiger, 63 25/04/2000 | |
| Arb, Eugen: ‘Der Schöne und das Biest, Urs Fischer, Die Südostschweiz’, Glarus, 07/04/2000 | |
| Allfree, Claire: ‘miriam bäckstrom and urs fischer: art from europe’, Metro, 20/01/2000 | |
| 1999 | Helwing, Anna: ‘Fundamentgefummel von Urs Fischer’, Kunstbulletin, 03/1999 |
| 1996 | Maurer, Simon: ‘Sexy Kuhfladen’, Tagesanzeiger Züritipp, 1996 |
Exhibition Reviews
| 2022 | Ricky Amadour: ‘Urs Fischer Spotlights Pluralistic Notions of Love’, Frieze, 28/04/2022 |
| 2019 | Sansom, Anna: ‘Urs Fischer makes wax portrait of Leonardo DiCaprio and his family for Gagosian show’, Art Newspaper, 14/10/2019 |
| 2018 | Wilson, Michael: ‘Urs Fischer’, Artforum, 12/2018 |
| Judah, Hettie: ‘Glasgow International 2018, review: the star of the show is the city’s own creative drive’, i News, 21/04/2018 | |
| Searle, Adrian: ‘Interstellar sexual adventures and underground erotica – Glasgow International review’, The Guardian, 20/04/2018 | |
| 2016 | Paola Nicolin: ‘Urs Fischer. Massimo De Carlo’, Artforum International, 12/2016 |
| Gross, Jack: Urs Fischer on Translating ‘YES’ in Moscow, Blouin Artinfo, 14/06/2016 | |
| 2015 | ‘Urs Fischer’s Site-Specific Installation at the Modern Institute, Glasgow’, Aesthetica, 08/07/2015 |
| 2014 | Clark, Robert: ‘In NO Time’, Guardian Guide, 31/05/2014 |
| 2013 | Searle, Adrian: Urs Fischer: the artist who‘s made a giant rainbow rainstorm out of clay, The Guardian, 25/11/2013 |
| Griffin, Jonathan: ‘Urs Fischer; The Museum of Contemporary Art Los Angeles’, Frieze d/e, 10/2013 | |
| Berardini, Andrew: ‘Urs Fischer’, Artforum, No. 19 05/2013 | |
| Dalton, Trinie: ‘Now showing|Urs Fischer’, T Magazine, 23/04/2013 | |
| Morton, Peter: ‘Urs Fischer in L.A.’, Departures, 04/2013 | |
| 2012 | Vetrocq, Marcia: ‘Urs Fischer Palazzo Grassi’, Modern Painters, 09/2012 |
| Kontova, Helena: ‘Spotlight’, Flash Art, 07/2012 | |
| Vetrocq, Marcia E.: Urs Fischer Explores the Theme of the Double in His Solo Survey at Venice‘s Palazzo Grassi, Artinfo, 16/04/2012 | |
| Soccimarro, Antonio: ‘Agenda: Madame Fisscher’, Mousse, 04/2012 | |
| Doran, Anne: ‘Review’, Art in America, 06/01/2012 | |
| Barbara Casavecchia: ‘Urs Fischer’, Art Review, 2012 | |
| 2011 | Smith, Roberta: ‘Art In Review: Urs Fischer’, The New York Times, 03/11/2011 |
| Milller, Michael H: The Answer Is ‘Why?’ Urs Fischer Overwhelms at New Gavin Brown Show, New York Observer, 24/10/2011 | |
| Douglas, Sarah: Why You Should Go See Urs Fischer‘s New Show at Gavin Brown, New York Observer, 21/10/2011 | |
| ‘Everything is a Project’, Inventario, 10/2011 | |
| Drake, Cathryn: ‘Investigations of a Dog’, Frieze, 10/2011 | |
| Gygax, Raphael: ‘Sculpture Now’, Flash Art, 10/2011 | |
| Casadio, Mariuccia: ‘The Studio Revives’, Vogue Italia, 10/2011 | |
| Griffin, Tim: ‘Out of Time’, Artforum, 09/2011 | |
| Roelstraete, Dieter: ‘Reviews’, Frieze, 09/2011 | |
| Bishop, Claire: ‘Safety in Numbers’, Artforum, 09/2011 | |
| Clegg, James: ‘Urs Fischer and Georg Herold’, Art Review, Issue 52 09/2011 | |
| Johnson, Ken: ‘Sculptural Surprises Grace the Streets’, The New York Times, 18/08/2011 | |
| Kotze, Talitha: ‘Urs Fischer and Georg Herold’, The List, 04/08/2011 | |
| Jones, Jonathan: ‘Cy Twombly, Rene Magritte and Thomas Struth-the week in art’, Guardian.co.uk, 08/07/2011 | |
| Prince, Mark: ‘Urs Fischer’, Flash Art, 2011 | |
| 2010 | Bushell, Laura: ‘Douglas Sirk: Urs Fischer’, ArtSlant, 11/2010 |
| Kazakina, Katya: ‘Newsprint Mogul Peter Brant has Meltdown, Pit in Private Urs Fischer Show’, Bloomberg.com, 22/06/2010 | |
| Kaufman, Jason Edward: Urs Fischer‘s Magnificent Vanitas for Peter Brant, Artinfo, 15/06/2010 | |
| Hirsch, Faye: ‘Urs Fischer’, Art in America, 01/2010 | |
| Heartney, Eleanor: ‘Urs Fischer: Maguerite de Ponty’, artpress, 01/2010 | |
| Kunitz, Daniel: ‘Urs Fischer’, Modern Painters, 2010 | |
| 2009 | Figner-Rümbeli, Von Susanne: ‘Weniger Brachial, Aber Genauso Fies’, Basler Zeitung, 24/11/2009 |
| Concilio, Arielle: ‘Iconic images mixed with absurdity prevade New York’, Columbia Daily Spectator, 13/11/2009 | |
| Yablonsky, Linda: ‘Nasty Tounge, Old Croissant Join Urs Fischer New Museum Splash’, Bloomberg.com, 10/11/2009 | |
| Schwendener, Martha: ‘Urs Fischer, Bowery Bad Boy: The Swiss born artist gives New York some tounge as he takes over the New York Museum’, Village Voice, 10/11/2009 | |
| Searle, Adrian: ‘Speaking in tongues: the art of Urs Fischer’, The Guardian, 09/11/2009 | |
| Bandle, Von Rico: ‘Ein Schweizer mit Hund im Belt Macht in New York Furore’, Der Bund, 05/11/2009 | |
| Massimiliano, Gioni: ‘Urs Fischer: Excerpts from an Interview’, Paper, Vol 7 11/2009 | |
| Saltz, Jerry: ‘A Whole New Museum:The Urs Fischerizing of a four-storey institution’, New York Magazine, 30/10/2009 | |
| Smith, Roberta: ‘Art Review | Urs Fischer: Exploration of space’, New York Times, 30/10/2009 | |
| Bodin, Claudia: ‘Urs Fischer, New York: Das Geheimnis der Matrix’, Kunstmagazin, 30/10/2009 | |
| Tompkins, Calvin: ‘The art of Urs Fischer: Onward and upward with the Arts’, The New Yorker, 19/09/2009 | |
| Rothkopf, Scott: ‘Urs Fischer: New Museum’, Artforum, Artforum XLVIII 09/2009 | |
| Nicolin, Paola: ‘Urs Fischer’, Kaleidoscope, 2009 | |
| Garcia, Carnelia: ‘Urs Fischer’, Modern Painters, 2009 | |
| 2008 | Wolin, Joseph R: ‘Reviews: Who’s Afraid of Jasper Johns?’, Modern Painters, 09/2008 |
| Bedford, Christopher: ‘Who’s Afraid of Jasper Johns?’, Frieze, 07/2008 | |
| Scott, Andrea K: Critic‘s Notebook: Extreme Makeover, The New Yorker, 09/06/2008 | |
| Baker, R.C: ‘Best in Show: Digital Vandalism at Shafrazi Gallery’, Venue, 03/06/2008 | |
| Sholis, Brian: Critic‘s Picks: Who’s Afraid of Jasper Johns?, Artforum, 06/2008 | |
| Falconer, Morgan: ‘Reviews: Who’s Afraid of Jasper Johns?’, Art Review, 06/2008 | |
| Saltze, Jerry: ‘Two Coats of Painting’, New York Magazine, 06/2008 | |
| Smith, Roberta: ‘When Artworks Collide’, The New York Times, 16/05/2008 | |
| Halle, Howard: ‘Who’s Afraid of Jasper Johns? Art becomes a real fake’, Time Out NY, 05/2008 | |
| Marchand, Antoine: ‘Down in a hole’, Zerodeux, 2008 | |
| Slaven, Jessica: ‘Sculpture in the Expended Field’, Paper Monument, 2008 | |
| Boucher, Brian: ‘Urs Fischer’, Art in America, 2008 | |
| ‘Urs Fischer’, Modern Painters, 2008 | |
| Lewis, Ben: ‘Who’s Afraid of Jasper Johns?’, Pluk, 2008 | |
| 2007 | Chami, Leslie: ‘The Corrections’, Village Voice, 19/12/2007 |
| Knoll, Valérie, Diana Reese, (trans.): ‘Urs Fischer’, Artforum, 12/2007 | |
| Coller, Holland: ‘Art In Review: Urs Fischer’, The New York Times, 23/11/2007 | |
| Kitnick, Alex: ‘Urs Fischer, you’, Time Out NY, 11/2007 | |
| Jones, Kristin: ‘Urs Fischer’, Frieze, 26/10/2007 | |
| Scharrer, Eva: ‘Biennale Venedig- Wechselvoller Parcours mit ernstem Unterton’, Kunstbulletin, 07/2007 | |
| Stolz, Noah, San Staë: ‘Urs Fischer e Ugo Rondinone’, Kunstbulletin, 07/2007 | |
| Searle, Adrian: ‘Venice takes flight’, The Guardian, 12/06/2007 | |
| Wüst, Karl: ‘Farben, Schatten und tote Bäume’, Der Zürcher Oberländer, 11/06/2007 | |
| Hauger, Caroline Micaela: ‘Nur die Künstler fehlten- Schweizer Party-Marathon in Venedig’, Schweizer Illustrierte, 11/06/2007 | |
| Ringel, Stephanie: ‘Anarchie in der Lagune’, Sonntagsblick, 10/06/2007 | |
| Mack, Gerhard: ‘Urs Fischer und Ugo Rondinone in San Staë’, NZZ am Sonntag, 10/06/2007 | |
| Mathonnet, Phillipe: A Venise, l‘art s‘humanise, Le Temps, 09/06/2007 | |
| Badrutt Schoch, Ursula: ‘Andacht, Wildheit’, St. Galler Tagblatt, 09/06/2007 | |
| Badrutt Schoch, Ursula: ‘Viele Bilder und ein paar Bäume’, Der Bund, 09/06/2007 | |
| Roeschmann, Dietrich: ‘Schweizer Meister’, Annabell, 11 06/06/2007 | |
| Hauger, Caroline Micaela: ‘Starker Auftritt’, Schweizer Illustrierte, 21/05/2007 | |
| Herzog, Samuel: ‘O sole mio – viel Kunst aus Frankreich für Venedig’, NZZ, 106 09/05/2007 | |
| Coulson, Amanda: ‘Urs Fischer and Rudolf Stingel’, Modern Painters, 04/2007 | |
| Garbarino, Laura: ‘Urs Fischer and Rudolf Stingel’, Flash Art, 03/2007 | |
| 2006 | Vetrocq, Marcia E: ‘A Museum of his own’, Art in America, 10/2006 |
| McNally, whitney: ‘Talent Show’, W Magazine, 10/2006 | |
| Plagens, Peter: ‘Madison avenue Ennui’, Art in America, 06/2006 | |
| Gingeras, Alison: ‘la collection François Pinault - le défi du choix’, Art Press, Issue 232 05/2006 | |
| Clausen, Eva: ‘Der unaufhaltsame Aufstieg des Monsieur Pinault’, Neue Zurcher Zeitung, Issue 99 29/04/2006 | |
| Erblöh, Roswitha: ‘Palais Pinault’, artnet, 06/03/2006 | |
| Saltz, Jerry: ‘Biennial in Babylon’, Village Voice, 28/02/2006 | |
| 2005 | Vincent, Steven: Urs Fischer at Gavin Brown‘s Enterprise, Art in America, 10/2005 |
| Romeo, Filippo: ‘Urs Fischer’, Artforum, 09/2005 | |
| 2004 | Burnett, Craig: ‘Urs Fischer’, The Guide, 04/12/2004 |
| Herzog, Samuel: ‘Le roi est mort-vive le Kir’, Neue Zurcher Zeitung, 158 11/07/2004 | |
| Kraft, Martin: ‘Kir Royal: Ausstellung von Urs Fischer im Kunsthaus: Fast ein Klassike’, Tagesanzeiger Züritipp, 28 08/07/2004 | |
| 2003 | Clem, Chivas: ‘Portrait of a Single Rain Drop’, Time Out NY, 05/2003 |
| 2002 | Dezeuze, Anna: ‘The Object Sculpture’, Art Monthly, Issue 258 07/2002 |
| Hickling, Alfred: ‘The Object Sculpture’, The Guardian, 06/2002 | |
| Bell, Kristy: ‘Urs Fischer’, Frieze, 67 05/2002 | |
| Schagel, Andreas: ‘Urs Fischer’, Flash Art, 03/2002 | |
| Daniels, Corinna: ‘Neues von Urs Fischer bei Contemporary Fine Arts– Der Schweizer hat keine Angst vor Kitsch’, Die Welt, 08/02/2002 | |
| Siepen, Nicolas: ‘Nichts für Bing Crosby’, Frankfurter Allgemeine Zeitung, 29 04/02/2002 | |
| Schwabsky, Barry: ‘The Object Sculpture’, Artforum, 2002 | |
| 2001 | Spinelli, Claudia: ‘Berührend skurril. Hauser & Wirth & Presenhuber zeigen Urs Fischer’, Neue Zurcher Zeitung, 207 07/09/2001 |
| 2000 | Becker, Jochen: ‘Manifesta 3’, Kunstforum International, Issue 152 12/2000 |
| Coomer, Martin: ‘Urs Fischer’, Time Out London, 16/02/2000 | |
| Jones, Jonathan: ‘Urs Fischer’, The Guardian, 24/01/2000 | |
| 1999 | Nicolaus, Heinrich: ‘Papesse: una finistra sulla Svizzera’, La Voce del Campo, 31 26/08/1999 |
| Chelotti, Chiara: ‘Le Repubbliche dell’ Arte’, Flash Art, 32 06/1999 | |
| 1998 | Gerster, Ulrich: ‘Mindestens amüsant - Ironisches im Museum für Gegenwartskunst’, Neue Zurcher Zeitung, 28/07/1998 |
| Altdorfer, Sabine: ‘Ironie, Verballhornung oder was?: Verfremdung von Realität im Museum für Gegenwartskunst’, Limmattaler Tagblatt, 27/07/1998 | |
| 1996 | Spinelli, Claudia: ‘Urs Fischer in der Galerie Walchetrum’, Kunstbulletin, 1996 |
Publications
| 2019 | HEADZ, Kiito-San, New York |
| Sirens, Galerie Max Hetzler and Holzwarth Publications, Berlin | |
| Urs Fischer Bandaids, Kiito-San, New York | |
| Urs Fischer Sculptures 2013-2018, Kiito-San, New York | |
| Urs Fischer: Paintings 1998–2011, 2012–2015, 2016–2017, Kiito-San, New York | |
| 2017 | Bruno & Yoyo, Kiito-San, New York |
| The Trick Brain, Aishti Foundation & Skira editore, Lebanon | |
| Urs Fischer Phantom Paintings, Kiito-San, New York | |
| 2015 | yes, Kiito-San, New York |
| 2013 | Urs Fischer, Kiito-San, New York |
| 2012 | Barnett Newman: Necrophonia, KiitoSan, New York |
| Caroline Bourgeois, Michele Robecchi, Patricia Falguieres: Urs Fischer. Madame Fisscher, KiitoSan, New York | |
| Gerald Matt: Urs Fischer. Skinny Sunrise, KiitoSan, New York | |
| 2011 | dngszikdufy, Gavin Brown’s enterprise, New York |
| 2008 | Who's afraid of Jasper Johns?, Tony Shafrazi Gallery |
| 2006 | Lindemann, Adam: Collecting Contemporary, Taschen, Cologne |
| Fischer, Urs: Paris 1919, JRP|Ringier, Zurich (monograph) | |
| 2005 | Coles, Sadie: Urs Fischer in Hydra, in Mr. Watson - Come Here - I Want to See You, Hydra Workshops, Hydra (monograph) |
| Gingeras, Alison M: VITAMIN D, Phaidon Press, London/ New York | |
| 2004 | Fischer, Urs, Ruf, Beatrix: Good Smell. Make-Up Tree, JRP|Ringier, Zurich (monograph) |
| Varadinis, Mirjam, et al: Kir Royal, Kunsthaus Zürich, Zürich (monograph) | |
| Bertaux, Francoise (ed.): Urs Fischer, Espace 315, Centre Pompidou, Paris (monograph) | |
| 2003 | Cream 3, Phaidon Press, London/ New York |
| 2000 | Ruf Beatrix (ed.): Urs Fischer. Time Waste. Radio-Cookie und kaum Zeit, Kaum Rat, Kunsthaus Glarus, Glarus (monograph) |
Exhibition Publications
| 2013 | The Making of Yes, KiitoSan, New York |
| 2012 | Beds & Problem Paintings Catalogue, Rizzoli International Publications, Inc., in association with Gagosian Gallery |
| 2008 | Blasted Allegories: Works from the Ringier Collection, JRP|Ringier, Zurich |
| 2007 | Domestic Irony: A Curious Glance on Italian Private Collections, MUSEION, Bolzano |
| Sequence 1 Collection Francois Pinault, Palazzo Grassi, Venice | |
| 2006 | Infinite Painting, Villa Manin Centro d'Arte Contemporanea, Codroipo |
| Sommario. La Collezione François Pinault - Una Selezione Post-Pop, Palazzo Grassi, Venice | |
| Strange I’ve Seen That Face Before, Städtisches Museum Abteiberg, Moenchengladbach | |
| The Studio, Dublin City Gallery, Dublin | |
| The Vincent Van Gogh Biennial Award for Contemporary Art in Europe 2006, Stedelijk Museum Amsterdam, Amsterdam (Urs Fischer Private Politics) | |
| Urs Fischer Rudolf Stingel, Galleria Massimo de Carlo, Milan | |
| Urs Fischer: Mary Poppins, Blaffer Gallery, University of Houston, Houston | |
| Where are we Going? Selections from the François Pinault Collection, Palazzo Grassi, Venice | |
| Whitney Biennial 2006: Day for Night, The Whitney Museum of American Art, New York | |
| 2005 | Ma Non Al Sud, Galleria Civica d'Arte Contemporanea di Siracusa, Syracuse |
| Urs Fischer, Camden Arts Centre, London | |
| 2004 | Whitney Biennial 2004, The Whitney Museum of American Art, New York |
| 2002 | Fair, Royal College of Art, London |
| My Head is on Fire but my Heart is Full of Love, Charlottenborg Exhibition Hall, Copenhagen | |
| 2000 | Manifesta 3. Boderline Syndrome, Energies of Defence. European Biennial of Contemporary Art, Cankarjev dom, Cultural and Congress Centre, Ljubjana |
| 1999 | Sogni/Dreams. 48th Esposizione Internazionale d'Arte, The Venice Biennial of Visual Arts, Venice; Fondazione Sandretto Re Rebaudengo per l'Arte, Turin |
| 1998 | Ironish/Ironic, Museum für Gegenwartskunst Zürich, Zurich |
| 1997 | Guarene Arte 97, Fondazione Sandretto Re Rebaudengo per l'Arte, Turin (illustration) |
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