Walter Price

Born 1989 , Macon, Georgia; Lives and works in New York.

Education

2014 AA, Middle Georgia College
2011 BA, Art Institute of Washington

Current & Forthcoming

2018 ‘Uptown to Harlem’, Riverview School, Cape Cod, MA
  ‘FRONT International: Cleveland Triennial for Contemporary Art’, Various locations, Cleveland, Ohio

Solo Exhibitions

2018 ‘Pearl Lines’, Kölnischer Kunstverein, Cologne
  ‘Pearl Lines’, The Modern Institute, 14—20 Osborne Street, Glasgow
2016 The Modern Institute, Aird's Lane Bricks Space
  ‘Pearl Lines’, KARMA, New York

Group Exhibitions

2018 ‘FRONT International: Cleveland Triennial for Contemporary Art’, Various locations, Cleveland, Ohio
  ‘Open House’, Jessica Silverman Gallery, San Francisco
2017 ‘Hecate’, Various Small Fires, Los Angeles
  ‘Fictions’, The Studio Museum Harlem, New York
  ‘Color People (curated by Rashid Johnson)’, Rental Gallery, East Hampton
  ‘We’ll turn Manhattan into an isle of joy’, Markus Lüttgen, Cologne
  ‘Summerfest’, Galerie Max Hetzler, Berlin
  ‘Flemming Faloon’, Office Baroque, Brussels
  ‘99 Cents or Less’, Museum of Contemporary Art Detroit, Detroit
  ‘Americans 2017’, LUMA Westbau, Zurich
  ‘Mondialité (curated by Hans Ulrich Obrist and Asad Raza)’, Boghossian Foundation–Villa Empain, Brussels
  ‘Zeitgeist’, MAMCO Museé d’Art Moderne, Geneva
  ‘Drawing Island’, The Journal Gallery, Brooklyn
2016 ‘Before Sunset’, Karma, Amagansett, New York
  ‘No Free Tax Art Month’, 247365, New York
  ‘The Great Figure Part Two’, The Journal Gallery, New York
  ‘Paper Peddling’, Marvin Gardens, Ridgewood, New York
  ‘Hill of Munch’, Rachel Uffner Gallery, New York
  ‘When Did Intimacy Begin Width’, Jeffrey Stark, New York
2013 ‘Full Spectrum’, Harriet Tubman Museum

Residencies

2018 ‘Robert Rauschenberg Foundation,’, Robert Rauschenberg Foundation, Captiva, Florida
2017 ‘Guild Hall, East Hampton’, Guild Hall, East Hampton, New York

Bibliography

Press

2017 Walsh, Brienne: ‘Calling an Art Exhibition "Color People," and not discussing Race, is a radical gesture in 2017’, Forbes, 29/06/2017
  Reyburn, Scott: ‘Basquiat Factor’ and a glut of options stoke sales at Art Basel, New York Times, 16/06/2017
2016 Molly Gottschalk: ‘The 10 Best Booths at ZsONA MACO’, Artsy, 04/02/2016
2015 Diane Solway: ‘Don’t Interrupt Julian Schnabel and Other Lessons from Art Basel’, W Magazine, 07/12/2015
  Artspace Editors: Susan and Michael Hort‘s Picks From Miami Art Week 2015, Artspace, 04/12/2015

Exhibition Reviews

2016 Ryan Steadman: ‘Do Artists Make the Best Curators?’, Observer, 03/11/2016

Publications

2016 Crystal Black, Karma, New York