Anne Collier

Born 1970, Los Angeles; Lives in New York.

Education

2001 MFA, University of California
1993 BFA, California Institute of the Arts

Current & Forthcoming

2016 ‘Cher(e)s Ami(e)s’, Centre Pompidou
2017 ‘A Song for Rio (part 2)’, Galeria Fortes Vilaca, São Paulo
  ‘WAGSTAFF'S’, Mostyn, Lladudno

Solo Exhibitions

2016 ‘Women with Cameras’, Rat Hole Gallery, Tokyo
  Galerie Neu, Berlin
  Anton Kern Gallery, New York
2015 Art Gallery of Ontario, Toronto, Touring: CCS Bard Hessel Museum of Art, Annandale-on-Hudson, (2014); Museum of Contemporary Art, Chicago (2014); Aspen Art Museum, Aspen (2015)
  Aspen Art Museum, Aspen, Touring: CCS Bard Hessel Museum of Art, Annandale-on-Hudson, (2014); Museum of Contemporary Art, Chicago (2014); Art Gallery of Ontario, Toronto (2015 - 2016)
2014 MCA, Chicago, Touring: CCS Bard Hessel Museum of Art, Annandale-on-Hudson, (2014); Aspen Art Museum, Aspen (2015); Art Gallery of Ontario, Toronto (2015 - 2016)
  ‘Anne Collier: Women with Cameras’, Studio Voltaire, London
  CCS Bard Hessel Museum of Art, Annandale-on-Hudson, Touring: MCA, Chicago (2014-2015); Aspen Art Museum, Aspen (2015); Art Gallery of Ontario, Toronto (2015 - 2016)
  The Modern Institute, 3 Aird's Lane, Glasgow (part of Glasgow International 2014)
2013 Marc Foxx, Los Angeles
2012 Anton Kern Gallery, New York
2011 Corvi-Mora, London
  Nottingham Contemporary, Nottingham
2010 Anton Kern Gallery, New York
  ‘Photographic, Anne Collier and Melanie Schiff’, Salina Art Center, Salina
2009 Artpace, San Antonio
  Galerie Giti Nourbaksch, Berlin
2008 Anton Kern Gallery, New York
  Bonner Kunstverein, Bonn
  Marc Foxx, Los Angeles
  Open Eye Gallery, Liverpool
  Presentation House Gallery, Vancouver
2007 Corvi-Mora, London
2006 Vacio 9, Madrid
2005 Corvi-Mora, London
2004 Marc Foxx, Los Angeles
2002 Marc Foxx, Los Angeles
2001 Marc Foxx, Los Angeles
1998 Institute of Visual Arts, Milwaukee
1995 ‘One on One’, Three Day Weekend, Los Angeles

Group Exhibitions

2017 ‘Point of Departure’, Sala de Arte of Fundación Banco Santander (curated by Magnolia de la Garza and Patrick Charpenel)
2016 ‘A Slow Succession with Many Interruptions’, San Francisco Museum of Modern Art, San Francisco
  ‘A Song for Rio (part 1)’, Galeria Fortes Vilaca, São Paulo
  ‘Implosion 20’, Anton Kern Gallery, New York
  ‘grabt tiefer, ihr Schönen’, Galerie Neu, Berlin
  ‘Strange Oscillations and Vibrations of Sympathy’, University Galleries of Illinois State University
  ‘The Sun Placed in the Abyss’, Columbus Museum of Art, Columbus
  ‘First Light: A Decade of Collecting’, ICA, Boston
  ‘SYSTEMATICALLY OPEN? New Forms for Contemporary Image Production’, LUMA Arles (Curated by Walead Beshty, Elad Lassry, Zanele Muholi, and Collier Schorr. Exhibition architecture by Philippe Rahm)
  ‘What People Do for Money: Some Joint Ventures’, Manifesta 11, Zurich
  ‘Manifesta 11’, Zurich
  ‘Invisible Adversaries’, CCS Bard Hessel Museum of Art, Annandale-on-Hudson
  ‘California and the West: Photography from the Campaign for Art’, SF MoMA, San Francisco
  ‘Collected’, Pier 24, San Francisco
  Anton Kern/Andrew Kreps, San Francisco
  ‘Human Interest: Portraits from the Whitney’s Collection’
  ‘L’image volée’, Fondazione Prada, Milan (curated by Thomas Demand)
  ‘Ordinary Pictures’, Walker Arts Centre, Minneapolis
  ‘Stil Life with Fish’, Hammer Museum, Los Angeles
  ‘Reflection’, Andrea Rosen Gallery, New York (curated by Philip Martin)
2015 ‘Collected by Thea Westreich Wagner and Ethan Wagner’, Whitney Museum of American Art, New York
  ‘Ugo Rondinone: I ♥ John Giorno’, Palais de Tokyo, Paris
  ‘Photo Poetics’, Guggenheim, New York (curated by Jennifer Blessing and Susan Thompson)
  ‘Colección Jumex, In Girum Imus Nocte et Consumimur Igni’, Jumex Foundation, Mexico
  ‘Popular Images’, KARMA, New York
  ‘America is Hard to See’, Whitney Museum of American Art, New York
2014 ‘The Thing Itself’, Yancey Richardson Gallery, New York
2013 ‘Une Affaire De Famille’, Musee de la Photographie Charleroi, Charleroi
  ‘In the Heart of the Country: The collection of the Museum of Modern Art in Warsaw’
  ‘More Love: Art, Politics, and Sharing since the 1990s’, Ackland Art Museum, The University of North Carolina, Chapel Hill
  ‘Summer of Photography’, Carolina Nitsch, New York
  ‘The Polaroid Years’, Frances Lehman Loeb Art Center, Vassar College, Poughkeepsie, NY
  ‘Rien faire et laisser rire. (Do nothing and let them laugh)’, Galerie Rodolphe Janssen, Brussels
  ‘Masquerade’, High House Gallery, Clanfield, Oxfordshire, UK
  ‘Revolution From Within’, Kaufman Repetto, Milan
  ‘Antibody’, Lisa Cooley Gallery, New York
  ‘Leonor Antunes, Anne Collier, Amalia Pica, Frances Stark & Jennifer West’, Marc Foxx, Los Angeles
  ‘Museum of Modern Art and Western Antiquities Department of Light Recordings, Section IV: Lens Drawing’, Marian Goodman, Paris (curated by Jens Hoffman)
  ‘Double Hamburger Deluxe’, Marlborough Chelsea, New York
  ‘XOXO & JOSH KLINE’, Night Gallery, Los Angeles
  ‘Antigrazioso’, Palais de Tokyo, Paris
  ‘Face to Face: The Audrey and Sydney Irmas Collection at LACMA’, Paris Photo Fair, Paris
  ‘Alchemical’, Steven Kasher Gallery, New York (curated by Kevin Moore)
  ‘Ten Years’, Wallspace Gallery, New York
  ‘Revealed’, The Norah and Norman Stone Collection, Calistoga
2012 ‘Lost and Found: Anonymous Photography In Reflection’, Ambach & Rice, Los Angeles
  ‘Spectral Landscape (with Viewing Stations)’, 400 Gallery, Chicago
  ‘You Know?’, Altman Siegel Gallery, San Francisco
  ‘Real to Real: Photographs from the Traina Collection’, De Young Museum, San Francisco
  ‘The Feverish Library’, Freidrich Petzel, New York (organized in cooperation with Matthew Higgs)
  ‘Only Parts Of Us Will Ever Touch Parts Of Others’, Galerie Thaddaeus Ropac, Paris (curated by Timothèe Chaillou)
  ‘Poule!’, Jumex Foundation, Mexico
  ‘New Photography 2012’
  ‘Matters of Fact’, Hessel Museum of Art, New York
  ‘Blind Cut’, Marlborough Chelsea, New York (curated by Jonah Freeman and Vera Neykov)
  ‘Creature From the Blue Lagoon’, Martos Gallery, New York (organized by Bob Nickas)
2011 ‘Still Life: Between Image and Object’, Lismore Castle Arts, Lismore (Curated by Polly Staple)
  ‘Anti-Photography’, Focal Point Gallery, Essex
  ‘NY: New Perspectives’, Brand New Gallery, Milan
  ‘That's The Way We Do It’, Kunsthaus Bregenz, Bregenz
  ‘The 2011 Bridgehampton Biennial’, Martos Gallery, New York (curated by Bob Nickas)
  ‘Catalogue of the Exhibition’, TRIPLE V, Paris (curated Bob Nickas)
  ‘Singular Visions’, Whitney Museum of American Art, New York
  ‘No Color in Your Cheeks Unless The Wind Lashes Your Face’, It's Our Playground, Glasgow
  ‘4 Women Making Art About Women: Selections from The Collection of Martin And Rebecca Eisenberg’, Eisenberg Family Gallery, Riverview School, New York
  ‘Real Simple’, Riverview School, Cape Cod
2010 ‘The Page’, Kimmerich, New York (curated by John Stezaker and Matthew Higgs)
  ‘BigMinis’, CAPC, Bordeaux
  ‘Le Faux Miroir’, Galerie Rodolphe Janssen, Brussels (curated by Bob Nickas)
  ‘How Soon Is Now’, Garage Center for Contemporary Culture, Moscow
  ‘10000LIVES’, Gwangju Biennale, Gwangju
  ‘Mixtapes, Popular Music in Contemporary Art’, Lewis Glucksman Gallery, Cork
  ‘Fresh Hell’, Palais de Tokyo, Paris (curated by Adam McEwen)
  ‘Collecting Biennials’, Whitney Museum of American Art, New York
  ‘The Discovery Award’, Les Recontres D'Arles Photographie, Paris (curated by Tom Eccles)
  ‘Haunted: Contemporary Photography/Video/Performance’, Guggenheim, New York
2009 ‘The Rustle of Language’, Galleria Francesca Kaufmann, Milan
  ‘Correspondences curated by Matthew Higgs, Anne Collier, Janice Guy’, Galerie Mezzanin, Vienna
  ‘To Be Determined’, Andrew Kreps Gallery, New York
  ‘Revolver’, COCO (Contemporary Concerns), Vienna
  ‘A Twilight Art’, Harris Lieberman, New York
  ‘Cris Brodahl, Brian Calvin, Anne Collier, Brian Fahlstrom, Jason Meadows, Carter Mull, Sterling Ruby, Mateo Tannatt’, Marc Foxx, Los Angeles
  ‘The Secret Life of Objects’, Midway Contemporary Art, Minneapolis
  ‘Copy’, White Columns, New York
  ‘An Autobiography of the San Francisco Bay Area’, San Francisco
  ‘The Living and the Dead’, Gavin Brown's enterprise, New York
2008 ‘Records Played Backwards’, The Modern Institute/Toby Webster Ltd, Glasgow (curated by Daniel Baumann)
  ‘Unknown Pleasures’, Aspen Art Museum, Aspen
  ‘Legende’, Centre d'art contemporain, Chamarande
  ‘Dispersion’, Institute of Contemporary Art, London
  ‘New High in Getting Low’, John Connelly Presents, New York
  Marc Foxx, Los Angeles
  ‘Schatten werfen keine Schatten’, Meyer Riegger Galerie, Karlsruhe
  ‘Sphinxx’, Stuart Shave/Modern Art, London
  ‘Friends and Family’, Anton Kern Gallery, New York
  ‘Signs of The Time’, Whitney Museum of American Art, New York
2007 ‘I Am Eyebeam’, 400 Gallery, Chicago (curated by Melanie Schiff and Lorelei Stewart)
  ‘Extra-Ordinary: The Everyday Object in American Art. Selections from the Whitney Museum of American Art’, Austin Museum of Art, Austin, Texas
  ‘Der Droste Effekt’, Esther Schipper, Berlin
  ‘Beneath the Underdog’, Gagosian, New York
  ‘People Take Pictures of Each Other’, LaMontagne Gallery, Boston (curated by Bob Nickas)
  ‘Strange Magic’, Luhring Augustine, New York
  ‘Anything You Want’, Pumphouse Gallery, London
  ‘Mario Testino: At Home’, Yvon Lambert Gallery, New York (curated by Mario Testino)
  ‘Neointegrity’, Derek Eller Gallery, New York
  ‘Last Attraction Next Exit’, Max Wigram Gallery, London (curated by Neville Wakefield)
  ‘Two Years: Aquisitions for the Permanent Collection’, Whitney Museum of American Art, New York
2006 ‘Just Off Focus’, Andrew Kreps Gallery, New York
  ‘Anne Collier, Dominique Gonzalez-Foerster, Roger Hiorns, Colter Jacobsen’, Corvi-Mora, London
  ‘Fountains’, D'Amelio Terras, New York
  ‘Refract’, Marc Foxx, Los Angeles
  ‘Good Vibrations: Visual Arts and Rock Culture’, Palazzo delle Pappesse, Siena
  ‘Mid-Life Crisis’, Salander-O'Reilly, New York
  ‘Peter Coffin, Anne Collier, Eileen Quinlan’, United Artists Ltd, Marfa
  ‘Strange Powers’, Creative Time, New York
  ‘Writing in Strobe’, Dicksmith Gallery, London (curated by Andrew Hunt)
  ‘Slow Burn’, Galerie Edward Mitterrand, Paris (curated by Jonah Freeman)
  ‘Axis of Praxis’, Midway Contemporary Art, Minneapolis
  ‘The Rhubarb Society’, Tracey Lawrence Gallery, Vancouver
  ‘Whitney Biennial: Day for Night’, Whitney Museum of American Art, New York (curated by Chrissie Iles and Philippe Vergne)
2005 ‘Always Crashing in the Same Car’, Gallerie Susanne Ottensen, Copenhagen
  ‘Bonds of Love’, John Connelly Presents, New York (curated by Lisa Kirk)
  ‘Gallery Artists Summer Group Show’, Marc Foxx, Los Angeles
  ‘Bridge Freezes Before Road’, Barbara Gladstone Gallery, New York (curated by Neville Wakefield)
  ‘Drunk vs. Stoned 2’, Gavin Brown's enterprise, New York
  ‘in words and pictures’, Murray Guy, New York
  ‘Greater New York’, P.S.1 Contemporary Art Center, Long Island City
  ‘The Early Show’, White Columns, New York
2004 ‘Likeness: Portraits of Artists by Other Artists’, CCA Wattis Institute, San Francisco
  ‘Three Day Weekend’, Central Park, New York (in collaboration with Whitney Biennial, curated by Dave Muller)
  ‘Land of the Free’, Jack Hanley Gallery, Los Angeles
  Jack Hanley Gallery, San Francisco
  ‘Eye Spy’, Museum of Contemporary Art, San Diego
  ‘Let the Bullshit Run a Marathon’, Nicole Klagsbrun Gallery, New York (curated by Nate Lowman)
2003 ‘17 Reasons’, Jack Hanley Gallery, San Francisco (curated by Kate Fowle and Jack Hanley)
  ‘Portraiture’, Karyn Lovegrove Gallery, Los Angeles
  ‘for nobody knows himself if he is only himself and not another at the same time’, Marc Foxx, Los Angeles
  ‘summer show’, Marc Foxx, Los Angeles
  ‘Makeshift World’, Stephen Wirtz Gallery, San Francisco
2002 ‘Group Show’, Marc Foxx, Los Angeles
  ‘Bay Area Now III’, Yerba Buena Center for the Arts, San Francisco
  ‘A Show That Will Show That a Show Is Not Only a Show’, The Project, Los Angeles (curated by Jens Hoffman)
2001 ‘I Want More’, Temple Bar Gallery, Dublin
  New Wight Art Gallery, UCLA, Los Angeles
2000 ‘Summer Group Show’, Goldman Tevis, Los Angeles
1996 ‘Eros Travel Company’, Studio Neuwirth, Vienna
  ‘Striking Distance’ (curated Andrea Bowers (Internet exhibition))
1995 ‘Dave's Not Here’, Three Day Weekend, Los Angeles
1994 ‘Summer Group Show’, Three Day Weekend, Los Angeles
  ‘Thanks!’, Three Day Weekend, Los Angeles
1992 ‘Art Dogs’, George's, Los Angeles

Group Screenings

1992 ‘L.A.C.E.’ (video screening of Los Angeles video artists, Los Angeles)

Bibliography

Press

2016 Anne Collier: The Artists’ Artists, Artforum International, 12/2016
2014 Dillon, Brian: ‘Anne Collier’, Artforum, Vol. 53 09/2014
  ‘Viewfinder: Woman with a Camera (2009) by Anne Collier’, The Daily Telegraph, 22/03/2014
  Linnert, Nicolas: ‘Anne Collier’, Camera Austria, No.127 2014
  Sawyer, Drew: ‘Woman with a Camera’, Document Journal, No. 5 2014
2013 ‘Highlights from the Highline’, Elle, 21/11/2013
  Finkel, Jori: ‘An Artist Whose Medium Really Is the Message’, New York Times, 02/11/2013
  Jaeger, Anne-Celine: ‘Reporting from Frieze: Eight Exciting Discoveries at the Contemporary Art Fair’, Time, 23/10/2013
  Beck, Martin: ‘Forum’, Camera Austria, 123 09/2013
  Smith, Roberta: ‘Art in Review: 10 Years’, New York Times, 26/07/2013
  Wolff, Rachel: ‘50 Under 50: The Next Most Collectible Artsts’, Art + Auction, 06/2013
  Woodward, Richard: ‘The SX-70 as Sexy Tech’, Wall Street Journal, 06/05/2013
  Holmes, Pernilla: ‘Thinking Outside The Box’, Financial Times, 304 04/05/2013
  Schwendener, Martha: ‘Instant Photographs, Lasting Images’, New York Times, 28/04/2013
  Menegoi, Simone: Critics’ Picks, Artforum Online, 19/03/2013
2012 Gopnik, Blake: ‘Appropriation, In The Flesh’, The Daily Beast, 12/12/2012
  Johnson, Ken: ‘Eyeing the Lens With Suspicion’, The New York Times, 30/11/2012
  Aletti, Vince: Critic‘s Notebook: Photo Sensitive, The New Yorker, 22/10/2012
  ‘New Photography 2012’, The New Yorker, 02/10/2012
  Critics’ Picks, Time Out New York, 27/09/2012
  Wilson, Michael: ‘Anne Collier’, Time Out New York, 858 03/05/2012
  ‘Going On About Town: Anne Collier’, The New Yorker, 30/04/2012
  Rosenberg, Karen: ‘Anne Collier’, The New York Times, 27/04/2012
  Bollen, Christopher: ‘Anne Collier’, Interview Magazine, 04/2012
  ‘New Work: Photographs by Anne Collier’, Modern Painters, 04/2012
  Firestone, Lonnie: ‘High Art’, New York Press, 11/02/2012
2011 Deller, Jeremy: ‘Best of 2011: Part 3’, Frieze Blog, 24/12/2011
  Stewart, Christabel and Ajay RS Hothi: Nature‘s Way, Tank, 5 30/11/2011
  Freyberg, Annabel: ‘Victorian Secret’, World of Interiors, 11/2011
  Doubal, Rosalie: ‘Anne Collier’, Time Out London, 10/10/2011
  Rosenberg, Karen: ‘All Nooks, Crannies, Bedrooms and Trees Are Backdrops for Art’, New York Times, 08/08/2011
  Vogel, Carol: Blockbuster Growth in the Met‘s Attendance Figures, New York Times, 22/07/2011
  ‘Art Photographers to Watch’, Ten Magazine, No. 38 2011
  ‘The New Pop: Female Art Photographers Now’, Pop, 2011
  Collier, Anne: ‘Woman With a Camera’, Spike Art Quarterly, 2011
2010 ‘The Power 100 with Artwork by Anne Collier’, Art Review, 45 11/2010
  Lobel, Michael: ‘Scale Models, Michael Lobel on Laurie Simmons and Anne Collier’, Artforum, 10/2010
  Fox, Dan: ‘Pictures of You’, Frieze, 05/2010
  Smith, Roberta: ‘In The Fields of Art, Snapping Photos’, New York Times, 04/2010
  Tagliafierro, Marco: ‘The Rustle of Language’, Artforum, 03/2010
  ‘Anne Collier’, The New Yorker, 15/02/2010
  Wilson, Michael: ‘Anne Collier’, Time Out New York, 11/02/2010
  Nathan, Emily: An ‘I’ On You, ArtSlant, 24/01/2010
  Nikas, Bob: ‘Looking Forward 2010’, Frieze, 128 01/2010
  Collier, Anne: ‘Art/T.J. Wilcox’, Bomb Magazine, 2010
  McDonough, Tom: ‘In Between: Tom McDonough in conversation with Anne Collier’, Fantom, 04 2010
  ‘Special Project’, Nero, No. 24 2010
  ‘The Sea Series’, Fantom, Issue 05 2010
2009 Parrott, Skye: ‘20 Questions, A Project By Matthew Higgs’, Dossier, No. 5 30/11/2009
  Gleizes, Serge: ‘Style AD’, Architectural Digest, 09/2009
  Schwendener, Martha: ‘Matthew Higgs’, New Yorker, 02/2009
  Verwoert, Jan: ‘Anne Collier’, Flash Art, 01/2009
  Tramposch, Emma: ‘File Under: Monographs’, Camerawork, Vol. 26, Issue 02 2009
  Bauman, Daniel: ‘Getting Controlled and Lose’, Spike Magazine, 2009
2008 Lange, Christy: ‘All that is solid melts into air: Report from Los Angeles’, Frieze Blog, 17/12/2008
  Walleston, Aimee: ‘Anne Collier’, The Last Magazine, 01 10/2008
  di Angelo, Flaccavento: ‘Modern Take on Collecting’, L'Uomo Vogue, 07/2008
  ‘Anne Collier’, Blind Spot, 37 04/2008
  Charlesworth, J.J.: ‘Anne Collier’, Art Review, 19 02/2008
  Sumpter, Helen: ‘Anne Collier’, Time Out New York, 01/2008
  ‘Cut Copy’, V magazine, 56 2008
  Waldemar, Noe: ‘Double Marilyn’, Mister Motley, Number 17 2008
  Stewart, Christabel: ‘Girl on film’, Tank, Volume 5, Issue 03 2008
2007 Smith, Roberta: ‘CIRCA 70’, New York Times, 13/07/2007
  Curiger, Bice: ‘Emerging Artists’, Frieze, 104 01/2007
  Brzezinski, Kathleen: ‘Art of Melancholy’, Anthem Magazine, Number 31 2007
  Bolland, Mark: ‘Some Complex Visual Codes’, Source, 53 2007
2006 ‘Shape Shifters’, Men's Vogue, 11/2006
  Leung, Cynthia: ‘Anne Collier’, Tokion, 09/2006
  Sholis, Brian: ‘Mid Drift’, Artforum Online, 10/03/2006
  Dillon, Brian: ‘Anne Collier: Photographs, LPs, Abstraction, Humour and Melancholy’, Frieze, 97 03/2006
  ‘Insert: Anne Collier’, Parkett, Number 78 2006
2005 Cotter, Holland: ‘Fanciful to Figurative to Wryly Inscrutable’, New York Times, 07/2005
  Slimane, Hedi: ‘Portfolio du designer Hedi Slimane, qui nous fait partager ses coups de couers artistiques’, Jalouse, 04/2005
  Saltz, Jerry: ‘Lesser New YorkL P.S. 1 and MoMA want the wildness of youth but then immediately try to tame it’, Village Voice, 27/03/2005
2004 LaFuente, Pablo: ‘The Faces of the Future’, Art Review, 10/2004
2002 Valentine, Christina: ‘Anne Collier’, Flash Art, 12/2002
  Ollman, Leah: ‘Exploring Metamorphosis and Ephemerality’, Los Angeles Times, 27/09/2002
  Young, Paul: ‘Touchy Subjects’, Angeleno, 2002

Exhibition Reviews

2016 Johnson, Ken: ‘Chelsea Galleries, Like a Box of Chocolates’, New York Times, 21/04/2016
  Atallah, Lara: Critics’ Picks: Anne Collier, Artforum, 04/2016
2014 McDonough, Tom: ‘Anne Collier’, Artforum, 11/2014
  Grabner, Michelle: Critic‘s Picks: Anne Collier, Artforum Online, 08/2014
  Morton, Tom: ‘Glasgow International 2014’, Frieze, 06/2014
  Bowles, Rachel: ‘Anne Collier at The Modern Institute’, The Skinny, 28/04/2014
  Didcock, Barry: ‘Contrast and compare’, The Herald, 19/04/2014
  Gavin, Francesca: ‘The Glasgow International Festival Proves its Continuing Relevance’, Artsy, 14/04/2014
  Clark, Robert: ‘Glasgow International’, Guardian Guide, 05/04/2014
  Long, Declan: ‘Images Unfixed’, The Source, 2014
2011 Curtin, Brian: Critic‘s Picks: Still Life, Artforum Online, 20/07/2011
  Herbert, Martin: ‘Still Life’, Art Monthly, 07/2011
  ‘Reviews/Exhibitions: Jack Goldstein, Nottingham Contemporary’, Art Monthly, 03/2011
2010 Patrick, Martin: ‘Haunted: Contemporary Photograohy/Video/Performance’, Art Monthly, 10/09/2010
  Hodgson, Francis: ‘Arles Photography Festival’, Financial Times, 07/2010
  Demuth, Gary: ‘Photography Exhibition’, Salina Journal, 05/2010
  Sholis, Brian: ‘Anne Collier’, Artforum, 04/2010
  ‘Anne Collier’, New Yorker, 15/02/2010
  Robinson, Walter: ‘A Weekend Update’, artnet, 02/2010
2009 Bennett, Steve: ‘New Works Push the Envelope at Artspace’, San Antonio Express News, 08/2009
  Fisch, Sarah: It‘s Not You, It‘s Me, San Antonio Current, 22/07/2009
  ‘Artspace New Works’, San Antonio Current, 15/07/2009
  Gillig, Melanie: ‘Dispersion’, Artforum, 04/2009
  Andress, Sarah: ‘Dispersion’ at the ICA, Flash Art, 03/2009
  ‘To Be Determined’, The New Yorker, 03/2009
  Schwendener, Martha: Paul Graham and Harris Lieberman‘s ‘A Twilight Art’ Confront the Future, Village Voice, 18/02/2009
  Lowenstein, Kate: ‘To Be Determined’, Time Out New York, 15/02/2009
  Flexer, Gabrielle: ‘Dispersion’, a-n Magazine, 01/2009
2008 Campbell-Johnston, Rachel: ‘Cut, paste and get the close-up’, The Times, 12/12/2008
  Darwent, Charles: ‘Dispersion, ICA, London’, The Independent, 12/2008
  Aletti, Vince: ‘Anne Collier at Anton Kern’, New Yorker, 25/02/2008
  Doran, Anne: ‘Anne Collier at Anton Kern’, Time Out New York, 20/02/2008
  Saltz, Jerry: ‘Anne Collier at Anton Kern’, New York Magazine, 02/2008
  Fritzsche, Mathias: ‘Aneignung einer Ikone’, Kunstler, 2008
  Akalin, Ann-Kathrin: ‘Das Auge als Spiegel der Seele’, General-Anzeiger Online, 2008
  ‘Der Bonner Kunstverein macht keine Sommerpause’, Mensa Magazine, 2008
2007 Akalin, Ann-Kathrin: ‘Ein Kunstler-Trio stellt im Kunstverein aus’, General-Anzeiger Online, 30/11/2007
  Rosenberg, Karen: ‘Strange Magic’, New York Magazine, 23/07/2007
  Pollack, Barbara: ‘Strange Magic’, Time Out New York, 07/2007
  Smith, Roberta: ‘Strange Magic’, New York Times, 07/2007
2006 Smith, Roberta: ‘Strange Powers’, New York Times, 09/2006
  ‘Strange Powers’, Time Out New York, 31/08/2006
  Griffin, Jonathan: ‘Writing in Strobe’, Frieze, 06/2006
  Charlesworth, J.J.: ‘Writing in Strobe’, Art Monthly, 28/05/2006
  Saltz, Jerry: ‘Biennial in Babylon’, Village Voice, 03/2006
2005 Jones, Kirsten M.: ‘Bridge Freezes Before Road’, Frieze, 10/2005
  Connor-Greene, Rachel: ‘Reviews: Bonds of Love’, Time Out New York, 15/09/2005
  Johnson, Ken: ‘Art in Review: Bonds of Love’, New York Times, 09/2005
  ‘Bonds of Love’, New Yorker, 09/2005
  Smith, Roberta: ‘Drunk v. Stoned 2: Along the Blurry Line Between Blotto and Buzzed’, New York Times, 26/08/2005
  Clem, Chivas: ‘Bridge Freezes Before Road’, Time Out New York, 08/2005
  Yablonsky, Linda: ‘Bridge Line’, Artforum Online, 27/06/2005
2004 Miles, Christopher: ‘Anne Collier at Marc Foxx’, Artforum, 12/2004
2002 Helfand, Glen: ‘Bay Area Now 3 returns to the fountain’, San Francisco Bay Guardian, 27/11/2002
  Wood, Sura: ‘Bay Area Now 3: A Showcase of Local Talent’, San Francisco Art Monthly, 11/2002
  Baker, Kenneth: ‘Bay Area Now 3’ show peeks into artists’ inner worlds, San Francisco Chronicle, 30/10/2002

Publications

2016 Women Crying, Hassla Books, New York
2014 Collier, Anne: Anne Collier, MCA, Chicago
  Collier, Anne: Still Lifes, Wood Kusaka Studios, Los Angeles
2012 Collier, Anne: Anne Collier, Anton Kern Gallery, New York
2010 Mobley, Chuck: An Autobiography of the San Francisco Bay Area, Parts 1 and 2, SF Camerawork Publications, San Francisco
  Scott, Kitty: Creamier- Contemporary Art in Culture: 10 Curators, 100 Contemporary Artists, 10 Sources, Phaidon Press, London/ New York
  Drutt, Matthew: Dream Works, Artspace, San Antonio
2009 Bussel, David: Looking at Display, Images of Contemporary Art in London Galleries, Rachmainoff's, London
  Collier, Anne: Woman With A Camera, Hassla Books, New York

Exhibition Publications

2010 1000 Lives Gwangju Biennale 2010, Gwangju Biennale Foundation, Gwangju
  Fresh Hell/Carte Blanche a Adam McEwen, Palais de Tokyo, Paris
  HauntedL Contemporary Photography/Video/Performance, Guggenheim Museum Publications, New York
2008 Anne Collier, Presentation House Gallery, Vancouver
  Dispersion, ICA, London
2006 Writing in Strobe, Dicksmith Gallery, London
2004 Likeness: Portraits of Artists by Other Artists, CCA Wattis Institute, San Francisco
2002 Bay Area Now 3, Yerba Buena Center for the Arts, San Francisco