Anne Collier

Born 1970, Los Angeles; Lives in New York.


2001 MFA, University of California
1993 BFA, California Institute of the Arts

Current & Forthcoming

2023 ‘Unraveling (Are You Out Of Your Mind)’, Institute of Contemporary Art, Miami
2024 ‘I'm Not Afraid Of Ghosts’, Palazzo Tiepolo Passi, Venice

Solo Exhibitions

2023 ‘Eye’, Lismore Castle Arts, Lismore
  Galerie Neu, Berlin
2021 Baton Gallery, Seoul
  ‘Anne Collier’, Anton Kern Gallery, New York
2020 The Modern Institute, 3 Aird's Lane, Glasgow
  Hydra Workshops, Hydra, Greece
2019 ‘Anne Collier’, Gladstone Gallery, Brussels
  ‘Anne Collier’, Galerie Neu, Berlin
  ‘Anne Collier Photographic’, Fotomuseum, Winterthur
2018 ‘Anne Collier: Photographic’, Sprengel Museum, Hannover
  ‘Anne Collier’, Anton Kern Gallery, New York
  ‘Anne Collier’, FRAC Normandie Rouen
2017 The Modern Institute, 14–20 Osborne Street, Glasgow
  ‘Anne Collier: Women with Cameras (Self Portrait)’, Minneapolis Institute of Art
  ‘Women With Cameras (Anonymous), Art Basel Unlimited’, Anton Kern, The Modern Institute, Galerie Neu, Art Basel
2016 ‘Women with Cameras’, Rat Hole Gallery, Tokyo
  Galerie Neu, Berlin
  Anton Kern Gallery, New York
2015 Art Gallery of Ontario, Toronto, Touring: CCS Bard Hessel Museum of Art, Annandale-on-Hudson, (2014); Museum of Contemporary Art, Chicago (2014); Aspen Art Museum, Aspen (2015)
  Aspen Art Museum, Aspen, Touring: CCS Bard Hessel Museum of Art, Annandale-on-Hudson, (2014); Museum of Contemporary Art, Chicago (2014); Art Gallery of Ontario, Toronto (2015 - 2016)
2014 MCA, Chicago, Touring: CCS Bard Hessel Museum of Art, Annandale-on-Hudson, (2014); Aspen Art Museum, Aspen (2015); Art Gallery of Ontario, Toronto (2015 - 2016)
  ‘Anne Collier: Women with Cameras’, Studio Voltaire, London
  CCS Bard Hessel Museum of Art, Annandale-on-Hudson, Touring: MCA, Chicago (2014-2015); Aspen Art Museum, Aspen (2015); Art Gallery of Ontario, Toronto (2015 - 2016)
  The Modern Institute, 3 Aird's Lane, Glasgow (part of Glasgow International 2014)
  Hydra Workshops, Hydra, Greece
2013 Marc Foxx, Los Angeles
2012 Anton Kern Gallery, New York
  ‘High Line Art billboard commission’, The Highline, New York (Presented by Friends of The Highline & Cecilia Alemani New York)
2011 Corvi-Mora, London
  Nottingham Contemporary, Nottingham
2010 Anton Kern Gallery, New York
  ‘Photographic, Anne Collier and Melanie Schiff’, Salina Art Center, Salina
2009 Artpace, San Antonio
  Galerie Giti Nourbaksch, Berlin
2008 Anton Kern Gallery, New York
  Bonner Kunstverein, Bonn
  Marc Foxx, Los Angeles
  Open Eye Gallery, Liverpool
  Presentation House Gallery, Vancouver
2007 Corvi-Mora, London
2006 Vacio 9, Madrid
2005 Corvi-Mora, London
2004 Marc Foxx, Los Angeles
2002 Marc Foxx, Los Angeles
2001 Marc Foxx, Los Angeles
1998 Institute of Visual Arts, Milwaukee
1995 ‘One on One’, Three Day Weekend, Los Angeles

Group Exhibitions

2022 ‘Common Ground: UCCA 15th Anniversary Patrons Collection Exhibition’, UCCA , Beijing
  ‘True Pictures?’, Museum der Moderne, Salzburg
  ‘TRUE PICTURES?’, Sprengel Museum, Hannover
2021 ‘True Pictures?’, Sprengel Museum, Hannover
  ‘The Greek Garden’, Galerie Praz-Delavallade, Paris
  ‘New Time: Art and Feminisms in the 21st Century’, UC Berkeley Art Museum and Pacific Film Archive, Berkeley
  ‘The Worlds We Make: Selections from the ICA Collection’, ICA, Boston
  Champ Lacombe, Biarritz
  ‘The Skin I Live In’, Lyles & King, New York
  ‘Tales of Manhattan’, Anton Kern Gallery, New York
  ‘Deux scénarios pour Une collection’, FRAC Normandie Rouen
2020 ‘Old Technology’, Anton Kern Gallery, New York
  ‘MY C ART OGRAPHY. The Erling Kagge Collection’, Santander Art Gallery, Madrid
  ‘Mourning. On Loss and Change’, Hamburger Kunsthalle, Hamburg
2019 ‘Studio Photography: 1887—2019’, Simon Lee Gallery, New York
  ‘What is an edition, anyway?’, McEvoy Foundation for the Arts, San Francisco
  ‘Frederick Weston: Happening’, Gordon Robichaux, New York
  ‘Domestic Bliss’, GOMA, Glasgow
  ‘Grande Révolution Domestique’, Familistère de Guise, Guise
  ‘I will be Dead’, König Galerie, London
2018 ‘SALON D'HONNEUR’, Paris Photo Fair, Paris (McEvoy Family Collection curated by Kevin Moore)
  ‘Maurizo Cattelan: The Artist Is Present’, Yuz Muz Museum, Shanghai
  ‘You Are Looking At Something That Never Occurred’, MAMM, Moscow (Zabludowicz Collection)
  ‘Role-Playing Rewriting Mythologies’, Daegu Photo Biennale, Daegu (curated by Ami Barak)
  ‘This Is Not a Selfie: Photographs from the Audrey and Sydney Irmas Collection’, Museum of Fine Arts, St. Petersburg, Florida
  ‘Mad World’, The Marciano Art Foundation, Los Angeles
  ‘tears then holes’, Rachel Uffner Gallery, New York
  ‘Soft Focus’, Dallas Museum of Art, Dallas
  ‘Picture Fiction: Kenneth Josephson and Contemporary Photography’, Museum of Contemporary Art, Chicago
  ‘This Is Not a Selfie: Photographs from the Audrey and Sydney Irmas Collection’, Alyce de Roulet Williamson Gallery at ArtCenter College of Design, Pasadena
  ‘The Remains of Cinema’, Künstlerhaus, Graz, Austria
  ‘Optik Shröder II: Works from the Alexander Schröder Collection’, Mumok, Vienna
  ‘Open House’, Jessica Silverman Gallery, San Francisco
  Galerie Neue, New York
2017 ‘Ritual’, Aspen Art Museum, Aspen
  ‘aroundabout Jack Jaeger’, Kunstverein Langenhagen, Hanover
  ‘Always Someone Asleep and Someone Awake’, Galeries des Galeries, Paris
  ‘La mère la mer’, Nion McEvoy Foundation for the Arts, San Francisco, California
  ‘Trick Brain’, Aishti Foundation, Lebanon
  ‘We Are Everywhere’, Museum of Contemporary Art, Chicago
  ‘Woman with a Camera’, MCA Chicago
  ‘Street Hassle’, Marlborough Contemporary London, London
  ‘Lyric On A Battlefield’, Gladstone Gallery, New York
  ‘Unframed 2017 Benefit Auction’, Acria Foundation, New York
  ‘Calgon Take Me Away’, Riverview School, Cape Cod, MA (Works from the collection of Martin and Rebecca Eisenberg)
  ‘Situation #72: Anne Collier, Women Crying’, Foto Museum, Winterthur, Switzerland
  ‘Capture Photography Festival, Inorganic Seductions’, Vancouver, Canada, public billboard installations
  ‘You Are Looking At Something That Never Occurred’, Zabludowicz Collection, London
  ‘Double Take’, Skarstedt Gallery, London
  ‘Point of Departure’, Sala de Arte of Fundación Banco Santander (curated by Magnolia de la Garza and Patrick Charpenel)
  ‘WAGSTAFF'S’, Mostyn, Llandudno
  ‘A Song for Rio (part 2)’, Galeria Fortes Vilaca, São Paulo
  ‘THE GAP BETWEEN THE FRIDGE AND THE COOKER’, The Modern Institute, 3 Aird's Lane, Glasgow
2016 ‘A Slow Succession with Many Interruptions’, San Francisco Museum of Modern Art, San Francisco
  ‘65 WORKS SELECTED BY JAMES WELLING: Exhibition and Sale to Benefit the Foundation for Contemporary Arts’, David Zwirner, New York
  ‘A Song for Rio (part 1)’, Galeria Fortes Vilaca, São Paulo
  ‘Implosion 20’, Anton Kern Gallery, New York
  ‘The Pencil of Culture: 10 Years of Acquisitions at the Centre Pompidou’, Centre Pompidou
  ‘grabt tiefer, ihr Schönen’, Galerie Neu, Berlin
  ‘Strange Oscillations and Vibrations of Sympathy’, University Galleries of Illinois State University
  ‘The Sun Placed in the Abyss’, Columbus Museum of Art, Columbus
  ‘First Light: A Decade of Collecting’, ICA, Boston
  ‘SYSTEMATICALLY OPEN? New Forms for Contemporary Image Production’, LUMA Arles (Curated by Walead Beshty, Elad Lassry, Zanele Muholi, and Collier Schorr. Exhibition architecture by Philippe Rahm)
  ‘What People Do for Money: Some Joint Ventures’, Manifesta 11, Zurich
  ‘Manifesta 11’, Zurich
  ‘Invisible Adversaries’, CCS Bard Hessel Museum of Art, Annandale-on-Hudson
  ‘California and the West: Photography from the Campaign for Art’, SF MoMA, San Francisco
  ‘Collected’, Pier 24, San Francisco
  Anton Kern/Andrew Kreps, San Francisco
  ‘Human Interest: Portraits from the Whitney’s Collection’
  ‘Cher(e)s Ami(e)s’, Centre Pompidou
  ‘L’image volée’, Fondazione Prada, Milan (curated by Thomas Demand)
  ‘Ordinary Pictures’, Walker Arts Centre, Minneapolis
  ‘Stil Life with Fish’, Hammer Museum, Los Angeles
  ‘Reflection’, Andrea Rosen Gallery, New York (curated by Philip Martin)
2015 ‘Collected by Thea Westreich Wagner and Ethan Wagner’, Whitney Museum of American Art, New York
  ‘Ugo Rondinone: I ♥ John Giorno’, Palais de Tokyo, Paris
  ‘Photo Poetics’, Guggenheim, New York (curated by Jennifer Blessing and Susan Thompson)
  ‘Colección Jumex, In Girum Imus Nocte et Consumimur Igni’, Jumex Foundation, Mexico
  ‘A Room of One's Own’, Yancey Richardson Gallery, New York
  ‘Eye to Eye’, Presentation House Gallery, Vancouver
  ‘Popular Images’, KARMA, New York
  ‘America is Hard to See’, Whitney Museum of American Art, New York
  ‘Still Life Photography Group Show’, The Arts Club, London
  ‘City Limit’, The Journal Gallery, New York (curated by Collin Snapp)
  ‘Lens work: Celebrating LACMA’s Experimental Photography at 50’, LACMA, Los Angeles
  ‘The Coming Museum’, Eugenio de Almeida Foundation, Evora
  ‘Games With the Camera / Past Perfect, part of series “Techniques of Release”’, PF Photography Gallery, Poznan
2014 ‘BLACKOUT’, Galerie Rodolphe Janssen, Brussels
  ‘FIERCE CREATIVITY’, Pace Gallery, New York (curated by Chuck Close and Jessica Craig-Martin)
  ‘The Thing Itself’, Yancey Richardson Gallery, New York
  ‘Somos Libres II: Works from the Mario Testino Collection’, The Pinacoteca Giovanni e Marella Agnelli, Turin (curated by Neville Wakefield)
2013 ‘A drawing that illustrates my last show at Meyer Riegger Karlsruhe’, Meyer Riegger, Berlin
  ‘Une Affaire De Famille’, Musee de la Photographie Charleroi, Charleroi
  ‘In the Heart of the Country: The collection of the Museum of Modern Art in Warsaw’
  ‘More Love: Art, Politics, and Sharing since the 1990s’, Ackland Art Museum, The University of North Carolina, Chapel Hill
  ‘Summer of Photography’, Carolina Nitsch, New York
  ‘The Polaroid Years’, Frances Lehman Loeb Art Center, Vassar College, Poughkeepsie, NY
  ‘Rien faire et laisser rire. (Do nothing and let them laugh)’, Galerie Rodolphe Janssen, Brussels
  ‘Masquerade’, High House Gallery, Clanfield, Oxfordshire, UK
  ‘Revolution From Within’, Kaufman Repetto, Milan
  ‘Antibody’, Lisa Cooley Gallery, New York
  ‘Leonor Antunes, Anne Collier, Amalia Pica, Frances Stark & Jennifer West’, Marc Foxx, Los Angeles
  ‘Museum of Modern Art and Western Antiquities Department of Light Recordings, Section IV: Lens Drawing’, Marian Goodman, Paris (curated by Jens Hoffman)
  ‘Double Hamburger Deluxe’, Marlborough Chelsea, New York
  ‘XOXO & JOSH KLINE’, Night Gallery, Los Angeles
  ‘Antigrazioso’, Palais de Tokyo, Paris
  ‘Face to Face: The Audrey and Sydney Irmas Collection at LACMA’, Paris Photo Fair, Paris
  ‘Alchemical’, Steven Kasher Gallery, New York (curated by Kevin Moore)
  ‘Ten Years’, Wallspace Gallery, New York
  ‘Revealed’, The Norah and Norman Stone Collection, Calistoga
2012 ‘Lost and Found: Anonymous Photography In Reflection’, Ambach & Rice, Los Angeles
  ‘Spectral Landscape (with Viewing Stations)’, 400 Gallery, Chicago
  ‘You Know?’, Altman Siegel Gallery, San Francisco
  ‘Real to Real: Photographs from the Traina Collection’, De Young Museum, San Francisco
  ‘The Feverish Library’, Freidrich Petzel, New York (organized in cooperation with Matthew Higgs)
  ‘Only Parts Of Us Will Ever Touch Parts Of Others’, Galerie Thaddaeus Ropac, Paris (curated by Timothèe Chaillou)
  ‘Poule!’, Jumex Foundation, Mexico
  ‘Matters of Fact’, Hessel Museum of Art, New York
  ‘Blind Cut’, Marlborough Chelsea, New York (curated by Jonah Freeman and Vera Neykov)
  ‘Creature From the Blue Lagoon’, Martos Gallery, New York (organized by Bob Nickas)
  ‘New Photography 2012’, MOMA, New York
2011 ‘Still Life: Between Image and Object’, Lismore Castle Arts, Lismore (Curated by Polly Staple)
  ‘Anti-Photography’, Focal Point Gallery, Essex
  ‘NY: New Perspectives’, Brand New Gallery, Milan
  ‘That's The Way We Do It’, Kunsthaus Bregenz, Bregenz
  ‘The 2011 Bridgehampton Biennial’, Martos Gallery, New York (curated by Bob Nickas)
  ‘Catalogue of the Exhibition’, TRIPLE V, Paris (curated Bob Nickas)
  ‘Singular Visions’, Whitney Museum of American Art, New York
  ‘No Color in Your Cheeks Unless The Wind Lashes Your Face’, It's Our Playground, Glasgow
  ‘4 Women Making Art About Women: Selections from The Collection of Martin And Rebecca Eisenberg’, Eisenberg Family Gallery, Riverview School, New York
  ‘Real Simple’, Riverview School, Cape Cod
2010 ‘Haunted: Contemporary Photography/Video/Performance’, Guggenheim Museum Bilbao, Bilbao
  ‘The Page’, Kimmerich, New York (curated by John Stezaker and Matthew Higgs)
  ‘BigMinis’, CAPC, Bordeaux
  ‘Le Faux Miroir’, Galerie Rodolphe Janssen, Brussels (curated by Bob Nickas)
  ‘How Soon Is Now’, Garage Center for Contemporary Culture, Moscow
  ‘10000LIVES’, Gwangju Biennale, Gwangju
  ‘Mixtapes, Popular Music in Contemporary Art’, Lewis Glucksman Gallery, Cork
  ‘Fresh Hell’, Palais de Tokyo, Paris (curated by Adam McEwen)
  ‘Collecting Biennials’, Whitney Museum of American Art, New York
  ‘The Discovery Award’, Les Recontres D'Arles Photographie, Paris (curated by Tom Eccles)
  ‘Haunted: Contemporary Photography/Video/Performance’, Guggenheim, New York
  ‘ENDGAME’, SlaughterhouseSpace, Healdsbug
2009 ‘The Rustle of Language’, Galleria Francesca Kaufmann, Milan
  ‘The Secret Life of Objects’, Midway Contemporary Art, Minneapolis
  ‘Correspondences curated by Matthew Higgs, Anne Collier, Janice Guy’, Galerie Mezzanin, Vienna
  ‘To Be Determined’, Andrew Kreps Gallery, New York
  ‘Revolver’, COCO (Contemporary Concerns), Vienna
  ‘A Twilight Art’, Harris Lieberman, New York
  ‘Cris Brodahl, Brian Calvin, Anne Collier, Brian Fahlstrom, Jason Meadows, Carter Mull, Sterling Ruby, Mateo Tannatt’, Marc Foxx, Los Angeles
  ‘The Secret Life of Objects’, Midway Contemporary Art, Minneapolis
  ‘Copy’, White Columns, New York
  ‘An Autobiography of the San Francisco Bay Area’, San Francisco
  ‘The Living and the Dead’, Gavin Brown's enterprise, New York
2008 ‘Records Played Backwards’, The Modern Institute/Toby Webster Ltd, Glasgow (curated by Daniel Baumann)
  ‘Unknown Pleasures’, Aspen Art Museum, Aspen
  ‘Legende’, Centre d'art contemporain, Chamarande
  ‘Dispersion’, Institute of Contemporary Art, London
  ‘New High in Getting Low’, John Connelly Presents, New York
  Marc Foxx, Los Angeles
  ‘Schatten werfen keine Schatten’, Meyer Riegger Galerie, Karlsruhe
  ‘Sphinxx’, Stuart Shave/Modern Art, London
  ‘Friends and Family’, Anton Kern Gallery, New York
  ‘Signs of The Time’, Whitney Museum of American Art, New York
2007 ‘I Am Eyebeam’, 400 Gallery, Chicago (curated by Melanie Schiff and Lorelei Stewart)
  ‘Extra-Ordinary: The Everyday Object in American Art. Selections from the Whitney Museum of American Art’, Austin Museum of Art, Austin, Texas
  ‘Der Droste Effekt’, Esther Schipper, Berlin
  ‘Beneath the Underdog’, Gagosian, New York
  ‘People Take Pictures of Each Other’, LaMontagne Gallery, Boston (curated by Bob Nickas)
  ‘Strange Magic’, Luhring Augustine, New York
  ‘Anything You Want’, Pumphouse Gallery, London
  ‘Mario Testino: At Home’, Yvon Lambert Gallery, New York (curated by Mario Testino)
  ‘Neointegrity’, Derek Eller Gallery, New York
  ‘Last Attraction Next Exit’, Max Wigram Gallery, London (curated by Neville Wakefield)
  ‘Two Years: Aquisitions for the Permanent Collection’, Whitney Museum of American Art, New York
2006 ‘Just Off Focus’, Andrew Kreps Gallery, New York
  ‘Anne Collier, Dominique Gonzalez-Foerster, Roger Hiorns, Colter Jacobsen’, Corvi-Mora, London
  ‘Fountains’, D'Amelio Terras, New York
  ‘Refract’, Marc Foxx, Los Angeles
  ‘Good Vibrations: Visual Arts and Rock Culture’, Palazzo delle Pappesse, Siena
  ‘Mid-Life Crisis’, Salander-O'Reilly, New York
  ‘Peter Coffin, Anne Collier, Eileen Quinlan’, United Artists Ltd, Marfa
  ‘Strange Powers’, Creative Time, New York
  ‘Writing in Strobe’, Dicksmith Gallery, London (curated by Andrew Hunt)
  ‘Slow Burn’, Galerie Edward Mitterrand, Paris (curated by Jonah Freeman)
  ‘Axis of Praxis’, Midway Contemporary Art, Minneapolis
  ‘The Rhubarb Society’, Tracey Lawrence Gallery, Vancouver
  ‘Whitney Biennial: Day for Night’, Whitney Museum of American Art, New York (curated by Chrissie Iles and Philippe Vergne)
2005 ‘Always Crashing in the Same Car’, Gallerie Susanne Ottensen, Copenhagen
  ‘Bonds of Love’, John Connelly Presents, New York (curated by Lisa Kirk)
  ‘Gallery Artists Summer Group Show’, Marc Foxx, Los Angeles
  ‘Bridge Freezes Before Road’, Barbara Gladstone Gallery, New York (curated by Neville Wakefield)
  ‘Drunk vs. Stoned 2’, Gavin Brown's enterprise, New York
  ‘in words and pictures’, Murray Guy, New York
  ‘Greater New York’, P.S.1 Contemporary Art Center, Long Island City
  ‘The Early Show’, White Columns, New York
2004 ‘Likeness: Portraits of Artists by Other Artists’, CCA Wattis Institute, San Francisco
  ‘Three Day Weekend’, Central Park, New York (in collaboration with Whitney Biennial, curated by Dave Muller)
  ‘Land of the Free’, Jack Hanley Gallery, Los Angeles
  Jack Hanley Gallery, San Francisco
  ‘Eye Spy’, Museum of Contemporary Art, San Diego
  ‘Let the Bullshit Run a Marathon’, Nicole Klagsbrun Gallery, New York (curated by Nate Lowman)
2003 ‘17 Reasons’, Jack Hanley Gallery, San Francisco (curated by Kate Fowle and Jack Hanley)
  ‘Portraiture’, Karyn Lovegrove Gallery, Los Angeles
  ‘for nobody knows himself if he is only himself and not another at the same time’, Marc Foxx, Los Angeles
  ‘summer show’, Marc Foxx, Los Angeles
  ‘Makeshift World’, Stephen Wirtz Gallery, San Francisco
2002 ‘Group Show’, Marc Foxx, Los Angeles
  ‘Bay Area Now III’, Yerba Buena Center for the Arts, San Francisco
  ‘A Show That Will Show That a Show Is Not Only a Show’, The Project, Los Angeles (curated by Jens Hoffman)
2001 ‘I Want More’, Temple Bar Gallery, Dublin
  New Wight Art Gallery, UCLA, Los Angeles
  Marc Foxx, Los Angeles
2000 ‘Summer Group Show’, Goldman Tevis, Los Angeles
1996 ‘Eros Travel Company’, Studio Neuwirth, Vienna
  ‘Striking Distance’ (curated Andrea Bowers (Internet exhibition))
1995 ‘Dave's Not Here’, Three Day Weekend, Los Angeles
1994 ‘Summer Group Show’, Three Day Weekend, Los Angeles
  ‘Thanks!’, Three Day Weekend, Los Angeles
1992 ‘Art Dogs’, George's, Los Angeles

Group Screenings

1992 ‘L.A.C.E.’ (video screening of Los Angeles video artists, Los Angeles)

Curatorial Projects

2022 ‘Photographic Pictures’, Anton Kern Gallery, New York



2023 Ravi Ghosh: ‘Anne Collier at Lismore Castle Arts: More than meets the eye’, British Journal of Photography, 04/04/2023
2020 Roelandt, Els: ‘It’s No Use Crying’, Texte zur Kunst, 03/2020
2019 Kito Nedo: ‘Kühle Träne”’, Süddeutsche Zeitun, 10/2019
  Lorina Speder: ‘Weine, wenn du kannst, COMIC-FRAUEN von Anne Collier’, Der Tagesspiegel, 10/2019
  Rachel Syme: ‘The Glamorous Cry Is Having a Moment....’, Vanity Fair, 08/08/2019
  ‘Anne Collier’, Aperture, 04/2019
  ‘Berlin Art Week: The Highlights 2019. – Anne Collier at Galerie Neu’, Vogue Germany, 2019
  ‘Studio Photography: 1887-2019’, British Journal of Photography, 2019
2018 Davies, Dean Mayo : ‘This Exhibition is Your Chance to Own Unique Work by Celebrated Artists’, Another Man, 29/11/2018
  Dayal Mira: ‘Previews - Anne Collier: Photographic’, Artforum, Vol. 57. No. 1 09/2018
  DIANA HAMILTON: ‘Anne Collier: Reducing Women To Tears’, Frieze, 09/05/2018
  Cascone, Sarah: ‘Editor’s Pick: 12 Things to See in New York This Week’, artnet news, 07/05/2018
  Scott, Andrea K.: ‘A Decade Long Hunt for Images of Crying Women’, The New Yorker, 06/05/2018
  ‘Our Top picks for April 11-24’, Time Out New York, 05/2018
  ‘Spring Gallery Guide: Cultivating a Tightknit Scene’, The New York Times, 27/04/2018
  ‘Anne Collier’, Time Out New York, 09/04/2018
  Cascone, Sarah: ‘Editors’ Picks 14 Things to See in New York This Week’, artnet news, 09/04/2018
  ‘Anne Collier: See Women Crying’, Libération Magazine, 03/2018
  Baud, Véronique: ‘Frac Normandie Rouen: In the eyes of Anne Collier’, Paris Normandie, 30/01/2018
  ‘5 to See: This Weekend’, Aesthetica, 12/01/2018
  Wheeler, André-Naquian: ‘this artist collected hundred of images of female strangers taking photos’, Vice: i-D Magazine, 01/2018
  Martha Schwendener: ‘10 Galleries to Visit Now on the Upper East Side’, The New York Times, 2018
  ‘Anne Collier’, Time Out New York, 2018
  Hatt, Étienne: ‘ANNE COLLIER femme photographe’, artpress, 2018
  ‘ANNE COLLIER Revue De Presse’, FRAC Normandie Rouen , 2018
  ‘Anton Kern Through May 19’, The New York Times, 2018
  ‘Best Free Art Exhibitions in NYC’, Time Out New York, 2018
  Wilson, Michael: ‘Critic’s Pick: New York: Anne Collier’, Artforum, 2018
  Emma Coyle: ‘Exhibition Review: Strength in Anne Collier’s Tears’, Musée, 2018
  Wampler, Zack: ‘Eye of the Beholder’, PROVOKR, 2018
  ‘Galleries – Uptown: Anne Collier’, The New Yorker, 2018
  ‘In Parallel: Creative Exchange: Anne Collier & Raf Simmons’, Dior Magazine, 2018
  ‘Portfolio by Anne Collier: Circulating Selves and Images’, Bomb Magazine, 2018
  Von Henning Queren: ‘Träen, Fotos und Tradition: Sprengel Museum zeigt USKüsterlin Anne Collier’, Kultur, 2018
  ‘Visiting Beth Rudin DeWoody and Firooz Zahedi at Home Is Better Than a Trip to a Museum’, Architectural Digest, 2018
2017 Gemma Padley: ‘Show Me Your (Staged) Emotions’, Elephant Magazine, 11/2017
  Alhadeff, Sophia: ‘Museum Monthly: Anne Collier at The Minneapolis Institute of Art’, The Mac Weekly, 10/2017
  Rivera, Erica: ‘Women With Cameras’ at MIA reflects on selfies from a pre-Instagram era, City Pages (Twin Cities), 07/09/2017
  Peloquin, Jahna: ‘Get Out Guide: Art & Heritage’, Southwest Journal, 07/09/2017
  Haas, Lidija: ‘Artful Volumes’, Bookforum, 09/2017
  Sibbald, Laura: ‘The Artist Using Found Imagery to Sidestep the Male Gaze’, AnOther, 07/07/2017
  Smith, Roberta: ‘What to See in New York Art Galleries This Week.’, The New York Times, 07/2017
  Rigg, Natalie: ‘At Zabludowicz Collection, artists test the parameters between authenticity and artifice’, Wallpaper*, 22/04/2017
  Meier, Anika: ‘Bonbonfarbene Emanzipation’, Goethe Intitut Digital Kunste , 04/2017
  Preuss, Meredith: ‘Double Take: An Interview with Anne Collier’, Capture Photo Festival Magazine , 19/03/2017
  ‘Remake remodel: the art of appropriation – in pictures.’, The Guardian, 07/03/2017
  ‘Openings & Exhibitions: March 2017’, curatingthecontemporary, 28/02/2017
  ‘Anne Collier’, Hotshoe Magazine, 198 2017
  ‘Coleddion Isabel y Augustin Coppel: PUNTO DE PARTIDA’, Fundacion Banco Santander, pp. 74-75 2017
  Bronstein, Nora : ‘Images of Images: Notes on Anne Collier and Kotama Bouabane’s Photo Practices’, Afterimage, 44 2017
2016 Muñoz-Alonso, Lorena & Perlson, Hili: ‘ArtNet’s Top European Exhibitions of 2016’, artnet, 23/12/2016
  Anne Collier: The Artists’ Artists, Artforum International, 12/2016
  Schwendener, Martha, Smith, Roberta, Heinrich, Will & Rosenberg, Karen : ‘What To See in New York Art Galleries This Week: Implosion 20 @ Anton Kern’, New York Times, 17/11/2016
  Lowry, Vicky: ‘Collected Wisdom’, Architectural Digest, vol. 73 no. 12 02/11/2016
  Poostchi-Pattenden, Becky: ‘An All-Female Curation of Frieze New York by Olympia Scarry’, AnOther, 05/05/2016
  ‘Anne Collier’, The New Yorker, 05/2016
  Michalska, Julia: ‘Big in Berlin: four trends spotted at Gallery Weekend’, The Art Newspaper, 05/2016
  Reichert, Kolja: ‘Das Modell funktioniert bestens’, Frankfurter Allgemeine Zeitung, 30/04/2016
  ‘Gallery Weekend Returns to Berlin for its 12th Edition’, Blouin Artinfo, 27/04/2016
  Laster, Paul: ‘Weekend Edition: 11 Things to Do in New York’s Art World Before April 11’, The New York Observer, 07/04/2016
  Lorch, Von Catrin: ‘Bin ich richtig?’, Frankfurter Allgemeine Zeitung, 04/2016
  Rojas, Laurie. : ‘Five to see during Berlin Gallery Weekend’, The Art Newspaper, 04/2016
  Von Ingeborg, Ruth & Berner, Irmgard : ‘Mit allen Sinnen’, Frankfurter Allgemeine Zeitung, 04/2016
  Travers, Andrew: ‘Judith Scott retrospective leads three new shows at Aspen Art Museum’, The Aspen Times, 17/03/2016
  Dafoe, Taylor: ‘Photo-Poetics: An Anthology’, The Brooklyn Rail, 04/03/2016
  Brazilian, Alexa: ‘The Nature of Things’, T: The New York Times Style Magazine, 03/2016
  Shaw, Anny: ‘Fashion designer Erdem collaborates with Sotheby’s on first ‘curated’ sale in London’, The Art Newspaper, 02/2016
  Schwabsky, Barry: ‘Point First, Shoot Later’, The Nation, 21/01/2016
  ‘Galleries-Downtown’, The New Yorker, 01/2016
  Koestenbaum, Wayne: ‘On My Masculinity’, Artforum, vol. 54, no.10 2016
  Linden, Liz: ‘Reframing Pictures: Reading the Art of Appropriation’, Art Journal , 2016
  Gavin, Francesca: ‘We Can Work It Out’, Twin Magazine, 15 2016
2014 Dillon, Brian: ‘Anne Collier’, Artforum, Vol. 53 09/2014
  ‘Viewfinder: Woman with a Camera (2009) by Anne Collier’, The Daily Telegraph, 22/03/2014
  Linnert, Nicolas: ‘Anne Collier’, Camera Austria, No.127 2014
  Sawyer, Drew: ‘Woman with a Camera’, Document Journal, No. 5 2014
2013 ‘Highlights from the Highline’, Elle, 21/11/2013
  Finkel, Jori: ‘An Artist Whose Medium Really Is the Message’, New York Times, 02/11/2013
  Jaeger, Anne-Celine: ‘Reporting from Frieze: Eight Exciting Discoveries at the Contemporary Art Fair’, Time, 23/10/2013
  Beck, Martin: ‘Forum’, Camera Austria, 123 09/2013
  Smith, Roberta: ‘Art in Review: 10 Years’, New York Times, 26/07/2013
  Wolff, Rachel: ‘50 Under 50: The Next Most Collectible Artsts’, Art + Auction, 06/2013
  Woodward, Richard: ‘The SX-70 as Sexy Tech’, Wall Street Journal, 06/05/2013
  Holmes, Pernilla: ‘Thinking Outside The Box’, Financial Times, 304 04/05/2013
  Schwendener, Martha: ‘Instant Photographs, Lasting Images’, New York Times, 28/04/2013
  Menegoi, Simone: Critics’ Picks, Artforum Online, 19/03/2013
2012 Gopnik, Blake: ‘Appropriation, In The Flesh’, The Daily Beast, 12/12/2012
  Johnson, Ken: ‘Eyeing the Lens With Suspicion’, The New York Times, 30/11/2012
  Aletti, Vince: Critic‘s Notebook: Photo Sensitive, The New Yorker, 22/10/2012
  ‘New Photography 2012’, The New Yorker, 02/10/2012
  Critics’ Picks, Time Out New York, 27/09/2012
  Wilson, Michael: ‘Anne Collier’, Time Out New York, 858 03/05/2012
  ‘Going On About Town: Anne Collier’, The New Yorker, 30/04/2012
  Rosenberg, Karen: ‘Anne Collier’, The New York Times, 27/04/2012
  Bollen, Christopher: ‘Anne Collier’, Interview Magazine, 04/2012
  ‘New Work: Photographs by Anne Collier’, Modern Painters, 04/2012
  Firestone, Lonnie: ‘High Art’, New York Press, 11/02/2012
2011 Deller, Jeremy: ‘Best of 2011: Part 3’, Frieze Blog, 24/12/2011
  Stewart, Christabel and Ajay RS Hothi: Nature‘s Way, Tank, 5 30/11/2011
  Freyberg, Annabel: ‘Victorian Secret’, World of Interiors, 11/2011
  Doubal, Rosalie: ‘Anne Collier’, Time Out London, 10/10/2011
  Rosenberg, Karen: ‘All Nooks, Crannies, Bedrooms and Trees Are Backdrops for Art’, New York Times, 08/08/2011
  Vogel, Carol: Blockbuster Growth in the Met‘s Attendance Figures, New York Times, 22/07/2011
  ‘Art Photographers to Watch’, Ten Magazine, No. 38 2011
  ‘The New Pop: Female Art Photographers Now’, Pop, 2011
  Collier, Anne: ‘Woman With a Camera’, Spike Art Quarterly, 2011
2010 ‘The Power 100 with Artwork by Anne Collier’, Art Review, 45 11/2010
  Lobel, Michael: ‘Scale Models, Michael Lobel on Laurie Simmons and Anne Collier’, Artforum, 10/2010
  Fox, Dan: ‘Pictures of You’, Frieze, 05/2010
  Smith, Roberta: ‘In The Fields of Art, Snapping Photos’, New York Times, 04/2010
  Tagliafierro, Marco: ‘The Rustle of Language’, Artforum, 03/2010
  ‘Anne Collier’, The New Yorker, 15/02/2010
  Wilson, Michael: ‘Anne Collier’, Time Out New York, 11/02/2010
  Nathan, Emily: An ‘I’ On You, ArtSlant, 24/01/2010
  Nikas, Bob: ‘Looking Forward 2010’, Frieze, 128 01/2010
  Collier, Anne: ‘Art/T.J. Wilcox’, Bomb Magazine, 2010
  McDonough, Tom: ‘In Between: Tom McDonough in conversation with Anne Collier’, Fantom, 04 2010
  ‘Special Project’, Nero, No. 24 2010
  ‘The Sea Series’, Fantom, Issue 05 2010
2009 Parrott, Skye: ‘20 Questions, A Project By Matthew Higgs’, Dossier, No. 5 30/11/2009
  Gleizes, Serge: ‘Style AD’, Architectural Digest, 09/2009
  Schwendener, Martha: ‘Matthew Higgs’, New Yorker, 02/2009
  Verwoert, Jan: ‘Anne Collier’, Flash Art, 01/2009
  Tramposch, Emma: ‘File Under: Monographs’, Camerawork, Vol. 26, Issue 02 2009
  Bauman, Daniel: ‘Getting Controlled and Lose’, Spike Magazine, 2009
2008 Lange, Christy: ‘All that is solid melts into air: Report from Los Angeles’, Frieze Blog, 17/12/2008
  Walleston, Aimee: ‘Anne Collier’, The Last Magazine, 01 10/2008
  di Angelo, Flaccavento: ‘Modern Take on Collecting’, L'Uomo Vogue, 07/2008
  ‘Anne Collier’, Blind Spot, 37 04/2008
  Charlesworth, J.J.: ‘Anne Collier’, Art Review, 19 02/2008
  Sumpter, Helen: ‘Anne Collier’, Time Out New York, 01/2008
  ‘Cut Copy’, V magazine, 56 2008
  Waldemar, Noe: ‘Double Marilyn’, Mister Motley, Number 17 2008
  Stewart, Christabel: ‘Girl on film’, Tank, Volume 5, Issue 03 2008
2007 Smith, Roberta: ‘CIRCA 70’, New York Times, 13/07/2007
  Curiger, Bice: ‘Emerging Artists’, Frieze, 104 01/2007
  Brzezinski, Kathleen: ‘Art of Melancholy’, Anthem Magazine, Number 31 2007
  Bolland, Mark: ‘Some Complex Visual Codes’, Source, 53 2007
2006 ‘Shape Shifters’, Men's Vogue, 11/2006
  Leung, Cynthia: ‘Anne Collier’, Tokion, 09/2006
  Sholis, Brian: ‘Mid Drift’, Artforum Online, 10/03/2006
  Dillon, Brian: ‘Anne Collier: Photographs, LPs, Abstraction, Humour and Melancholy’, Frieze, 97 03/2006
  ‘Insert: Anne Collier’, Parkett, Number 78 2006
2005 Cotter, Holland: ‘Fanciful to Figurative to Wryly Inscrutable’, New York Times, 07/2005
  Slimane, Hedi: ‘Portfolio du designer Hedi Slimane, qui nous fait partager ses coups de couers artistiques’, Jalouse, 04/2005
  Saltz, Jerry: ‘Lesser New YorkL P.S. 1 and MoMA want the wildness of youth but then immediately try to tame it’, Village Voice, 27/03/2005
2004 LaFuente, Pablo: ‘The Faces of the Future’, Art Review, 10/2004
2002 Valentine, Christina: ‘Anne Collier’, Flash Art, 12/2002
  Ollman, Leah: ‘Exploring Metamorphosis and Ephemerality’, Los Angeles Times, 27/09/2002
  Young, Paul: ‘Touchy Subjects’, Angeleno, 2002

Exhibition Reviews

2023 Sabine Kriebel: ‘EYE, Anne Collier’, Source, 01/07/2023
  Kitty Grady: ‘For Anne Collier, the eyes definetely have it’, Apollo Magazine, 23/06/2023
2022 Fateman, Johanna: ‘"Photographic Pictures’, The New Yorker, 2022
2020 Throne, Harry: ‘Anne Collier at Galerie Neu’, Artforum, 01/2020
2019 Bernardi, Giulia: ‘Besprechung’, Kunstbulletin, 04/2019
  Heim, Christoph: ‘Frozen Feelings’, Tages- Anzeiger, 12/03/2019
  Heim, Cristoph: ‘Gefrorene Gefühle’, Tages- Anzeiger, 06/03/2019
2018 Hamilton, Diana: ‘Anne Collier’, Frieze, 196 06/2018
  Peare, Colm: ‘Anne Collier @ The Modern Institute’, The Skinny, 01/02/2018
2017 Clark, Robert: ‘Opening this week: Anne Collier’, Guardian Guide, 11/11/2017
  Alhadeff, Sophia: ‘Museum Monthly: Anne Collier at The Minneapolis Institute of Art’, The Mac Weekly, 10/2017
2016 Tran, John L: ‘Collier reviews the power of observation’, The Japan Times, 20/12/2016
  Johnson, Ken: ‘Chelsea Galleries, Like a Box of Chocolates’, New York Times, 21/04/2016
  Atallah, Lara: Critics’ Picks: Anne Collier, Artforum, 04/2016
  ‘Galleries–Chelsea: Anne Collier’, The New Yorker, 16/03/2016
2014 McDonough, Tom: ‘Anne Collier’, Artforum, 11/2014
  Grabner, Michelle: Critic‘s Picks: Anne Collier, Artforum Online, 08/2014
  Morton, Tom: ‘Glasgow International 2014’, Frieze, 06/2014
  Bowles, Rachel: ‘Anne Collier at The Modern Institute’, The Skinny, 28/04/2014
  Didcock, Barry: ‘Contrast and compare’, The Herald, 19/04/2014
  Gavin, Francesca: ‘The Glasgow International Festival Proves its Continuing Relevance’, Artsy, 14/04/2014
  Clark, Robert: ‘Glasgow International’, Guardian Guide, 05/04/2014
  Long, Declan: ‘Images Unfixed’, The Source, 2014
2011 Curtin, Brian: Critic‘s Picks: Still Life, Artforum Online, 20/07/2011
  Herbert, Martin: ‘Still Life’, Art Monthly, 07/2011
  ‘Reviews/Exhibitions: Jack Goldstein, Nottingham Contemporary’, Art Monthly, 03/2011
2010 Patrick, Martin: ‘Haunted: Contemporary Photograohy/Video/Performance’, Art Monthly, 10/09/2010
  Hodgson, Francis: ‘Arles Photography Festival’, Financial Times, 07/2010
  Demuth, Gary: ‘Photography Exhibition’, Salina Journal, 05/2010
  Sholis, Brian: ‘Anne Collier’, Artforum, 04/2010
  ‘Anne Collier’, New Yorker, 15/02/2010
  Robinson, Walter: ‘A Weekend Update’, artnet, 02/2010
2009 Bennett, Steve: ‘New Works Push the Envelope at Artspace’, San Antonio Express News, 08/2009
  Fisch, Sarah: It‘s Not You, It‘s Me, San Antonio Current, 22/07/2009
  ‘Artspace New Works’, San Antonio Current, 15/07/2009
  Gillig, Melanie: ‘Dispersion’, Artforum, 04/2009
  Andress, Sarah: ‘Dispersion’ at the ICA, Flash Art, 03/2009
  ‘To Be Determined’, The New Yorker, 03/2009
  Schwendener, Martha: Paul Graham and Harris Lieberman‘s ‘A Twilight Art’ Confront the Future, Village Voice, 18/02/2009
  Lowenstein, Kate: ‘To Be Determined’, Time Out New York, 15/02/2009
  Flexer, Gabrielle: ‘Dispersion’, a-n Magazine, 01/2009
2008 Campbell-Johnston, Rachel: ‘Cut, paste and get the close-up’, The Times, 12/12/2008
  Darwent, Charles: ‘Dispersion, ICA, London’, The Independent, 12/2008
  Aletti, Vince: ‘Anne Collier at Anton Kern’, New Yorker, 25/02/2008
  Doran, Anne: ‘Anne Collier at Anton Kern’, Time Out New York, 20/02/2008
  Saltz, Jerry: ‘Anne Collier at Anton Kern’, New York Magazine, 02/2008
  Fritzsche, Mathias: ‘Aneignung einer Ikone’, Kunstler, 2008
  Akalin, Ann-Kathrin: ‘Das Auge als Spiegel der Seele’, General-Anzeiger Online, 2008
  ‘Der Bonner Kunstverein macht keine Sommerpause’, Mensa Magazine, 2008
2007 Akalin, Ann-Kathrin: ‘Ein Kunstler-Trio stellt im Kunstverein aus’, General-Anzeiger Online, 30/11/2007
  Rosenberg, Karen: ‘Strange Magic’, New York Magazine, 23/07/2007
  Pollack, Barbara: ‘Strange Magic’, Time Out New York, 07/2007
  Smith, Roberta: ‘Strange Magic’, New York Times, 07/2007
2006 Smith, Roberta: ‘Strange Powers’, New York Times, 09/2006
  ‘Strange Powers’, Time Out New York, 31/08/2006
  Griffin, Jonathan: ‘Writing in Strobe’, Frieze, 06/2006
  Charlesworth, J.J.: ‘Writing in Strobe’, Art Monthly, 28/05/2006
  Saltz, Jerry: ‘Biennial in Babylon’, Village Voice, 03/2006
2005 Jones, Kirsten M.: ‘Bridge Freezes Before Road’, Frieze, 10/2005
  Connor-Greene, Rachel: ‘Reviews: Bonds of Love’, Time Out New York, 15/09/2005
  Johnson, Ken: ‘Art in Review: Bonds of Love’, New York Times, 09/2005
  ‘Bonds of Love’, New Yorker, 09/2005
  Smith, Roberta: ‘Drunk v. Stoned 2: Along the Blurry Line Between Blotto and Buzzed’, New York Times, 26/08/2005
  Clem, Chivas: ‘Bridge Freezes Before Road’, Time Out New York, 08/2005
  Yablonsky, Linda: ‘Bridge Line’, Artforum Online, 27/06/2005
2004 Miles, Christopher: ‘Anne Collier at Marc Foxx’, Artforum, 12/2004
2002 Helfand, Glen: ‘Bay Area Now 3 returns to the fountain’, San Francisco Bay Guardian, 27/11/2002
  Wood, Sura: ‘Bay Area Now 3: A Showcase of Local Talent’, San Francisco Art Monthly, 11/2002
  Baker, Kenneth: ‘Bay Area Now 3’ show peeks into artists’ inner worlds, San Francisco Chronicle, 30/10/2002


2023 Eye, Lismore Castle Arts, Lismore
2021 New Time: Art & Feminisms in the 21st Century, University of California, Berkeley Art Museum, Berkeley
2020 Looking at Photography, Damiani, Bologna
2018 How We See: Photobooks by Women, 10x10 Photobooks, New York
  Collier, Anne: Photographic, Sprengel Museum, Fotomuseum Winterthur, Stuttgart: Hartman Books
  Women With Cameras (Self-Portrait), Karma, New York
2017 The Trick Brain, Aishti Foundation & Skira editore, Lebanon
  What Remains, Skreid, Stockholm
  Women With Cameras (Anonymous), Karma, New York and Studio Voltaire, London
  You Are Looking at Something That Never Occurred, Zabudowicz Collection, London
2016 Women Crying, Hassla Books, New York
2015 Blessings, Jennifer: Photo-Poetics: An Anthology, Guggenheim Museum Publications, New York
2014 Collier, Anne: Anne Collier, Museum of Contemporary Art Chicago (MCA), Chicago
  Collier, Anne: Still Lifes, Wood Kusaka Studios, Los Angeles
  The Art of Collaboration, San Antonio: Hare & Hound Press, Artspace, and Linda Pace Foundation
2013 Alchemical, Steven Kasher Gallery, New York
  IV: Lens Drawing, Marian Goodman Gallery, Paris
  Museum of Modern Art and Western Antiquities Department of Light Recordings, MOMA, New York
  Revealed, Stonescape, Calistoga, Norah and Norman Stone Collection
  Rien faire et laisser rire. (Do nothing and let them laugh), Galerie Rodolphe Janssen, Brussels
  The Polaroid Years: Instant Photography and Experimentation, DelMonico books, Prestel
2012 Collier, Anne: Anne Collier, Anton Kern Gallery, New York
  Poule!, Fundación/Colección Jumex, Ecatepec
  Seuls quelques fragments de nous tourcheront quelques fragments d’autrui (Only parts of us will ever touch parts of others), Galerie Thaddaeus Ropac, Paris/Salzburg
2011 The 2011 Bridgehampton Biennial, Martos Gallery, New York
2010 An Autobiography of the San Francisco Bay Area, Part 1: San Francisco Plays Itself and Part 2: The Future Lasts Forever, SF Camerawork, San Francisco
  Creamier- Contemporary Art in Culture: 10 Curators, 100 Contemporary Artists, 10 Sources, Phaidon Press, London/ New York
  DreamWorks, Artspace, San Antonio
2009 Bussel, David: Looking at Display, Images of Contemporary Art in London Galleries, Rachmainoff's, London
  Collier, Anne: Woman With A Camera, Hassla Books, New York
2008 Anne Collier, Presentation House Gallery, Vancouver
2006 Good Vibrations: Visual Arts and Rock Culture, Palazzo delle Papesse Centro Arte Contemporanea, Siena

Exhibition Publications

2010 1000 Lives Gwangju Biennale 2010, Gwangju Biennale Foundation, Gwangju
  Fresh Hell/Carte Blanche a Adam McEwen, Palais de Tokyo, Paris
  HauntedL Contemporary Photography/Video/Performance, Guggenheim Museum Publications, New York
2008 Dispersion, ICA, London
2004 Likeness: Portraits of Artists by Other Artists, CCA Wattis Institute, San Francisco
  Writing in Strobe, Dicksmith Gallery, London
2002 Bay Area Now 3, Yerba Buena Center for the Arts, San Francisco