Eva Rothschild
Born 1971, Dublin; Lives in London.
Education
| 1999 | MFA, Goldsmiths |
| 1993 | BA (Hons) Fine Art, University of Ulster |
| 1990 | Foundation, National College of Art and Design |
Current & Forthcoming
| 2024 | ‘Still Lives’, The Hepworth Wakefield, Wakefield |
Solo Exhibitions
| 2023 | ‘Arms Folded And Unfolded’, 303 Gallery, New York |
| 2022 | ‘Pigeon Park 2’, Pigeon Park, London |
| ‘Our Life, Our Sweetness and Our Hope’, Modern Art, Bury Street, London | |
| 2021 | ‘The Shrinking Universe’, Void, Derry |
| ‘Peak Times’, The Modern Institute, 3 Aird's Lane, Glasgow | |
| 2020 | ‘The Shrinking Universe’, VISUAL, Carlow |
| 2019 | ‘Furniture and Ceramics’, Blue Projects, Blue Mountain School, London |
| ‘Eva Rothschild | The Shrinking Universe’, Irish Pavilion, Venice Biennale | |
| ‘Kosmos’, City Gallery Wellington, Wellington | |
| 2018 | ‘Eva Rothschild: Kosmos’, ACCA, Melbourne |
| ‘Iceberg Hits’, Stuart Shave/Modern Art, London | |
| 2017 | ‘Eva Rothschild’, Kaufmann Repetto, Milan |
| ‘City Room (with Gary Webb)’, Mario Sequeira, Portugal | |
| 2016 | ‘Alternative to Power’, The New Art Gallery Walsall |
| ‘A Gated Community’, Sonneveld House, Rotterdam | |
| 2015 | ‘A Setup’, produced by fig-2 and Block Universe at ICA Studio and ICA Theatre (with Joe Moran) |
| ‘Middle Temples’, Kaufmann Repetto, Milan | |
| 2014 | Hugh Lane Museum, Dublin |
| ‘What the Eye Wants’, Modern Art, London | |
| 2013 | ‘Narcissus’, Eva Presenhuber, Zurich |
| ‘This and this and this’, Eva Presenhuber, Zurich (Offsite: Maag Areal, Maagplatz, 8005 Zurich) | |
| ‘Eva Rothschild and Clare Woods’, New Art Centre Sculpture Park & Gallery, Salisbury | |
| 2012 | ‘The Paradise [38]’, Douglas Hyde Gallery, Dublin |
| ‘Sightings’, Nasher Sculpture Center, Dallas | |
| ‘Childrens Art Commission: Eva Rothschild: Boys and Sculpture’, Whitechapel, London | |
| The Modern Institute, 14–20 Osborne Street, Glasgow | |
| 2011 | ‘The Heart of the Thousand-Petalled Lotus’, 303 Gallery, New York |
| ‘Hot Touch’, Touring exhibition, The Hepworth Wakefield, Hepworth (2011); Kunstverein Hannover (2011 -2012) | |
| Yorkshire Sculpture Park, Wakefield | |
| ‘Empire’, Doris C. Freedman Plaza, Central Park, New York (Public Art Fund commission) | |
| 2009 | La Conservera: Centro de Arte Contemporaneo, Murcia |
| Eva Presenhuber, Zurich | |
| Duveens Commission 2009, Tate Britain, London | |
| Modern Art, London | |
| Kaufmann Repetto, Milan | |
| 2008 | ‘Robert Bransten Commission’, Private Collection, USA (commission) |
| The Modern Institute/Toby Webster Ltd, Glasgow | |
| 2007 | ‘Eva Rothschild’, South London Gallery, London |
| ‘Eva Rothschild’, 303 Gallery, New York | |
| 2006 | ‘Living Spring’, Eva Presenhuber, Zurich |
| 2005 | Douglas Hyde Gallery, Dublin |
| Modern Art, London | |
| 2004 | Artspace Woolloomooloo, Australia |
| Kunsthalle, Zurich | |
| 2003 | ‘Sit In’, Francesca Kaufmann, Vienna |
| ‘Heavy Cloud’, The Modern Institute/Toby Webster Ltd, Glasgow | |
| 2002 | Modern Art, London |
| Project Art Gallery, Dublin | |
| 2001 | Els Hanappe Underground, Athens |
| ‘Peacegarden’, The Showroom, London | |
| Kaufmann Repetto, Milan | |
| 1999 | The Modern Institute/Toby Webster Ltd, Glasgow |
| 1997 | ‘Great Wall/Black Hole’, Iain Irving Projects, Aberdeenshire |
| 1996 | CCA, Glasgow |
| 1995 | Bercsenyi Gallery, Budapest |
Group Exhibitions
| 2023 | ‘Occasional Visitor’, The Coimbra Contemporary Art Center, Portugal |
| 2022 | ‘In Plain Sight’, Wellcome Collection, London |
| ‘Keep On Movin’’, Fondazione Morra Greco, Napoli | |
| ‘Sculptures by’, Galerie Eva Presenhuber, New York | |
| ‘STATUS need a world interlude’, The Modern Institute, 3 Aird's Lane, Glasgow | |
| ‘On Jupiter’, Olin Hall Galleries, Roanoke College, Salem | |
| 2021 | ‘Harlow Sculpture Town’, Harlow, Essex |
| ‘Sculpture in the City 10th Edition’, London | |
| ‘Breaking the Mould: Sculpture by Women since 1945’, Arts Council Collection Touring Exhibition , Longside Gallery, Yorkshire Sculpture Park (î‘‘î‘î‘‘î‘), Djanogly Gallery, University of Nottingham (î‘‘î‘î‘‘î‘), The Levinsky Gallery, University of Plymouth (î‘‘î‘î‘‘î‘‘), Ferens Art Gallery, Hull (î‘‘î‘î‘‘î‘‘), The New Art Gallery Walsall (î‘‘î‘î‘‘3) | |
| ‘Sculptors at Work’, F.E. McWilliam Gallery & Studio, Banbridge | |
| 2019 | ‘Play Well’, Wellcome Collection, London |
| ‘Pairings: Sculpture in the Nasher & Rachofsky Collections’, Nasher Sculpture Center, Dallas | |
| ‘60 Years’, Tate Britain, London (curated by Sofia Karamani) | |
| ‘Objects of Wonder; British Sculpture from the Tate Collection 1950s — Present’, PalaisPopulaire, Berlin | |
| 2018 | ‘Liquid Crystal Display’, Site Gallery, Sheffield |
| ‘The Most Real Thing’, New Art Centre, Roche Court, Salisbury | |
| ‘fig-futures, WEEK 1 / EVA ROTHSCHILD + JOE MORAN’, Kettles Yard, Cambridge | |
| ‘The Anthropologist in me’, Fórum Braga, Portugal | |
| 2017 | ‘The Oslo Museum of Contemporary Art’, Kunsthall Oslo, Oslo |
| ‘An Eyeful of Wry’, Brynmor Jones Library gallery, University of Hull (Government Art Collection) | |
| 2015 | ‘Then for Now’, Delfina Foundation, London (curated by Chantal Joffe and Sacha Craddock) |
| ‘Lustwarande '15’, Fundament Foundation, Tilburg | |
| ‘CAPPER — HIORNS — HOUSEAGO — ROTHSCHILD — SKAER’, Jesus College, Cambridge | |
| ‘Art as a Verb’, ArtSpace, Sydney | |
| ‘The Grass is Singing’, Mendes Wood DM, São Paulo | |
| ‘Vibrant Matter’, KIOSK, Ghent | |
| 2014 | ‘I'm Yours’, Standard (OSLO), Oslo |
| ‘Art Basel Parcours’, Art Basel, Basel | |
| ‘Vestibule: Aleana Egan, Daniel Gustav Cramer, Eva Rothschild’, Merrion Square Projects, Dublin (Curated by Aoife Tunney) | |
| ‘You Imagine What You Desire’, Sydney Biennale, Sydney (19th Biennale) | |
| ‘We are living on a star’, Henie Onstad Kunstsenter, Oslo | |
| 2013 | ‘A Conspiracy of Detail’, Mackintosh Museum, Glasgow School of Art |
| ‘Out of the House, Cranford Collection’, Sala de Arte, Fundación Banco Santander, Madrid | |
| 2012 | ‘Bitume Et Astres Dansent. Parfois, Dans Le Pure Peur’, Eva Presenhuber, Paris |
| ‘Other Voices, Other Rooms’, Wentrup Avlskarl projects, Copenhagen | |
| ‘Kiev Sculpture Project’, National Botanical Garden, Kiev | |
| 2011 | ‘Made in the UK: Contemporary Art from the Richard Brown Baker Collection’, Museum of Art, Rhode Island School of Design, Providence |
| ‘DLA Piper Series: This is Sculpture, Conversation Pieces’, Tate Liverpool, Liverpool (Curated by Philip Treacy) | |
| ‘Sculpture Now’, Eva Presenhuber, Zurich | |
| ‘Making is Thinking’, Witte de With, Rotterdam | |
| 2010 | ‘Highlights From The Collection’, Goss Michael Foundation, Dallas |
| ‘Undone: Making and Unmaking in Contemporary Sculpture’, Henry Moore Institute, Leeds | |
| ‘The Dark Monarch: Magic and Modernity in British Art’, Towner Gallery, Eastbourne | |
| ‘Big New Field’, Dallas Museum of Art, Dallas | |
| 2009 | ‘The Dark Monarch’, Tate St Ives, Cornwall |
| ‘Geoplay (Part II)’, Galerie Pilar Parra & Romero, Madrid | |
| ‘DLA Piper Series: This is Sculpture: Sculpture - The Physical World’, Tate Liverpool, Liverpool (Curated by Michael Craig-Martin) | |
| ‘Group Show’, Marianne Boesky Gallery, New York | |
| ‘Drawing 2009 Biennal Fundraiser’, The Drawing Room, London | |
| ‘Frieze Art Fair’, Sculpture Park | |
| 2008 | ‘A Life Of Their Own’, Lismore Castle Arts, Lismore (Curated by Richard Cork) |
| 2007 | ‘Echo Room: Art from Britain’, Alcalá 31, Madrid |
| ‘LOOKING UP’, Mário Sequeira Gallery, Braga | |
| ‘Unmonumental: The Object in the 21st Century’, New Museum, New York | |
| ‘Half Square, Half Crazy’, Villa Arson, Nice | |
| 2006 | ‘Tate Triennial: New British Art’, Tate Britain, London |
| ‘Strange Powers’, Creative Time, New York | |
| ‘How to Improve the World, British Art 1946-2006’, Hayward Gallery, London | |
| ‘All Hawaii Entrées / Lunar Reggae’, Irish Museum of Modern Art, Dublin | |
| ‘If it didn’t exist you’d have to invent it: a partial Showroom history’, The Showroom, London | |
| 2005 | ‘British Art Show 6’, Baltic Centre for Contemporary Art, Gateshead (Hayward touring exhibition. Touring to Cornerhouse, Manchester; New Art Exchange, Nottingham; Bristol City Museum and Art Gallery, Bristol) |
| ‘Extreme Abstraction’, Albright Knox Gallery, Buffalo | |
| ‘Paris-Londres: Le Voyage Interieur’, Espace Electra, Paris | |
| 2004 | ‘54th Carnegie International’, Carnegie Museum of Art, Pittsburgh |
| ‘AtomKreig’, Kunsthaus Dresden, Dresden | |
| ‘Strange Weather’, Modern Art, London | |
| 2003 | ‘Objects in mirror are closer than they appear’, Badischer Kunstverein, Karlsruhe |
| ‘Playschool’, Galleri Christina Wilson, Copenhagen | |
| ‘The Walls Have Eyes’, Modern Art, London | |
| ‘East International’, Norwich Gallery, Norwich (selector) | |
| ‘Someone to watch over me’, Smart Project Space, Amsterdam | |
| ‘Primary Colours’, The City Gallery, Leicester | |
| ‘Splendor Geometrik’, Galerie Gisela Capitain, Cologne | |
| ‘Breathing the Water’, Galerie Hauser & Wirth & Presenhuber, Zurich | |
| ‘This Was Tomorrow’, The New Art Centre, Salisbury | |
| ‘3D’, Friedrich Petzel Gallery, New York | |
| 2002 | ‘Electric Dreams’, Barbican Centre, London |
| Karyn Lovegrove Gallery, Los Angeles | |
| ‘My Head is on Fire but my Heart is Full of Love’, Charlottenborg Museum, Copenhagen | |
| ‘Early One Morning’, Whitechapel, London | |
| 2001 | ‘Tailsliding’, Kunsthall, Bergen (British Council touring exhibition. Touring to Kunsthall, Bergen; Centre of Contemporary Art, Vilnius; Museum of Contemporary Art, Tallinn; House of Artists, Brno; Museum of Contemporary Art, Belgrade; Turku Art Museum, Turku) |
| ‘Brown’, Approach, London | |
| ‘Troubleshooting’, Arnolfini, Bristol | |
| ‘Kalam to Computer’, Crafts Museum, New Delhi | |
| ‘The seat with the clearest view’, Grey Matter, Sydney | |
| ‘Swenglish’, IASPIS, London | |
| ‘Tattoo’, Modern Art, London | |
| ‘Prodigal Prodigy’, White Box, New York | |
| ‘All That Is Solid’, London Print Studio | |
| ‘Silhouettes’, Lenbbachaus Kunstbau, Munich | |
| ‘Circles 4 One Fo(u)r One’, ZKM Museum for Contemporary Art, Karlsruhe (with Elizabeth Go) | |
| 2000 | ‘Dream Machines’, Dundee Contemporary Arts, Dundee (Hayward touring exhibition. Touring to Mappin Art Gallery, Sheffield; Camden Arts Centre, London) |
| ‘Proper’, CCA - Center for Contemporary Art, Vilnius | |
| ‘Hard Candy’, Gallery Wieland, Berlin | |
| ‘Comes the Spirit...’, Jerwood Space, London | |
| ‘Perfidy’, Kettles Yard, Cambridge (Convent of La Tourette, Eveux) | |
| ‘Tonight’, The Modern Institute/Toby Webster Ltd, Glasgow | |
| ‘Zig-Zag’, Thomas Cohn Gallery, Sao Paulo | |
| ‘Pavilion’, Galerie Mark Müller, Zurich | |
| 1999 | ‘High Red Center’, CCA, Glasgow |
| ‘Utopias’, Douglas Hyde Gallery, Dublin | |
| ‘Palace’, Glassbox, Paris | |
| ‘Luftfarer’, Riksutstillinger Norway | |
| 1998 | ‘Crystal State’, 3 month Gallery, Liverpool |
| ‘Habitat’, Center for Contemporary Photography, Melbourne | |
| ‘Seeing Hozoman’, Collective Gallery, Edinburgh | |
| ‘Cluster Bomb’, Morrisson/ Judd, London | |
| ‘Excellent Dynamite’, Palace Studios, Dublin | |
| ‘Bed and Workshop’, Square Doyen Milou, Rennes | |
| Titanik Galerie, Turku, Finland | |
| ‘How to build a universe that doesn't fall apart 2 days later’, Fly, Glasgow | |
| 1997 | ‘Tutor with an Idea’, 3 month Gallery, Liverpool |
| ‘Performance Festival’, Galleri Tommy Lund, Odense | |
| ‘If it wasn't for the mist we could see your home across the bay’, Grays School of Art, Aberdeen | |
| ‘Young Parents’, Riverside Mews, Manchester | |
| ‘Dialogue’, W139, Amsterdam | |
| ‘Superstore’ | |
| ‘Let's Rock’, Alexandra Mansions, Norwich | |
| ‘European Couples and Others’, Transmission, Glasgow | |
| 1996 | ‘Singled Out’, Catalyst Arts, Belfast |
| ‘Deep Signal’, Gasworks, London | |
| ‘Into the void’, Ikon Gallery, Birmingham | |
| ‘EV+A’, Limerick | |
| ‘World of Ponce’, Southpark, Glasgow (Curated by Toby Webster) | |
| ‘City Limits’, Staffordshire University, Stoke on Trent | |
| ‘Art for People’, Transmission, Glasgow | |
| ‘Sick Building’, Transmission Gallery at Globe Space, Copenhagen |
Group Screenings
| 2019 | ‘Art Basel | Film: Short Film Program | ‘Destroy, he said’’, The Stadtkino Basel |
Commissions
| 2022 | ‘Sadler’s Wells East Bank Commission’, Stratford, London |
| 2021 | ‘Living Spring’, The Line, Twelvetrees Bridge, London |
| ‘Becontree Memphis’, Parsoles Park Commission, Dagenham | |
| 2020 | ‘My World and Your World’, Lewis Cubitt Park, London |
Bibliography
Press
| 2022 | Hannah Silver: ‘Eva Rothschild creates original artworks for Roksanda at London Fashion Week’, Wallpaper, 22/02/2022 |
| 2019 | Judah, Hettie: ‘From Frank Lloyd Wright’s Toys to the Barbie Liberation Organization – What Does it Mean to ‘Play Well’?’, Frieze, 19/10/2019 |
| Dunne, Aidan: ‘Art in Focus – Eva Rothschild with her work Amphi’, Irish Times, 27/07/2019 | |
| Judah, Hettie: ‘Meet the women taking centre stage at the Venice Biennale in 2019’, Vogue, 15/05/2019 | |
| Judah, Hettie: ‘I used to be afraid of colour!’ Eva Rothschild, Ireland‘s dockside voice in Venice, The Guardian, 09/05/2019 | |
| Spence, Rachel: ‘Artist Eva Rothschild: ‘The work is doing the thing that language can’t’’, Financial Times, 03/05/2019 | |
| Hastings, Sophie: ‘The Calling’, The Gentlewoman, 05/2019 | |
| Catherall, Sarah : ‘How sculptor Eva Rothschild keeps viewers on their toes’, The Listener, 16/04/2019 | |
| Couttie, Laura: ‘A constructed landscape’, Art News New Zealand, 2019 | |
| 2018 | Nelson, Robert: ‘Sinister spaces in Rothschild, Baldessin and Whiteley’, The Sydney Morning Herald, 13/11/2018 |
| Bunbury, Stephanie: ‘Sculptures that contemplate social spaces’, The Sydney Morning Herald, 20/09/2018 | |
| Ball, Edward: ‘‘My sculptures don’t exist in a vacuum’’, Apollo Magazine, 05/04/2018 | |
| 2017 | Introduction by Declan Long: ‘Eva Rothschild’, Frieze, 09/2017 |
| 2013 | Smith, Roberta: ‘40 Nations, 1,000 Artists, One Island: Frieze New York at Randalls Island’, New York Times, 10/05/2013 |
| 2011 | ‘Market News’, Daily Telegraph, 06/12/2011 |
| 2009 | ‘Eva Rothschild: Regent’s Park rainbow‘, The Art Newspaper, 14/10/2009 |
| Lack, Jessica: ‘Exhibition Preview: Eva Rothschild, London’, The Guardian, 04/07/2009 | |
| ‘Five to watch’, The Times, 07/2009 | |
| Michael, Chris: ‘Eva Rothschild awarded Tate Britain commission’, The Guardian, 30/03/2009 | |
| Cork, Richard: ‘Eva Rothschild: Solid Geometry’, Art World, features text ' A Sculptural Magician', Stout, Katherine 2009 | |
| 2008 | Fiduccia, Joanna: ‘Critics’ Picks‘, Artforum, 30/11/2008 |
| Garner, James: ‘Eva Rothschild’, The Metro, 26/11/2008 | |
| Lack, Jessica: ‘Artist of the week no 6: Eva Rothschild’, The Guardian, 09/09/2008 | |
| 2007 | Hunt, Ian: ‘They don’t unpack, (interview)‘, Art Monthly, 31/10/2007 |
| 2005 | Mulholland, Neil: ‘Use Your Illusions’, Tate etc., Issue 4 2005 |
| 2001 | Lack, Jessica: ‘Eva Rothschild’, The Guardian, 06/04/2001 |
| 2000 | Higgie, Jennifer: ‘PAINT IT BLACK’, Frieze, Issue 55 2000 |
| 1996 | Tozer, John: ‘into the void’, Art Monthly, 05/1996 |
Exhibition Reviews
| 2021 | Mansfield, Susan: ‘Art Review: Glasgow International - Across the City’, The Scotsman, 25/06/2021 |
| Buck, Louisa: ‘Retina-bombarding films and complicated stenches: Glasgow International offers us new ways to pay attention’, The Art Newspaper, 21/06/2021 | |
| Judah, Hettie : ‘Glasgow International: screens lure eyeballs but it’s the sculptures that thrill’, The Guardian, 11/06/2021 | |
| 2019 | Couttie, Laura: ‘Kosmos: Eva Rothschild’s constructed landscape’, Art Guide Australia, 02/10/2019 |
| Lloyd-Smith, Harriet: ‘Eva Rothschild thinks big for the Irish Pavilion in Venice’, Wallpaper, 08/05/2019 | |
| ‘Eva Rothschild creates an ambitious and immersive exhibition for the Irish Pavilion’, Art Daily, 05/2019 | |
| 2018 | ‘Eva Rothschild: KOSMOS’, Australian Arts Review, 28/09/2018 |
| 2014 | Farrell, Carissa: ‘Critique Supplement’, Visual Artists News Sheet, 09/2014 |
| Schwabsky, Barry: ‘Eva Rothschild‘, Artforum, 09/2014 | |
| King, Elaine A.: ‘City Lane Gallery, dublin, Shows Contemporary Sculptor, Eva Rothschild‘, artesmagazine.com, 05/08/2014 | |
| Tipton, Gemma: ‘Potscard from Dublin‘, Frieze, 10/07/2014 | |
| Tipton, Gemma: ‘Eva Rothschild‘, Artforum Online, 07/2014 | |
| Leach Hughes, Cristin: ‘Eva Rothschild: Scaling New Heights‘, The Sunday Times, 15/06/2014 | |
| Coleman, Kate: ‘Exhibition: Eva Rothschild‘, LeCool, 06/2014 | |
| Dunne, Aidan: ‘Eva Rothschild: What are you looking at?‘, The Irish Times, 24/05/2014 | |
| Farago, Jason: ‘We are Living on a Star‘, Frieze, No. 162 04/2014 | |
| 2013 | ‘Boys, Making and the Material World‘, Time Out London, 07/2013 |
| 2012 | ‘Now See This‘, Art Review, 11/2012 |
| ‘Eva Rothschild‘s fragile and linear formal vocabulary at Kunstverein Hannover‘, Art Daily, 02/2012 | |
| 2011 | Nairne, Eleanor: ‘Eva Rothschild‘, Frieze, 10/2011 |
| Gygax, Raphael: ‘Sculpture Now‘, Flash Art, 10/2011 | |
| Cumming, Laura: ‘Eva Rothschild: Hot Touch; Jaume Plensa - Review‘, The Observer, 29/05/2011 | |
| Basciano, Oliver: ‘Eva Rothschild and Barbara Hepworth:Hepworth Wakefield‘, Artreview.com, 24/05/2011 | |
| Pes, Javier: ‘Hepworth heads up north‘, Art Newspaper, 224 05/2011 | |
| ‘Work by Eva Rothschild is first contemporary art acquisition for the Hepworth Wakefield‘, Artdaily.org, 05/2011 | |
| Halle, Halle: ‘Your guide to public art‘, Time Out NY, 05/2011 | |
| Johnson, Ken: ‘Uptown, A Jumble of treasures‘, The New York Times, 22/04/2011 | |
| Bailey, Stephanie: ‘A Reaction to Globalised Production’, Aesthetica, April/May 2011 04/2011 | |
| 2010 | Cotton, Michelle: ‘The Dark Monarch‘, Frieze, 01/2010 |
| 2009 | Rothschild, Eva: ‘Cold Corners‘, Museums and Heritage Live, 18/07/2009 |
| Güner, Fisun: ‘Eva Rothschild: Cold Corners‘, The Metro, 07/07/2009 | |
| ‘Scribble in space’ fills Tate sculpture galleries: ‘Brown, Mark‘, The Guardian, 30/06/2009 | |
| 2008 | McLean-Ferris, Laura: ‘Exhibitionist: The best shows to see this week’, The Guardian, 05/12/2008 |
| ‘Works in Progress‘, The Scotsman, 05/12/2008 | |
| Archer, Michael: ‘Eva Rothschild‘, Artforum, 01/2008 | |
| 2007 | Jones, Kristin M: ‘Eva Rothschild‘, Frieze, Issue 110 10/2007 |
| 2005 | O’Brien, Paul: ‘Dublin: Eva Rothschild at Douglas Hyde Gallery‘, Circa, 2005 |
| 2004 | Lunn, Felicity: ‘Eva Rothschild‘, Artforum, No.9 05/2004 |
| 2003 | Mottram, Jack: ‘Eva Rothschild‘, The List, 12/2003 |
| 2002 | Grant, Catherine: ‘Early One Morning’, Flash Art, 10/2002 |
| Darwent, Charles: ‘They‘re a crafy bunch, sculptors’, The Independent on Sunday, 14/07/2002 | |
| O'Reilly, Sally: ‘Eva Rothschild’, Time Out London, 05/2002 | |
| 1999 | Mahoney, Elisabeth: ‘High Red Centre‘, Art Monthly, 03/1999 |
Publications
| 2023 | My World and Your World, The King's Cross Project and King's Cross Central Limited Partnership, London |
| 2019 | The Shrinking Universe, Void Art Centre, Derry |
| 2018 | Eva Rothschild: 13 Robert-Jacobsen-Preis der Stiftung Würth, Stiftung Würth und Swiridoff Verlag, Künzelsau |
| Eva Rothschild: Kosmos, ACCA, Melbourne; City Gallery Wellington, Wellington | |
| 2016 | Eva Rothschild: Alternative to Power, The New Art Gallery Walsall, Walsall |
| 2014 | Eva Rothschild, Dublin City Gallery, Dublin |
| 2012 | Sightings, Nasher Sculpture Center, Dallas |
| 2010 | Eva Rothschild, Koenig Books, London |
| 2005 | EVA ROTHSCHILD, Douglas Hyde Gallery, Dublin (monograph) |
| Eva Rothschild, in Art at 30 St Mary Axe, London, Swiss Reinsurance Company, London | |
| 2004 | Eva Rothschild, Kunsthalle Zürich, Zurich |
| Eva Rothschild, JRP|Ringier, Zurich | |
| 2003 | Eva Rothschild, in Sculpture in 20th-century Britain, Volume II, Henry Moore Institute, Leeds |
| 2001 | EVA ROTHSCHILD, The Showroom, London (monograph) |
| 1999 | No Title, in Bent Aura, STOPSTOP, Glasgow |
| Seven Wonders of the World, Book Works, London |
Exhibition Publications
| 2011 | Eva Rothschild: Hot Touch, The Hepworth Wakefield, Wakefield, West Yorkshire |
| Made in the UK: Contemporary Art from the Richard Brown Baker Collection, Rhode Island School of Design, Providence (Exhibition catalogue) | |
| Making is Thinking, Witte de With, Rotterdam (Digital Publication) | |
| 2009 | Cold Corners, Tate Publishing, London |
| 2007 | Echo Room - Art from Great Britain, The British Council, London |
| 2006 | All Hawaii Entrées/ Lunar Reggae, Irish Museum of Modern Art, Dublin |
| 2005 | British Art Show 6, Hayward Publishing, London |
| 2004 | 54th Carnegie International, Carnegie Museum of Art, Pittsburgh |
| 2002 | Early One Morning, Whitechapel Gallery, London |
| My Head is on Fire but my Heart is Full of Love, Charlottenborg Exhibition Hall, Copenhagen | |
| 2001 | Prodigal Prodigy, White Box, New York |
| Tailsliding, British Council, London | |
| Vito Acconci/ Troubleshooting, Arnolfini, Bristol | |
| 2000 | Dream Machines, Hayward Publishing, London |
| LUFTFARER, Riksustsillinger, Oslo | |
| 1999 | Utopias, Douglas Hyde Gallery, Dublin |
| 1998 | 1-3, Titanik, Turku (Eva Rothschild, Minna Haukka discussion) |
| 1997 | W010, W139, Amsterdam |