Hayley Tompkins

Born 1971, Leighton Buzzard; Lives in Glasgow.

Education

1998 MFA, Glasgow School of Art
1994 BA (Hons) Painting, Glasgow School of Art

Current & Forthcoming

2015 ‘British Art Show 8’, Touring exhibition, Leeds Art Gallery (2015 - 2016), Edinburgh (2016), Norwich (2016), Southampton (2016 - 2017)
2016 ‘good things come...’, Plymouth College of Art, Plymouth
  Jupiter Artland, Edinburgh
  ‘Reconstructive Memory’, Galerie Valentin, Paris (Curated by It's Our Playground)

Solo Exhibitions

2015 ‘Electric Magnetic Installation’, The Modern Institute, 3 Aird's Lane, Glasgow
  ‘Technicolor Hamburger’, Drawing Room, Hamburg
2014 ‘Scotland + Venice 2013’, Common Guild, Glasgow (Part of GENERATION 2014)
  ‘Space Kitchen’, Andrew Kreps Gallery, New York
2013 Aspen Art Museum, Aspen
2012 ‘House of Life’, Cairn, Pittenweem
2011 ‘Currents’, Studio Voltaire, London
  ‘A Piece Of Eight’, The Modern Institute, 14—20 Osborne Street, Glasgow
2009 ‘Autobuilding’, Inverleith House, Royal Botanic Garden, Edinburgh
  ‘Optical Research’, Andrew Kreps Gallery, New York
2008 ‘Re’, The Drawing Room / Tannery Arts, London
2007 ‘Lent Moving Pictures’, Galerie Giti Nourbaksch, Berlin
  ‘Transfer’, Spike Island, Bristol
2006 ‘Hayley Tompkins and Sue Tompkins’, Andrew Kreps Gallery, New York
2005 ‘Them and Ten Thousand Cups’, The Modern Institute/Toby Webster Ltd, Glasgow
  ‘When I broke the room’, Jack Hanley Gallery, San Francisco
2003 Andrew Kreps Gallery, New York
  ‘Oh! Replica’, Els Hanappe Underground, Athens
2002 Giti Nourbaksch, Berlin
2001 Jack Hanley Gallery, San Francisco
  ‘Glassy’, Andrew Kreps Gallery, New York
2000 The Modern Institute/Toby Webster Ltd, Glasgow

Group Exhibitions

2016 ‘Reconstructive Memory’, Galerie Valentin, Paris (Curated by It's Our Playground)
  ‘Is This Living’, The Approach, London
2015 ‘Drawn by its own memory’, Laura Barlett Gallery, London
  ‘Walks and Displacements’, Andrew Kreps Gallery, New York
  ‘The Persistence of Objects’, Lismore Castle Arts, Lismore (curated by The Common Guild)
  ‘Eat Abstractedly’, Mary Mary, Glasgow
  ‘Painting in Time’, The Tetley, Leeds (co-curated by Sarah Kate Wilson)
  ‘Small Sculpture’, Shane Campbell Gallery, Chicago
  ‘Deep Screen’, Parc Saint Léger, Pougues-les-Eaux (curated by It’s Our Playground)
2014 ‘@ the shrink’, Shanaynay, Paris
  ‘On the Devolution of Culture’, 83 Page Street, London
  ‘GENERATION Moving Image Programme’, Tramway, Glasgow
  ‘Laura Aldrige, Laurie Clark, Melanie Counsell, Hayley Tompkins, David Williams’, Cairn, Pittenweem
  ‘I Cheer a Dead Man's Sweetheart’, De La Warr Pavilion, Bexhill
2013 ‘Out Of Doors’, Supplement Gallery, London
  ‘Valise’, BQ and Pavillon der Volksbühne, Berlin (The Glasgow Weekend)
  ‘Scotland + Venice 2013: Sworn / Campbell / Tompkins’, Collateral Event of the 55th International Art Exhibition – Venice Biennale, Palazzo Pisani, Venice
  ‘Every Day’, GOMA, Glasgow
2012 ‘Last Chance’, SWG3, Glasgow
  ‘The Imminence of Poetics’, Sao Paolo Biennale, Sao Paolo
  ‘Studio 58: Women Artists in Glasgow Since WWII’, Mackintosh Museum, Glasgow School of Art, Glasgow
2011 ‘Painting Show’, Eastside Projects, Birmingham (Curated by Sophie von Hellerman & Gavin Wade)
  ‘Painting Expanded’, Tanya Bonakdar Gallery, New York
  ‘Watercolour’, Tate Britain, London
  ‘Vegetable Loves’, Polarcap, West Barnes Studios, Dunbar
2010 ‘In Memory of Painting 8’, Layr Wuestenhagen Contemporary, Vienna
  ‘Every Night I go to Sleep’, Modern Art, London
  ‘At Home/Not At Home (From the collection of Martin and Rebecca Eisenberg)’, Hessel Museum, Bard College, New York (Curated by Mathew Higgs)
  ‘Ashes to Ashes’, AMP, Athens (Curated by Christopher Garrett)
  ‘Fragments of Machines’, IMO, Copenhagen (Curated by Will Bradley)
  ‘Group Show’, Autocenter, Berlin
2009 Inverleith House, Edinburgh
  ‘Frequency: Mark Garry, Padraig Timoney, Hayley Tompkins’, The Hugh Lane Museum, Dublin
  ‘modern modern’, Chelsea Art Museum, New York
  ‘Salute to the Dataday’, The Front Room, Contemporary Art Museum, St. Louis (with Sue Tompkins)
  ‘Zero Budget Biennale’, Galerie Carlos Cardenas, Paris (Curated by Joanna Fiduccia and Chris Sharpe)
2008 ‘Open Field’, CCA, Glasgow
2007 ‘Old Space New Space’, Gagosian, New York
  ‘Open End’, John Kinkead Contemporary, Los Angeles
  ‘Wollust - The Presence of Absence’, Columbus Art Foundation, Leipzig
2006 ‘If it didn’t exist you’d have to invent it: a partial Showroom history’, The Showroom, London
  ‘it is, 'what is it?'’, Andrew Kreps Gallery, New York
  ‘You always say no to Ibitha’, Alexandre Pollazzon Ltd, London
2005 Jack Hanley Gallery, Los Angeles
  ‘In the zone of your eyes’, West London projects, London (two person show and live performance)
  ‘Minimalism and After IV’, DaimlerChrysler Contemporary, Berlin
  ‘Solo Show Solo Soul’, Baronian Francey, Brussels (project by Chris Johanson)
  ‘We Disagree’, Andrew Kreps and Wrong Gallery, New York
  ‘When it broke’, ArtForum Berlin, Giti Nourbaksch Gallery (Two person show)
2004 ‘Becks Futures 2004’, ICA, London (Nominee)
  ‘Invisible Beauty’, Galerie Giti Nourbaksch, Berlin
  ‘Minimalism and After III’, DaimlerChrysler Contemporary, Berlin
  ‘Pre-Theatre’, Glasgow Project Room, Glasgow
  ‘Program III’, Rolf-Ricke, Cologne
  ‘Souvenir’, Hotel, London
  ‘Works on paper’, Sprüth-Magers Projekte, Munich
  Kerlin Gallery, Dublin
  ‘Country Grammar’, Gallery of Modern Art, Glasgow
2003 ‘Paper Projects’, Kate Macgarry, London
  ‘The Fragile Underground’, Bartwells Institute, London
  Giti Nourbaksch, Berlin
  Galerie Krinzinger, Vienna
2002 ‘Half the World Away’, Hallwalls CAC, Buffalo
  ‘On Paper 1’, Galerie Friedrich, Basel
  ‘Works from the Gaby and Wilhelm Schurmann Collection’, K21, Dusseldorf
2001 ‘Brown Field’, Market Gallery, Glasgow (Curated by Rob Tufnell)
  ‘October’, St. Vincent Street, Glasgow (Curated by Karla Black and Katie Exley)
  ‘Circles 4 One Fo(u)r One’, ZKM Museum for Contemporary Art, Karlsruhe (with Elizabeth Go)
  ‘Here and Now: Scottish Art 1990-2001’, Dundee Contemporary Arts, Dundee; Aberdeen Art Gallery, Aberdeen
2000 ‘Avalon’, The Changing Room, Stirling
  ‘Evil Eye’, Glasgow Independent Studios
  ‘Film Club’, Glasgow (with Elizabeth Go; curated by Scott Myles)
  ‘Film Club 2’, Vilma Gold, London (with Elizabeth Go; curated by David Thorpe)
1999 ‘Sounds of Grass’, Transmission, Glasgow
  ‘Where the Wild Roses Grow, Anti War - You Take it From my Heart’, Transmission, Glasgow (with Elizabeth Go)
  ‘White Bear zz’, 78 Roselea Drive, Glasgow
1998 ‘Add Night To Night’, The Showroom, London (Curated by Sarah Tripp)
  ‘I Love This Life’, Transmission, Glasgow
1997 ‘JoyJoy’, Transmission, Glasgow
  ‘Slight’, Norwich Gallery, Norwich
1996 ‘Wallpaper’, CCA, Glasgow
  ‘World of Ponce’, Southpark, Glasgow (Curated by Toby Webster)
1995 ‘Studio 58: Women Artists in Glasgow Since WWII’, Mackintosh Museum, Glasgow School of Art
  ‘The Persistence of Painting’, CCA, Glasgow
  ‘Look! Nuovo Miti’, Wilkes, Glasgow

Projects

2015 ‘The Grass is Singing’, Mendes Wood DM, São Paulo

Commissions

2006 ‘Spike Island’, Bristol (cafè design with Hayley Tompkins, in collaboration with Caruso St John Architects)

Performances

2007 ‘Grease: Transfer’, Spike Island, Bristol
1999 ‘Faces and Names’, The Corinthian, Glasgow (Performance as part of 'Education in Reverse')

Bibliography

Press

2011 ‘Arts Visual’, The Guardian G2, 15/02/2011
2009 Fiduccia, Joanna: ‘Hypothetically Seeing’, Map, Issue 17 2009
1998 O'Sullivan, Tom: ‘untitled’, Circa, Issue 89 30/11/1998
1997 Rothschild, Eva: ‘I am you as you are me as he is she as we are all together’, Make, Issue 80 30/11/1997

Exhibition Reviews

2014 Lowndes, Sarah: ‘Hayley Tompkins, Digital Light Pools’ (review of ‘Hayley Tompkins: ‘Scotland + Venice 2013’, Common Guild, Glasgow), Art Review, 10/2014
  Cooper, Neil: ‘Hayley Tompkins’ (review of ‘Hayley Tompkins: ‘Scotland + Venice 2013’, Common Guild, Glasgow), The List, 726 10/07/2014
  King, Sarah S.: ‘Hayley Tompkins’ (review of ‘Hayley Tompkins: ‘Space Kitchen’, Andrew Kreps Gallery, New York), Art in America, 09/05/2014
  Smith, Roberta: ‘Hayley Tompkins ‘Space Kitchen’ (review of ‘Hayley Tompkins: ‘Space Kitchen’, Andrew Kreps Gallery, New York), The New York Times, 06/02/2014
2013 Miller, Phil: ‘Scotland makes strong showing within the international art party of the Venice Biennale’ (review of ‘Scotland + Venice 2013: Sworn / Campbell / Tompkins’, Collateral Event of the 55th International Art Exhibition – Venice Biennale, Palazzo Pisani, Ven, The Herald, 02/06/2013
  Cezar, Aaron: ‘Scotland Shines in Venice’ (review of ‘Scotland + Venice 2013: Sworn / Campbell / Tompkins’, Collateral Event of the 55th International Art Exhibition – Venice Biennale, Palazzo Pisani, Venice), The Art Newspaper, 06/2013
  Miller, Phil: ‘Glasgow artists showcase Scotland in Venice’ (review of ‘Scotland + Venice 2013: Sworn / Campbell / Tompkins’, Collateral Event of the 55th International Art Exhibition – Venice Biennale, Palazzo Pisani, Venice), The Herald, 28/05/2013
  Mansfield, Susan: ‘Glasgow School of Art takes plunge in Venice’ (review of ‘Scotland + Venice 2013: Sworn / Campbell / Tompkins’, Collateral Event of the 55th International Art Exhibition – Venice Biennale, Palazzo Pisani, Venice), Scotsman, 28/05/2013
  ‘News’ (review of ‘Scotland + Venice 2013: Sworn / Campbell / Tompkins’, Collateral Event of the 55th International Art Exhibition – Venice Biennale, Palazzo Pisani, Venice), Metro, 28/05/2013
  Mantle, Jac: ‘Scotland in Venice: Duncan Campbell, Corin Sworn & ‘Hayley Tompkins’ (review of ‘Scotland + Venice 2013: Sworn / Campbell / Tompkins’, Collateral Event of the 55th International Art Exhibition – Venice Biennale, Palazzo Pisani, Venice), The Skinny, 27/05/2013
  Miller, Phil: ‘State of the Arts: Scotland on show at the Venice Biennale’ (review of ‘Scotland + Venice 2013: Sworn / Campbell / Tompkins’, Collateral Event of the 55th International Art Exhibition – Venice Biennale, Palazzo Pisani, Venice), The Herald, 27/05/2013
  Wilson, Fiona: ‘What the Brits are bringing to the Venice Biennale’ (review of ‘Scotland + Venice 2013: Sworn / Campbell / Tompkins’, Collateral Event of the 55th International Art Exhibition – Venice Biennale, Palazzo Pisani, Venice), The Times, 25/05/2013
  Miller, Phil: ‘A global stage for Scottish artworks’ (review of ‘Scotland + Venice 2013: Sworn / Campbell / Tompkins’, Collateral Event of the 55th International Art Exhibition – Venice Biennale, Palazzo Pisani, Venice), The Herald, 24/05/2013
  Jeffrey, Moira: ‘Art review: Scotland + Venice 2013, Venice’ (review of ‘Scotland + Venice 2013: Sworn / Campbell / Tompkins’, Collateral Event of the 55th International Art Exhibition – Venice Biennale, Palazzo Pisani, Venice), Scotland on Sunday, 19/05/2013
  Harris, Gareth: ‘Beyond the British Pavilion’ (review of ‘Scotland + Venice 2013: Sworn / Campbell / Tompkins’, Collateral Event of the 55th International Art Exhibition – Venice Biennale, Palazzo Pisani, Venice), The Art Newspaper, 03/05/2013
  ‘Scotland + Venice 2013’ (review of ‘Scotland + Venice 2013: Sworn / Campbell / Tompkins’, Collateral Event of the 55th International Art Exhibition – Venice Biennale, Palazzo Pisani, Venice), Aesthetica Magazine Blog, 05/2013
  ‘The Venice Questionnaire #9: ‘Hayley Tompkins’ (review of ‘Scotland + Venice 2013: Sworn / Campbell / Tompkins’, Collateral Event of the 55th International Art Exhibition – Venice Biennale, Palazzo Pisani, Venice), Art Review Online, 05/2013
  Jeffrey, Moira: ‘Art: Laura Aldridge| Mick Peter| Niall McDonald’ (review of ‘Every Day’, GOMA, Glasgow), Scotland on Sunday, 14/04/2013
2012 Basciano, Olivier & McLean-Ferris, Laura: ‘Glasgow - Beyond the miracle’ (review of ‘Hayley Tompkins: ‘A Piece Of Eight’, The Modern Institute, Osborne Street, Glasgow), Art Review, Issue 58 04/2012
  ‘Exhibitions’ (review of ‘Painting Show’, Eastside Projects, Birmingham), Contemporary Art Daily, 02/02/2012
  Morgan, Elinor: ‘Painting Show’ (review of ‘Painting Show’, Eastside Projects, Birmingham), this is tomorrow, 19/01/2012
2011 Herbert, Martin: ‘Hayley Tompkins’ (review of ‘Hayley Tompkins: ‘Currents’, Studio Voltaire, London), Time Out London, 08/07/2011
  Reid, Ash: ‘Exhibitions: ‘Hayley Tompkins’ (review of ‘Hayley Tompkins: ‘A Piece Of Eight’, The Modern Institute/Toby Webster Ltd, Glasgow), Map, Issue 25 06/2011
  Urwin Jones, Susan: ‘The Brink on an eye’ (review of ‘Hayley Tompkins: ‘A Piece Of Eight’, The Modern Institute/Toby Webster Ltd, Glasgow), The Herald, 02/04/2011
2009 Dale, Paul: ‘Hayley Tompkins: Autobuilding’ (review of ‘Hayley Tompkins: ‘Autobuilding’, Inverleith House, Royal Botanic Garden, Edinburgh), The List, Issue 626 04/2009
  Pottinger, Rebecca: ‘Hayley Tompkins: AutoBuilding’ (review of ‘Hayley Tompkins: ‘Autobuilding’, Inverleith House, Royal Botanic Garden, Edinburgh), The Skinny, Issue 43 04/2009
  Mansfield, Susan: ‘Hayley Tompkins/Mary MacIver’ (review of ‘Hayley Tompkins: ‘Autobuilding’, Inverleith House, Royal Botanic Garden, Edinburgh), The Scotsman, 25/03/2009
  Jeffery, Moira: ‘Art Review - ‘Hayley Tompkins: Autobuilding’ (review of ‘Hayley Tompkins: ‘Autobuilding’, Inverleith House, Royal Botanic Garden, Edinburgh), Scotland on Sunday, 03/2009
2008 Lack, Jessica: ‘Hayley Tompkins’ (review of ‘Hayley Tompkins: ‘Re’, The Drawing Room / Tannery Arts, London), The Guardian Guide, 19/04/2008
2007 Trigg, David: ‘Hayley Tompkins Sue Tompkins’ (review of ‘Hayley Tompkins: ‘Transfer’, Spike Island, Bristol), Map, 2007
2006 Nesbett, Peter (ed.): ‘Hayley Tompkins’ (review of ‘Hayley Tompkins: ‘Hayley Tompkins and Sue Tompkins’, Andrew Kreps Gallery, New York), Art on Paper, 2006
2005 Jeffery, Moira: ‘Celebrating the Fall and the Rise‘’ (review of ‘Hayley Tompkins: ‘In the zone of your eyes’, West London projects, London), The Herald, 21/10/2005
  Mottram, Jack: ‘Barbara Kruger and ‘Hayley Tompkins’ (review of ‘Hayley Tompkins: ‘Them and Ten Thousand Cups’, The Modern Institute/Toby Webster Ltd, Glasgow), The Scotsman, 26/08/2005
  McDermott, Leon: ‘Hayley Tompkins’ (review of ‘Hayley Tompkins: ‘Them and Ten Thousand Cups’, The Modern Institute/Toby Webster Ltd, Glasgow), Metro, 26/08/2005
  Mottram, Jack: ‘Hayley Tompkins’ (review of ‘Hayley Tompkins: ‘Them and Ten Thousand Cups’, The Modern Institute/Toby Webster Ltd, Glasgow), The List, 08/2005
2004 Gale, Iain: ‘Revolution in their heads’ (review of ‘Country Grammar’, GOMA, Glasgow), Scotland on Sunday, 26/09/2004
2003 Jeffery, Moira: ‘Hayley’s small visions’ (review of ‘Becks Futures 2004’, ICA, London), The Herald, 20/12/2003
2000 Crowe, Jenny: ‘Avalon’ (review of ‘Avalon’, The Changing Room, Stirling), an, 03/2000
  Tufnell, Rob: ‘Avalon’ (review of ‘Avalon’, The Changing Room, Stirling), Make, Issue 88 03/2000
  Johnston, Robert: ‘Hayley Tompkins’ (review of ‘Hayley Tompkins, The Modern Institute/Toby Webster Ltd, Glasgow), Untitled, 2000
1999 Lowndes, Sarah: ‘Sounds of Grass’ (review of ‘Hayley Tompkins: ‘Sounds of Grass’, Transmission, Glasgow), The List, 05/1999

Publications

2016 Life·like, The Modern Institute/Toby Webster Ltd, Glasgow
2014 Hayley Tompkins, Aspen Art Museum, Aspen
2013 Hayley and Sue Tompkins: through and through, LemonMelon
2012 Hayley Tompkins, Sue Tompkins: AZ, LemonMelon
2011 Daniel Baumann, Karla Black, Pati Hertling: HAYLEY TOMPKINS, Inverleith House Royal Botanic Garden, Edinburgh (Monograph. Available through The Modern Institute)
2009 Diaries of a Young Artist, Distributed art Publishers, New York
2008 Michael Archer: Re Hayley Tompkins, The Drawing Room, London (Monograph. Available through The Modern Institute)
2005 VITAMIN D, Phaidon Press, London/New York
2003 Hayley Tompkins, Sue Tompkins: HAYLEY TOMPKINS, The Modern Institute/Toby Webster Ltd, Glasgow (Monograph. Available through The Modern Institute)

Exhibition Publications

2011 Watercolour, Tate Publishing, London
2010 At Home/not at Home: Works from the Collection of Martin and Rebecca Eisenberg, Bard College Publications, Annandale-on-Hudson
2005 DaimlerChrysler Collection: Minimalism and After IV, DaimlerChrysler AG, Berlin
2001 Circles – Individuelle Sozialisation und Netzwerkarbeit in der zeitenossischen Kunst, ZKM, Karlsruhe
  Here and Now: Scottish Art 1990-2000, Dundee Contemporary Arts, Dundee
  October, St. Vincent Street, Glasgow
2000 Avalon, The Changing Room, Stirling
1998 Add Night to Night, The Showroom, London