| 2022 |
‘Keep On Movin’’, Fondazione Morra Greco, Napoli |
| 2021 |
‘Day for Night’, Kino International, Berlin |
| 2020 |
‘Gerold Miller & Katja Strunz’, Galerie Walter Storms, Munich |
| |
‘Da Sein’, Saarländische Galerie, Berlin |
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‘Sculpture & Nature’, Schlossgut Schwante Sculpture Park, Brandenburg |
| 2019 |
‘Beasts of the Times’, Haus am Waldsee, Berlin (Lynn Chadwick, Katja Strunz, Hans Uhlmann) |
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‘Konkrete Gegenwart’, Haus Konstruktiv, Zürich |
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‘The Gifts of Tony Podesta’, American University Museum at the Katzen, Washington, DC |
| 2018 |
‘Generations Part 3, Künstlerinnen im Dialog’, Sammlung Goetz, München |
| |
‘November- Versuch über eine Revolution’, Haus am Lützowplatz, Berlin |
| |
‘Painting After Painting After Painting After: Image- Making in Contemporary Germany’, Guangdong Museum of Art, Guangzhou, China |
| |
‘Optik Schröder II’, Mumok, Vienna |
| 2017 |
‘Salon des Fidèles’, Contemporary Fine Arts, Berlin |
| |
‘Das Skulpturenprojekt: Skizzen, Modelle, Skulpturen’, Städtische Galerie Villingen-Schwenningen, Villingen-Schwenningen |
| |
‘Small, An exploration of miniature, Sexauer Gallery, Berlin’, Sexauer Gallery , Berlin |
| |
‘Modern Sculpture’, Galeria Casado Santapau, Madrid |
| 2016 |
‘Wendezeiten’, CCA Andratx |
| |
‘Up/Down’, Holden Gallery at Manchester Metropolitan |
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‘Expanded Fields’, Nymphius Projekte, Berlin |
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‘Cafe Pittoresque’, Contemporary Fine Arts, Berlin |
| 2015 |
‘NOTES ON SCULPTURE A plea for deceleration’, Galerie Krobath, Vienna (curated by Friederike Nymphius on the occasion of 'curated_by Vienna 2015') |
| 2014 |
‘Mobiles in der Gegenwartskunst’, Kunsthalle Wilhelmshaven, Wilhelmshaven |
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‘How Soon Was Now’, Contemporary Fine Arts, Berlin |
| |
‘Les Plaisirs Dèmodès (The Old-Fashioned Way)’, Galerie Nikolaus Ruzicska, Salzburg |
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‘Vanitas: Motifs of Transience in Contemporary Sculpture’, Georg-Kolbe-Museum, Berlin |
| |
‘Gordon Matta-Clark and Beyond; Space Interventions’, Salon Dahlmann, Berlin (curated by Heike Fuhlbrügge) |
| |
‘Backdoor Fantasies’, KAI 10, Quadriennale Düsseldorf, Düsseldorf |
| |
‘Widersprüchliche Konturen / Räume und Zwischenräume’, Märkisches Museum, Witten |
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‘PAPERWORLDS’, Me Collectors Room, Berlin |
| 2013 |
‘Peanuts of Joy’, Kunstraum Dreieich, Dreieich |
| |
‘When Now is Minimal. The Unknown Side of the Goetz Collection’, Museion, Bolzano |
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‘Zero Hours’, s1 Art Space, Sheffield |
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‘weich mittel hart, suave medio dure’, Galerie Heinrich Ehrhardt, Madrid |
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‘Secondary Structures’, Galerie Nikolaus Ruzicska, Salzburg |
| |
‘When Now is Minimal. The Unknown Side of the Goetz Collection’, Neues Museum, Nuremberg |
| |
‘ABSTRAKT’, Contemporary Fine Arts & Galerie Haas, Berlin |
| |
‘Rhythm in it’, Aargauer Kunsthaus, Aarau |
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‘Abstrakt’, Kunstverein Wilhelmshöhe Ettlingen, Ettlingen |
| |
‘Novecento mai visto (The 20th century as never seen before)’, Museo di Santa Giulia, Brescia |
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‘Die gestundete Zeit’, Sies und Höke, Düsseldorf |
| |
‘Jacob's ladder’, Patricia Low Contemporary, Gstaad |
| |
‘Collection on Display: Heidi Bucher, Thea Djordjadze, Berta Fischer, Loredana Sperini, Katja Strunz’, Migros Museum, Zurich |
| 2012 |
‘The Imminence of Poetics’, Sao Paolo Biennale, Sao Paolo |
| |
‘Take off your silver spurs and help me pass the time’, Galerie Nikolaus Ruzicska, Salzburg (curated by Gerold Miller) |
| |
‘Collaborations & Interventions’, Centro Cultural Andratx, Mallorca |
| 2011 |
‘Hieros Glyphos’, Galerie Micheline Szwajzer, Antwerpen (curated by Jan Hoet) |
| |
‘Hotspot Berlin - eine Momentaufnahme’, Georg-Kolbe-Museum, Berlin |
| |
‘Theatre of the world’, KunstMuseum Liechtenstein, Vaduz |
| |
‘Train Fantome’, Cruise & Callas, Berlin |
| |
‘Verbrechen und Bild’, Künstlerverein Walkmühle, Wiesbaden (curated by Friedemann Hahn) |
| |
‘WERT/SACHE (THINGS of VALUE’, Potsdamer Str.87, Berlin |
| |
‘Nit al Jardí del Bé I el Mal’, Centro Cultural Andratx, Mallorca |
| |
‘Space Oddity’, Centro Cultural Andratx, Mallorca |
| |
‘Private/Corporate VI’, Daimler Contemporary, Berlin |
| |
‘The Black Goddess’, Autocenter, Berlin |
| 2010 |
‘Missing Beat’, Sommer Contemporary Art, Tel Aviv |
| |
‘Physical’, Autocenter, Berlin |
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‘Schwarz’, Märkisches Museum Witten, Witten |
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‘monochrome (part two)’, Galerie Lange + Pult, Zurich, Switzerland |
| |
‘Just a matter of time’, Galerie Iris Kadel, Karlsruhe |
| |
‘Christmas in July’, Yvon Lambert Gallery, New York |
| |
‘chrystaline architect’, Andrea Rosen Gallery, New York |
| |
‘Cage Mix: Sculpture & Sound’, Baltic Centre for Contemporary Art, Gateshead |
| |
‘A Relative Expanse’, Renwick Gallery, New York |
| |
‘HIGH IDEALS & CRAZY DREAMS’, Vera Munro Gallery, Hamburg |
| |
‘Berlin Metal Sculpture’, Nymphius Projekte, Berlin |
| |
‘The Berlin Box’, Centro Cultural Andratx, Mallorca |
| |
‘100 th Exhibition’, Autocenter, Berlin |
| |
‘Wall and Floor’, Galerie Almine Rech, Paris |
| |
‘The Big Rip Off’, Camden Arts Centre, London |
| |
‘Neugierig? Kunst des 21. Jahrhunderts’, Kunst- und Ausstellungshalle der Bundesrepublik Deutschland, Bonn |
| |
‘Bilder über Bilder’, Mumok, Vienna |
| |
Skulpturengarten Villa Schöningen, Potsdam |
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‘step in the arena’, Quartier Eurobahnhof, Saarbrücken |
| 2009 |
‘elles@centrepompidou’, Centre Georges Pompidou, Paris |
| |
‘Geoplay (Part I)’, Galerie Pilar Parra & Romero, Madrid |
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‘Schickeria -High Society’, BDA-Galerie, Braunschweig |
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‘Minimal Means’, Frank Cohen Collection, Initial Access, Wolverhampton |
| |
‘private view’, Städtische Galerie Villingen-Schwenningen, Villingen-Schwenningen |
| |
‘Abstractionists unite! Who give you just enough to last a lifetime’, The Glendale College Art Gallery, Glendale |
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‘Constructivismes’, Almine Rech Gallery, Brussels |
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‘Constructivismes - (A visual essay)’, Andrea Rosen Gallery, New York |
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‘Cargo manifest, under construction’, Bayerische Staatsoper, Munich (curated by Anna-Catharina Gebbers) |
| 2008 |
‘Material Presence. Sculpture and installation from the Zabludowicz Collection’, 176, London |
| |
‘Chapter One’, About Change, Collection, Berlin |
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‘Groupshow’, Almine Rech Gallery, Brussels |
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‘Andersens Wohnung 2’, Andersen's Contemporary, Berlin |
| |
‘Red Wind’, Blum and Poe Gallery, Los Angeles |
| |
‘Boros Collection’, Bunker, Berlin |
| |
‘Whole Lotta Love’, Contemporary Fine Arts, Berlin |
| |
‘Private / Corporate V’, Daimler Contemporary, Berlin |
| |
‘The Driller Killer’, Forgotten Bar Project, Berlin |
| |
‘MAXImin. Maximum Minimization in Contemporary Art’, Fundación Juan March, Madrid |
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‘Rooming In!’, Patricia Low Contemporary, Gstaad |
| |
‘Life on Mars - 55th Carnegie International’, Carnegie Museum of Art, Pittsburgh |
| |
‘Zuordnungsprobleme’, Galerie Johann König, Berlin |
| |
‘Die Maße des Werts’, Klaus Winichner, Natron, Berlin |
| |
‘Wenn ein Reisender in einer Winternacht. Variationen über Max Bill’, Museum MARTa Herford, Herford |
| |
‘+ de réalité / pratiques contemporaines de l'abstraction’, Hangar à bananes, Quai des Antiles, Île de Nantes, Nantes (École Régionale des Beaux-Arts de Nantes, Nantes) |
| |
‘So ist es und anders – PORZĄDKI UROJONE’, Museum Abteiberg, Mönchengladbach |
| 2007 |
‘sculpture garden’, Almine Rech Gallery, Brussels |
| |
‘Inky Toy Affinitas’, Cerealart, Philadelphia |
| |
‘Art Scope. Zeitgenössische Kunst aus Japan und Deutschland’, DaimlerChrysler Contemporary, Berlin |
| |
‘Grit and Vigor’, Light and Sie, Dallas |
| |
‘You will be re-materialized through your secrets’, Michael Benevento/Orange Group, Los Angeles |
| |
‘Delusive Orders’, Muzeum Sztuki w Lodzi, Lodz |
| |
‘Lines, squares and cubes’, Produzentengalerie, Hamburg |
| |
‘Winter Palace’, De Ateliers, Amsterdam |
| |
‘re-dis-play’, Kunstverein Heidelberg, Heidelberg |
| |
‘Half Square, Half Crazy’, Villa Arson, Nice |
| |
‘Big Bopp – 15 Jahre Boppstraße’, Boppstraße 26, Mainz |
| |
‘Joseph Kramhöller, Gerhard Merz, Anselm Reyle, Haim Steinbach, Katja Strunz’, COMA – Centre for Opinions in Music and Art, Berlin |
| 2006 |
‘Delete/How to Make a Perfect Ghost’, Anton Kern Gallery, New York |
| |
‘Music and Art’, Centre for Opinions in Music and Art, Berlin |
| |
‘Sammlung migros museum für gegenwartskunst’, Migros Museum, Zurich |
| |
‘Strange I've Seen That Face Before’, Museum Abteiberg, Moenchengladbach |
| |
‘Conversation with Art, on Art, Bauhaus to Contemporary Art’, Tokyo Opera City Art Gallery, Tokyo |
| |
‘Art Scope 2005/2006 – Interface Complex’, Hara Museum of Contemporary Art, Tokyo |
| |
‘Optik Schröder. Werke aus der Sammlung Schröder’, Kunstverein Braunschweig, Braunschweig |
| 2005 |
‘Die gute Form’, Galerie Mehdi Chouakri, Berlin |
| |
‘Dead/Undead’, Galerie Six Friedrich, Munich |
| |
‘Mallorca Open 05. Principles of construction’, Kunsthalle Andratx, Mallorca |
| |
‘Abstraktes Material’, Landesmusuem Johanneum, Graz |
| |
‘The The’, Modern Art, London |
| |
‘Sculptures d'Appartement’, Musee Dep. d'Art Contemporain de Rochechouart, Rochechouart |
| |
‘Lichtkunst aus Kunstlicht’, ZKM Museum for Contemporary Art, Karlsruhe |
| |
‘36 x 27 x 10’, White Cube, Berlin |
| |
‘The Addiction’, Gagosian Gallery, New York |
| |
‘ars viva 04/05 – Zeit / time’, Kunstverein für die Rheinlande und Westfalen, Düsseldorf; Zacheta - National Gallery of Art, Varsovie |
| 2004 |
‘Black Friday’, Galerie Kamm, Berlin |
| |
‘Specific Objects’, Galerie Mehdi Chouakri, Berlin |
| |
‘Sans Soleil’, Galerie Neu, Berlin |
| |
‘Barraque d'dull odde’, Galleria Continua, San Gimignano |
| |
‘Formalismus, Moderne Kunst, Heute’, Hamburg Kunstverein, Hamburg |
| |
‘It's all an illusion’, Migros Museum, Zurich |
| |
‘I feel mysterious today’, Palm Beach Institute of Contemporary Art, Palm Beach |
| |
‘Keep Your Head to the Sky’, Gavin Brown's enterprise, New York |
| |
‘ars viva 04/05 – Zeit/ time’, Kunsthalle Mannheim, Mannheim |
| |
‘Regard sur l’abstraction dans la scène berlinoise’, Nosbaum & Reding - Art Contemporain, Luxembourg |
| |
‘Zwei oder drei Dinge, die ich von ihr weiß’, Produzentengalerie, Hamburg |
| |
‘On the Edge, Contemporary Art of the DaimlerChrysler Collection’, The Detroit Institute of Arts, Detroit (DaimlerChrysler Touring exhibition. Touring to Museum Africa, Johannesburg; Iziko South African National Gallery, Capetown; amongst others.) |
| 2003 |
‘Minimalism and After II’, DaimlerChrysler Contemporary, Berlin |
| |
‘Renderings’, Delfina Studio Trust, London |
| |
‘HELP’, Els Hanappe Underground, Athens |
| |
‘Hot, Blue & Righteous’, Galerie Giti Nourbaksch, Berlin |
| |
‘Silver convention’, Galerie Giti Nourbaksch, Berlin |
| |
‘Fallen Angels’, Greene Naftali, New York |
| |
‘The Daimler Chrysler Collection’, ZKM Museum for Contemporary Art, Karlsruhe |
| |
‘Splendor Geometrik’, Galerie Gisela Capitain, Cologne |
| |
‘Inaugural Group Exhibition’, Gavin Brown's enterprise, New York |
| |
‘Hands Up, Baby, Hands Up!’, Oldenburger Kunstverein, Oldenburg |
| |
‘Comme des Garcons: 40 views of an Icon’, Moscow; Zurich; Berlin |
| |
‘Land, Land!’, Hellen Mirra, Kunsthalle Basel, Basel (with Rivane Neuenschwander) |
| 2002 |
‘Waiting for the Ice Age’, Georg Kargl Gallery, Vienna |
| |
‘My Head is on Fire but my Heart is Full of Love’, Charlottenborg Museum, Copenhagen |
| |
Roma Roma Roma, Rome |
| 2001 |
‘Wandbilder’, Atelier J. Rosenmeyer, Berlin |
| |
‘Private Guest of Hannibal Collector’, Harald Falckenberg, Hamburg |
| |
‘Die Vertreibung der Händler aus dem Tempel’, Kunstfabrik am Flutgraben Treptow, Berlin |
| |
‘Circles 4 One Fo(u)r One’, ZKM Museum for Contemporary Art, Karlsruhe (with Elizabeth Go) |
| |
‘Not at Home’, Schloss Solitude, Stuttgart |
| 2000 |
‘Landscape’, Galerie Giti Nourbaksch, Berlin |
| |
‘Sympathie Montparnasse’, Berlin (curated by Wawa Tokarski) |
| |
Büchsenhausen Ausstellungsraum Innsbruck, Innsbruck |
| 1999 |
‘Nordwestpassage’, Städtische Galerie, Lüdenscheid |
| 1998 |
Andersen's Wohnung, Berlin |
| |
Meisterschuler der Staatlichen Akademie der Bildenden Künste Karlsruhe, Schloss Bruchsal, Bruchsal |
| |
‘Gangbang’, Galerie Margit Haupt, Karlsruhe (curated by Laurids and Matthaus) |
