Katja Strunz
Born 1970, Ottweiler; Lives in Berlin.
Education
| 1998 | Meisterschüler, Staatliche Akademie der Bildenden Künste Karlsruhe |
| 1993 | Studies of Fine Arts, Staatliche Akademie der Bildenden Künste Karlsruhe |
| 1991 | Art and Philosophy, Johannes Gutenberg-Universität Mainz |
| 1989 | Studies of Philosophy, History and History of Art, Johannes Gutenberg-Universität Mainz |
Solo Exhibitions
| 2020 | ‘Space Lips’, Contemporary Fine Arts, Berlin |
| 2019 | ‘Space/Void’, Indianapolis Museum of Contemporary Art, Indianapolis (with Anna Martinez) |
| 2017 | ‘Anschauung der From’, Krobath Wien |
| Contemporary Fine Arts, Berlin | |
| 2014 | Galerie Nikolaus Ruzicska, Salzburg |
| ‘present pasts’, Andersen's Contemporary, Copenhagen | |
| 2013 | ‘Unfolding Process’, Contemporary Fine Arts, Berlin |
| ‘Drehmoment (Viel Zeit, wenig Raum)’, Berlinische Galerie, Berlin (Vattenfall Contemporary 2013 Winner) | |
| Almine Rech Project Space, Brussels | |
| 2012 | ‘Dynamic Fatigue Test’, The Modern Institute, 14—20 Osborne Street, Glasgow |
| Frieze Art Fair Sculpture Park, Gavin Brown's enterprise, New York | |
| 2011 | ‘Tick-Tock, Crick-Clock’, Almine Rech Gallery, Brussels |
| ‘Nachzeit’, Contemporary Fine Arts, Berlin | |
| 2010 | ‘Zeittraum # 9’, Muzeum Sztuki w Lodzi, Lodz |
| ‘Canopy Curtain’, Kunststation Sankt Peter, Cologne | |
| ‘Im Geviert’, Saarland Museum, Saarbruecken | |
| 2009 | ‘Sound of the Pregeometric Age’, Camden Arts Centre, London |
| ‘The Great Bear’, Mount Stuart, Isle of Bute | |
| ‘Cruise and Callas’, Berlin | |
| 2008 | ‘Einbruchstellen’, Contemporary Fine Arts, Berlin |
| 2007 | ‘Lazy Corner and the Suicide Wall’, The Modern Institute/Toby Webster Ltd, Glasgow |
| ‘Lazy Corner’, Artpace, San Antonio | |
| ‘Guten Morgen Erwachen’, Galerie Almine Rech, Paris | |
| 2006 | ‘Faltgestalt’, Museum Haus Esters, Krefeld |
| ‘Whose Garden Was This’, Gavin Brown's enterprise, New York | |
| 2005 | ‘ta pedia tou pirea’, Art Basel Statement, Art|35|Basel, Basel |
| 2003 | ‘Time of the Season’, doggerfisher, Edinburgh |
| ‘unendlich’, Els Hanappe Underground, Athens | |
| ‘Collagen’, Ursula Werz, Tübingen | |
| 2002 | ‘Zeittraum’, Galerie Giti Nourbaksch, Berlin |
| 2001 | Gavin Brown's enterprise, New York |
| The Modern Institute/Toby Webster Ltd, Glasgow | |
| 2000 | Galerie Giti Nourbaksch, Berlin |
Group Exhibitions
| 2020 | ‘Da Sein’, Saarländische Galerie, Berlin |
| ‘Sculpture & Nature’, Schlossgut Schwante Sculpture Park, Brandenburg | |
| 2019 | ‘Lynn Chadwick – Beasts of the times: Lynn Chadwick, Katja Strunz, Hans Uhlmann’, Haus am Waldsee, Berlin |
| ‘Konkrete Gegenwart’, Haus Konstruktiv, Zürich | |
| ‘The Gifts of Tony Podesta’, American University Museum at the Katzen, Washington, DC | |
| 2018 | ‘Generations Part 3, Künstlerinnen im Dialog’, Sammlung Goetz, München |
| ‘November- Versuch über eine Revolution’, Haus am Lützowplatz, Berlin | |
| ‘Painting After Painting After Painting After: Image- Making in Contemporary Germany’, Guangdong Museum of Art, Guangzhou, China | |
| ‘Optik Schröder II’, Mumok, Vienna | |
| 2017 | ‘Salon des Fidèles’, Contemporary Fine Arts, Berlin |
| ‘Das Skulpturenprojekt: Skizzen, Modelle, Skulpturen’, Städtische Galerie Villingen-Schwenningen, Villingen-Schwenningen | |
| ‘Small, An exploration of miniature, Sexauer Gallery, Berlin’, Sexauer Gallery , Berlin | |
| ‘Modern Sculpture’, Galeria Casado Santapau, Madrid | |
| 2016 | ‘Wendezeiten’, CCA Andratx |
| ‘Up/Down’, Holden Gallery at Manchester Metropolitan | |
| ‘Expanded Fields’, Nymphius Projekte, Berlin | |
| 2015 | ‘NOTES ON SCULPTURE A plea for deceleration’, Galerie Krobath, Vienna (curated by Friederike Nymphius on the occasion of 'curated_by Vienna 2015') |
| 2014 | ‘Mobiles in der Gegenwartskunst’, Kunsthalle Wilhelmshaven, Wilhelmshaven |
| ‘How Soon Was Now’, Contemporary Fine Arts, Berlin | |
| ‘Les Plaisirs Dèmodès (The Old-Fashioned Way)’, Galerie Nikolaus Ruzicska, Salzburg | |
| ‘Vanitas: Motifs of Transience in Contemporary Sculpture’, Georg-Kolbe-Museum, Berlin | |
| ‘Gordon Matta-Clark and Beyond; Space Interventions’, Salon Dahlmann, Berlin (curated by Heike Fuhlbrügge) | |
| ‘Backdoor Fantasies’, KAI 10, Quadriennale Düsseldorf, Düsseldorf | |
| ‘Widersprüchliche Konturen / Räume und Zwischenräume’, Märkisches Museum, Witten | |
| ‘PAPERWORLDS’, Me Collectors Room, Berlin | |
| 2013 | ‘Peanuts of Joy’, Kunstraum Dreieich, Dreieich |
| ‘When Now is Minimal. The Unknown Side of the Goetz Collection’, Museion, Bolzano | |
| ‘Zero Hours’, s1 Art Space, Sheffield | |
| ‘weich mittel hart, suave medio dure’, Galerie Heinrich Ehrhardt, Madrid | |
| ‘Secondary Structures’, Galerie Nikolaus Ruzicska, Salzburg | |
| ‘When Now is Minimal. The Unknown Side of the Goetz Collection’, Neues Museum, Nuremberg | |
| ‘ABSTRAKT’, Contemporary Fine Arts & Galerie Haas, Berlin | |
| ‘Rhythm in it’, Aargauer Kunsthaus, Aarau | |
| ‘Abstrakt’, Kunstverein Wilhelmshöhe Ettlingen, Ettlingen | |
| ‘Novecento mai visto (The 20th century as never seen before)’, Museo di Santa Giulia, Brescia | |
| ‘Die gestundete Zeit’, Sies und Höke, Düsseldorf | |
| ‘Jacob's ladder’, Patricia Low Contemporary, Gstaad | |
| ‘Collection on Display: Heidi Bucher, Thea Djordjadze, Berta Fischer, Loredana Sperini, Katja Strunz’, Migros Museum, Zurich | |
| 2012 | ‘The Imminence of Poetics’, Sao Paolo Biennale, Sao Paolo |
| ‘Take off your silver spurs and help me pass the time’, Galerie Nikolaus Ruzicska, Salzburg (curated by Gerold Miller) | |
| ‘Collaborations & Interventions’, Centro Cultural Andratx, Mallorca | |
| 2011 | ‘Hieros Glyphos’, Galerie Micheline Szwajzer, Antwerpen (curated by Jan Hoet) |
| ‘Hotspot Berlin - eine Momentaufnahme’, Georg-Kolbe-Museum, Berlin | |
| ‘Theatre of the world’, KunstMuseum Liechtenstein, Vaduz | |
| ‘Train Fantome’, Cruise & Callas, Berlin | |
| ‘Verbrechen und Bild’, Künstlerverein Walkmühle, Wiesbaden (curated by Friedemann Hahn) | |
| ‘WERT/SACHE (THINGS of VALUE’, Potsdamer Str.87, Berlin | |
| ‘Nit al Jardí del Bé I el Mal’, Centro Cultural Andratx, Mallorca | |
| ‘Space Oddity’, Centro Cultural Andratx, Mallorca | |
| ‘Private/Corporate VI’, Daimler Contemporary, Berlin | |
| ‘The Black Goddess’, Autocenter, Berlin | |
| 2010 | ‘Missing Beat’, Sommer Contemporary Art, Tel Aviv |
| ‘Physical’, Autocenter, Berlin | |
| ‘Schwarz’, Märkisches Museum Witten, Witten | |
| ‘monochrome (part two)’, Galerie Lange + Pult, Zurich, Switzerland | |
| ‘Just a matter of time’, Galerie Iris Kadel, Karlsruhe | |
| ‘Christmas in July’, Yvon Lambert Gallery, New York | |
| ‘chrystaline architect’, Andrea Rosen Gallery, New York | |
| ‘Cage Mix: Sculpture & Sound’, Baltic Centre for Contemporary Art, Gateshead | |
| ‘A Relative Expanse’, Renwick Gallery, New York | |
| ‘HIGH IDEALS & CRAZY DREAMS’, Vera Munro Gallery, Hamburg | |
| ‘Berlin Metal Sculpture’, Nymphius Projekte, Berlin | |
| ‘The Berlin Box’, Centro Cultural Andratx, Mallorca | |
| ‘100 th Exhibition’, Autocenter, Berlin | |
| ‘Wall and Floor’, Galerie Almine Rech, Paris | |
| ‘The Big Rip Off’, Camden Arts Centre, London | |
| ‘Neugierig? Kunst des 21. Jahrhunderts’, Kunst- und Ausstellungshalle der Bundesrepublik Deutschland, Bonn | |
| ‘Bilder über Bilder’, Mumok, Vienna | |
| Skulpturengarten Villa Schöningen, Potsdam | |
| ‘step in the arena’, Quartier Eurobahnhof, Saarbrücken | |
| 2009 | ‘elles@centrepompidou’, Centre Georges Pompidou, Paris |
| ‘Geoplay (Part I)’, Galerie Pilar Parra & Romero, Madrid | |
| ‘Schickeria -High Society’, BDA-Galerie, Braunschweig | |
| ‘Minimal Means’, Frank Cohen Collection, Initial Access, Wolverhampton | |
| ‘private view’, Städtische Galerie Villingen-Schwenningen, Villingen-Schwenningen | |
| ‘Abstractionists unite! Who give you just enough to last a lifetime’, The Glendale College Art Gallery, Glendale | |
| 2008 | ‘Material Presence. Sculpture and installation from the Zabludowicz Collection’, 176, London |
| ‘Chapter One’, About Change, Collection, Berlin | |
| ‘Groupshow’, Almine Rech Gallery, Brussels | |
| ‘Andersens Wohnung 2’, Andersen's Contemporary, Berlin | |
| ‘Red Wind’, Blum and Poe Gallery, Los Angeles | |
| ‘Boros Collection’, Bunker, Berlin | |
| ‘Whole Lotta Love’, Contemporary Fine Arts, Berlin | |
| ‘Private / Corporate V’, Daimler Contemporary, Berlin | |
| ‘The Driller Killer’, Forgotten Bar Project, Berlin | |
| ‘MAXImin. Maximum Minimization in Contemporary Art’, Fundación Juan March, Madrid | |
| ‘Rooming In!’, Patricia Low Contemporary, Gstaad | |
| 2007 | ‘sculpture garden’, Almine Rech Gallery, Brussels |
| ‘Inky Toy Affinitas’, Cerealart, Philadelphia | |
| ‘Art Scope. Zeitgenössische Kunst aus Japan und Deutschland’, DaimlerChrysler Contemporary, Berlin | |
| ‘Grit and Vigor’, Light and Sie, Dallas | |
| ‘You will be re-materialized through your secrets’, Michael Benevento/Orange Group, Los Angeles | |
| ‘Delusive Orders’, Muzeum Sztuki w Lodzi, Lodz | |
| ‘Lines, squares and cubes’, Produzentengalerie, Hamburg | |
| 2006 | ‘Delete/How to Make a Perfect Ghost’, Anton Kern Gallery, New York |
| ‘Music and Art’, Centre for Opinions in Music and Art, Berlin | |
| ‘Sammlung migros museum für gegenwartskunst’, Migros Museum, Zurich | |
| ‘Strange I've Seen That Face Before’, Museum Abteiberg, Moenchengladbach | |
| ‘Conversation with Art, on Art, Bauhaus to Contemporary Art’, Tokyo Opera City Art Gallery, Tokyo | |
| 2005 | ‘Die gute Form’, Galerie Mehdi Chouakri, Berlin |
| ‘Dead/Undead’, Galerie Six Friedrich, Munich | |
| ‘Mallorca Open 05. Principles of construction’, Kunsthalle Andratx, Mallorca | |
| ‘Abstraktes Material’, Landesmusuem Johanneum, Graz | |
| ‘The The’, Modern Art, London | |
| ‘Sculptures d'Appartement’, Musee Dep. d'Art Contemporain de Rochechouart, Rochechouart | |
| ‘Lichtkunst aus Kunstlicht’, ZKM Museum for Contemporary Art, Karlsruhe | |
| 2004 | ‘Black Friday’, Galerie Kamm, Berlin |
| ‘Specific Objects’, Galerie Mehdi Chouakri, Berlin | |
| ‘Sans Soleil’, Galerie Neu, Berlin | |
| ‘Barraque d'dull odde’, Galleria Continua, San Gimignano | |
| ‘Formalismus, Moderne Kunst, Heute’, Hamburg Kunstverein, Hamburg | |
| ‘It's all an illusion’, Migros Museum, Zurich | |
| ‘I feel mysterious today’, Palm Beach Institute of Contemporary Art, Palm Beach | |
| 2003 | ‘Minimalism and After II’, DaimlerChrysler Contemporary, Berlin |
| ‘Renderings’, Delfina Studio Trust, London | |
| ‘HELP’, Els Hanappe Underground, Athens | |
| ‘Hot, Blue & Righteous’, Galerie Giti Nourbaksch, Berlin | |
| ‘Silver convention’, Galerie Giti Nourbaksch, Berlin | |
| ‘Fallen Angels’, Greene Naftali, New York | |
| ‘The Daimler Chrysler Collection’, ZKM Museum for Contemporary Art, Karlsruhe | |
| 2002 | ‘Waiting for the Ice Age’, Georg Kargl Gallery, Vienna |
| 2001 | ‘Wandbilder’, Atelier J. Rosenmeyer, Berlin |
| ‘Private Guest of Hannibal Collector’, Harald Falckenberg, Hamburg | |
| ‘Die Vertreibung der Händler aus dem Tempel’, Kunstfabrik am Flutgraben Treptow, Berlin | |
| 2000 | ‘Landscape’, Galerie Giti Nourbaksch, Berlin |
| 1999 | ‘Nordwestpassage’, Städtische Galerie, Lüdenscheid |
| 1998 | Andersen's Wohnung, Berlin |
Curatorial Projects
| 2019 | ‘FELDPHANTOM’, Galerie Nikolaus Ruzicska, Salzburg |
Bibliography
Press
| 2016 | Hughill Alison: ‘Katja Strunz’, Berlin Art Link, 25/05/2016 |
| 2015 | ‘Wo ist hier?’, Artsy, 2015 |
| 2013 | Hugill, Alison : ‘Katja Strunz at Contemporary Fine Arts’, Berlin Art Link, 05/12/2013 |
| Walde, Gabriela : ‘Ein Himmel voller Farben’, Berliner Morgenpost, 01/12/2013 | |
| Borcherdt, Gesine: ‘Q&A: Katja Strunz über ihre Ausstellung in der Berlinischen Galerie’, Blouin Artinfo, 18/07/2013 | |
| Ruthe, Ingeborg: ‘Gefaltete Zeit. Berlinische Galerie: Katja Strunz bekam den Gattenfall-Kunstpreis 2013’, Berliner Zeitung, 26/06/2013 | |
| ‘Mit Katja Strunz durch Zeit und Raum’, Monopol, 05/2013 | |
| Ruthe, Ingeborg: ‘Gefaltete Zeit’, Berliner Zeitung, 26/04/2013 | |
| Ruthe, Ingeborg: ‘Gefaltete Zeit’, fr-online.de, 25/04/2013 | |
| ‘Kinderzeichnungen berühmter Künstler - Kleine Genies’, Süddeutsche Zeitung, 01/04/2013 | |
| Pataczek, Anna: ‘Ein Ballon wirft Falten’, Tagesspiegel, 04/2013 | |
| ‘Interview: Katja Strunz’, Interview Magazine, 04/2013 | |
| 2012 | ‘"Afterimages of Life" Wladyslaw Strzeminski and the Rights of Art’, 02/2012 |
| 2011 | Borcherdt, Gesine: ‘Katja Strunz: Zeittraum’, Flash Art, 03/2011 |
| Woeller, Macus: ‘Wenn Duchamp leise rotiert’, artnet, 09/02/2011 | |
| Klöckner, Sebastian: ‘Eine zweite Gegenwart schaffen’, Saarbrücker Zeitung, 01/02/2011 | |
| 2010 | Krenz, Marcel: Music Parasols - Katja Strunz‘s artwork, Hear The World, Issue 17 12/2010 |
| Elss-Seringhais, Cathrin: ‘Wie Falten zu Tür-Sperren werden’, Saarbrücker Zeitung, 03/07/2010 | |
| Jens, Hinrichsen: ‘Der Stahl und die Stadt’, Der Tagesspiegel, 11/06/2010 | |
| Sherwin, Skye: ‘Artist of the week 70: Katja Strunz’, The Guardian, 13/01/2010 | |
| Barton, Hannah: ‘The Sound of the Pregometric Age’, murmurART, 08/01/2010 | |
| Debra Singer: ‘Debra Singer: Katja Strunz. In Creamier’, Phaidon Press, 2010 | |
| 2009 | Jeffrey, Moira: ‘Art review: Katja Strunz, The Great Bear’, Scotland on Sunday, 24/05/2009 |
| Bell, Kirsty: ‘Katja Strunz’, Frieze, Issue 21 03/2009 | |
| Chevron, Doris: ‘Colas kommt von Herzen’, Fled Hommes, Summer 2009 | |
| Lowdnes, Sarah: ‘Katja Strunz: The clock is forgotten (press release)’, Mount Stuart Visual Arts Programme, 2009 | |
| Klonk, Charlotte: Standing with One‘s Back to Utopia, Tate etc., Issue 15, Spring 2009 | |
| 2008 | Reber, Simone: ‘Batman stürzt ad’, Der Tagesspiegel, 13/12/2008 |
| Zeitz, Lisa: ‘Galerienrundgang: In Berliner Galerien’, FAS, 07/12/2008 | |
| Glauner, Max: ‘Prinzessin auf der Falte’, Zitty, 03/12/2008 | |
| Strunz, Katja: ‘The Artist’s Artists’, Artforum, Issue XLVII 30/11/2008 | |
| Hohmann, Silke: ‘Die Mauer ist offen’, Monopol, 05/2008 | |
| 2007 | Gupta, Anjali: ‘Glenn Kaino + Robert Pruitt + Katja Strunz’, Art Papers, 05/2007 |
| Buhr, Elke: ‘Blechschirme und Batmans Mantel’, Frankfurter Rundschau, 09/01/2007 | |
| 2006 | Hudson, Suzanne: ‘Katja Strunz’, Artforum, 04/2006 |
| Clifton, Michael, Alissa Bennett: ‘In absence of the figure’, Issue, 03/2006 | |
| Buhr, Elke: ‘Art’s Blooming in Berlin’, Modern Painters, 28/02/2006 | |
| 2005 | Wittneven, Katrin: ‘Preview: Ein Blick ins Atelier von Katja Strunz vor ihrer Retrospektive in Krefeld’, Monopol, 30/11/2005 |
| Diederichsen, Diedrich: ‘FORMALISMUS’, Artforum, 03/2005 | |
| Wiensowski, Ingeborg: ‘Strandgut der Zeit’, Kulturspiegel, Issue 3 03/2005 | |
| Boecker, Susanne: ‘ars viva 04/05’, Kunstforum, 2005 | |
| Gockel, Cornelia: ‘dead/undead’, Kunstforum, 2005 | |
| Preuss, Sebastian: ‘Die neue Liebe zur Geometrie’, Monopol, 2005 | |
| Scheibitz, Thomas, Karsten Heller: ‘Faltgestalt’, Diamondpaper, 2005 | |
| 2004 | Kopsa, Maxine: ‘Flirt Met Het Oppervlak’, Metropolis M, Issue 6 12/2004 |
| Strunz, Katja, Kolja Gläser: ‘Unerwartete Gestalt’, Achtung, 31/08/2004 | |
| Gebbers, Anna-Catharina: ‘Katja Strunz’, Kunstmagazin, 01/2004 | |
| Bell, Kirsty: ‘The Salvage City’, Art Review, 2004 | |
| 2003 | Rehn, Florian: ‘Kunst am Flakon’, Style, 11/2003 |
| Jeffrey Moira: ‘Katja Strunz’, The Herald, 11/08/2003 | |
| Black, Catriona: ‘Katja Strunz: Time of the season’, The Herald, 10/08/2003 | |
| Hearn, Matthew: ‘Katja Strunz’, The List, 08/2003 | |
| Monaghan, Helen: ‘Katja Strunz’, The List, 08/2003 | |
| ‘Katja Strunz’, The Guardian Guide, 08/2003 | |
| Eichler, Dominic: ‘Something old, something new’, Frieze, Issue 74 04/2003 | |
| Lunn, Felicity: ‘Katja Strunz’, Contemporary Magazine, Issue 49 03/2003 | |
| Böker, Carmen: ‘Monotonie ist schön’, Berliner Zeitung, 18/02/2003 | |
| Unknown: ‘Contemporary German Art Today’, Flash Art, 2003 | |
| Nymphius, Friederike: ‘Minimalism and After II’, Collection DaimlerChrysler, 2003 | |
| 2001 | Jäger, Susanne: ‘Waiting for the ice age’, Flash Art, 30/11/2001 |
| Meixner, Christiane: ‘Montagen des Zufalls’, Berliner Morgenpost, 2001 |
Exhibition Reviews
| 2013 | Franz Krähenbühl: ‘Rhythm In It‘, Flash Art, VOL.46 09/2013 |
| 2012 | Kotzé, Talitha: ‘Katja Strunz: Dynamic Fatigue Test’, The List, 02/08/2012 |
| 2011 | Elliott, Fiona (Translation: ‘Dispatches: Katja Strunz‘, Art Review, 48 03/2011 |
| ‘Review’, Art Review, 48 03/2011 | |
| 2010 | Riolo, Stephen: ‘Enter the Fold: Katja Strunz‘, Art in America, 17/08/2010 |
| 2009 | ‘Visual arts unveiled’, The Buteman, 22/05/2009 |
| ‘Art at Mount Stuart‘, The Buteman, 15/05/2009 |
Publications
| 2010 | Creamier. Contemporary Art in Culture, Phaidon Press, London/ New York |
| Neugierig? Kunst de 21. Jahrhunderts aus privaten Sammlungen, Bundeskunst- Ausstellungshalle der Bundesrepublik Deutschland, Kerber Verlag, Bielefeld | |
| Skulpturengarten Villa Schöningen, Villa Schöningen, Potsdam | |
| 2009 | So ist und anders. Porzadki Urojone, Muzeum Sztuki, Koenig Books |
| 2008 | Life on Mars. 55th Carnegie International , Carnegie Museum of Art, Pittsburgh |
| Wenn ein Reisender in einer Winternacht - Variationen über Max Bill, Marta Herford, Herford | |
| 2007 | Half Square, Half Crazy , Villa Arson, Nice |
| Suzanne Hudson & Lutz Niethammer: Katja Strunz, Koenig Books, London (monograph) | |
| 2005 | Diamondpaper, Nr. 5, Berlin |
| 2004 | Time, Revolver, Frankfurt am Main |
| 2003 | DaimlerChrysler Collection. Minimalism and After II, Daimler Contemporary, Berlin |
| Katja Strunz, Frieze Yearbook 03/04, Frieze Art Fair, London | |
| Land, Land! Objeckt des Begehrens: Bescheidene Modelle des Unendlichen, Kunsthalle Basel, Basel | |
| 1998 | Meisterschülerausstellung, Staatlich Academy der Bildenden Künste Karlsruhe |
| 1997 | Country, Karlsruhe |
Exhibition Publications
| 2013 | Katja Strunz Drehmoment (Viel Zeit, Wenig Raum), DISTANZ Verlag, Berlin |
| 2011 | Katja Strunz Zeittraum#9 für Władysław Strzemiński, Muzeum Sztuki in Łódź, Koenig Books |
| Nachzeit, CFA, Berlin | |
| 2010 | Canopy Curtain, Kunststation Sankt Peter, Cologne |
| 2009 | Berlin 2000, PaceWildenstein, Berlin |
| Einbruchstellen, Snoeck Verlag, Cologne | |
| The Great Bear, Mount Stuart Trust, Isle of Bute | |
| 2008 | MAXImin. Maximum Minimization in Contemporary Art, Fundación Juan March, (ed.), Madrid |
| Variationen über Max Bill, Museum MARTa Herford, Herford | |
| 2007 | Optik Schröder, Mönchengladbach & DuMont Verlag, Cologne |
| Repetition Compulsion, Michael Benevento, Los Angeles | |
| 2006 | Art Scope 2005/ 2006 - Interface Complex, Hara Museum of Contemporary Art, Tokyo and DaimlerChrysler Foundation, Tokyo |
| Faltgestalt, Adolf-Luther-Stiftung, Krefeld | |
| Seance, Anton Kern Gallery, New York | |
| Strange I’ve Seen That Face Before, Städtisches Museum Abteiberg, Moenchengladbach | |
| 2004 | Ars Viva 04/05 Zeit, Kulturkreis der deutschen Wirtshaft im Bundesverband der deutschen Industrie, Berlin |
| Formalismus. Modern Kunst, heute (Formalism. Modern Art, today), Hatje Cantz Verlag, Ostfildern-Ruit | |
| I feel mysterious today, Palm Beach ICA, Florida | |
| 2003 | Land, Land!, Kunsthalle Basel, Basel |
| 2002 | My Head is on Fire but my Heart is Full of Love, Charlottenborg Exhibition Hall, Copenhagen |
| 2001 | Circles – Individuelle Sozialisation und Netzwerkarbeit in der zeitenossischen Kunst, ZKM, Karlsruhe |