Monika Sosnowska
Born 1972, Ryki; Lives in Warsaw.
Education
2004 | Stipendium at Künstlerhaus Bethanien, Berlin |
2002 | S-air, Sapporo |
2000 | Rijksakademie van Beeldende Kunsten, Amsterdam |
1998 | Academy of Fine Arts, Poznan |
Current & Forthcoming
2023 | ‘Out Of The Box’, Schaulager Museum, Basel |
‘In the garden’, Museum of Contemporary Art in Monterrey, Mexico |
Solo Exhibitions
2023 | ‘Fire Escape’, Kunsthalle Bremen, Bremen |
Zentrum Paul Klee, Bern | |
2022 | ‘Impossible Figures’, Adrastus Collection, Ávila, Spain |
‘Fatigue’, Kunstraum Dornbirn, Dornbirn | |
2020 | Saarlandmuseum Moderne Galerie, Saarbrücken |
‘Monika Sosnowska’, Zachęta – National Gallery of Art, Warsaw | |
‘Facade’, Galeria Labirynt, Lublin | |
‘Exercises in Construction, Bending’, Garage Museum of Contemporary Art, Moscow | |
2019 | The Modern Institute, 3 Aird's Lane, Glasgow |
Capitain Petzel, Berlin | |
2018 | ‘Urban Flowers’, Gisela Capitain, Cologne |
2017 | Hauser & Wirth, Los Angeles |
‘Wall’, Kurimanzutto, Mexico City | |
‘Structural Exercises’, Hauser and Wirth, London | |
‘monographic intervention by Monika Sosnowska, Muzeum Susch’, Muzeum Susch, Engadin, Switzerland | |
2016 | ‘Habitat’, The Contemporary Austin, Austin |
Indianapolis Museum of Art, Indianapolis | |
The Modern Institute, 3 Aird's Lane, Glasgow | |
2015 | ‘Still Life’, Foksal Gallery Foundation, Warsaw |
Cahiers D'Art, Paris | |
‘The Stairs’, The Contemporary Austin, Austin (On View at the Betty and Edward Marcus Sculpture Park at Laguna Gloria) | |
‘Architectonisation’, Serralves Foundation, Porto | |
‘Gate’, Ginza Maison Hermès, Ginza | |
2014 | ‘Tower’, Hauser and Wirth, New York |
Capitain Petzel, Berlin | |
2013 | Pérez Art Museum Miami, Miami |
‘Regional Modernities’, ACCA, Melbourne | |
Contemporary Art Gallery, Vancouver | |
Aspen Art Museum, Aspen | |
2012 | The Modern Institute, 14—20 Osborne Street, Glasgow |
‘FIR TREE’, Doris C. Freedman Plaza, Central Park, New York (Public Art Fund) | |
Gisela Capitain, Cologne | |
Architectural Association, London (Artist Talk) | |
2011 | Kurimanzutto, Mexico City |
2010 | ‘Monika Sosnowska’, Hauser and Wirth, New York |
‘Stairway’, Herzliya Museum of Contemporary Art, Herzliya | |
‘Fire Escape (International Artist-in-residence)’, Artpace, San Antonio | |
‘The Staircase’, K21, Düsseldorf | |
2009 | Capitain Petzel, Berlin |
Stiftung Würth, Berlin | |
2008 | The Modern Institute/Toby Webster Ltd, Glasgow |
‘1:1’, Schaulager Museum, Basel (with Andrea Zittel) | |
‘Sternennebel’, Gebert-Stiftung für Kultur, Rapperswil | |
2007 | ‘1:1’, The Polish Pavilion, 52nd Venice Biennale, Venice |
‘Loop’, KunstMuseum Liechtenstein, Vaduz | |
Talbot Rice Gallery, University of Edinburgh | |
2006 | ‘Display’, Galeria Kronika, Bytom |
‘Projects 83: Monika Sosnowska’, MOMA, New York | |
‘Interventions 41’, Sprengel Museum, Hannover | |
‘The Corridor’, Museo de Arte Contemporáneo de Castilla y León, MUSAC (site-specific installation for Laboratorio 987) | |
Galeria Arsenał, Białystok | |
2005 | ‘Display’, Foksal Gallery Foundation, Warsaw |
Galerie Gisela Capitain, Cologne | |
‘The Tired Room’, The Sigmund Freud Museum, Vienna | |
OPA, Guadalajara (with Kurimanzutto) | |
2004 | The Modern Institute/Toby Webster Ltd, Glasgow |
De Appel, Amsterdam | |
Stella Lohaus Gallery, Antwerp | |
The Serpentine Gallery, London | |
Künstlerhaus Bethanien, Berlin | |
2003 | Galleria Laura Pecci, Milan |
2002 | Foksal Gallery Foundation, Warsaw |
2001 | ‘Little Alice’, Laboratorium, Centrum Sztuki |
Group Exhibitions
2023 | ‘In the garden’, Museum of Contemporary Art in Monterrey, Mexico |
2022 | Ikon Gallery, Birmingham |
‘todos juntos (all together)’, kurimanzutto, New York | |
Musée des Beaux-Arts de Nancy | |
‘Desert X AlUla’, Desert X, AlUla | |
2021 | ‘Calder NOW’, Kunsthal Rotterdam, Rotterdam |
‘13th Kaunas Biennial’ | |
x_minimal, Cassina Projects, Milan | |
‘'Sculpture in celebration!' (14/05/2021-1/11/2021)’, Foundation Villa Datris, L'Isle-sur-la-Sorgue | |
2020 | ‘Sculpture & Nature’, Schlossgut Schwante Sculpture Park, Brandenburg |
‘RESENTMENT’, Kunst Meran, Meran | |
‘‘Dhaka Art Summit 2020: Seismic Movements’, Dhaka Art Summit, Dhaka | |
2018 | ‘Space Shifters’, Hayward Gallery, London |
‘Lust der Täuschung’, Kunsthalle München, Munich | |
‘She sees the shadows’, David Roberts Art Foundation, MOSTYN, Wales | |
‘Frieze Sculpture 2018’, Regent's Park, London | |
‘Living Cities’, Tate Modern, London | |
‘Experience Traps’, Middelheim Museum, Antwerp | |
‘ISelf Collection’, Whitechapel, London | |
‘The Land We Live In – The Land We Left Behind’, Hauser and Wirth, London | |
‘Open House’, Jessica Silverman Gallery, San Francisco | |
2017 | ‘Living Cities’, Tate Modern, London |
‘Sharjah Biennial 13’, Sharjah Art Foundation | |
2016 | ‘Lost & Found’, Galerie Bärbel Grässlin |
‘Common Affairs. Revisiting the Views Award – Contemporary Art from Poland,’, Deutsche Bank KunstHalle, Berlin | |
‘Common Affairs. Revisiting the VIEWS Award - Contemporary Art from Poland’, Polnisches Institut, Berlin | |
‘Sculpture on the Move 1946-2016’, Kunstmuseum Basel | |
‘LA MEMORIA FINALMENTE. ARTE IN POLONIA 1989-2016’, Galleria Civica di Modena, Roma | |
‘La déchirure / Rozdarcie. Monika Sosnowska. Marek Szczęsny, Karolina Wiktor’, Atlas Sztuki, Łódź | |
2015 | ‘NOTES ON SCULPTURE A plea for deceleration’, Galerie Krobath, Vienna (curated by Friederike Nymphius on the occasion of 'curated_by Vienna 2015') |
‘Architectural Allusions’, DeCordova Sculpture Park and Museum, Lincoln | |
‘A Focus on Sculpture in the Würth Collection’, Museum Würth, Künzelsau | |
‘(im)possible!; Artists as Architects’, MARTA Museum of Art & Design, Herford | |
2014 | ‘Installators’, Art Stations Foundation |
‘Salon distingué - Household Effects in Good Company’, Museum Langmatt, Baden | |
2013 | Southern Alberta Art Gallery, Lethbridge |
‘HEIMsuchung. Unsichere Räume in der Kunst der Gegenwart’, Kunstmuseum Bonn, Bonn | |
‘Novecento mai visto (The 20th century as never seen before)’, Museo di Santa Giulia, Brescia | |
‘Twisted Entities. Zeitgenössische polnische Kunst’, Museum Morsbroich, Leverkusen | |
2012 | ‘Organic’, Centre d'Art Contemporain, Geneva |
‘REACTIVATION’, Shanghai Biennale, Shanghai | |
‘The Future's Not What is Used to be’, Chapter, Cardiff | |
Kunsthaus, Berlin | |
‘Schach Matt. This is what happens when an unstoppable force meets an immovable object’, Märkisches Museum Witten, Witten | |
‘ALICE in the Wonderland of Art’, Kunsthalle Hamburg, Hamburg | |
‘Skyscraper: Art and Architecture Against Gravity’, MCA, Chicago | |
‘Minimal Myth’, Museum Boijmans Van Beuningen, Rotterdam | |
‘New Sculpture’, Zaçheta Narodowa, Galerie Sztuki, Warsaw | |
2011 | ‘ILLUMInations’, Arsenale, Venice Biennale, Venice |
2010 | ‘elles@centrepompidou’, Centre Georges Pompidou, Paris |
‘The Promises of the past 1950-2010: A discontinuous history of art in former eastern europe’, Centre Georges Pompidou, Paris | |
2009 | Bródno Sculpture Park, Warsaw |
Hayward Gallery, London (Mark Wallinger curates the Russian Linesman Frontiers, Borders and Thresholds) | |
2008 | ‘Kunst Im Hein’, Capitain Petzel, Berlin |
‘OTHER THAN YOURSELF - An Investigation between Inner and Outer Space’, Thyssen-Bornemisza Art Contemporary, Vienna | |
2007 | ‘STAY FOREVER AND EVER AND EVER’, South London Gallery, London |
‘Delusive Orders’, Muzeum Sztuki w Łodzi, Łódź | |
2006 | ‘At the Very Center of Attention’, Centre for Contemporary Art, Warsaw |
‘Phantom’, Charlottenborg Museum, Copenhagen | |
‘The Tired Room', in 'Centres of Attraction’, Constitution Square 4, Warsaw | |
‘The Exotic Journey End’, Foksal Gallery Foundation, Warsaw | |
‘Satellite of Love’, Witte de With, Rotterdam | |
‘ARS 06 – Sense of the Real’, Kiasma Museum of Contemporary Art, Helsinki | |
‘START!’, Grieder Contemporary, Zurich | |
‘Ideal City - Invisible Cities’, Zamość | |
‘Sehnsüchtig Gleiten Ballone Rund um die Welt / Longing Balloons are Floating Around the World’, Green Light Pavilion, Berlin-Mitte, Berlin | |
2005 | ‘Glasgow International’, Sculpture Studios, Glasgow |
‘Il Teatro dell'Arte and Luna Park. Arte Fantastica’, Villa Manin Centre of Contemporary Art, Passariano | |
‘We Disagree’, Andrew Kreps and Wrong Gallery, New York | |
‘Only Make Believe: Ways of Playing’, Compton Verney Museum, Compton Verney | |
2004 | ‘Who if Not We…? Cordially Invited’, BAK, Utrecht |
‘PRYM’, BWA Gallery, Zielona | |
‘Barraque d'dull odde’, Galleria Continua, San Gimignano | |
‘Distances?’, Le Plateau, Paris | |
‘Ce qui reste’, Galerie du TNB, Rennes | |
‘Den Haag Sculptuur’, Den Haag | |
2003 | ‘Clandestine’, 50th Venice Biennale, Venice |
‘Views’, Deutsche Bank Cultural Foundation Award, Zacheta Gallery | |
‘Art Focus 4’, Israel Festival, Jerusalem | |
‘Poetic Justice’, Istanbul Biennale, Istanbul | |
‘Pale Fire’, Nordenhake Gallery, Berlin | |
‘Architectures of Gender’, Sculpture Center, New York | |
‘Re:Location’, Villa Arson, Nice | |
‘Contemporary Art for all Children’, Zacheta Gallery, Warsaw | |
‘Splendor Geometrik’, Galerie Gisela Capitain, Cologne | |
‘Hidden in a Daylight’, Hotel Pod Jeleniem, Cieszyn | |
‘Bewitched Bothered and Bewildered: Spatial Emotion in Contemporary Art and Architecture’, Migros Museum, Zurich | |
‘S-AIR Show 2’, Intercross Creative Centre, Sapporo | |
2002 | ‘Project 1. Pause: Conception’, 4th Gwangju Biennale, Gwangju |
‘POLACOS - New Art of Poland’, Capella de l'Antic Hospital de Santa Creu, Barcelona | |
Display, Prague | |
‘In Capital Letters’, Kunsthalle Basel, Basel | |
‘FAIR’, Royal College of Art, London | |
Manifesta 4, Frankfurt | |
2001 | 1st Tirana Biennale, Tirana |
Galeria Raster, Warsaw | |
‘Il y a toujour quelq'un qui veux quelque chose’, Galerie du Jour, Paris | |
Painters' Competition, Galeria Bielska | |
‘Oikos’, Leon Wyczółkowski Museum, Bydgoszcz |
Commissions
2018 | Muzeum Susch, Switzerland |
2014 | ‘Monika Sosnowska: Inaugurating Landscape Project - Wojnowo’, Wojnowo, Poznań |
2011 | ‘Fire Escape’, Museo Tamayo, Mexico City |
2008 | ‘The Wind House’, Primrose Hill, Camden (part of Portavilion) |
Residencies
2022 | ‘The Roberts Institute of Art Residency’, Scotland |
2014 | Atelier Calder, Saché |
Bibliography
Press
2022 | Skye Sherwin: ‘Brutal truth: the artists inspired by high rise horror’, The Guardian, 05/12/2022 |
2020 | Frearson, Amy: ‘Architecture Club builds cast-concrete studio for sculptor Monika Sosnowskaka Sosnowska’, Dezeen, 02/03/2020 |
2018 | ‘Former Brewery and Rural Monastery Transformed into Muzeum Susch’, Blouin Artinfo, 15/08/2018 |
Carey-Kent, Paul: What‘s the Worst That Could Happen?, Elephant Magazine, 35 06/2018 | |
2012 | De la Garza, Magnolia: ‘Magnolia de la Garza introduces the evolving chronicle of Mexico City’, Kaleidoscope, Issue 14 03/2012 |
Dillon, Brian: ‘Parasites’, Parkett, Issue 91 2012 | |
Bonami, Francesco: ‘The Cabinet of Dr. Sosnowska / Das Kabinett von Dr. Sosnowska’, Parkett, Issue 91 2012 | |
Susanna Davies-Crook: ‘The Inside, Inside’, Sleek, Issue 34 2012 | |
2011 | Casadio, Mariuccia: ‘Light Shaped’, Vogue Italia, 09/2011 |
Jonathan Jones: Time flies at the Venice Biennale’, Guardian.co.uk, 07/06/2011 | |
Martin Gayford: ‘Venice Biennale has Baroque Star, Lots of Videos’, Bloomberg.com, 06/2011 | |
Pes, Javier: ‘Sosnowska Sculpture and 17th-century miniature’, Art Newspaper, 223 04/2011 | |
T.D. Neil, Jonathon: ‘Monika Sosnowska’, Art Review, Issue 47 01/2011 | |
2010 | Clewing, Ulrich: ‘Die Architektin Der Verunsiherung’, Architectural Digest, 12/2010 |
Whitman-Salkin, Leah: ‘Art: Monika Sosnowska’, Kaleidoscope, Issue 07 05/2010 | |
2009 | Searle, Adrian: ‘Park Life’, The Guardian G2, 15/01/2009 |
2008 | Macel, Christine: ‘Best Of’, Artforum, 12/2008 |
Garner, James: ‘Monika Sosnowska’, The Metro, 22/10/2008 | |
Motram, Jack: ‘Art That is Made in Scotland from Girders’, The Herald, 17/10/2008 | |
Pollock, David: ‘Monika Sosnowska’, The List, Issue 616 2008 | |
Bell, Kirsty: ‘Time and Space’, Frieze, Issue 116 2008 | |
2007 | Jeffrey, Moira: ‘MONIKA SOSNOWSKA’, Map, Issue 11 2007 |
Lesso, Rosie: ‘Spanning the void’, The List, Issue 591 2007 | |
Rekade, Christiane, Michael Robinson, (trans.): ‘Unknown’, Flash Art International, 2007 | |
2006 | Schlagel, Andreas: ‘Berlin’, Contemporary Magazine, 06/2006 |
Grzonka, Patricia: ‘Sehnsüchtig gleiten Ballone rund um die Welt. Interview with Caroline Eggel und Christiane Rekade’, Kunstbulletin, 06/2006 | |
Małkowska, Monika: ‘Strach I pokusa’, Rzeczpospolita, 31/01/2006 | |
Mazur, Adam: ‘Monika Sosnowska’, Flash Art, 2006 | |
Kane, Elena: ‘Monika Sosnowska’, Contemporary Magazine, 2006 | |
2005 | Viereck, Matthias von: ‘Ein Pavillon für Drei. Das Projeckt-Sehnsüchtig gleiten Ballone rund um die Welt – geht in die Letzte Runde’, Zitty, 30/11/2005 |
Szabłowski, Stach: ‘Geometria z nerwicą’, Newsweek, 30/11/2005 | |
Jeffrey, Moira: ‘Somewhere Nowhere. Monika Sosnowska’s Gorbals’, ARCADE, 30/11/2005 | |
Morton, Tom: ‘Monika Sosnowska’, Frieze, Issue 89 03/2005 | |
Martin, Alexandra: ‘Emerging Artists: Institutional Breakdown’, Modern Painters, 2005 | |
2004 | Darwent, Charles: ‘Unknown’, The Independent on Sunday, 12/12/2004 |
Cripps, Charlotte: ‘Unknown’, The Independent Review, 24/11/2004 | |
Pasini, Francesca: ‘Monika Sosnowska’, Artforum, 09/2004 | |
Lorch, Catrin: ‘Splendor Geometrik’, Frieze, Issue 82 04/2004 | |
Thea, Carolee: ‘Architectures of Gender: Contemporary Women’s Art in Poland, Sculpture Center, New York’, Sculpture, 29/02/2004 | |
Auslander, Philip: ‘The Biennale and its Discontents’, PAJ, 01/2004 | |
Szymczyk, Adam: ‘Aperto Poland’, Flash Art, 2004 | |
Verwoert, Jan: ‘Halluncinated Modernism: On the works of Monika Sosnowska’, Be Magazin des Künstlerhaus Bethanien, 2004 | |
Monaghan, Helen: ‘Monika Sosnowska’, The List, 2004 | |
Verwoert, Jan: ‘World in Motion’, Frieze, Issue 84 2004 | |
2003 | Ronnen, Meir: ‘Out of Focus’, The Jerusalem Post, 14/12/2003 |
Kleeblatt, Norman L: ‘Istanbul Biennial’, ArtNews, 12/2003 | |
Lafuente, Pablo: ‘8th International Istanbul Biennial’, Art Monthly, 11/2003 | |
Kempkes, Anke: ‘Hidden in Daylight, Hotel Pod Jeleniem, Cieszyn’, Frieze, Issue 78 10/2003 | |
Kopsa, Maxine: ‘50th Venice Biennale’, Frieze, Issue 77 09/2003 | |
Diez, Renato: ‘La dittatura dei curatori: capolavoria Venezia’, Arte, 09/2003 | |
Sommer, Tim: ‘Der frosse jahrmarkt’, Kunstmagazin, 08/2003 | |
‘Art 34 Basel Boasts Strong Results – Show News’, Art Business News, 31/07/2003 | |
Lledo, Elena: ‘Entre el sueno y el conflicto’, Lapiz, 07/2003 | |
Naylor, Stephen: ‘Feeling the Heat of the 50th Venice Biennale’, Art Monthly Australia, 07/2003 | |
Snodgrass, Susan: ‘Report from Frankfurt: Manifesta 4: Defining Europe?’, Art in America, 01/2003 | |
Heartney, Eleanor: ‘Mending the Breach’, Art in America, 2003 | |
Vecchio, Gigiotto del: ‘Monika Sosnowska’, Boiler, 2003 | |
Menin, Samuele, Valentina Sansone: ‘Sculpture Forever: Contemporary Sculpture (Part 1)’, Flash Art, 2003 | |
Cabanas, Kaira M, Jacinto Lageira: ‘Venice Biennale; Alexandre Pèrigot’, Parachute, 2003 | |
2002 | ‘Architectures of Gender: Contemporary Women’s Art in Poland’, n.paradoxa, 30/11/2002 |
Woliński, Michał: ‘Działanie z zaskoczenia’, Fluid, 30/11/2002 | |
Ammann, Jean-Christophe: ‘Not enough art, too much political correctness’, Art Newspaper, 09/2002 | |
Nemeczek, Alfred: ‘Mit geblähtem Segel durch die Wiener Kanalisation’, Kunstmagazin, 30/06/2002 | |
Dillon, Tamsin: ‘Manifesta 4’, Art Monthly, 2002 | |
‘Women artists at Manifesta’, n.paradoxa, 2002 |
Exhibition Reviews
2020 | Tucker, Ethan: ‘Destruction Becomes a Form of Creation in the Sculpture of Monika Sosnowska’, Metropolis M, 10/03/2020 |
Berdy, Michele A.: Monika Sosnowska Shares ‘Exercises in Construction, Bending‘, The Moscow Times, 03/03/2020 | |
2019 | Heardman, Adam: ‘Monika Sosnowska’, Art Monthly, 09/2019 |
Gregnanin, Guilia: ‘Monika Sosnowska at The Modern Institute, Glasgow’, Mousse, 29/07/2019 | |
Mansfield, Susan: ‘Art review: Nicolas Party, The Modern Institute, Glasgow | Monika Sosnowska, The Modern Institute, Glasgow’, The Scotsman, 13/07/2019 | |
Asthoff, Jens: ‘Monika Sosnowska’, Artforum, 04/2019 | |
2017 | Kimmel, Erin: ‘Monika Sosnowska’, Artforum, 10/2017 |
2016 | Thorne, Harry: Critic‘s Guide: Glasgow, Frieze, 13/04/2016 |
Judah, Hettie: ‘A Polish housing estate inspires Monika Sosnowska’s twisting metal forms in Glasgow’, SPACES, 11/04/2016 | |
2015 | Forrest, Nicolas: ‘Monika Sosnowska’s Distorted Architectural Models in Paris’, Blouin Artinfo, 30/06/2015 |
Strasnick, Stephanie: ‘Visit Cahiers d’Art in Paris to See Monika Sosnowska’s Paper Models’, Architectural Digest, 30/06/2015 | |
Griffin, Tim: ‘Monika Sosnowska‘, Artforum, 01/2015 | |
2014 | Rosenberg, Karen: ‘Monika Sosnowska: ‘Tower’’, New York Times, 24/09/2014 |
Benschop, Jurriaan: ‘Monika Sosnowska‘, Artforum Online, 04/2014 | |
2013 | Nelson, Robert: ‘Monuments of the failure of modernist architecture’, The Age, 04/09/2013 |
Fehily, Toby: ‘Monika Sosnowska ‘Regional Modernities’ tour and talk with Charlotte Day at ACCA‘, Three Thousand, 21/08/2013 | |
West, Sam: ‘Monika Sosnowska, ‘Regional Modernities’ opening at ACCA‘, Three Thousand, 21/08/2013 | |
Rule, Dan: ‘Memories recast in metal‘, The Age, 10/08/2013 | |
W, G: ‘Don‘t take the stairs - Distorting the Aspen Museum‘, Modern Painters, 02/2013 | |
Mantle, Jac: ‘Art’, The Skinny, 01/2013 | |
2012 | Miller, Ben: ‘Last Chance to See: ‘The Future‘s Not What it Used to Be’ Gallery Cardiff‘, Culture 24, 11/2012 |
‘Exhibitions‘, The Guardian Guide, 22/09/2012 | |
Vogel, Carol: ‘Inside Art’, New York Times, 02/08/2012 | |
Egea, Eduardo: ‘Reviews’, Flash Art, 03/2012 |
Publications
2018 | She Sees The Shadows, DRAF / MOSTYN |
2015 | Architectonisation, Fundação De Serralves, Porto |
Text by Turowski, Andrzej: Monika Sosnowska. Tower, Hatje Cantz and Hauser & Wirth | |
2013 | Bell, Kirsty: The Artist's House: from workplace to artwork, Sternberg Press |
2009 | Aufrecht, Evelyn: Monika Sosnowska: Robert-Jacobsen-Preis der Stiftung Würth 2008/2009, Swiridoff Verlag, Künzelsau |
2008 | Monika Sosnowska: Photographs and Sketches, Schaulager and Steidl Publishers, Basel and Göttingen (monograph) |
2007 | A Dream of Prefabricated Houses, in Monika Sosnowska, (monograph), Zachęta Państowowa Galeria Sztuki, Warzsawa |
Monika Sosnowska, Kunstmuseum Liechtenstein and Verlag der Buchhandlung Walther Koenig, Liechtenstein and Cologne (monograph) | |
Monika Sosnowska, Zachęta Państowowa Galeria Sztuki, Warzsawa | |
Spatio-Temporal Rhythms and the Propagandistic Background of Architecture, in Monika Sosnowska, Zachęta Państowowa Galeria Sztuki, Warzsawa | |
2006 | Artists and Place-making, Black Dog Publishing, London |
Ideal City - Invisible Cities, Revolver, Frankfurt am Main | |
Pustostany, po nowoczesności. in: Monika Sosnowska, Galeria Arsenał, Białystok | |
2005 | Arte Fantastica. Sculptures in the Park, Centro d’Arte Contemporanea Villa Manin, Passariano |
Gortzen. Ich und die Anderen, Udo G. Cordes, Berlin | |
2004 | Le XXe siècle dans l’art polonais, Aica Press, Paris |
Monika Sosnowska, Serpentine Gallery, London (monograph) | |
2001 | Aren’t You Going to Expose Me?, Galeria Bielska BWA, Bielsko-Biała |
Exhibition Publications
2013 | Monika Sosnowska Aspen Art Museum Exhibition catalogue, Aspen Art Press, Aspen |
Monika Sosnowska: Regional Modernities, Australian Centre for Contemporary Art, Southbank | |
2008 | Other Than Yourself: An Investigation between Inner and Outer Space, Thyssen-Bornemisza Art Contemporary, Vienna |
The Wind House, Portavilion: Public Art for London's Parks, Portavilion, London | |
2006 | Sehnsüchtig gleiten Ballone rund um die Welt / Longing Balloons Are Floating Around the World, Berlin-Mitte, Gormannstrasse/ Mulackstrasse, Berlin |
2004 | Ce qui reste, Galerie du TNB, FRAC Bretagne, Rennes |
Cordially Invited, episode 3, BAK, Utrecht | |
PRYM, Zielona Góra, Warsaw; Galeria Biuro Wystaw Artystycznych, Foksal Gallery Foundation and Revolver, Warsaw and Frankfurt | |
Re: Location 1-7/ Shake, OK Centrum für Gegenwartskunst and Folio Verlag, Linz and Vienna | |
2003 | Architectures of Gender: Contemporary Women’s Art in Poland, Sculpture Centre, New York; National Museum, Warsaw |
Art Focus 4, International Bienniale of Contemporary Art, Museum of Underground Prisoners 1918-1948, Jerusalem | |
Bewitched, Bothered and Bewildered: Spatial Emotion in Contemporary Art and Architecture, Migros Museum für Gegenwartskunst and Centrum Sztuki Współczesnej Łaznia, Gdańsk | |
Hidden in a Daylight, Foksal Gallery Foundation, Warsaw | |
Poetic Justice, 8th International Istanbul Biennial, Foundation for Culture and Arts, Istanbul | |
Re: Location, Villa Arson, Nice | |
The Spectacles of Architecture, Foksal Gallery Foundation, Warsaw | |
2002 | Dreams and Conflicts, The Dictatorship of the viewer, 50th International Art Exhibition, Venice Biennale, Venice |
Fair, Royal College of Art, London | |
In Capital Letters, Kunsthalle Basel/ Schwabe Verlag, Basel | |
Manifesta 4 – European Biennial of Contemporary Art, Hatje Cantz, Frankfurt am Main | |
Project 1. Pause: Conception. 4th Kwangju Biennial, Kwangju, Kwangju Biennale Press, Kwangju | |
2001 | TIRANA BIENNALE 1, National Gallery + Chinese Pavilion, Tirana |